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Hosea Chanchez Talks Where He Meets The Ladies, Celeb Crushes & Favorite Music

You’ve met Malik, now really meet Hosea Chanchez, in this VIBE interview The Game star lets us in on where he meets ladies, celebrity crushes and more. Chanchez is the total package of sex appeal, charisma and wit, and as they say on The Game, 'That’s what’s up.' —Storm

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VIBE: We’ve all seen Malik mack and get women, so which place or situation is Hosea most likely to meet ladies?

Hosea Chanchez: At the airport.

 

You’ve actually met girls that you would go out with there?

 [Laughs] Yeah, why do you sound so shocked?  I wouldn’t meet her at a club. If you are probably in the club you probably aren’t the chick for me. I say airports because I spend a lot of time in them, so that’s a perfect place.

 

What would be an ideal date for you?

Completely submerging myself in ‘her’ world. I’m a people watcher/learner. I can’t be like movies and dinner, that’s not me. I love to do those things but I like to find out more about people. So for me it would be about coming to her house, watch movies, look through her DVD’s. I am nosy as hell by the way [laughs] see what she’s watching, check her search engine to see what she’s been up to, I’m just kidding.  Seriously it would be about submerging myself into her world whatever that may be.

 

Most celebrities have them; do you have any celebrity crushes?

Sanaa Lathan, Halle Berry, I could go on but I don’t want to bore you [laughs] Zoe Saldana, and Scarlett Johansson.

 

As someone who obviously works out in the gym a lot, which artists in your I-pod get you motivated?

 I usually play Lil Wayne’s albums. Kanye West’s new album, every track I love. Blueprint & Blueprint 3 by Jay Z.  Classics. I have a mix in my iPod but that’s the majority of what it is. Those are the artists that consume my mix.

 

You often treat your Facebook friends and Twitter followers to uplifting quotes. Is there a plan to maybe take it one step further and do to a self-help book or get involved with speaking engagements?

For me Twitter and this job in general as an actor, celebrity whatever you want to like to call it— is an opportunity to help people. I have a foundation called Watch Me Win that is all about youth empowerment. And I travel across this country empowering kids to be the best they can be. I believe it’s not what you do but what you do with what you have that makes you who you are. So for me, it’s my God given duty, it’s my right, it’s my calling to inspire and encourage and do my best to help someone else be a better version of themselves. That’s what I believe life is all about. Everything I do  always goes back to that idea.

 

For more information on Hosea's Foundation, Watch Me Win click on:

http://www.watchmewin.org/

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Issa Rae And LaKeith Stanfield To Star In Will Packer's 'The Photograph'

The great talents of Issa Rae and LaKeith Stanfield are hitting the big screen soon in Will Packer’s latest film, The Photograph. The two actors have scored roles in the forthcoming movie, Deadline reports.

Stella Meghie will be directing the film, which is based on the parallels of love stories that intersect between the past and present. Both Rae and Stanfield have made their mark on and off the big screen. When Rae isn’t on her brilliant show, Insecure, she’s hustling in Hollywood by getting roles in movies like The Hate U Give and Little. Stanfield is known for his role on FX’s Atlanta, and his awesome contribution to Sorry To Bother To You.

It will be interesting to see Rae and Stanfield on screen together, especially considering both of their strong personalities and viewpoints on the world. During an interview with GQ, Stanfield expressed how he felt about the social-political conundrums of the racist events that have taken place since President Trump's election, like the race riots in Charlottesville, Virginia.

"I’m interested chiefly in bringing justice to those who deserve it," he said. "Secondarily, I’d love to begin a campaign photographing all of the criminals. And villains of the world. And bringing them to justice."

"Sometimes the things that are the worst aspects of humanity are not in fact dark," he explained about his sentiments on the matter. "They are light. This represents a situation in the time that we are experiencing...a light time. A time full of light."

There is no release date yet for The Photograph.

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Terry Crews Believes 'White Chicks 2' Will "Happen One Day"

Terry Crews is eager to breathe life back into his controversial White Chicks character Latrell Spencer. During an interview with Us Weekly, the famed actor expressed his elation behind a possible sequel to the aforementioned film.

"I would love one! I'm staying in shape for White Chicks 2! I will never get out of shape—you know that, right?" Crews said. "I will be 75 and say, 'Here we go, I'm ready to go!' I will never, ever get out of shape because that movie's going to happen one day."

In 2004, Marlon and Shawn Wayans starred as two rich white women as they went undercover to apprehend a suspect in a kidnapping scheme. The film was also written by their older brother Keenen Ivory Wayans, and starred John Heard, Rochelle Aytes, Faune A. Chambers, and Drew Sidora. During the course of its debut, the reel raked in over $113 million a the box office.

In a 2018 interview with The Chicago Tribune, Marlon Wayans discussed the impact of his film. "White Chicks, to me, is one of the most underrated comedies ever. That's one where I have to say '(Forget) critics,'" he said. "You have to have no sense of humor to not like that movie — two black guys dressed up as white women. Anybody who hates White Chicks, something is wrong with them. They had a bad childhood."

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'Black Monday' Explores Mo's Backstory With Narration Of '60s Soul Music: Episode 8 Recap

For seven episodes, we got glimpses into the past that molded Mo into the savage trader he is. Episode “7042” finally takes us closer to his origin, and apparently, that leads us to Los Angeles in 1968. The Jheri curl is now a blown-out afro, and his ruthless mercantilism on Wall Street is replaced by altruism for underserved communities, as a member of the Black Panther Party. The glimpses into his past — the Church’s Chicken on his birthday, his visit with Jammer — all begin to congeal into one vision of a misguided man.

The domineering Xosha Roquemore plays the role of Candance, the woman who Jammer intimated broke Mo’s heart. Roquemore’s last recurring role was as comedian Dawn Lima on Showtime’s I’m Dying Up Here, a short-lived series about the seedy side of stand-up comedy in the early 1970s. Her as Candace is another stellar casting choice. Roquemore was able to speak honey-coated bullets that can pierce any man’s ego in a way that’s both comforting and impactful as a Black woman comic in the 1970s. It’s just as mesmerizing to watch on Black Monday as a Black Panther member in the 1960s.

This arc, while entertaining, seemed to continue an awkward trend in Black Monday: the Black woman bears the weight of the man’s faults. Candace is portrayed as the person who took Mo from thinking of others and drug-free to a staunch individualist who probably has cocaine residue in his DNA. Similarly, it’s Dawn who is the cause of Mo’s Jammer Group being partly owned by the Lehman Brothers in the episode “243,” and the one who feels the obligation to blow up her marriage and future love life to save a risky Georgina Play that Mo involved her in without her say. But, then again, Regina Hall and Roquemore deliver two of the most emotionally jarring performances of the episode and demonstrate two separate, but equally as profound, ways of Black women releasing themselves from the control of men.

Taking Black Monday to the 1960s accomplishes a number of worthwhile feats otherwise unlikely in the 1980s Wall Street timeline. For one, the first 90 seconds of this episode features a wider variety of Black faces than the last seven episodes had, combined. But, more than anything, the new timeline allows for the soul music of the ‘60s to narrate the story.

Music Narrator

Music has always played a noticeable part in the show, but more so as a reinforcement of the time period. In this episode, the sounds of the time guide the audience and take them deeper into the character than what they see on the screen.

In the episode’s opening, soul singer Harry Krapsho lets us know “I don’t care about money too much” and “I don’t have a dollar to my name, and if you don’t mind I’d like to keep it the same” on his song “Don’t Worry.” Those sentiments play as a Black man, whom we don’t realize is Mo, exits a bus in Los Angeles, California. Before we find out Mo wasn’t money-hungry in his past — and formerly known as Roland — the sweet sounds of Harry Krapsho let us know.

Candace deceptively persuades Mo to abandon his principles by smoking weed and going against the Black Panther Party’s wishes, as Sandy Szigeti’s “Make Believe World” scores the scene. After, the plot twist minutes later, the song is a shrewd act of foreshadowing by the showrunners. But, It’s the late, great Nina Simone’s rendition of the 1967 song “I Shall Be Released,” written by Bob Dylan, that expands the Black Monday world.

 

Near the end of the episode, Candace’s true identity is revealed while she’s looking into the eyes of the men and women who seem to have put her in such a position. When Nina’s voice wails out “I remember every face of every man who put me here,” Candace’s motives become more complex. Black Monday lets the music leave you with the thought that Candace may have been compromised by the FBI, and in order to avoid jail time, she would have to turn in her fellow Black people. The steely resolve in her final words to Mo — “I told you, ‘I got you.’”— further complicates that theory and adds an engrossing richness to Candace’s character.

Black Monday could’ve left Nina Simone’s rendition for the climax of the flashback arc and the episode would still be great. But, Nina returns for one last “I shall be released” after Mo sends Dawn packing following her revelation to Mo about who she really loves. The image of Dawn piercing her lips and steadying her gaze on the countryside instead of being shocked into submission by Mo’s thoughtless decision, while Nina belts out her hope for release, is a moment of Black perseverance we would’ve never thought a show like Black Monday would make a focal point in such an important episode.

The episode also ends with an uncharacteristically sentimental Mo reverting back to his selfish ways at the same time Ms. Simone sings about “release.” And just like that, one four-minute song helps set up the emotional stakes at hand in the final two episodes of Black Monday’s first season.

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