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David Banner: 'It Ain't About How Good You Can Rap Anymore...'

As David Banner prepares a collaborative album with 9th Wonder called Death of a Pop Star, he speaks with VIBE about he's bringing the Grim Reaper to popular music.

Death of a Pop Star is about the death of contemporary music and how the system is trying to take away our ability to have pop stars. Music has been reduced to a download; it’s going to be almost impossible for there to be another Michael Jackson or Usher. The power has been taken away from the people. I’m not saying I’m sick of the music industry but it’s just that certain people are trying to make it like the WWF, and that’s bull.

Music just doesn’t have a balance right now, the problem is that system doesn’t care about the quality of music. The only thing record companies care about is money and their return on investment as quick as possible. These labels don’t have one owner anymore that has a soul. They have corporate entities that don’t care about talent and will just push garbage. Now, they think can get anybody to play the part of a rapper. Everybody feels like they can be a rapper. If record companies are going to put out albums by people that only have one hit song on the whole project, shit, I wouldn’t buy it either.

People don’t even mix and master records anymore. They don’t care about the quality of music anymore and it’s turning it into shit and it’s our fault. All these blog sites and magazines are doing the same thing with the bullshit politics. The media ain’t shit, they only care about screwing each other. It ain’t about how good you can rap anymore. Dope beats? What happened to that? Now it’s all about what features a rapper is going to have or who he’s having sex with. But we allowed it to happen and it’s our fault. Don’t blame it on no regions or anybody. Blame it on yourself for not liking better music, the magazines and blogs need to put out better information. And if anybody has any gripes with me, you can hit me on twitter @therealBanner. —As Told To Mikey Fresh

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DaBaby Takes His "Bop On Broadway" In New Video

DaBaby's music videos have become a big deal. He's been consistent with releasing entertaining visuals, featuring playful choreography, and imagery. Today (Nov. 15), the North Carolina native unveiled the brand new visuals for "Bop   on Broadway," a song from his latest offering, Kirk.

Directed by Reel Goats, the video is billed as a hip-hop musical and features lots of gleeful dancing. In fact, at one point the Jabbawockeez take over the video.

In other DaBaby news, the"Baby on Baby" rapper has been running the Billboard's Hot 100 chart for six consecutive sixth weeks, as a result of having eight songs on the latest weekly Billboard Hot 100 charts.

Of DaBaby's eight songs on Billboard, four are from his Kirk LP. The other entries are collaborations with Lil Baby, Chance the Rapper, Megan Thee Stallion, Post Malone, and Lil Baby.

Watch the video above.

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Solange Uses Her Divine Spirit To Calm The Mind And Body For "Bridge-s" Performance Piece

There's a serene feeling over the bodies standing in the iconic architecture at the Getty Center Museum. Jazzy horns, peaceful keys, and crisp guitar riffs gently interrupt the soothing silence as dancers dripped in marigold threads swayed to "Counting," a composition created by Solange. A series of odd numbers like "5", "7" and "9" are recited on a loop by half of her dancers while the others chant "6", "4" and "2." It's just a preview of her latest creation Bridge-s but felt like a dynamic meditation.

Bridge-s brings yet another magnetic piece into her series of interdisciplinary works that spawned after the release of her magnum opus, A Seat At The Table. The world was introduced to Solange's artistic side thanks to performance art pieces at the Guggenheim in New York and the Hammer Museum in Los Angeles.

Composed by Solange and choreographed by Gerard & Kelly, Bridge-s was created with the pillars, beams, and columns around the museum in mind. Dancers and the orchestra used the space to their advantage, with tuba players catching the peripheral of attendees from afar.

Four rollouts will take place November 16-17, curated with a selection of films that include Black to Techno by Jenn Nkiru, AFRONAUTS and Boneshaker by Nuotama Bodomo, The State of Things by singer-songwriter Kish Robinson (Kilo Kish) and more. In its entirety, Bridge-s was designed to explore "transitions through time."

This was felt throughout the performance piece as dancers move with the intent of love, internal struggle, and unity. In a stunning zine designed by Sablā Stays, Gerard & Kelly shared the emphasis behind their modernist and inclusive approach.

"Our work, like hers, is part of an interdisciplinary effort throughout the arts and humanities to redefine modernism by critically engaging its prevailing narratives. By accounting for differences of gender, sexuality, and race. By focusing on intimate and collective histories. By centering our work around the body, dance and movement," they said.

Solange also opened up about the importance the museum and the Elbphilharmonie Hamburg played in the performance piece. "Both Elbphilharmonie Hamburg and the Getty Museum have sure strong distinctive voices spatially, and so the intention is that all of the work, the movement, the language, the songs all align with those principles," she said. "Working with Gerard and Kelly, who share many of the same philosophies on their approach to interpreting time and space through performance has really built the foundation [for] the spirit of this collaboration."

Like the rest of us, the artist watched closely the dancers glide across the floor, while bandmembers release enchanting sonnets with vocalists dropping a few high notes in between. Guests like Thundercat (and his Pikachu backpack), Kilo Kish, Dev Hynes of Blood Orange and Tyler, The Creator were also left speechless after the performance.

“I just want to thank you guys for allowing me the space to evolve, experiment and express new frontiers,” Solange said to the crowd after the assembly provided endless cheers.

Learn more about Bridge-s and get free tickets here.

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Premiere: Akevius Dotes On His Girl On "1+1" Feat. DaBaby

Rookie crooner Akevius not only has a strong voice and promising career in his future, but the North Carolina native has a strong pen game which is evident on his new single.

Today (Nov. 15), Akevius linked with VIBE.com to premiere his boy crazy record dubbed, "1+1" featuring DaBaby. Over an aphrodisiac-like instrumental, Akevius effortlessly dotes over his girl before letting DaBaby adds his two cents about how much he cares about his PYT, making for an addictive radio-friendly record.

“DaBaby was always supportive of my music and we mutually wanted to work on a song together, that’s how '1+1' came about,” Akevius said via email.

"She my cutie, stupid booty/Girl I love it when you shake it/She the realest, she the illest, no one got nothing on my baby/That's lady/To keep it G, she gon' take it just for me," sings Akevius.

The budding singer also worked with Plies on the Polow Da Don and Krazy Figz-produced "Dumb Love."

Stream "1+1" below.

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