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Civil Writes: Savagery Lost In Translation

It is like a jungle more often than sometimes. Your office.Your neighborhood, your city, your world, the world of
entertainment­­ –– they’re all wildflower seeded habitats breathing off their own merciless order.

The laws are as breakable as the day’s first meal. Forethought and instincts increase lifespan. We live this every day. We do so to eat (dough, bread, cheddar, cake...). Yet we continue to underutilize our largest food: language, the stairway to true ascension.

For much of our “evolution,” we’ve traded away primitive essentials. We humans of every complexion have been distracted by man-made law, religion, tradition and fear for so long we’ve forgotten who we are––animals; interestingly, the only who aspire to be anything but (we’re beasts with a God complex). We'll always be more Neanderthal than perfect. Still the refined, so infatuated with that impossible pursuit of perfection, lose sight of savagery’s beauty.

The flipside sees the untamed blind to opportunity afforded by progression. Sometimes the caveman doesn't realize the world awaits its discovery (and vice versa). Sometimes the clothed man doesn’t realize the world longs for its liberty; self-chained by civility. Absent between the two extremes is diplomacy. Plugging that void is what I consider my deployment as Cultural Engineer. Supervise our jungle. Monitor. Destroy and rebuild. Progress.

There’s nothing new under the sun. So if I use this new blog of mine to gush about one of Keith Olbermann’s GOP beheadings, or to ask are women better adulterers than men, or to wish Dick Cheney syphilis, understand I’m simply shifting sunlight off of weeds and onto spinach.

This feels needed. For far too long you’ve been forced to feed yourselves off online journalism that does more aggregating than cultivating (especially in hip hop). Civil Writes will do its due diligence to supply what you should be demanding––politics that speak to you instead of over or at you, gender translation, the untapped perspective on the beaten-to-death topic, emphasis returning to personal health…care, etc.

The focus here will be to not only clothe your raw primate but simultaneously undress your finer self of baggage inherited from societal coda and background familiarity. It’s a new day, a new year, a new decade. Where’s the new you? If it’s not perched on the horizon then let these words be its starting gate. We’ll make a deal: you help Civil Writes get bigger and Civil Writes will make you better. Deal? Cool. So let’s begin this journey.

What will make you better?

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Bonsu Thompson has accomplished more in his career than most journalists dream of. The Rolling Stone 2001 “Hot Interviewer” has penned for mags like Details, XXL, Penthouse, SLAM and KING as well as notable brands such as MTV, VH1, Rocawear and Translation.

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Jordan Peele’s ‘Us’ Is Expected To Make $64 Million Opening Weekend

Thanks to Us, Jordan Peele has another blockbuster on his hands. According to the Hollywood Reporter, the highly-anticipated horror flick starring Lupita Nyong’o, Winston Duke, Shahadi Wright Joseph and Evan Alex, is expected to have a $64 million opening weekend at the domestic box office.

Peele’s sophomore horror film earned an impressive $7.4 million on Thursday (March 21) night previews, and is forecasted to take in about $27 million from Friday sales. The film is also on pace to knock Captain Marvel out of the No. 1 spot at the box office.

Once final numbers are tallied, Us will likely snatch the third-best opening weekend record for an R-rated horror film behind It, which brought in a whopping $123.4 million, followed by Halloween’s $76.2 million opening weekend last year.

Aside from rave reviews and a genius promo run that included simultaneous screenings in major media markets, Us earned a 95 percent approval rating on Rotten Tomatoes.

The film, set in the mid-1980s centers around a family of four who set off on a vacation that finds them confronting some familiar faces.

Peele recently spoke to VIBE about casting Duke (our April 2019 cover star) in the role of patriarch, Gabe Wilson. “I have to have somebody voice what the audience was saying,” he said. “In the case of Get Out, it’s Rod, like, ‘How have you not left yet?’ [In Us], Winston is largely that voice. There’s one moment where Lupita [Nyong’o] takes a step into the unknown, where black people [will think], ‘I don’t know.’ But to have Winston say, ‘Aaaand she left. Your mother just walked out of the car.’ That’s all we need.”

Duke also opened up about the intricacies of his character. “His function isn’t to see through the veil. His function is to tell the absolute truth how he sees it,” explained the 32-year-old actor. “He’s sometimes there to say the things that other people don’t want to say, but he’s also there to make fun of things to keep it from not getting too heavy, even though it’s real. That was my job. [Peele] respected that. I like to lean into functions. If I’m going to be your antagonist, I’m gonna really push you. If I’m gonna be your clown, funny guy, I’m gonna do that.”

Click here to read VIBE’s April 2019 cover story.

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Cardi B Explains Why She Wants To Trademark “Okurrr”

Cardi B hopes to secure as many “bags” as possible. In response to backlash and burning questions surrounding her decision to file to trademark “okurrr,” the 26-year-old rapper took to social media Friday (March 22) to defend her latest money move.

Since people tend to ask Bardi to use what has become her signature catch phrase, she figured that it was time to cash in. “You think I ain’t gonna’ profit off this sh*t? B*tch white folks do it all the motherf**king time,” she said. “So you gon’ be mad at me ‘cuz I want to get some motherf**king money?

“While I’m still hear I’ma secure all the fucking bags,” Cardi continued before adding that there are a “lot of ways to get rich” in 2019.

The Bronx native caught heat for wanting to trademark the word because she wasn’t the first to say “okurrr.” Cardi already revealed that she started using it after she heard Khloe Kardashian saying it, but the word was originally popularized in drag culture -- most notably by Rupaul’s Drage Race contestant Laganja Estranja, in 2014.

However, Rupaul attributed the word to Broadway actress, Laura Bell Bundy, who used it in YouTube skits dating back to 2010. In the skits, Bundy pretends to be a hairdresser named “Shocantelle Brown.”

Although Bundy caught criticism for her little character, which was deemed racist, she typically gets credit for bringing “okrrr” (different spelling) to the internet a full decade before Cardi made it mainstream.

No matter the origin, it looks like Cardi will be the only one profiting off of “okurrr.”

 

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#CardiB on why she decided to trademark “Okurr”

A post shared by the Jasmine BRAND (@thejasminebrand_) on Mar 22, 2019 at 5:32pm PDT

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Kanye West, EMI Working Towards Private Settlement

Kanye West and EMI could be close to settling their legal drama. Each party filed documents requesting a stay of the case to “explore the potential for a resolution,” The Blast reports.

West sued EMI in an effort to “gain freedom” from his contract, and to own his publishing. In the lawsuit, ‘Ye argued that his contract ended in 2010 under California law, which bars entertainers from being tethered to an agreement for more than seven years. The multi-Grammy winner, who signed the deal back in 2003, also accused the company of slavery because the contract doesn’t allow him to retire.

“Even if the contract were not lopsided in EMI’s favor (it is), even if its terms valued Mr. West’s artistic contributions in line with the spectacular success he has achieved for EMI (they do not), and even if EMI had not underpaid Mr. West what it owes him (EMI has), he would be entitled to be set free from its bonds,” the lawsuit reads.

EMI hit back with a countersuit filed in New York, instead of California. The suit pointed out that the 41-year-old rapper signed multiple contract extensions, in addition to accepting millions in advances.

According to The Blast, West and EMI now feel that putting a hold on the legal proceedings will be beneficial to both sides “and the Court by enabling the parties to engage in meaningful discussions in an attempt to resolve this action without having to incur the burden and expense of litigation and motion practice.”

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