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If the Pete Rock–furnished horn stabs of “Be Easy” are representative of Fishscale’s golden-era aesthetic, “Back Like That,” which
fuses an interpolation from Jay-Z’s, “Song Cry” into Ne-Yo’s soulfully
crooned hook, is an intentional radio-ready
endeavor. But even when he compromises, Ghost wins: “I should just bark on you...’cause I’m too much man to leave a mark on you.”
Appearances from Wu-Tang cronies on tracks such as “9 Milli Bros.” largely appeal to nostalgia, but the chemistry between Raek-
won and Tony Starks remains
intact, as evidenced by the jubilant drug ode “Kilo” and the visual “R.a.g.u.” With the exception of a Just Blaze adrenaline rush on “The Champ,” Ghostface mostly snubs
big name producers for indie icons MF Doom, J Dilla, and Madlib. The sample-heavy results are
cohesive yet diverse, a proper canvas for Ghost’s finest effort since Supreme
Clientele.
Article tags: Ghostface Killah Fishscale Album Review, Supreme Clientele, Fishscale Crime, Coke
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