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Porn Star B Pumper Talks Advice From 50, Beyoncé's Freaky Side & Grading Montana's 'Skills'

The man that goes by B Pumper is no Rick Ross. In certain sticky circles the 29-year-old Long Island native is very much a star. Known mainly for his 10-year career as a porno actor, director and producer, Pumper has earned an increased hip-hop profile over the last five years by prefacing his films with his own rap videos. This summer his celebrity reached new heights after he was solicited (successfully) by Laurence Fishburne’s daughter Montana for on-camera work. Knowing Pumper is as talkative as he is muscular VIBE phoned his cell for not exactly a Q&A––the adult actor doesn’t really need conventional queries to divulge about his mother being a crackhead, his bedroom grade for Larry Fishburne’s seed or his desire to “tutor” Beyonce—but an extremely interesting (X-rated) conversation nonetheless. Kiss the babies goodnight. —Bonsu Thompson

 


 

VIBE: Usually artists like Big Daddy Kane and Snoop Dogg start rhyming then transition into the pornographic world. How’d you get into porno first?
B Pumper: Around 19 I was always watching pornos, so I was a big time playboy mack. I was the only nigga that had a passion to please women. Because I asked questions, I became a real sex doctor. I wasn’t one of them that just wanted to get my jollies off. So naturally, I was gifted in the bedroom ‘cause bitches left and right was giving me feedback like 'Oh my God, that [sex] was crazy. Boy you off the chain! My man don’t even do it to me like that.' So all that’s getting to my head. I been watchin’ pornos since I was young... I just like challenges but this is before the music.

Ok so how did you start rapping?
I always listened to rap. I’m a fan of NY music 100 percent to the fullest. Busta Rhymes; back in the days, LL Cool J; anything that knocked. Traveling to the NY clubs, I was taking the train; me and my best friend running trains on bitches. My mouthpiece, swag, charisma and game was stupid. Fuckin' bitches in arcade bathrooms. So before the idea came about to start rapping, I was just a lil’ horny nigga.

So what's good with you rapping?
I’m really finessing this hip-hop porno shit because nasty songs have been current for years. Everybody, even gangsta rappers, gonna have a sex song on their album. I’m the sex song king. I got other topics––I wanna do a Grandma song ‘cause my grandma was there for me more than my mother. My mother was a crackhead, but I love her. So when I first started rappin I knew my niche was gonna be sex songs ‘cause you gotta keep it real about what you do and the fans will respect you. I was a little insecure of the idea ‘cause the feedback I got when I first started rappin was 'Yo Pump, you a porno star so #1, nobody gonna take you seriously and #2, you doing sex songs, they too explicit for the radio.' But then I heard other niggas like Ying Yang Twins and Plies coming out with sex songs. I’m like ‘Hold on, niggas is getting away with that right there?
Ok.

Do you rap just to add to your porno’s entertainment value or are you really serious with MC’n?
Yeah, I’m real serious with the music. It’s not a game.

Are there any notable rappers who are B Pumper fans?

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Puerto Rico Calls For Ban On Flights From Coronavirus Hot Spots

To reduce the spread of COVID-19 in Puerto Rico, Gov. Wanda Vázquez has inquired a possible ban on flights from popular cities in the United States due to the high number of confirmed cases of the coronavirus.

Associated Press reports Gov. Vázquez launched the petition to the Federal Aviation Administration this week after officials accused tourists of taking medication to reduce their fevers and failing to adhere to the self-isolation rules. The incidents were later confirmed by GNPR general aide, General José Reyes.

The FAA reportedly granted a request for all flights to arrive at Luis Muñoz Marín International Airport (LMM), so that Puerto Rico National Guard (GNPR) could screen passengers arriving at the island.

“Now we want people from the areas most affected by Covid-19 not to arrive," Vázquez said. "This as part of the necessary measures to prevent this virus from spreading and affecting the health of the people of Puerto Rico."

As part of the proposal, Vázquez has listed flights from New York, Florida, New Jersey, Pennsylvania, Connecticut, and Illinois as "hot spots" of the coronavirus.

Meanwhile, cases in Puerto Rico have sadly risen. The island has reported at least 24 deaths and 620 confirmed cases. Much like in cites like New York, a curfew was imposed on March 15 that closed non-essential businesses and ordered people to stay in their homes with the exception of grocery shopping or picking up medication.

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The Weekend Believes He Inspired Usher's 2012 Hit "Climax"

There's no denying The Weeknd's influence over today's string of moody/alternative R&B. The singer-songwriter has changed the scope of the genre with his mix of synths and dark lyrics but the artist believes he inspired one of the biggest artists in the genre in the process.

As the cover star of Variety's latest issue, The Weeknd discussed the success of After Hours, transitioning into mainstream music and his presence in R&B. While looking back on his classic 2010 mixtape House of Balloons, he noted how two years later he began hearing his sound in other artists.

“House of Balloons literally changed the sound of pop music before my eyes,” he said. “I heard ‘Climax,’ that [2012] Usher song, and was like, ‘Holy f**k, that’s a Weeknd song.’ It was very flattering, and I knew I was doing something right, but I also got angry. But the older I got, I realized it’s a good thing.”

But the resurgence of EDM in the early 2010s might've inspired Usher's hit single. "Climax" which went on to win the Grammy for Best R&B Performance in 2013, was produced by Diplo who looked towards house music and "Atlanta strip clubs" to create the track.

Speaking to The Guardian in 2012, Diplo discussed how he learned about Usher's musical palate which included an appreciation for genre-bending artists like Monsters of Folk and Grizzly Bear.

"The production actually started as a house thing with a chord progression that I wrote, but with some time in the studio alone, I was making a sort of "wildfire" beat out of it," Diplo said." The idea of pushing cut-off on a synth used so much in progressive house music but pulling back. I was making something like a minimal techno record with Atlanta strip clubs in mind."

He also shared how much Usher knew of his work outside of Major Lazer. "Usher knew about my first album on Ninja Tune, Florida," he added. "I was so surprised about how much these guys are into music beyond their normal lane. That is something that makes it very easy to work with him. Usher has the power to take a record into any lane. He's that big. He brought house music to the R&B crowds in America, and with "Yeah!" he brought synths to Atlanta hip-hop. I think he wasn't going to these producers for their sounds ... We all know what they do. Usher is a smart man, he has been doing this for long enough. He's using the producers instead of the other way around."

"Climax" ended up on Usher's Looking For Myself album, which played to all his strengths with dance tracks like "Scream," quiet storm jams like "Dive" and "What Happened To U" and the clubs like "Lemme See" with Rick Ross.

Legendary superproducer Max Martin also worked on "Climax" and would eventually work with The Weeknd on Beauty Behind The Madness standouts like "Can't Feel My Face" and "In The Night."

This isn't the first time the two have been compared to one another. The Weekend issued an apology to Usher in 2016 during the Billboard Music Awards after he mistakenly claimed to win the most awarded male R&B vocalist in the show's history. The Weeknd took home eight trophies including Top R&B Artist and Top R&B Album for Beauty Behind The Madness.

But Usher famously took home 11 trophies in the 2004 telecast for his magnum opus, Confessions including awards for Artist of the Year, Male Artist of the Year, and Hot 100 Song of the Year for "Yeah!".

Elsewhere in the interview, The Weeknd also explained his decision to release After Hours in the middle of the novel coronavirus pandemic. “Fans had been waiting for the album, and I felt like I had to deliver it," he said."The commercial success is a blessing, especially because the odds were against me: [Music] streaming is down 10%, stores are closed, people can’t go to concerts, but I didn’t care. I knew how important it was to my fans.”

The album amassed 2 billion global streams in its first week and debuted at No. 1 in the U.S., Canada, Australia, the U.K., Ireland, Sweden, Norway, the Netherlands, Belgium, Italy and New Zealand.

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Ari Lennox Debuts Lush Music Video For “Bussit”

After dropping a remix EP for her remarkable debut album Shea Butter Baby, Ari Lennox returns with more content in the form of a stylishly-pleasing music video for “BUSSIT.” The “Up Late” singer released the reel on Wednesday (April 8).

Lennox gathered her girls for a self-care day at the spa, all decked out in lavish furs and spring-time colored outfits. “BUSSIT” is featured on the “Director’s Cut” of Revenge of the Dreamers III, a compilation album that features Dreamville’s artists from J. Cole to EarthGang to J.I.D. to Bas and their peers from Reason to Smino to Buddy to Guapdad 4000. The project was released to a wave of fanfare in 2019 that the melodies that didn't make the initial release were later shared with the masses. The album went No. 1 on the US Billboard 200 chart and was nominated for a Grammy Award in the Best Rap Album category.

As millions are under stay-at-home orders to slow the spread of the COVID-19 virus, Lennox shared with Apple Music that hopefully new music will be on the horizon to uplift people's spirits. “With everything that’s happening, we want to put music out," Lennox said. "I don’t know, I want to give a little happiness to the world.”

Watch the video up top.

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