Kill At Will (1990)—Ice Cube
The track “Jackin’ For Beats” was my idea. In 1990, everybody’s beats were crazy from D-Nice and Digital Underground to P.E. and EPMD…everybody’s beat was damn near better than the next! So I was like, ‘Man, I wish I could rap on all this shit that’s out right now. And then I thought about it: why can’t I? I got with Chilly Chill and started building the record. But Chilly could only take it so far, so then I had Jinx to come in and put the finishing touches on it. All of the songs on “Jackin’ For Beats” got cleared, but when you do something as ambitious as that it can get pretty expensive. D-Nice had sampled “Call Me D-Nice from somebody, so we ended up having to pay D-Nice and the person he sampled from. Now just imagine having eight or nine different people’s songs in an actual track like that. That’s why I didn’t do a “Jackin’ For Beats 2” because that song was just way too expensive. It didn’t make good business sense to do a song like that [laughs].
I was moved to write “Dead Homiez” because one of my homies named T-Bone got smoked and he was a good dude. That whole thing fucked me up. I wrote that song in one hour because I was just feeling it. Jinx had this slow ass beat that I didn’t know what to do with, but it was perfect for “Dead Homiez.” Around the same time I started filming Boyz In The Hood. To tell you the truth, I wasn’t even interested in acting or the movies. I had never been to acting school. I was like, ‘Who would want to put me in a movie?’ I met John Singleton around the same time when I was upset with Arsenio Hall because he had 2 Live Crew on his show, but never let N.W.A . come on. And that show was taped right in L.A.! So John walks up to me and he’s like, ‘Hey, you’re Ice Cube from N.W.A.’ He told me he was going to USC and writing a movie and he wanted me in it. I was like, ‘Yeah right.’ I just blew him off, but I kept running into him. I ran into him at a P.E. concert. I saw him at a Farrakhan event.
John kept telling me the same thing. When I read the script, I took him seriously, but I was wack at my [screen test]. John was like, ‘Okay, I’ll give you another shot, but if you are wack again I’m going to get somebody else.’ So I took it seriously after that. Boyz In The Hood was very real. It was like, ‘Damn, this movie is actually about how we grew up. They are making a movie about this shit?’ I couldn’t believe it. Most people come into the movie game with cameo roles. But they usually don’t get something as powerful as a role like Doughboy. By me playing that role and being able to deliver on it I think people took me seriously as an actor. To this day, Boyz In The Hood made it possible for me to have a film career.