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Wiz Khalifa On Working With Snoop And Juicy J, Doggystyle, Success of 'Black & Yellow' [Pg. 2]

Are you planning on dropping another mixtape before the album?

I’m working on a bunch of material. Some of it, I’m just going to throw out there for free. I’m doing a bunch of collabos and features at the moment. Maybe a mixtape. I’m looking at the album coming out in March or April of next year. I can’t give you the title yet but you know what to expect from me.

What has been your favorite collabo thus far?

Definitely, it was working with Juicy J and Snoop. I did something with the Doggfather for his album. But people don’t know I’m a huge Juicy J fan, I grew up on Three 6 Mafia. I look at them the same way I look at Snoop. We actually got another record that we haven’t released yet.

You and Snoop are a-likes. How big of an influence has he been on your music?

Hearing Doggystyle for the first time was really important. I was living in Georgia at the time with my Mom. I was too young to even be listening to it but she had a ghetto homegirl who used to blast it in her truck when she would give me rides. I remember it sounded so bad like people getting their heads cut off and the blood squirting out. [laughs] That’s just the vision it gave me. But I was so into it. My favorite song now is probably “G’z Up, Hoes Down”. But back then you know “Gin & Juice” was like the single of the decade.

You have a big single of your own climbing up the charts with 'Black & Yellow', there have been rumors that the Steelers reached out to use it at games. True?

Yea, they are. I haven’t been talking to them personally but it would only be right. They’ve been talking to my management about it for sure.

It’s probably your most successful song to date. But, really it sounds more like one of the joints that you just had fun with.

Yea, that’s vibe, man. When we were done with it, the producers Stargate were really happy with it. And from they’re reputation alone, it made me think twice about it. I took it to the label and everybody was clapping by the end of the meeting. People can’t box my sound in anymore.

How do you feel about the whole ‘weed rap’ labeling?

It’s cool because people are always going to label you as something. And before this year, it really wasn’t that genre of "stoner rap" at the forefront or whatever, but I’ll just use it as motivation to build on and change people’s opinions of me. Even with whatever people want to label me with, there are so many other sides to me.

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Jemal Countess

'Queen Sono' Will Be The First African Original Series To Stream On Netflix

Netflix caught some flack over the weekend after it was reported the streaming behemoth shelled out a smooth $100 million to keep the 90s sitcom Friends. However, staying committed to original content IOL Entertainment reports Netflix will take on it first African series.

Titled Queen Sono, actress Pearl Thusi (pictured above at the 2019 Global Citizens festival) will star in the dramedy which finds Thusi portraying a spy motivated to help the lives of her South Africans, while dealing with highs and lows of a personal relationship.

Netflix's Vice President of International Originals Kelly Luegenbiehl who's in charge of content in Europe and Africa expressed excitement over Queen Sono.

"We love the team behind the show, [and] we're passionate about coming in and doing something that feels fresh and different. It's really exciting for us," she said. "Their point of view and creating a strong female character was really something that also really drew us to it.

Erik Barmack, also with Netflix, said Queen Sono is just the first of many to depict life in Africa.

"Over time our roots will get deeper in Africa and South Africa, and we're moving pretty quickly to that now, and plan to invest more in local content," he said.

READ MORE: Africa's Rising Youth Population Might Face A Job Crisis

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Kevin Winter

Fans Shut Down Beyonce Cultural Appropriation Allegations

Beyonce is the latest celebrity to be accused of cultural appropriation after she was spotted at an Indian wedding on Sunday (Dec. 9). Despite some assertions, the BeyHive is swooping in to set the record straight about their queen.

According to reports, Beyonce performed at an early wedding celebration in India's western Rajasthan state. She was celebrating the nuptials of Isha Ambani – the 27-year old daughter of Reliance Industries head Mukesh Ambani – and Anand Piramal, the 33-year old son of another Indian billionaire.

 

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A post shared by Beyoncé (@beyonce) on Dec 9, 2018 at 11:47am PST

The early festivities, which is custom for Indian marriages, welcomed a handful of celebrity guests including Hillary Clinton, Bollywood stars, businessman, and more.

The controversy surrounding Beyonce sparked after the singer shared an image of herself wearing an extravagant, pink and gold dress with seemingly traditional, Indian accessories, including a headpiece and bracelets. Some critics immediately assumed Bey was culturally appropriating Indian or Hindi culture, but suggested it would go unnoticed due to her social status.

Fans however, shut the allegations down, noting that she was actually paying homage to the culture. They also stated that she was invited to perform at the party by a prominent Indian family and therefore, should be dressed appropriately.

This wouldn't be the first time Beyonce has been accused of cultural appropriation of Indian culture. She was hit with similar allegations following the release of the music video for "Hymn for the Weekend" with Coldplay.

Join the discussion and check out the debate below.

Screaming!!!!! pic.twitter.com/nTLSWeRhGJ

— lah-juh (@fabuLaja) December 10, 2018

why are fake wokes on twitter accusing beyonce for doing cultural appropriation ? IT'S APPRECIATION YOU MFs !! y'all don't know shit about indian culture !! literally sit tf down, even indians aren't mad why are you dumbasses shoving it down our throats as if yall know better

— anupama (@taysmoonchiId) December 9, 2018

Beyonce wearing Indian clothes to an Indian Cultural Event is not cultural appropriation. She was invited by an Indian family and everyone there is wearing Indian clothes. So. https://t.co/mTvsa911i4

— Ivan (@taexty) December 10, 2018

As someone who is half-Indian and half-Pakistani (aka fully South Asian for those who are not geographically inclined), I do not want to see ANYONE shouting nonsense about Beyoncé and cultural appropriation unless you are South Asian too. Thanks for coming to my TED Talk x

— Shehnaz Khan (@shehnazkhan) December 10, 2018

Ppl commenting on @Beyonce’s IG Indian outfit post, saying it was cultural appropriation, need to have a seat. Embracing another’s culture and shedding positivity on it is not cultural appropriation, it is cultural appreciation. Damn keyboard warriors

— Ramon Salas (@ramonssalas) December 10, 2018

Beyoncé was invited to an indian wedding, to perform there, she's appreciating the culture and the people that invited her There's no cultural appropriation here

— 🅚 (@chainedfenty) December 10, 2018

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Paras Griffin

Tyrese, Usher And Others Reacts To Jacquees' Claim That He's The King Of R&B

Jacquees has made a bold statement that's ruffled a few feathers.

The Cash Money artist took to social media over the weekend to assert that he's the king of R&B, and from what we can gather, the 23 singer wasn't talking about ribs and barbeque. "I just want to let everybody know that I'm the king of R&B right now, for this generation. I understand who done came and who done did that and that, but now it's my turn. Jacquees, the king." he said.

Some of the Internet raised its digital eyebrow at the boast, while others paid it no attention. Tyrese, however, didn't take kindly to the assertation.

"Ima keep it stack with you," the Transformers star posted. "The young kings of this generation that's been running sh*t since day one are Chris Brown and Trey Songz."

The soul singer continued and accused the Decatur, GA native of employing Tekashi 6ix 9ine tactics. "You got this out of the Tekashi 6ix9ine playbook. Stop trolling, my ni**a. Get back in the booth."

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How Sway..? How.??......... The way we ALL reacted.......... Let me put you up on what’s really movin bruh.. This ain’t Hip Hop my nigha.. You can’t come in this game get hot for a year then try an #T69 nighas and throw that there word #KING around..... Imma keep it a stack with you... The young kings of your generation that’s #been runnin shit is 1 @chrisbrownofficial and 2 @treysongz .... BIG facts! FYI the last real R&B album through and through that has the integrity and blueprint of the culture that was made with NO skips was #ThreeKings you got this out of the T69 play book stop trolling my nigha get back in the booth.....

A post shared by TYRESE (@tyrese) on Dec 9, 2018 at 11:25pm PST

Tank, having gotten wind of Jacquees' statements, refuted his "king" claim. "First, R.Kelly is the king of R&B. The accusations don't disqualify what he's accomplished. Second, if you can't go in the studio by yourself and make a hit record, you're not my king. If you can't sing it better live, you're not my king. I appreciate all the talent out there, but we are using the word "king" too loosely."

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Every artist is supposed to believe they can fly but only one man made it happen. @rkelly body of work is still bible. I love ALL of the artist out now and some are having amazing success but to be the King you have to beat the King and his stats still stand. Imagine if “I Believe I Can Fly” had streaming when it dropped..geesh!!! I’ll let you guys focus on kings and queens.. I’ll stay focused on being around for another 20yrs! #Elevation #RnBMoney #TheGeneral

A post shared by Tank (@therealtank) on Dec 9, 2018 at 9:56pm PST

J. Holiday noted that Michael Jackson sold 20 million after the release of Off The Wall, and said R.Kelly owns the second spot. Eric Bellinger, while in the studio with Usher, simply panned his camera phone to Usher, who sat quietly in a corner.

Are Tyrese and Tank overreacting? Or should Jacquees not make such bold assertions? Sound off in the comments below.

READ MORE: Is R&B Under Siege? Tyrese, Sam Smith, And The Genre's Identity Crisis

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