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5 Things Confirmed About The BET Hip-Hop Awards Brawl

The past 48 hours have been jam packed with rumors, controversy, and straight up lies about the “brawls” that took place at the 2012 BET Hip-Hop Awards. At first, off-the-wall tales about shootings and gang fights projected these separate incidents to be much more than what really happened. Here’s what we know to be true at this time.

1. Rick Ross and Jeezy did get into a physical altercation (pushing and shoving) backstage.

"TMZ has obtained the money footage of the infamous Rick Ross and Young Jeezy scuffle backstage at the 2012 BET Hip Hop Awards. The awards ceremony was taped Saturday (Sept. 29) night in Atlanta, but won't air till Oct. 9. However, the hip-hop aspect of the show is being marred by the two battles -- another fight broke out between Gunplay and members of G-Unit in the parking lot -- that took over headlines the following morning. "

2. Gunplay was fighting 50 Cent’s security, not 50 Cent, and he was in fact pepper sprayed “by a cop.”

"First of all, I ain't gonna say the donkey's name (referring to 50 Cent) cause I ain't gonna ruin a career already ruined," he started. "So the donkey walks with eight other donkeys, I was gettin ready to catch my ride. Police said I couldn't leave the traliers...It was either me jump the barrier and run or stand, pull up my pants and knuckle it out with the donkey...So he walks up to me and he nodded to one of the donkeys and one of the donkeys set it off and we rumble. I stood up in the tank like a real G supposed to with five bodyguards that's trained to kill a human being...I lost my footing, got right back up and then the pepper spray came." (Watch Gunplay's interview here)

3. There is footage of both the Gunplay and Rick Ross/Jeezy scuffles.

(Watch more video footage here)

4. Police told TMZ that there were no gunshots fired.

"Shortly after 7:15 pm Saturday, a fight broke out in the parking lot at the Atlanta Civic Center (where the BET Awards were being taped) between two groups," a spokesperson for the APD told TMZ. "Atlanta Police Department officers on scene responded to break up the fight and used OC spray in the process. Individuals fled the scene. There were no arrests or reports of serious injuries. Reports of shots fired appear to be untrue." (read more here)

5. BET released a statement about the incident.

"Tonight during a taping of the BET Hip Hop Awards 2012 (not the BET Awards which went down without incident two months ago) an altercation between two rap entourages broke out backstage. Atlanta police and BET security quickly defused the altercation.

According to the Associated Press, police spokesman Carlos Campos said officers responded to the scuffle at around 7:30 p.m. EST Campos says there were no shots fired. ??More drama unfolded as two men were involved in a fistfight in the parking lot of the venue."
(read more here)

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Jacquees Blames 'Hater' DJ Mustard For The Removal Of His 'Trip' Remix

DJ Mustard, the producer of Ella Mai’s “Trip,” is responding to reports that he was “hating” on Jacquees, who famously deleted his “quemix” of the aforementioned song. Jacquees visited the L.A. radio show Big Boy’s Neighborhood, where he discussed the controversy behind deleting his version of the popular track from the Internet.

“Really, DJ Mustard hated on me, no cap, that was crazy,” he told the hosts about the issues at hand. “I wanna work with DJ Mustard too, but that was a hating move.” The release of his popular version sparked rumors that the “Boo’d Up” musician was jealous of the 4275 artist’s success with his version.

Mustard, who founded Mai’s label 10 Summers, commented on Instagram about his feelings on the R&B star’s latest comments. "That n***a Big Boy said ‘it was really goin’ too!'” he laughed in a video shared to his IG Story. “You stupid ni**a," he continued.

Last year, Mustard wrote on Twitter that if a song that the artist doesn’t own is monetized, it’s stealing and “no one steals from 10 Summers.”

“This is simply a press or marketing plan, or some strategy to deviate from the narrative that Ella is breaking records left and right because the music she’s making is cutting through straight to fans at a rate people haven’t seen in years,” he continued. “Ella’s career started by doing covers and we support all her fans and fellow artists doing the same.”

To whom it may concern . pic.twitter.com/w3lzuU5tqM

— Mustard (@mustard) September 26, 2018

I’m not going to blogs or any media outlets to address this Jacquees situation ima address it right here and after this we will never address anything like this again I’m just tired of people picking on @ellamai !

— Mustard (@mustard) September 26, 2018

 

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#PressPlay: #DJMustard responds after #Jacquees talks about his #Trip remix getting removed!! (SWIPE)—(📹: @bigboysneighborhood)

A post shared by The Shade Room (@theshaderoom) on Mar 25, 2019 at 10:40am PDT

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'Black Monday' Becomes A Dramedy As Its World Flips Upside Down: Episode 9 Recap

Blair was Mo’s mirror in episode “295.” In this week’s episode, he internalizes Mo’s qualities, and now the reflection wants to take over the original’s life, like a scene from Jordan Peele’s Us. Some of the most analytically rich parts of this episode revolve around all the allusions to Blair assuming Mo's role after agreeing to go along with the Georgina Play, two months after Mo informed him of the rouse.

Blair flirts with Dawn – the woman Mo still loves – while sitting in Mo's desk chair as Mo walks in and sees them. He gifts all of the Jammer Group inner circle with replicas of Mo's custom-made Rolex and calls them “Molexes” with "f**k em all" engraved on them. It’s the latter mantra that, in a surprising twist, leads to Blair potentially ending Mo as we know him.

An early criticism of Black Monday was Andrew Rannells’ inconsequential portrayal of Blair in the first few episodes. After carrying a large number of scenes in last week’s episode, this week’s showcases his shining moment. One of the funniest scenes s when Blair stops himself from saying "it's all good in the hood," after glancing at Mo, before replacing "hood" with "municipalities." That’s a very artful way to say if he wants to be Mo, he’ll have to do more than speak like him. Consequently, Blair does just that in order to get Tiffany Georgina to go along with the Georgina Play.

The Agency Of Tiffany Georgina

Casey Wilson, who plays Tiffany, needs to star in a spin-off show if for nothing else than to see her do another interpretive dance routine to a remixed version of the national anthem like she did at Tiffany’s wedding reception. We predicted in our review of episode “243” that Tiffany would have a bigger hand in the Black Monday collapse than we originally assumed, and this episode brings our prophecy to life.

Tiffany admits to Blair in the final scene of the episode that she’s a lot to handle but poignantly justifies it by stating everyone isn’t as sure of themselves as she is. It’s in that moment we realized out of all of the characters with considerable screen time, Tiffany may be the only one who never lied about herself. The comments about smart “orientals” are vacuous and her obsession with social status is asinine, but they’re also genuinely Tiffany; Everyone else adjusts their morals and personality to fit whatever gets them money.

Tiffany also reveals that when she was in sixth grade, her parents prevented her from legally emancipating herself from them by giving her a cartilage piercing and a new credit card. In episode “243,” when Blair innocuously says he’s staying late at work to do “compliance,” Tiffany instinctively knew that meant illegally shredding documents because her family is wealthy. Tiffany’s parents had their own daughter kidnapped in last week’s episode to boost the company’s value and now their daughter plans to steal that very company from them. The Black Monday writers used the Georgina family this season as a commentary on how money can make anything transactional, even love and loyalty.

Just like with Mo, the Georgina family may be undone by a monster they created.

The Dramedy

In today’s age of television, shows rarely fit perfectly in one genre. Orange Is The New Black’s second season was nominated in the drama category at the 2015 Primetime Emmy Awards, a year after its first season was nominated in the comedy category. This blurring of the artistic lines has created a new type of show that is equal parts drama and comedy: a dramedy. After the last two episodes, Black Monday has become more dramedy than comedy.

In the first half of the season, Black Monday was roughly 90% hilarious debauchery with the 10% of deep introspection reserved for the final minutes of the episode. Over time, that ratio began to even out until last week’s episode, which delivered the highest concentration of drama acting of the season. In this week’s episode, the double and triple crossings in Blair and Mo’s heated rivalry are more central to the episode than Keith’s hysterical attempts at tricking the SEC and Tiffany’s ridiculous wedding. Aside from Dawn and Mo forming a secret alliance, the episode concludes with Blair’s most intimidating piece of dialogue as he breaks down the illusionary world Mo has constructed for himself.

While episode “7042” is the most compelling episode of the entire season, so far, the move into dramedy has its drawbacks. There are still gems like Mo’s double entendre of “I’ve unearthed secrets, got winded and fired,” a play on the name of legendary funk band Earth, Wind & Fire, who released their 1987 Billboard hit “System of Survival” a month before the events in this week’s episode. But, the hijinks and absurdist humor that Black Monday is predicated on are more separated than in any other episode.

As a result of this shift into dramedy, certain jokes not only fall flat but feel out of place and tonally different than the rest of the episode. Keith referring to the ability to know who is gay as “Navi-gay-tion” would be amusing in almost any other Black Monday episode. Him delivering it at the end of this week’s episode, after a dramatic exchange between Dawn and Mo, felt cringeworthy.

Hopefully, there’ll be plenty to laugh about when everything comes crashing down in the season finale next week.

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Jordan Peele attends the 'US' premiere at Museum of Modern Art on March 19, 2019 in New York City.
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'Us' Nabs Title Of Biggest Opening Weekend For An Original Horror Film

Jordan Peele’s second major film Us dropped over the weekend (Mar. 22), and much like its predecessor Get Out, it’s a monster of a hit.

According to reports, Us’ debut was the best opening for an original horror film in history, bringing in $70.25 million during its opening weekend. Its massively successful weekend also secures its spot as the third-best horror movie debut in history, behind the remakes of It and Halloween.

“Internationally, “Us” earned $16.7 million, bringing its total worldwide tally to $86.9 million,” reports CNBC.

Us tells the story of Adelaide Wilson (Lupita Nyong’o), a woman who is traumatized by an experience she had as a child. When unexpected visitors who look exactly like her and her family pay a visit to their beach house several years later, she, her husband (Winston Duke) and children have to help her combat her fears and demons.

CNBC reveals that early projections for her film were close to $50 million. However, strong ticket sales prompted analysts to change their estimates.

"The film took in $29 million between Thursday previews and Friday night showings, a strong start for a horror film that doesn’t have the benefit of a major franchise fueling ticket sales," the report continues.

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