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Mashonda Interviews Olivia Longott

Coming into the world by way of Jamaican/Cuban parents, you have no choice but to accept the fact that you are a soul survivor. Couple that with an upbringing split between Brooklyn and Queens and what do you get? A woman that is not afraid to voice her opinion and refuses to give up on her dreams.

I met Olivia Longott in 2000 at a J Records event. At the time she was my label mate and I wanted to attend to support her. When she took the mic I was blown away by the voice that came out of this young woman’s small frame. Olivia went on to earning a #15 spot on the Billboard 200 charts with her debut single “ Bizounce.” After her success, I sadly witnessed Olivia deal with a test that most artist face -The “Don’t Give Up Test." Through the years I was able to relate to Olivia and I felt that our musical stories and frustrations were somewhat similar. I always hoped that Liv, as I call her, would pass the test.

Recently I was able to sit with Olivia one-on-one after almost 10 years. Revealed was a very passionate, caring, and focused woman. After our conversation, I am pleased to announce that Ms. Longott hasn’t given up.

When did you decide to be an artist and how old were you when you landed your first record deal?
I knew I wanted to be an artist ever since I was a little girl growing up singing in the church. I also took piano lessons at 8 years old so I was always a bit musically inclined [Laughs]. I got my first deal when I was 17 when I signed to Clive Davis as the first artist on J Records.

How was your experience working with music mogul, Clive Davis?
My experience at J Records was a learning experience. With Clive Davis being one of the great musical minds of our time, I learned a lot. Unfortunately my time there was cut short by the politics of the industry and me not actually taking my career into my own hands. I was very young and left some decisions up to people who may not have had my best interest at heart, but snakes always reveal themselves when the grass is cut.

How was the transition to being the first lady of G-Unit?
From J Records I immediately took a deal with Interscope Records that later led to my G-Unit situation. The transition to the Unit was pretty smooth. 50 [Cent] and Jimmy Io-vine both made me feel comfortable. At that time 50 was music’s golden child so I felt it was a great situation.

Did you find yourself arguing for creative control at G-Unit?
The problem was with me being an R&B solo artist placed into a group of rappers. I lost my identity. I know 50 had my best interest at heart but it became a marketing struggle. It became more and more difficult for me to be Olivia and not ol’ girl from the Unit. That was the problem.

What was the lowest point for you in your career, did you ever feel like giving up?
I would have to say the lowest point of my career was when Funk Master Flex went in on me for a whole summer. I never understood the motivation for such hostility towards me. Being from NY and my family being from NY, we had to listen to Hot.97 and hear that. That’s part of why I went overseas, to get away from all of that negativity. I just had to go away and reflect on what I was doing, who I was, and find faith. After reflection I decided that I wasn’t going to give up and let my God-given talent go to waste because I felt nobody believed in me. I had to make them believe.

How did you find strength to carry on?
When I came back home, I regrouped and decided I needed to continue doing what I loved to and not let the negativity consume me. It’s been a difficult road back, but what doesn’t kill you only makes you stronger.

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How were you approached and what was the number one reason you did Love and Hip-Hop?
As for Love and Hip-Hop, Mona Scott-Young approached me about that. It was originally supposed to be me, you, Chrissy Lampkin and Misa Hylton. From that I thought wow what a dope cast of strong black women; we can be the urban Sex and the City or newGirlfriends. In speaking to my manager we thought it would be a great way for people to get to know me. People never really knew me. I was the little girl at J Records and then the girl with the guys at the Unit. I never really got to be me so this was a platform for that. As long as my music was showcased on the show, I was okay with putting my life in front of the camera. Music is a big part of my day-to-day and anything else wouldn’t be a true representation or portrayal of my life.

Did you think the show would be filled with so many intense arguments between the cast members? Do you think you are being portrayed the way you wanted to be?
There seems to be a lot of arguments but the reality is we knew what we were getting ourselves into. Am I upset about some things? Absolutely, but in the end I think the platform was something I needed. I think we all need to take advantage of the platform we have been given and maybe take our dreams and aspirations to the next level.

Out of the eight episodes that we saw, which one disturbs you the most?
Only the first three episodes had me really annoyed. I won’t drag this out like the show did but lying about a guy is crazy and there is no need for it. I’ve never had a problem in the guy department whether high profile or normal. I don’t need a “look." I have no clue what the motives were in that episode and I don’t even care so with that we are moving right along [Laughs].

What’s trickier: Dating a rapper or an athlete? Why?
Both are pretty tricky but then we have to keep in mind a guy is going to be a guy no matter who he is. You have to be super secure in yourself to date either and put up with a lot of mess, more than what one person should have to. In the end you should be with someone who treats you good, loves and cherishes the time you are together. If you don’t get that then move on asap cause he is more than likely doing some nonsense he has no business doing

Tell me about your record “December.” It’s so beautiful and passionate. Is it about Darrelle Revis?
I loved that song from day one. My manager Rich brought the record to me and said Ed Woods had sent it for me from his writers/producers the Awweyeaz. I took a listen and loved it. The funny thing is the record was cut last year before we even knew about the Darrelle fiasco so I can honestly say it wasn’t about him. The record touches home with everyone. Nine out of ten times a guy will tell you what you want to hear and then tell the neighbor the same thing and in the process deny you for personal gain. December is just the month we chose but this happens all year.

Season two of Love and Hip-Hop?
I think I’ve learned a lot from this past season, but my story isn’t fully told yet so with that I would definitely have that added incentive to close out some loose ends and story lines.

What’s next for Olivia?
Giving the world great music. Finally getting a chance to do it my way and hopefully some brand marketing. Be on the look out for some brand marketing stuff from me. I would also love to get into acting. I did a few things and we are hoping that it translates into some feature film opportunities.

 

 

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Read the full post below.

@Chicago_Police y’all really need to do something about @CupcakKe_rapper and her situation, she’s mentioned reaching out to y’all multiple times about this and nothings happened! Please do something before it’s too late... pic.twitter.com/ZczGq1jmcK

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👀 1.19.19 👀 #WTP Directed by @teyanataylor & @ogbeefjones @theauntiesinc 🙏🏾🙌🏾🙏🏾 The wait is ALMOST over. 😏 @museumofsex

A post shared by Jimmy Neutch- Shumpert (@teyanataylor) on Jan 8, 2019 at 6:32pm PST

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