Sister Souljah Reveals Status Of "Coldest Winter" Movie, More Books

What do you feel that this book will accomplish that the first Midnight didn’t?

I don’t really look at it that way⎯like this one will accomplish something that the first one didn’t. I love Midnight a Gangster Love Story and in fact, at the time that I wrote midnight, it was my favorite of all three books that I had written so I don’t think that Midnight a Gangster Love Story failed to accomplish any thing. I think that Midnight a Gangster Love Story, which is a book that made me a New York Times best selling author, was just solid and credible and deep feeling and moving, so I don’t look at comparing the two stories that way. I just look at it as an artist, as an author⎯that every time that I put out a book it should be better than the last one and I think that that’s what I’m sticking to.

Going back to the street lit term, how do you feel about how popular the genre has become in terms of so many different authors putting out books and getting more exposure?

Actually, I can’t give you a genuine feeling because I don’t read it. I’m a huge reader of nonfiction. I really love autobiographies and biographies and I love to read about foreign countries and languages and cultures, so that’s the heaviest concentration of my reading⎯nonfiction. If I pick up fiction it’s always has to be something that’s teaching me something that I don’t already know, so that’s kind of my criteria for my writing and my criteria for my own personal reading. I can just say that I’m happy that a lot of African people have been introduced⎯their writing has been introduced into the world of literature, which I think is excellent. I think that every library and every bookstore can have such an incredible selection of books because I think different people connect to different things, characters, and they can have choices. So I’m glad that other African authors are in the field of literature because I think it’s a good field to be in and I think it’s providing good choices for the readership.

What are some of the challenges that you’ve dealt with as a Black female author?

I think just making people understand that what you’re writing is literature and having it placed properly in the bookstore, so that when they see the category of literature, or just fiction, or American Fiction, that it’s there. I think it shouldn’t be that some one has to walk to the back of the bookstore in the deepest darkest corner to find literature written by an African author. That’s pretty much it but as far as handling my business, I handle my business at a quality level because I just don’t accept anything less, so I haven’t really had a problem with that.

There was buzz about a Coldest Winter Ever movie for years. What’s the status of that?

I still own the film rights to Coldest Winter Ever and I haven’t found the business package that I’m satisfied with yet. When I do, there will be a film but until then, I try to do everything in a very proper order⎯a very common sense order like, 1-2-3-4-5 and I try not to get swept away by things that Hollywood tries to sweep people away with like, “Don’t you just want to see your name on the big screen?” And “Don’t you want to see your face?” And “Don’t you want this story to be called…” and just trying to appeal to an author’s egos, or an author’s insecurities and then they try to short change them on the business package. I’m not really interested in any of that. I’ve handled all my work and business from the beginning to the end and I think if you don’t handle it that way you wont be respected.

What ‘s your ideal situation for this movie to happen?

I wouldn’t really articulate my ideal business scenario in an interview because that’s a whole different situation. My business is private. The point where the reader comes in is if they decide whether they want to watch the film or not, which I hope they’re still interested in it.

What else are you working on?

I’m coming out with the Porsche Santiaga story next.

Winter’s little sister?

Yeah. That’s the next book I’m coming out with, hopefully some time within the next year and a half.

Is there anything you want to add?

I would be grateful if you could put in the article that people can find me at Sistersouljah.com and when you spell “Souljah,” don’t leave the h off because that’s why a lot of people can’t find me. And also to let them know that I’m on twitter and my twitter @SouljahBook

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A potential Sept. 13 concert at New Jersey’s Prudential Center was added to the venue's website and later deleted. The site listed Brown as the marquee act, while Minaj was a featured performer.

Besides going on tour together, Minaj makes an appearance on Brown’s newly released single “Wobble Up,” which also features G-Eazy. The track is the latest music collaboration from Brown and Minaj who have worked together a few times over the years.

News of the joint tour comes a day after it was reported that Minaj parted ways with her longtime management team. The “Gonja Burns” rapper was originally billed to hit the road with Future for the North American leg of her Queen tour but the jaunt was cancelled due to scheduling conflicts. The Queens native recently finished up her European tour with Juice WRLD as her special guest.

Last Sunday, Minaj took the stage as a surprise guest for week one of Ariana Grande’s headlining set at the 2019 Coachella Valley Music Festival. It’s unclear if she will hit the stage when Grande returns to perform for week two of Coachella on April 21.

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Adele Separates From Husband Simon Konecki

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“Adele and her partner have separated,” the statement reads. “They are committed to raising their son together lovingly. As always they ask for privacy. There will be no further comment.”

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Beyoncé performs onstage during 2018 Coachella Valley Music And Arts Festival Weekend 1 at the Empire Polo Field on April 14, 2018 in Indio, California.
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Homecoming: The 5 Best Moments Of Beyoncé’s Documentary

Once Beyoncé became the first African-American woman to headline in its nearly 20-year history, we knew Coachella would never the same. To mark the superstar’s historic moment, the 2018 music and arts festival was appropriately dubbed #Beychella and fans went into a frenzy on social media as her illustrious performance was live-streamed by thousands. (Remember when fans recreated her choreographed number to O.T. Genasis’ “Everybody Mad”?)

With a legion of dancers, singers and musicians adorned with gorgeous costumes showcasing custom-made crests, the singer’s whirlwind performance honored black Greek letter organizations, Egyptian queen Nefertiti, and paid homage to historically black colleges and universities (HBCUs). Aside from the essence of black musical subgenres like Houston’s chopped and screwed and Washington D.C.’s go-go music, the entertainer performed “Lift Every Voice and Sing,” also known as “The Black National Anthem,” and implemented a dancehall number, sampling the legendary Jamaican DJ and singer, Sister Nancy, to show off the versatility of black culture.

One year after #Beychella’s historic set, the insightful concert film, Homecoming, began streaming on Netflix and unveiled the rigorous months of planning that went into the iconic event. The 2-hour 17-minute documentary highlights Beyoncé’s enviable work ethic and dedication to her craft, proving why this performance will be cemented in popular culture forever. Here are the best moments from Beyoncé’s Homecoming documentary.

The Intentional Blackness

“Instead of me bringing out my flower crown, it was more important that I brought our culture to Coachella.”

Throughout the documentary, Beyoncé made it known that everything and everyone included in the creative process leading up to the annual festival was deliberately chosen. “I personally selected each dancer, every light, the material on the steps, the height of the pyramid, the shape of the pyramid,” says Beyoncé. “Every tiny detail had an intention.” When speaking on black people as a collective the entertainer notes, “The swag is limitless.” Perhaps the most beautiful moments in Homecoming are the shots that focus on the uniqueness of black hair and its versatility. What’s appreciated above all is the singer’s commitment to celebrating the various facets of blackness and detailing why black culture needs to be celebrated on a global scale.

Beyoncé’s Love And Respect For HBCUs

#Beychella — which spanned two consecutive weekends of Coachella’s annual festival — was inspired by elements of HBCU homecomings, so it was no surprise when the singer revealed she always wanted to attend one. “I grew up in Houston, Texas visiting Prairie View. We rehearsed at TSU [Texas Southern University] for many years in Third Ward, and I always dreamed of going to an HBCU. My college was Destiny's Child. My college was traveling around the world and life was my teacher.” Brief vignettes in the film showcased marching bands, drumlines and the majorettes from notable HBCUs that comprise of the black homecoming experience. In the concert flick, one of the dancers affectionately states, “Homecoming for an HBCU is the Super Bowl. It is the Coachella.” However, beyond the outfits that sport a direct resemblance to Greek organizations, Beyoncé communicated an important message that remains a focal point in the film: “There is something incredibly important about the HBCU experience that must be celebrated and protected.”

The Familiar Faces

Despite being joined by hundreds of dancers, musicians and singers on-stage, the entertainer was joined by some familiar faces to share the monumental moment with her. While making a minor appearance in the documentary, her husband and rapper/mogul Jay-Z came out to perform “Deja Vu” with his wife. Next, fans were blessed by the best trio to ever do it as Kelly and Michelle joined the singer with renditions of their hit singles including “Say My Name,” “Soldier,” and more. On top of this star-studded list, Solange Knowles graced the “Beychella” stage and playfully danced with her older sister to the infectious “Get Me Bodied.”

Her Balance Of Being A Mother And A Star

Originally slated to headline the annual festival in 2017, the singer notes that she “got pregnant unexpectedly...and it ended up being twins.” Suffering from preeclampsia, high blood pressure, toxemia and undergoing an emergency C-section, the entertainer candidly details how difficult it was adjusting post-partum and how she had to reconnect with her body after experiencing a traumatizing delivery. “In the beginning, it was so many muscle spasms. Just, internally, my body was not connected. My body was not there.” Rehearsing for a total of 8 months, the singer sacrificed quality time with her children in order to nail the technical elements that came with the preparation for her Coachella set. “I’m limiting myself to no bread, no carbs, no sugar, no dairy, no meat, no fish, no alcohol … and I’m hungry.” Somehow, throughout all of this, she still had to be a mom. “My mind wanted to be with my children,” she says. Perhaps one of the most admirable moments in the film was witnessing Beyoncé’s dedication to her family but also to her craft.

The Wise Words From Black Visionaries

Homecoming opens with a quote from the late, Maya Angelou stating, “If you surrender to the air, you can ride it.” The film includes rich and prophetic quotes from the likes of Alice Walker, Nina Simone, Toni Morrison, and notable Black thinkers, reaffirming Beyoncé’s decision to highlight black culture. The quotes speak to her womanhood and the entertainer’s undeniable strength as a black woman.

Blue Ivy’s Cuteness

Last, but certainly not least, Blue Ivy‘s appearance in the concert film is nothing short of precious. One of the special moments in the documentary zeroes in on the 7-year-old singing to a group of people whilst Beyoncé sweetly feeds the lyrics into her ears. After finishing, Blue says: “I wanna do that again” with Beyoncé replying with “You wanna be like mommy, huh?” Seen throughout Homecoming rehearsing and mirroring Beyoncé’s moves, Blue just might follow in her mother’s footsteps as she gets older.

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