Singled Out: Ruben Studdard Feat. Rick Ross "Don’t Make ‘Em Like U No More"
Big guys stay winning.
Big guys stay winning.
TLC owned the year 1999. FanMail released on this day (Feb. 23), 20 years ago, and made the Atlanta R&B trio the best-selling female group in the United States. The flood of popular R&B acts that emerged during the early 1990s under the banner of New Jack Swing, hip hop soul, and silky slow jams, fizzled out.
Meanwhile, TLC seamlessly evolved as newcomers like Britney Spears, *NSYNC and Destiny’s Child emerged on the Billboard charts. On the Grammy-winning Best R&B Album opus, TLC and longtime producer Dallas Austin brought back their radio-friendly hip-hop, R&B and pop anthems empowering women and underdogs, this time with a nod to the digital era.
FanMail, from the sound to the art direction, embodied a timely futuristic aesthetic, as everyone was obsessed with technology’s cultural takeover in the new millennium: remember Y2K hysteria, Napster mp3 file sharing, and the Dot.com boom? On the album's cover, T-Boz, Chilli and Left Eye's faces appear as silver-faced avatars floating above an orbit. A code of numbers are printed across the cover, imagery often associated with The Matrix. (Although FanMail dropped a month before the film hit theaters.)
On the title track, listeners are greeted by Vic-E, the everpresent robotic voice narrating the album: “Just like you, they [TLC] get lonely, too." She reassures listeners that fame doesn't stop them from being human. The digitized voice is reminiscent of the “tour guide” on A Tribe Called Quest’s 1993 album Midnight Marauders. Yet, unlike Tribe, TLC collaborates with the robot, as it contributes background vocals throughout. Austin also sprinkled FanMail with samples of sounds — check “Communicate (Interlude)” and “LoveSick” for examples — he found on the Internet, movies, and devices like printers, he shared with MixOnline.
It was a smart move to modernize, as it had been five years since TLC released its best-selling 1994 album CrazySexyCool. The sultry mix presented a more mature and stripped back follow-up to the colorful, youthful angst of Ooooooohhh... On The TLC Tip. This five-year gap could have left the group’s fans uninterested, especially if they were releasing in today's fast-paced consumption environment, in which stans demand new releases on social media after only a year or two. But the time away didn’t hinder TLC. Now 10 years in the game, they managed a successful return by dedicating this project to their fanbase.
“Left Eye came up with the title, and we made it come together creatively as a group, along with Dallas Austin,” T-Boz said in their May 1999 VIBE cover story. “It was like, Let’s write and sing one big fan letter. Let’s put fan names on everything – all the singles, the album cover, T-shirts, mugs. Just show our appreciation."
Left Eye also chimed in with a transparent business savvy explanation. “Now we know that the way contracts are set up, it’s not really made for artists to get rich from selling records – that’s the company’s one shot to make money,” she explained. “The artist is supposed to use that as an outlet to do merchandising and other things that we never took advantage of because we were too busy sitting in bankruptcy court trying to get a settlement out of LaFace.”
That part. Although TLC were multi-platinum selling artists up until FanMail, they had faced a public financial battle with their management Pebbitone, Inc. and label, LaFace Records. This caused the delay between their sophomore and third efforts. In 1995, the group, who revealed they were "broke" at the 1996 Grammys, filed for bankruptcy in hopes to break their contract and renegotiate a new deal.
They were $3.5 million dollars in debt and earning an 8 percent royalty rate. In November 1996, they settled with Arista and BMG and LaFace for an 18 percent royalty rate. To add to the drama, there were talks of producer Dallas Austin leaving the project because of back-and-forths with TLC and L.A. Reid over the creative direction of the album, the 1999 VIBE cover story stated. Thankfully, the parties resolved their misunderstandings enough to complete one of the biggest albums of the decade.
On 17 tracks, TLC took on sexuality, insecurities, self-reliance, and vulnerability with resistant messaging, their tried and true winning formula. This energy paved the way for Destiny’s Child’s reign in the 2000s, and the transparency R&B singers like SZA, H.E.R. and Summer Walker carry on today. TLC's defiance gave women of the ‘90s permission to be vocal about the spectrum of their emotions, from their sex drives on “I Ain’t Too Proud to Beg” to revenge cheating on “Creep.” FanMail brought more of those goods.
The most notable “No Scrubs,” also considered pop canon, is a scathing critique on men at bottom of the dating pool. “A scrub is a guy, who thinks he’s fly and is also known as a busta/ always talking about what he wants and just sits on his broke a**,” Chilli belts in opening lines. The no. 1 track became such a phenomenon that it inspired the petty male response, “No Pigeons” from Sporty Thievz, their biggest claim to fame. Former Xscape members Kandi Burruss and Tameka Dianne "Tiny" Harris penned it and Kevin "She'kspere" Briggs, also behind Destiny’s Child’s no. 1 song “Bills, Bills, Bills,” produced it.
TLC tapped the legendary Hype Williams for the "No Scrubs" visual. Instead of setting the video in a club where scrubs are likely inhabitants, the visual features the trio in outer-space suits floating through a futuristic setting no scrub could ever reach. Most notably Lopes, who in the video does martial arts while a drone films her, manages to keep the digital theme, even when dissing the guys. “Can't forget the focus on the picture in front of me/You as clear as DVD on digital TV screens,” Lopes raps.
The wonky bop “Silly Ho” is another anti-playa anthem, in which TLC proclaim they aren't the kind of women who are scheming for men's pockets. “I can run a scam before he can/ I am better than a man/ I always keep my game all day,” they chant. TLC keeps demanding respect on the choppy “My Life,” their Janet Jackson Control moment, appropriate given their music industry woes.
TLC breaks from jittery beats and Vic-E assisted numbers for alternative pop, on the album’s second no. 1 hit single "Unpretty," which tackles insecurities caused by a toxic partner’s body-shaming. T-Boz deads him by summoning self-love: “Maybe get rid of you/ And then I'll get back to me, yeah.” The track was inspired by a poem T-Boz wrote, Dallas Austin told CNN in 2000. He also spoke on the songs’ folky essence. "I like a lot of alternative music, and when I saw the title, “Unpretty” reminded me of a song somebody like (alternative singer) Ani DiFranco would have (written). I just went at it,” he explained. The crew also gave us sensual beckoning on the mid-tempo groove “Come On Down,” penned by legendary pop songwriter Diane Warren.
The album ends with soulful bop “Don’t Pull Out on Me Yet,” but it’s “Communication (Interlude)” that feels like the proper conclusion. “There's over a thousand ways/ To communicate in our world today/ And it's a shame/ That we don't connect,” they say in a spoken word that offers a foreshadowing to our present human condition. Loneliness is on the rise, and more screen time and less human interaction are being linked to growing depression among American adolescents. "So if you also feel the need/ For us to come together/ Will you communicate with me?” As technological advancements create the feeling of being in closer proximity to more people's thoughts and happenings, it reminds us that these interactions can be fleeting and one-on-one intimacy with your chosen tribe could never become obsolete.
Although its 1999 original drop date has come and gone, in 2019, FanMail is still a fitting soundtrack for dating in the digital age. Whether they're making their contact through the passenger sides of cars or down in the DMs, the personalities pointed out on the poignant album, are still walking amongst us, messing with our hearts one way or another. FanMail proved that TLC was more in tune with the future than their pop peers, and will more than likely continue to be.
Nicki Minaj is feeling “gutted” and “heartbroken” after she was forced to cancel a tour stop in show in Bratislava, Slovakia Friday (Feb. 22) due to technical difficulties, the “Barbie Dreams” rapper said on Instagram.
“I can’t believe my fans sometimes,” Minaj captioned a cascade of videos of her on stage breaking the bad news to fans. “After waiting for hours & hours, they still tried to be understanding.”
The venue didn’t have the electrical capabilities to support a major “technical aspect” of the show and lost power several times in the process, TMZ reports.
“Production was told the building does not have the power to facilitate my lifts,” Minaj explained. “They’d get the show powered up then the breaker would basically trip after a few mins.”
XL Promotion, the company promoting the show in Slovakia, shared a different story on Facebook. “The Winter Stadium of Andrew Nepelu meets all the technical standards and the agency XL Promotion respected all the conditions sent by the production of Nicki Minaj,” reads the post.
The company blamed Minaj for deciding to cancel, and added that they have done a number of “large world productions” for musical acts including Depeche Mode, Lenny Kravitz, One Republic and “many others.” XL Promotion vowed to refund all ticket holders.
Some of Minaj’s loyal Barbz waited up to seven hours before being told that the show was cancelled, according to comments on her Instagram post and tweets from fans.
Minaj said that she felt “horrible” about the whole thing. The Young Money rhymer also promised to “figure out a way,” to come back and make up for the missed performance, which was the second stop on the European leg of her Nicki WRLD Tour featuring Juice WRLD. The jaunt kicked off in Germany Thursday and rolls into Poland on Feb. 24.
Read Minaj's full Instagram post below.
View this post on Instagram
Gutted. Heart broken. I can’t believe my fans sometimes. After waiting for hours & hours, they still tried to be understanding. Production was told the building does not have the power to facilitate my lifts (which don’t only move me below & very VERY high above the stage, but also move all our props, furniture, dancers, band, etc.), our lighting rig, fog, cryo, confetti, movies/visuals. They’d get the show powered up then the breaker would basically trip after a few mins. Juice WRLD & I waited while they did this over & over for 3 hours. Some of my fans came from Austria, Nigeria, etc. I met w/a lot of them & they had the best, sweetest energy. I’m so disappointed. Slovakia, I love you so much & I’ll do everything in my power to get back to you as soon as I can. I think the venue/promo team probably didn’t expect a rap show to have such over the top production. We run the risk of someone getting hurt if we start the show & smthng malfunctions mid-show. Sorry we couldn’t have a great night together. We’ll be in Poland on Sunday @ a building that can facilitate our show. ♥️🙏🏽
R. Kelly turned himself in to authorities in Chicago Friday (Feb. 22), hours after being charged with 10 counts of aggravated criminal sexual abuse. Kelly, 52, was met by a flood of cameras when he arrived at the precinct. Officers quickly led him away in handcuffs.
The Grammy winner, whose birth name is Robert Kelly, is expected to remain in custody overnight before appearing in court Saturday for a bond hearing, reports the Chicago Tribute.
Earlier in the day, Cook County State Attorney’s Kim Foxx announced charges against the singer who is accused abusing four victims, three of whom are between the ages of 13 and 17, according to a grand jury indictment. Cook County Judge Dennis Porter authorized an arrest warrant for Kelly with no bail amount.
Kelly has claimed innocence for years, amid numerous allegations dating back more than a decade.
Steve Greenberg, Kelly's lawyer, maintained Friday that his client is an "innocent man," and that all of his accusers are "lying." Greenberg tweeted earlier in the day, that Kelly would be surrendering between 11 p.m. and midnight, at the Area South location.
If convicted on all charges, Kelly faces up to 70 years in prison. See video of his surrender below.