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The Cool Kids Open Up On New LP 'When Fish Ride Bicycles,' "Our Life Depends On This Record"

Chi-town rap duo Mikey Rocks and Chuck English have come a long way since their break-through music video "Black Mags" caught fire in 2007. After a number of mixtape and EP releases, The Cool Kids put out their debut album this past Tuesday, through Green Label Sound.

The project dubbed When Fish Ride Bicycles may be their most important work to date. But don't take our word for it. VIBE caught up with the guys a few days before their album dropped for some pre-Fish insight. --Keenan Higgins

 


 

VIBE: So just to get into things, it’s been a year since you guys did TackleBox. Was the wait intentional or were you guys recording this album the whole time?

Mikey Rocks:  Man, we actually had the songs for this album done around that time---most of them, for the most part. We just had to work out everything to get ready to put this one out. It wasn’t really that long because we put a bunch of songs on the Tacklebox, but we had to work out the situation of how we gonna put out this album and everything. That was the meantime in between there.

Chuck Inglish: Yeah our hiatus was not intentional. We had a legal situation with our label that we’re still kinda going through. We just want enough space to go out and try and make our own situation happen. So that was pretty much the past 3 years of our life, trying to beat the system a little bit. Tacklebox was like---I wish When Fish Ride Bicycles was coming out then, but it just didn’t work. So we put out a mixtape of songs we kinda threw together around that time and some joints that we figured, if it don’t come out now it ain’t even gonna make sense. So that’s what we did.
Where did the title come from?

CI: The album title came from us watching The Fresh Prince. We was just sitting around and we like funny shit! It was funny. Uncle Phil told Hilary she could do something when fish ride bicycles. It was that simple.  At that time, we thought it was a joke. But it honestly took shape because now it kind of has meaning. You got something that’s pretty much impossible. We’re not the norm, we don’t got a machine. Def Jam ain’t paying for this, Atlantic ain’t paying for this, Warner ain’t paying for this, and Sony ain’t paying for this. To us, that shit is cheap. Yall get what yall got because somebody got a big ass check book. We get what we got because we’re smart and we know when to pop in and pop out. We playing this game like we’re the shorter fighter. We reach, but every time we hit we gotta hit your ass in the nose so you remember that shit. We don’t got no jabs. We don’t have those luxuries. We have to make every single move that we make count.

Oh alright. Well, you have mad mixtapes under your belt. With the new studio album, is it different? Creatively, is it different or is it just the same ole, same ole?

CI: We came up with this earlier: this is like---our life depends on this record.

Really?

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DAWN Relishes In Self-love On New Song "Sauce"

DAWN is back with a sexy single off her forthcoming project, New Breed. "Sauce" is a sonic ode to pleasing all her hedonistic sexual desires after a long work week. Lyrically, the song is filled with suggestive lines and clever double-entendres that are far from coy when describing what she wants in the sack.

Just as much as “Sauce” is about sex, it’s also about basking in self-pleasure that comes after genuine self-love. In a statement published by Stereogum, the former Danity Kane member described the message behind the song:

“‘Sauce" is about women taking pride in their prowess, and about being raised to celebrate my skin,” DAWN said. “I lost focus of that when so many men degraded and disrespected my brown skin. ‘Sauce’ is about being bathed in your own beauty, being sexy for you. The new breed of women are unapologetic about sex and the way they choosing to express themselves.”

DAWN recently joined Aubrey O’Day and Shannon Bex of Danity Kane for the DK3 reunion tour across the U.S. In an interview with Billboard, the Louisiana native revealed she wants to give fans more of her authentic self on New Breed.

“This album is my relationship with New Orleans, me as a woman, and how being from New Orleans has created a person in me that acts and sees things a certain way. "'Jealousy'" is a prime example of that,” she said. “I just want to give you the girl from the 9th Ward that you guys only met once on [MTV's] Making The Band.”

Listen to "Sauce" below. New Breed drops on Jan, 25.

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LaVar Ball Is Requesting $3,500 From Anyone Planning On Recording Son During Tournament

As we know, LaVar Ball goes above and beyond in terms of making sure his sons become the superstar basketball players he wants them to be. His youngest son LaMelo is currently playing for SPIRE Institute in Ohio, and they have an upcoming tournament taking place in Kentucky. Mr. Ball is reportedly asking outlets to pay $3,500 at the door to videotape his son playing.

"All games are free to film except for the Spire Institute games,” an email reportedly sent by LaVar read. “To film either of the 2 Spire Institute games, you will have to present $3,500 at the gate, as per rules of the Big Baller Brand media credential… If you accept these conditions, you may present this email at the gate as proof of our approval where you will be given a media pass.”

While a few Internet folks are scoffing at the idea of having to pay that sort of money, others are pointing out the fanbase of LaMelo, stating that there are outlets who certainly would (and have) paid the fee for the chance to record LaMelo and SPIRE moments from the game. According to Forbes, this is one of many revenue streams for the Ball family.

"The Ball Sports Group in November entered into a partnership with FloSports Inc. to live stream five SPIRE games featuring LaMelo, beginning with one on Tuesday (Jan. 14) at Brush High School in Ohio," the site reports. "FloSports Inc. agreed to pay $5,000 per game, according to the contract which was signed by Foster."

Here's the email telling video outlets they must pay $3,500 to film LaMelo and @SpireBasketball this weekend in Kentucky. pic.twitter.com/XoiiorNxVr

— Adam Zagoria (@AdamZagoria) January 17, 2019

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Big Boi Purchases Studio Where OutKast First Began Their Career

Big Boi is going back to his roots with the recent purchase of the Atlanta recording studio — legendarily dubbed The Dungeon — where he and Andre 3000 recorded their classic albums at the beginning of their OutKast career, WSB-TV reports.

The veteran rapper, born Antwan Patton, announced the news via Instagram. The studio is located in the Lakewood Heights neighborhood. The studio once served as the hub for production crew Organized Noize, creating the beats for some of OutKast’s biggest hits.

 

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New day new Lot ... Just copped the Dungeon #WeDF #playingRealLifeMonopoly #RealEstate

A post shared by Big Boi (@bigboi) on Jan 16, 2019 at 10:54am PST

The Dungeon also served as a beacon of creativity for the group. In addition to OutKast recording their 1994 debut album Southernplayalisticadillacmuzik, they also recorded 1996’s ATLiens and 1998’s Aquemini at The Dungeon.

Deep in the Dungeon 👑 pic.twitter.com/IFLLONpSzp

— Big Boi (@BigBoi) January 16, 2019

In buying The Dungeon, Big Boi is securing an important piece of hip-hop history, especially considering how popular Atlanta has become in the entertainment industry. However, this wasn't always the case. In an interview with Rolling Stone, he admits that Atlanta wasn't always respected in creative circles like it is now.

“When we first started, it wasn’t cool to be from Atlanta,” he said. “Now Atlanta is the place to be with music, film, and television. To have people excited about the city and the culture and the lifestyle, I’m very proud of that. We’re the pioneers of it, and we’re still at the forefront of what’s happening. There’s plenty of people over the years, hundreds if not thousands like, ‘[1994 LP] Southernplayalistic … made me move to Atlanta.’ There’s no greater place in the world to be but A-Town.”

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