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Rick Ross Talks Erykah Badu Cosign, Biggie-Diddy Connection (Pg. 2)

Getting back to the music, it feels like you've made a real effort to improve on the mic in recent years. You've freestyled over tons of popular instrumentals and hopped on countless remixes. Why did you originally make the decision to do that?
Before I got on, I was one of the first artists in Miami putting out mixtapes. I was always one of those people who was able to stay current and accomplish so many things with ease. That's one of the things I pride myself on—working hard but not appearing to work hard. Being on everything but always looking like I'm just smoking weed and chilling. And when you love a record, you just love a record. If I love it, there's a good chance I'm going to fuck with it and be a part of it.

A lot of the songs you drop them to the blog sites sound like actual remixes. Some of them even get played on the radio with your verses. Has an artist ever reached out to you to give you feedback on what you did with one of their songs?
That's actually what happened with Erykah Badu's "Window Seat." When I heard it, it just moved me. I was sitting in the studio smoking and I got on it and released it at 5 o'clock in the morning when I finished it. Me and her were on the phone speaking about it by 10 o'clock that same morning. She was telling me she really loved it.

 


"Biggie is maybe the greatest of all-time. That wouldn't even be a fair comparison."
 

I ask all of this because back when your first single, "Hustlin'," dropped in 2006, I don't think anyone thought 'lyricist' when they thought about you. You actually got clowned for some of the lyrics in that song. Did you take that to heart?
Not at all! For a long time, people thought I was rapping too hard. I always swept that to the side. Growing up, I loved Big Daddy Kane and Ice Cube. I loved what I loved, so I was going to make what I was going to make.

You've obviously made an impression on people. Diddy, in particular, gave you a huge compliment earlier this year when he compared you to Biggie. Had you guys talked about that privately before he came out and told the world?
Nah. You know, we had been recording some things, but up to that point, we hadn't released nothing. Me and Diddy had just been in the studio several times, trying things out and creating some stuff. When he made the comparisons of me and Biggie, I didn't take them as me being compared to Biggie. Biggie is maybe the greatest of all-time. That wouldn't even be a fair comparison. But I sometimes try to channel the emotions Biggie had in his music and his ability to tell stories. It touched me in a certain way.

Do those comparisons put any additional pressure on you? People were just starting to really respect you as a lyricist when Diddy made them and then all of a sudden you were being compared to one of the GOATs. That has to make it a little more difficult for you to earn your respect.
Not at all, because I don't take them to heart. B.I.G. is B.I.G. That's a legend. I'm doing my own thing, but I would never play myself like that. I'm the boss and I do my own thing.

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Russell Simmons Accusers Detail Sexual Assault Allegations In ‘On The Record’

On the Record offers a detailed look into multiple sexual assault allegations against Russell Simmons, fears that Black women have about sharing their stories, and the lack of intersectionality within the #MeToo movement.

In the 97-minute film, which debuted on HBO Max on Wednesday (May 27), former record executive Drew Dixon grapples with her decision to go public with accusations against Simmons, and the concept of “race loyalty” that Black women battle when they’re attacker is a Black man.

Directed and produced by Kirby Dick and Amy Ziering, On the Record does a deep dive into the misogyny and sexism permeating through hip-hop. Of course, hip-hop has never been a monolith. The roots of the culture are steeped in protest, and although the genre didn’t invent misogyny or sexism (which is noted in the film), Black women have had an understandably complicated relationship with hip-hop.

“You stand in solidarity with the movement as a Black woman,” Dixon explains. “You don’t parse the sexism within the movement as a Black woman. We were so excited about hip-hop and what it meant that we laughed it off…and now that I’m older I realize that language set a tone. But I didn’t see it that way at the time.”

Dixon, a former A&R at Def Jam, began her music industry career in the early ‘90s as an A&R for Def Jam where she worked with the likes of Redman and Method Man, Tupac Shakur, Bone Thugs-n-Harmony, Mary J. Blige, and more.

One night in the mid-1990s, Dixon claims Simmons lured her to his apartment under the pretense of wanting her to listen to a demo track on a stereo located in his bedroom. As Dixon recalls, she walked into the bedroom and attempted to figure out how to turn on the CD player.“The next thing I know he [Simmons] is naked wearing a condom and he just grabbed me…and he threw me in the bed. He wrestles me to the bed and pins me down and I’m fighting and I’m saying ‘no!’ He’s telling me to ‘stop fighting!’ in a very cold, menacing, detached voice that I’d never, ever heard from him before.”

Dixon says she blacked out during the alleged assault. “Which is something survivors often do. It’s like a self-preservation tactic.” The next thing that she remembers is being naked in a tub with Simmons whom she says was casually talking to her as if they had had a consensual encounter. Dixon says she left his apartment, walked 22 blocks home, climbed in the shower and began to sob. “I was reduced to nothing. In that moment, I was trash. Nothing about anything that makes me who I am mattered. I was a physical object. A physical device. Some physical thing that he [Simmons] utilized for his pleasure.”

A few days later, Dixon says that she told a friend and former A&R, Miguel Mojica, about the sexual assault. She also continued working at Def Jam for a “little while longer” before resigning. Dixon went on to work at Arista Records where she says that she endured sexual harassment from L.A. Reid.

Reid denies Dixon’s claims calling the allegations “unfounded, not true, and represent a complete misrepresentation and fabrication of any facts or events alleged therein as having occurred.”

Dixon didn’t speak publicly about the accusations against Simmons and Reid until a 2017 New York Times interview. On the Record chronicles the moments leading up to the article's release, the NYT’s vetting process -- which included an extensive background check-- and the ripple effect that the experience had on Dixon's life and career, namely in that she quit the music industry.

“For 22 years I took one for the team,” she says of keeping allegations against Simmons quiet for decades out of fear of letting “the culture” down and not being believed. “Russell Simmons was the king of hip-hop and I was proud of him. I didn’t want to let the culture down. I loved the culture. I loved Russell too.”

In the film, Dixon also opens up about her children and the life that she built after the music industry. She split from her husband and moved from New York to California to start a new chapter. The film also features a discussion between Dixon and two other Simmons accusers, screenwriter, Jenny Lumet, and Sil Lai Abrams and activist writer, and former Def Jam executive assistant.

More than a dozen women have accused Simmons of sexual assault or misconduct, eight of which are featured in the film. Some of Simmon’s accusers share similar accounts to Dixon’s allegations.

“I have issued countless denials of the false allegations against me,” Simmons notes in a written statement featured in the film. “I have lived my life honorably as an open book for decades, devoid of any kind of violence against anyone.”

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George Floyd’s Family Wants Minneapolis Police Officers Arrested For His Murder

The family of George Floyd are demanding justice after the 46 year old was killed by Minneapolis police earlier in the week. Floyd’s cousin and brothers want the four officers involved to be arrested and convicted of murder.

“We need to see justice happen,” Floyd’s cousin, Tera Brown, told CBS This Morning. “This was clearly murder. We want to see them arrested. We want to see them charged, we want to see them convicted. He did not deserve what happened to him.”

In reactions to the Floyd's murder, tens of thousands of people took to the street in Minneapolis, Chicago, Los Angeles and other cities around the country.

“I don’t want the protests to just be for show. I want to see action,” continued Brown. “I want to see these people pay for what they did. We need to hold them accountable.”

Floyd was described as an “amazing” person who was well loved and “never did anything” to anyone. “Everybody loved my brother. I just don’t understand why people want to hurt people, killed people, they didn’t have to do that to my brother,” said his brother, Philonise Floyd.

Two of the four officers involved have been identified as Tou Thao, and Derek Chauvin, the latter of whom is the officer who put his knee in Floyd’s neck as he begged for air and later died. All four officers have been fired.

Former NBA player Steven Jackson took to social media to pay tribute to his longtime friend whom he called his twin. “Floyd was my brother, we called each other twin,” Jackson said in an emotional video. “My boy was doing what he was supposed to do and ya’ll go and kill my brother.”

 

View this post on Instagram

 

Where we from not many make it out but my Twin was happy I did. I’m gonna continue to make u proud fam. It makes me so angry that after all the things u been through when u get to your best self that they take u out like this. Fuk Rest Easy Twin

A post shared by Stephen Jackson Sr. (@_stak5_) on May 26, 2020 at 7:04pm PDT

Minnesota is no stranger to police brutality. The Star-Tribune published a list of the 193 people who have died “after a physical confrontation with Minnesota police” since the year 2000 (excluding car accidents during police pursuits). The database includes Philando Castile, the 32-year-old cafeteria worker killed by a Minneapolis cop during a traffic stop in 2016. Castile’s murder was the first, and possibly only time, that a Minnesota police officer was criminally charged for killing a civilian, although the former officer, Jeronimo Yanez, was acquitted.

Watch the interview with Flynn's family below.

 

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Waka Flocka Flame Say He’s Dedicating His Life To Suicide Prevention And Mental Health Awareness

With the month of May being Mental Health Awareness Month, Waka Flocka Flame shared a major announcement with fans. The rapper and reality star is dedicating his life to suicide prevention and mental health awareness, he shared on Monday (May 25).

“I’m officially dedicating my life to suicide prevention and mental illness! Ya’ll not alone Waka Flocka Flame is with ya’ll now,” he tweeted.

Waka’s younger brother, Coades “Kayo Redd” Scott, died by suicide in 2013. In a follow-up tweet, Waka revealed that he’s slowly learning to accept his brother’s passing.

“You have no idea how it feel[s] to wanna [take] your own life man…my little brother took his own life man…and I deal with this fact every birthday because his birthday [is] the day after mines [sic] June 1st. This year I’m officially accepting the fact that he’s in a better place.”

The 33-year-old recording artist, whose other brother was killed in 2000, opened up about losing his younger brother in a 2017 episode of The Therapist, where he revealed that Kao tried to get in contact with him prior to committing suicide.

“Before my little brother died, I ain’t pick up the phone and I seen him call. I was like, ‘f**k lemme call Kayo back, as soon as this s**t lover.’ And I called him back, no answer.”

“What if I would’ve picked that call up? What the f**k is my little brother going through that made my little brother kill himself?”

 

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