Roscoe Dash Talks 'J.U.I.C.E' EP, Kanye West Collabo, and Upcoming Album

When Big Sean, Waka Flocka and Kanye West call on you to do their hooks by the age of 21, you’d think you would be satisfied in your career. But for Roscoe Dash, his latest EP J.U.I.C.E. (Just Understand I Control Everything) is only the beginning.

At the age of 13, a young Dash, whose real name is Jeffrey Johnson, Jr., was balancing basketball, high school, homework and most importantly, music. He would go home to his make-shift studio and write music on his computer while his brother provided the beats (usually before doing his assignments). Dash cites Naughty By Nature’s “O.P.P.” as the first hip-hop song that influenced him to consider music as a career.

“It was the first song that grabbed me,” Dash said. “If a song can brighten your day and make you do this [bounces head], then it’s something you should really pursue.”

Six years later, Roscoe Dash is recognized as a club-banger regular who inspires people to do more than just nod their heads to a beat. Any hook he comes on becomes an instant party anthem.

But the Atlanta native doesn’t immediately think that when he begins recording. “I don’t ever go into the studio and say let me make a club record,” Dash said. “I just really go in and express myself with however I’m feeling that day.”

His recent collaboration with Big Sean and Yeezy on “Marvin & Chardonnay” is an example of Dash’s experimental music-making process, taking a mixture of random ideas and finding various ways to express them. “The beat was crazy that I didn’t know how to rap on it,” he recalls. So he went straight to the hook, thinking that everybody drew some inspiration from Marvin Gaye and combined it with the wine he calls the perfect mood-setter. “When you put those two together, you got trouble,” Dash jokes.

Dash exercises creative control over every aspect of his music, thus the title of his EP J.U.I.C..E., slated for release on Dec. 20. “The term [Just Understand I Control Everything] is something me and the homies use a lot. We’ll use each other’s advantages like if someone has Delta Sky Priority miles or whatever and we all wanna jump the line, we’d say, ‘Hey man, gimme some juice. Juice me up!”

The 7-track compilation boasts features that tap into Dash’s close circle, including Big Sean (“Siddity”), Wale (“Into The Morning”), French Montana and Meek Mill. But what the “No Hands” rapper is most excited about is showing his multi-faceted talents.

He delves deeper into his R&B side with a track called “Impossible” where he showcases his singing prowess. “It isn’t really about giving people something they haven’t heard or selling records, it’s really about me just expressing myself.”

Dash also revealed there will be a J.U.I.C.E. Pt. 2 in the form of an LP to be released in March 2012, tentatively called J.U.I.C.E. Forever. A contribution from Yeezy, a collaboration with B.o.B. and an urban rock song called “Waterfalls” with Jared Evan are set to come on the latter half. “I’m gonna do a 1-2 punch with my album… [the EP] is really just a spoonful of what I’m really gonna hit people with later on.”

Another side of Dash comes through in his parenthood. The proud father looks to his 5-year-old Jayla as his motivation. “It’s crazy, I look at her and I see me,” Dash says of his daughter. As a result, he aims to set an example in his artistry. “A lot of people lose sight of that and forget that they’re role models in the music that they’re making, the things that they do and posting the videos they post.” It also helps that Jayla also approves of daddy’s music.

Fans are also a major influence on Dash’s work. Look to his Twitter and he responds to his fans and follows them back unlike most artists on the social media site. “If Twitter would have been relevant way back when I was growing up and I could talk to some of the people I grew up listening to, a lot of things would probably be different.” He takes his fans’ feedback seriously and aims to constantly drop mixtapes to keep them satisfied.


“I like to be that reason why people bob their heads, stomp their feet, smile, whether they havin a bad day, maybe they could’ve just lost their job, that music that comes on and they just forget what they worryin’ about.”  --Adelle Platon

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VICE CEO Doesn't Believe Desus And Mero's Brand Is Strong Enough For Showtime

Comedy duo Desus & Mero have kept their brand strong since joining forces in 2012 but the newly-appointed CEO of Vice believes their move to Showtime wasn't the best decision.

In an interview with Elle, Nancy Dubuc shared her plans to rebuild the outlet since reports of sexual harassment allegations, unlawful HR practices and the stepping down of Shane Smith came to light this year. Changing the bro culture has removed content and replacing it with more substantial content and finding gems that will also replace the gap left by Desus & Mero.

The guys brought high ratings to the network during their reign from August 2016 to June 2018, but Dubuc doesn't see this happening for their upcoming series at Showtime. “They’re going to a platform that their audience doesn’t pay for,” she said.  “I told them, ‘You can always come back.’”

In an interview with Bossip over the summer, the guys revealed their contracts were cut two months early after news about their deal with Showtime went public. They show consisted of the two commentating on the latest in politics and pop culture while interviewing big names like Gabrielle Union, Rachel Maddow, Diddy, Vic Mensa and Tracee Ellis Ross. They also opened up about their organic approach in comedy was nearly butchered when the network demanded them to work 24/7.

“We were carrying that network on our back, and we felt the weight,” Desus said. “They were talking about, ‘Do not take the weeks off because we don’t get ratings,’ and it’s like, 'Yo, we’re just two people.'”

“We were literally the LeBron of that network,” Mero added. “As a dad, you wanna be around for milestones for like graduations, birthdays…and it’s obnoxious to have to be like, ‘I can’t go to my kid’s graduation because we leave the studio at 3 o’clock and the graduation is at 4.’”

Mero believed the duo were undervalued and not appreciated by the network until it was too late. Their brand transcended platforms as the guys are still active on Twitter and their podcast roots, taking the brand to new heights.

“The channel wanted us to die for this f**king network,” Desus said at the time.  “We’re also the highest rated show on the network, put some respect on our name, have someone come massage my feet.”

We doubt the duo will go back to Vice as excitement for their series on Showtime continues to grow. The guys are already making strides by adding black women to their writing team and recently dropped a teaser for the show.

The brand is strong. #DESUSandMERO are bringing the culture to #Showtime beginning Thurs, Feb 21, at 11p/10c! #BodegaHive

— Desus & Mero on SHOWTIME (@SHODesusAndMero) November 29, 2018

Desus and Mero will premiere on Showtime Feb. 21 at 11 pm ET.

READ MORE: 25 Hip-Hop Albums By Bomb Womxn Of 2018

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Cardi B Gets Driving Lesson, Performs For Senior Citizens During 'Carpool Karaoke' Segment

Cardi B was the latest guest on James Corden's Late Late Show segment, "Carpool Karaoke," and as expected, it was a helluva time.

The Grammy nominee ran through some of her hits with Corden, such as "Bodak Yellow," "Money," "Be Careful" and more. She discussed her transition from stripper to MC, which Corden attributed to "grinding and hustling for a long time.”

“A lot of these deejays was sleepin’ on me… they was frontin’ on the kid!” Cardi exclaimed. Cardi also discussed her childhood growing up in the Bronx, which included keeping a razor blade in her cheek just in case some crazy sh*t goes down, as well as her affinity for ASMR videos. She also performed at a senior citizens' home at the end of the clip to a rousing response.

Perhaps the best part of the segment was her attempt to drive. Facilitated by a conversation in which the two discussed her five luxury cars, Cardi hit a few cones and flags while trying to maneuver in and out during a lesson. She said that the car (a Range Rover) was a bit big for her, but her lack of driving skills period resulted in her hitting a camera during her attempt at parallel parking.

“I couldn’t rap about these cars because I didn’t own them,” she laughed before adding, "[Driving] is scary.”

Watch the entire segment above.

READ MORE: Cardi B's Upcoming 'Carpool Karaoke' Segment Looks As Eventful As We'd Hope

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Former ABC President Channing Dungey Joins Netflix As VP Of Original Content

Former ABC president, Channing Dungey, is heading to Neflix. According to The Hollywood Reporter, Dungey will officially join the company early next year in a "newly created leadership role" as a vice president of original titles.

Dungey will work directly with fellow vp, Cindy Holland, and Netflix’s chief content officer, Ted Saranados. Her position involves overseeing the streaming network's current deals, which include the Obamas’ Higher Ground Productions company.

The move also re-teams Dungey with Shonda Rhimes’ and Black-Ish creator, Kenya Barriss, both of whom left ABC and signed with Netflix.

In addition, Dungey will oversee a group of executives who have worked on Narcos, House of Cards, and other big shows on the streaming network.

"I'm drawn to the forward-thinking, risk-taking and creative culture at Netflix, and the deeply talented people there, especially Ted and Cindy, with whom I’m excited to partner on setting the strategy for original content," Dungey said in a statement. "Given that ABC, the place I’ve called home for nearly 15 years, represents the gold standard of traditional broadcast, it feels like the perfect next step for me to join Netflix, the unparalleled leader in streaming. I'm invigorated by the challenges ahead and the opportunity to forge new relationships, and excited for the very welcome reunion with incredible talent."

In 2016, Dungey was named president of ABC, making her the first Black woman to lead any of the four major networks. She began her career with the company in 2004, and worked her way up to executive vice president of the network’s drama division developing hit shows such as Scandal, Quantico, Hot To Get Away with Murder and American Crime, before being promoted to network lead. Her exit from ABC came in November, shortly after firing Roseanne Barr for making racist comments.

READ MORE: The Obamas Sign A Multi-Year Production Deal With Netflix

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