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Drake Talks The Direction of 'Take Care,' Possible Collabo Projects With Lil Wayne and Rick Ross

Drizzy Drake blessed Entertainment Weekly with some phone time as he put the finishing touches on his forthcoming sophomore album, Take Care.

EW: Rap has become like fast food. Fans want it quickly and a lot of it. It’s only been a year since Thank Me Later and your fans seem to be starving for Take Care. Do you think they’ve forgotten that artists need life experiences to craft their art?
DRAKE: Yeah! You’ve got to live, man. Exactly. I remember when artist used to take, like, four years to make an album. Usher used to disappear for three years. It took Justin Timberlake a really long time to craft Justified. Even Beyoncé’s albums are spanned three years apart. You’ve got to live, man. And now we’ve sort of birthed and encouraged this generation of instant gratification. Where it’s like “The Weeknd’s about to release his new mixtape on Twitter and I can get it right away with the click of a button.” He just released House of Balloons a couple of months ago and they’re already like, “We need new s—! You’re taking too long.” It’s crazy, man.

I really hope that there’s people who sit with the music and drive to it and just really soak it in—not just run back to the computer and demand more. It’s important for our generation to know that it’s okay to take some time. It’s okay if an album takes a year or two to make.  That just means it’s probably going to be better than if they took two months and released it.

That’s why I felt like with the Thank Me Later process I was almost trying to create some stories for myself to rap about because everything was going so fast. I was in such demand at the time that I was almost disconnecting with what was going on around me. It was kind of hard to tap into the psyche of myself. I could still make great songs. But it was hard to give people a huge part of Aubrey at that time. I didn’t have that much going on other than work. For this album I spent a lot of time in Toronto. I’ve been here for the longest time since my career started. I’ve been here for like four months now, just seeing people I know, seeing my family, seeing friends, going out, driving in the city again. It’s incredible. I think words are something I’m eager for people to hear. That’s why I’m not doing any listening sessions. I really don’t want your first impression to be from some—and no offense to you obviously—from some writer that sees it through one set of eyes and ears and then the whole world goes and forms an opinion based off that article. I want people to get it all on the same day. Even if it leaks, I want people to hear it together, as opposed to reading an in depth article about every song. I don’t people to know what to expect. There’s a lot of shocking sonic music on this album.

What do you think of how Jay-Z and Kanye West released Watch the Throne? They did a couple of exclusive sessions. I went to the first one. And they kept the album from leaking by going straight to iTunes.
With Jay and with Watch the Throne, I’m so glad that it came out. As artists, we all need extra motivation. And I feel like in these last 30 days, that album is going to make me go 10 times harder from just, you know, hearing all the bars and all the sounds.

Have you thought of adopting their release approach?
I think with the Jay and ‘Ye thing, that was their approach—releasing it exclusively to digital, and doing the listening parties, and getting everybody involved and excited. I think that it was a brilliant approach. Do I necessarily think that Jay or ‘Ye would do that for a solo project? No. Do I think that Jay would release exclusively to digital and, like, play all of his music off a solo album to be dissected by critics? No. I’ve discussed doing projects with is obviously Lil Wayne. And one of the people of the people I enjoy rapping with most in this business is Rozay [Rick Ross]. Me and him have talked about potentially doing something after our albums comes out. I just love making songs with him. Every time we make a song it just seems to be something I love listening to after the fact when I’m in my car.

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An Unofficial Documentary About Drake Is Currently On Streaming Services

An unauthorized documentary about the rise of musician Drake can be viewed on video distribution services such as Netflix and Amazon Prime. Drake: Rewriting the Rules initially dropped on Vimeo in Nov. 2018, and now, fans of the "God's Plan" musician will have a chance to watch it at their leisure on other platforms.

The documentary chronicles the music superstar from his days growing up in Toronto, to portraying Jimmy on the hit-teen drama Degrassi, to becoming a hip-hop star and working with musicians from Kanye West to his Young Money leader, Lil Wayne.

"Discover the untold story of how Drake rewrote the rules and rose from a child actor to become a cultural phenomenon and global musical icon," writes IMDb of the film's synopsis. "He is the king of pop and hip hop, combining many musical styles into one mainstream sound." The film runs 74 minutes long. Interviews from media figures and writers are included in the doc, which was directed and written by British filmmaker Ray King. However, no representatives from Drake's team are included.

Drake has not commented on the doc as of press time. He has been relatively quiet in the news, however, it's being reported that he is close to securing a residency of sorts at the Wynn's XS Nightclub in Las Vegas.

 

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Stream: Hulu's 'FYRE Fraud' Doc Examines The Festival That Scammed Thousands

In 2017, rumors of an exclusive festival taking place in the Bahamas took over social media. Organized by Billy McFarland and promoted by Ja Rule, the FYRE Festival was the new, cool kid on the festival block and quickly put other more seasoned festivals to shame.

But all that glitters isn't gold.

FYRE FRAUD, the new documentary streaming on Hulu, takes an intimate look at the scam that left thousands stranded on the island. Directed by Jenner Furst and Julia Willoughby Nason, the dark-comedy interviews whistleblowers, victims, and the convicted con-man himself, McFarland.

In a press release, Fraust and Nason said the goal isn't to make light of those who were scammed.

"Our aim was to set the stage for a strange journey into the moral abyss of our digital age, going beyond the meme to show an ecosystem of enablers, driven by profit and willing to look the other way, for their own gain.

"We draw on countless cultural references, on true crime tension, and on humor - but we did not intend to create a toothless comedy about the Fyre Festival. We hope this film can pierce our collective apathy and disrupt our own millennial peers, if only for an instant - to look at these stories for what they truly are, and to halt this algorithm before it devours us whole."

FYRE FRAUD is now streaming on Hulu.

 

 

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Al Bello

Dave Chappelle Isn't Sure His R. Kelly 'Chappelle Show' Skits Were Insensitive

The Surviving R. Kelly series may be over, but the fallout from it has seemingly just begun.

Director dream hampton took to Twitter during the airing of the Lifetime documentary and spoke honestly about the several celebrity men she contacted in hopes they'd speak on camera about R. Kelly and the years of sexual allegations that have shadowed him. Among them was Dave Chappelle.

The beloved comic famously made a music video entitled "Piss On You" mocking the real-life video of R. Kelly urinating on an underage girl. During the Chappelle Show heyday, he used R.Kelly's legal woes as material for years.

TMZ caught with Chappelle in West Hollywood and asked him if he regretted not being featured in hampton's series and instead he dodged the question.

"Jesus Christ, I just had dinner," Chappelle said in between taking a drag of his cigarette. "I just ate. Strop bringing that motherf**ker up."

When pressed about whether or not he thinks his old skits were insensitive, the 45-year-old said "I don't know. I'd have to watch it again."

D.L. Hughley joined Chappelle for dinner and commented on R.Kelly and the forthcoming Michael Jackson documentary, Leaving Neverland, which outlines sexual assault allegations against the late singer.

"If you can be mad at R. Kelly, you should be mad at Michael Jackson," Hughley said.

 

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