ssl_aws900_trickystewart.JPG_

Tricky Stewart Speaks On His Michael Jackson Experience

"I met Michael years and years ago in the early 90s like 1993. And one day he was working at a tudio and he was about to block the studio for a couiple weeks. I was running over and he and teddy riley were trying to kick me out bc I was working all night. At that time he would have a bunch of video games to create the vibe and he caught me playing one of his pacman games and he was like you know youre playing my game right? laughs. There’s no mistaking that voice. I turn around and there he was. he was just kidding though, real cool. it was just amazing to be in his presence, it was a dream come true. Everyone who’s ever done music has wanted to do something with Michael Jackson. I believe he was the numnber one call in all of music for pretty much all of his career. 

it was quick. I was just in awe. He might have said other things, but at that point you don’t hear much (laughs). You’ll never know you’ll react until he’s right behind. I thought I was cool around every star, but there’s the ones that still shake you up.

I worked on three songs for MJ, one of them which definietyely made it and two for other projects. The song is called Keep Your Head Up

We were planning on getting together at some point before, my camp and his camp. And it looked like were going to work together, but we never got to actually get in the studio. But the label contacted me about producing some previously recorded records that he was working on 2007. When I got the opp I said oh I could do something w that one and that one. I got the opp to work on this keep your head up record and it turned out to be pretty great. It’s just him doing him. He produced it and wrote it.

The idea… the way I try to do it… although I do have a sound. There’s no other umbrella, there’s no other single ladies. I believe every artist has a sound and clearly mj has one of the most indetifiable musical sounds out there. It wasn’t about me putting my sound on it, it was about making his sound the best it could be. I put a lot of effot to make sure these records felt like MJ. It was a tremendous amount of pressure to live up to his body of wrk. I was doing the best I could do, just trying to do what he would want me to do. A lot of times it felt like he was in there with me just working on the record.

I didn’t veer off what he did. There is no banging 808s because that’s not what he was known for.

The expectation was there, so there was a bit more pressure that I put on myself. Because im trying to live up to the greatest producer and some of the greatest producer. I want my place in history however it pertains to miachel Jackson that there was a certain level of integrity and creatibity put into the records.

These were works he was working on that he didn’t get the opportunity to finish. Its not me reworking a Michael Jackson, im basically filling in what he didn’t get into. I didn’t go in and create a whole entire track to a Michael Jackson vocal.

I can’t speak for anything other than what I know. The songs I worked on definitely have a really good vibe. They’re well-written, well-produced. They sound like genuine Michael Jackson records.

its got the little verse with the big chorus and the choir that comes in at the end. And he got the chance to get the choir already.

the best part of the experience is about the legacy and the lineage of what it means to have it in my discography. To work in any capacity with the greatest entertainer of all time was a huge moment for me. there’s noone more that I wanted to produce for than Michael Jackson.

One of them I worked on real heavy. A song called Slve to the Rhythem. LA and babyface wrote the record. By me having so much familiarity on their music it was lots of fun to beat those guys up. I really wanted to destroy the production on their own record laughs. So that was fun and when I played it for them they were blown away.

Everything is subject to opinion. I personally believe, given the opp to work on a mj project, I was def going to do it. I think at the end of the day, theres something to be said about the mysteriousness of his work being there. But theres something about your music being able to live on till the end of time. we’re celebrating the beatles pretty heavily right now and right before Christmas. Michael Jackson to some people wont be remembered after a certain point. It’s great to always be celebrating the greatness of people. Michael Jackson is a national treasure. He was big for our country. I think it’s the right thing to do to let people live on. I understand the case for both sides, but I knew I could keep the integrity of his music. "

From the Web

More on Vibe

Getty Images

Jordan Peele’s ‘Us’ Is Expected To Make $64 Million Opening Weekend

Thanks to Us, Jordan Peele has another blockbuster on his hands. According to the Hollywood Reporter, the highly-anticipated horror flick starring Lupita Nyong’o, Winston Duke, Shahadi Wright Joseph and Evan Alex, is expected to have a $64 million opening weekend at the domestic box office.

Peele’s sophomore horror film earned an impressive $7.4 million on Thursday (March 21) night previews, and is forecasted to take in about $27 million from Friday sales. The film is also on pace to knock Captain Marvel out of the No. 1 spot at the box office.

Once final numbers are tallied, Us will likely snatch the third-best opening weekend record for an R-rated horror film behind It, which brought in a whopping $123.4 million, followed by Halloween’s $76.2 million opening weekend last year.

Aside from rave reviews and a genius promo run that included simultaneous screenings in major media markets, Us earned a 95 percent approval rating on Rotten Tomatoes.

The film, set in the mid-1980s centers around a family of four who set off on a vacation that finds them confronting some familiar faces.

Peele recently spoke to VIBE about casting Duke (our April 2019 cover star) in the role of patriarch, Gabe Wilson. “I have to have somebody voice what the audience was saying,” he said. “In the case of Get Out, it’s Rod, like, ‘How have you not left yet?’ [In Us], Winston is largely that voice. There’s one moment where Lupita [Nyong’o] takes a step into the unknown, where black people [will think], ‘I don’t know.’ But to have Winston say, ‘Aaaand she left. Your mother just walked out of the car.’ That’s all we need.”

Duke also opened up about the intricacies of his character. “His function isn’t to see through the veil. His function is to tell the absolute truth how he sees it,” explained the 32-year-old actor. “He’s sometimes there to say the things that other people don’t want to say, but he’s also there to make fun of things to keep it from not getting too heavy, even though it’s real. That was my job. [Peele] respected that. I like to lean into functions. If I’m going to be your antagonist, I’m gonna really push you. If I’m gonna be your clown, funny guy, I’m gonna do that.”

Click here to read VIBE’s April 2019 cover story.

Continue Reading
Joe Scarnic

Cardi B Explains Why She Wants To Trademark “Okurrr”

Cardi B hopes to secure as many “bags” as possible. In response to backlash and burning questions surrounding her decision to file to trademark “okurrr,” the 26-year-old rapper took to social media Friday (March 22) to defend her latest money move.

Since people tend to ask Bardi to use what has become her signature catch phrase, she figured that it was time to cash in. “You think I ain’t gonna’ profit off this sh*t? B*tch white folks do it all the motherf**king time,” she said. “So you gon’ be mad at me ‘cuz I want to get some motherf**king money?

“While I’m still hear I’ma secure all the fucking bags,” Cardi continued before adding that there are a “lot of ways to get rich” in 2019.

The Bronx native caught heat for wanting to trademark the word because she wasn’t the first to say “okurrr.” Cardi already revealed that she started using it after she heard Khloe Kardashian saying it, but the word was originally popularized in drag culture -- most notably by Rupaul’s Drage Race contestant Laganja Estranja, in 2014.

However, Rupaul attributed the word to Broadway actress, Laura Bell Bundy, who used it in YouTube skits dating back to 2010. In the skits, Bundy pretends to be a hairdresser named “Shocantelle Brown.”

Although Bundy caught criticism for her little character, which was deemed racist, she typically gets credit for bringing “okrrr” (different spelling) to the internet a full decade before Cardi made it mainstream.

No matter the origin, it looks like Cardi will be the only one profiting off of “okurrr.”

 

View this post on Instagram

 

#CardiB on why she decided to trademark “Okurr”

A post shared by the Jasmine BRAND (@thejasminebrand_) on Mar 22, 2019 at 5:32pm PDT

Continue Reading
Getty Images

Kanye West, EMI Working Towards Private Settlement

Kanye West and EMI could be close to settling their legal drama. Each party filed documents requesting a stay of the case to “explore the potential for a resolution,” The Blast reports.

West sued EMI in an effort to “gain freedom” from his contract, and to own his publishing. In the lawsuit, ‘Ye argued that his contract ended in 2010 under California law, which bars entertainers from being tethered to an agreement for more than seven years. The multi-Grammy winner, who signed the deal back in 2003, also accused the company of slavery because the contract doesn’t allow him to retire.

“Even if the contract were not lopsided in EMI’s favor (it is), even if its terms valued Mr. West’s artistic contributions in line with the spectacular success he has achieved for EMI (they do not), and even if EMI had not underpaid Mr. West what it owes him (EMI has), he would be entitled to be set free from its bonds,” the lawsuit reads.

EMI hit back with a countersuit filed in New York, instead of California. The suit pointed out that the 41-year-old rapper signed multiple contract extensions, in addition to accepting millions in advances.

According to The Blast, West and EMI now feel that putting a hold on the legal proceedings will be beneficial to both sides “and the Court by enabling the parties to engage in meaningful discussions in an attempt to resolve this action without having to incur the burden and expense of litigation and motion practice.”

Continue Reading

Top Stories