Jamaican Drug Lord Christopher "Dudus" Coke Is The Last King of Jamrock Pg 5

“These guys were ruthless,” said Broward County, Florida, Sheriff Al Lamberti, who served on a federal task force inves- tigating the gang. “With the Mafia it was a .22 behind the ear, and with the Shower Posse it was indiscrimi- nate shooting with machine guns.”

Jim Brown carried himself with a certain swag- ger as he fought his extradition—after all, he’d beaten plenty of cases before. “Dem say dem ’ave tings to say,” he boasted to news cameras. “Well, me have tings to say, too.” But while he was biding his time behind bars, his eldest son and heir apparent, Mark “Jah T” Coke, was shot dead while sitting on his motorcycle. Then on February 23, 1992, the day of Jah T’s funeral, Jim Brown burned to death inside his pris- on cell. The fire was officially ruled an accident, but suspicion lingers that Brown may have been killed be- cause he had too many “tings to say,” especially about his political connections.

At Jim Brown’s funeral, a massive crowd of 35,000 came out to express their love. Prime Minis- ter Seaga gave the eulogy. (Imagine President George Bush speaking at a John Gotti memorial.) “See him as this community sees him—as a protector of the peo- ple,” Seaga told reporters, fulfilling his own role as the peoples’ guardian and true architect of Tivoli Gardens. It was he who bulldoze the Rasta shantytown of Back O’ Wall in the ’60s to make room for Tivoli, Jamaica’s first high-rise housing project. In footage taken at the funeral service, young Christopher Coke can be seen among the pallbearers carrying his father’s casket. With his brother and father murdered, “Shortman” was the new boy king of the Tivoli Republic.

“He was somebody that didn’t talk,” recalls Miss Kidd-Deans, Seaga’s former special assistant. “He would give you a smile and a nod. Some people would say that is dangerous, but it is also good because it made him survive for so long. His ninth-grade math teacher at elite Ardenne High School told the Jamaica Gleaner that Coke was one of his brightest students. Relations between Prime Minister Seaga and the Coke family would be strained three years after Jim Brown’s death when Seaga included Dudus’ name on a list of 13 “troublemakers” that he handed over to the police commissioner.

“Mr. Seaga told Dudus point-blank he must do something constructive with his life,” recalls Miss Kidd-Deans. “’Cause he has leadership quality and he must turn it into something positive.”

When Seaga stepped down in 2005, after 43 years representing Western Kingston in the Jamai- can Parliament, Dudus had transformed himself from a restless youth into an enterprising businessman: founder of the Presidential Click production com- pany and a thriving construction firm, Incomparable Enterprises. He was also a stabilizing force in the community, brokering peace with rival dons. When an- other of his brothers, Chris Royal, was killed by police, he resisted calls to avenge the death, dismissing all talk of reprisal killings as an “idiot ting.”

On Seaga’s 80th birthday, Tivoli was still burning. Plans to celebrate in fine style with a live performance by Mavado were disrupted. In a remarkable inter- view televised across the island, an emotional Seaga demanded Dudus turn himself in without without fur- ther delay: “If you want to live, give yourself up. You never should have thought you could have fought the security forces... And I’ll go on to say that what I want is for the people who are in captivity in West Kings- ton, the six or seven thousand households that are in captivity. I want those people to be freed so that they can go out and get food and water and baby milk and medication. I want them to be freed.”

Asked if he accepted any responsibility for legitimizing criminal activity, the man who represent- ed Tivoli for 43 years laid all blame at his successor’s feet. “When I left there they were what one would call a medium-size gang,” he insisted. “I didn’t give them any multimillion-dollar contracts, which would enrich them to the point where they could do without their member of parliament. I didn’t do that.”

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A NYPD Cop Falsely Arrested A Black Man Lied On The Paperwork, But Still Has His Job

A New York police officer has faced no punishment for falsely arresting a black man and lying on his police report about what a witness statement.

In June 2016, officer Xavier Gonzalez arrested investment adviser Darryl Williams at the 125th Street and Lexington Avenue subway station. Gonzalez alleged Williams, 58 at the time, pickpocketed straphangers on a 4 train.

Gonzalez was undercover at the time and wrote in his report that Anthony Osei, who was also on a northbound 4 train, said Williams stole his phone. However, Osei, a paint shop clerk, told the New York Daily News Gonzalez lied.

When Willaims sued the city and the NYPD over the arrest, Osei, swore in an affidavit, reviewed by The Daily News, he didn't tell officers Williams stole his phone.

“A cop came up to me and said, ‘Did he take your phone?' I said, ‘No, I have my phones and wallet.’ Two weeks later, I get a call from the prosecutor. I told them the same thing."

In court, Osei testified on Williams' behalf stating "I defended him (Williams) because it was the right thing to do.”

Williams worked at the Sanitation Department for nearly two decades when he was arrested. He had private clients and his financial license was suspended for two months. He spent $1,500.

There's a process called “arrest overtime” in which an arrest made toward the end of a cop's shift helps bolster his or her overtime pay. It's a beloved practice that drives up a cop's pension.

“I have no trust in cops anymore,” said Williams, 60, now retired. “He’s putting perfectly innocent people in handcuffs. People who don’t have the resources I have, they could go to jail for something they didn’t do."

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'The Chi' Recap: Ep. 3 Shows The Effects Of Childhoods Being Stolen By Adults

A child can die and still grow up. A child can die from growing up. In The Chi, where humanity is hustled and children face their mortality, childhood is a luxury few are lucky enough to keep let alone enjoy. Adults traffic in stolen youths, trading in childhoods that never belonged to them. Some use them to make their lives easier, others use them to advance their careers, but they all snatch away the childhoods of young black boys and girls in order for them to navigate adulthood better.

On the insidious side, Ronnie’s lawyer Kimberly Hendricks (Kimberly Hebert Gregory) uses Kevin’s youth to both intimidate and discredit the only eye witness to Ronnie’s murder of Coogie Johnson in Season One. She orchestrates this by employing a white man with a purported history of dealing with black youths testifying in court to tell Kevin’s family about the untold dangers that can arise from his testimony against Ronnie in the courthouse. All the while, Hendricks sits nearby surveying the scene of her own making, knowing the preservation of Kevin’s precious youth would be his mothers’ first thoughts when hearing of these “consequences” and force them to not have Kevin testify.

Not too long after that, Hendricks calls into question the validity of the 12-year-old eyewitness account, since she claims the accounts of adults are typically unreliable and Kevin having experienced trauma from shooting Ronnie makes his account even more shaky. Soon after, we find out Hendricks’ motive for using Kevin’s young age to get a murderer out of jail is not based in some warped view of justice, but instead in her desire to advance her own law career by making partner at her law firm.

The Chi drives home the severity of what Hendricks’ actions could do to the future of a child like Kevin. Before Kevin and his family are intimidated by Hendricks’ flunkie in the courthouse, Kevin mentions how some of his knowledge of the criminal justice system comes from long-running TV drama Law & Order. Mere seconds later, a young black boy, who looks no older than Kevin, is escorted in handcuffs by police officers while wearing grey prison garbs. This idea of adults snatching away black boys’ youth through the legal system is an all too common reality in a city such as Chicago, where judges go against local ordinances banning the detention of children under 12 years of age at the Juvenile Temporary Detention Center.

Beyond Chicago, adults within the American legal system have had transactional relationships with black youths. Between 2000-2007, judges Mark Ciavarella and Michael Conahan from Wilkes-Barre, Pennsylvania received financial compensation from the owners of juvenile detention centers for filling their detention centers with young offenders through excessive sentencing for minor infractions. The ordeal is referred to as the “kids for cash” scandal, a title that could easily be the name of an episode of The Chi.

But, just like in episode two, where Jerrika appeared to sell out of her blackness for the advancement of her career, nothing is ever clearly good or bad in The Chi. In one of the more heartbreaking scenes in the early part of the season, Kevin discovers his classmate Maisha (Genesis Denise Hale) hasn’t been coming to school because she has to watch her siblings while her mother works. Her mother is robbing her daughter of a traditional childhood by having her assume parental roles over her siblings versus focusing on school. As Kevin sits in her living room surrounded by her siblings and their toys, Maisha’s usual calm but condescending demeanor is replaced with irritable fatigue. You can see her face struggle to contort into a smile when joking with Kevin.

Neither Maisha nor Kevin make any mention of Maisha’s father, so it’s safe to assume she lives in a one-parent household, like more than 11 million other American households, according to 2016 Census data. Of those more than 11 million households, more than 80 percent of them are headed by mothers. Those same mothers have to spend upwards of 70 percent of their annual income on child care. Without Maisha sacrificing a piece of her childhood, her siblings may not have one of their own.

When Maisha somberly asks Kevin if she’ll see him tomorrow after school—she’d asked him to bring her each day’s homework—the look in her eyes is one crying out for a connection to her peers’ leisurely, carefree lives. That’s what people see when they look at him: the purity of childhood. It’s the reason why Jake wouldn’t let Kevin be part of his illegal candy resale scheme in episode two. So much of The Chi involves making sure this one black boy doesn’t get swallowed by the streets.

Despondent themes aside, the episode is not without its silver lining. There is a humorous side to children growing up too quickly in The Chi. Papa, Kevin’s best friend and the most mature kid in the show, participates in the school’s candy drive in order to win a flat screen TV for his man cave. But instead of a “man cave,” he calls it a “Papa cave.” Humorous displays of otherwise depressing topics, such as black youths growing up much faster than they should, gives The Chi’s commentary a bit more realism, showing that there’s good in the bad, and vice versa.

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Prince's Memoir Set To Be Released Fall 2019

In October 2019, Prince's memoir will be available for purchase, titled "The Beautiful Ones." According to the Associated Press, the 288-page book will be divided into four sections. Readers will learn about the "When Doves Cry" artist's childhood, journey into music, and an intimate look at how the Minneapolis native established the iconic status of "Purple Rain."

"The Beautiful Ones" will present "a first-person account of a kid absorbing the world around him and then creating a persona, an artistic vision, and a life, before the hits and fame that would come to define him," a brief synopsis of the passage states, per publisher Penguin Random House. Another part of the book will display "candid photos" that'll showcase a timeline of Prince's rise to stardom.

The Prince Estate is thrilled to announce that on October 29, 2019, @RandomHouse will be publishing THE BEAUTIFUL ONES by Prince, the American artistic visionary—singer, songwriter, musician, producer, actor and filmmaker. Available for preorder now.

— Prince (@prince) April 22, 2019

Described as a "deeply personal account," the publishing company also noted that the memoir will touch on Prince's death in 2016. The organization described that time as a moment when the award-winning artist "was thinking deeply about how to reveal more of himself and his ideas to the world, while retaining the mystery and mystique he'd so carefully cultivated." At age 57, Prince passed away from an accidental fentanyl overdose.

The book will be released on Oct. 29.

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