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Exclusive: Sidney Samson Talks New Album Collabs With Lil Jon, Dillon Francis And Girlfriend/Singer Eva Simons

Even on the gloomiest and most miserable of NYC days, Sidney Samson possesses the uncanny ability to light up the room. Although, admittedly, he and girlfriend Eva Simons would much rather be shopping than cooped up in their swanky boutique hotel room. You can catch Sidney Samson tonight at Pacha, NYC, he promises to drop new tunes, including one with Simons and his remix for "The Way". Settling into a huge plush-velvet couch, just hours ago, VIBE began by congratulating Sampson on his recent accomplishments:

VIBE: "Good Time" is the official Dreamfields anthem, congratulations!
Sidney Samson: Yes! Dreamfields is a festival in Holland, and the people that organize the festival are from a nightclub called Matrix. And that's the first residency at a club I ever had in my life. I think I was 20, or 21… and I'm 31 now so it's 10 years ago. I have a special connection with them, and when they asked me to make an anthem for the festival, Dreamfields, I was like "yeah, sure, okay!" So, the vocal in it - you're the first to know -- my girlfriend is Eva Simmons, and the vocals, those are from her mom. I pitched them up, but yeah!

You recently updated your Soundcloud with a remix for Ariana Grande feat Mac Miller's 'The Way.' Can you give us any information on when this might be released?
Really soon because they just approved it, so yeah I think it's gonna be this month. But, the funny thing is, I made that remix, and then somebody posted on my Twitter today saying, "oh, that's so funny you remixed the song, but it says 'featuring Mac Miller', but there's no Mac Miller in it". And I was like, "oh damn, oh yeah, of course! Shit! oops!!"

Other than your own, what recent tunes have been killing it in your sets?
There's a lot of cool stuff. This new song from Martin Garrix called "Animals". People thought that I made the song with him, but it's only Martin Garrix and yeah, that song's really dope.

What can we expect from you in the remainder of 2013?
Next week, I'm starting my album. I'll go to L.A. to stay there two weeks [and collab with] Dillion Francis, Carnage, Lil Jon, and Far East Movement. Yeah, collaborating a lot! So this year, hopefully end of the year, I'll come out with my album. I'll be coming out with some new singles, like the Dreamfields anthem, and there's one with Leroy Styles called "You Little Bitch”, you will hear, the song is really funny, before the drop you hear "you little bitch!" then it drops. I'm making new songs with a new talent from Holland. His name is Gwise. Don't forget that name, "Gwise" he's going to be the new, next big thing from Holland.

And then we know about your new collaboration with Eva Simons, "Magic Shield"? Can you tell us when we can scoop that one up?
We have to plan that release, but I think it's going to be either July or August and yeah, that will be my first release with Eva. We have more songs, but this is gonna be the first one, and we have to shoot the video, of course.

As a dance music veteran, how has the popularity of EDM affected you, or has it not at all?
No. They call it "EDM" now, when I first heard the word "EDM" I think it took me like, six months to find out it was "electronic dance music". People were like "I love 'EDM'" and I'm wondering, “what is EDM, I don't know?!” I'm just doing what I have been for 10 years now, and now it's gone mainstream. 10 years ago, the music I made was not top 40 at all. It was underground, club music. Now it's Top 40 music, also in Holland, I don't know, 25% of it is an EDM song with a top line on it. That's what people like now. And so I just do it the same of course. My sound changed, you know, I evolved. I am getting older and my pace is changing a little bit; what I like, what I don't like. I hear other music and get inspired. But for me, EDM, okay, I will call it “EDM”… it's what I'm always doing it's nothing new.

Going along with that, where do you see dance music going in the next year or so?
It's always going to be dance music, but every year there's a little change in it. Like, let's say in the last few years what was really hype was taking an EDM song and collaborate with a rapper. Snoop Dogg was up there, Flo Rida, whatever, and making it a commercial hit. And I think the next is, is what's going on right now. Taking a hard-style kick, like a hardcore kick, and Showtek is doing that right now, taking a hard kick and dropping it with REALLY hard percussion sound or a really hard hard-style synth. Like a new style… it's just REALLY HARD! And people like it, so I think that's the new "thing". It started with Sandro Silva and Quintino in the song "Epic", then Showtek came with "Cannonball" and Showtek is, like, taking over! And the guys from Holland, W&W are doing stuff as well. So yes, that's the style of 2013, I don't know what 2014 will bring.

Who are your favorite rappers and why?
The greatest rapper of all time is Jay-Z. I love Trinidad James with that "All Gold Everything", it's crazy! But Jay-Z, he's #1.

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Jordan Peele’s ‘Us’ Is Expected To Make $64 Million Opening Weekend

Thanks to Us, Jordan Peele has another blockbuster on his hands. According to the Hollywood Reporter, the highly-anticipated horror flick starring Lupita Nyong’o, Winston Duke, Shahadi Wright Joseph and Evan Alex, is expected to have a $64 million opening weekend at the domestic box office.

Peele’s sophomore horror film earned an impressive $7.4 million on Thursday (March 21) night previews, and is forecasted to take in about $27 million from Friday sales. The film is also on pace to knock Captain Marvel out of the No. 1 spot at the box office.

Once final numbers are tallied, Us will likely snatch the third-best opening weekend record for an R-rated horror film behind It, which brought in a whopping $123.4 million, followed by Halloween’s $76.2 million opening weekend last year.

Aside from rave reviews and a genius promo run that included simultaneous screenings in major media markets, Us earned a 95 percent approval rating on Rotten Tomatoes.

The film, set in the mid-1980s centers around a family of four who set off on a vacation that finds them confronting some familiar faces.

Peele recently spoke to VIBE about casting Duke (our April 2019 cover star) in the role of patriarch, Gabe Wilson. “I have to have somebody voice what the audience was saying,” he said. “In the case of Get Out, it’s Rod, like, ‘How have you not left yet?’ [In Us], Winston is largely that voice. There’s one moment where Lupita [Nyong’o] takes a step into the unknown, where black people [will think], ‘I don’t know.’ But to have Winston say, ‘Aaaand she left. Your mother just walked out of the car.’ That’s all we need.”

Duke also opened up about the intricacies of his character. “His function isn’t to see through the veil. His function is to tell the absolute truth how he sees it,” explained the 32-year-old actor. “He’s sometimes there to say the things that other people don’t want to say, but he’s also there to make fun of things to keep it from not getting too heavy, even though it’s real. That was my job. [Peele] respected that. I like to lean into functions. If I’m going to be your antagonist, I’m gonna really push you. If I’m gonna be your clown, funny guy, I’m gonna do that.”

Click here to read VIBE’s April 2019 cover story.

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Cardi B Explains Why She Wants To Trademark “Okurrr”

Cardi B hopes to secure as many “bags” as possible. In response to backlash and burning questions surrounding her decision to file to trademark “okurrr,” the 26-year-old rapper took to social media Friday (March 22) to defend her latest money move.

Since people tend to ask Bardi to use what has become her signature catch phrase, she figured that it was time to cash in. “You think I ain’t gonna’ profit off this sh*t? B*tch white folks do it all the motherf**king time,” she said. “So you gon’ be mad at me ‘cuz I want to get some motherf**king money?

“While I’m still hear I’ma secure all the fucking bags,” Cardi continued before adding that there are a “lot of ways to get rich” in 2019.

The Bronx native caught heat for wanting to trademark the word because she wasn’t the first to say “okurrr.” Cardi already revealed that she started using it after she heard Khloe Kardashian saying it, but the word was originally popularized in drag culture -- most notably by Rupaul’s Drage Race contestant Laganja Estranja, in 2014.

However, Rupaul attributed the word to Broadway actress, Laura Bell Bundy, who used it in YouTube skits dating back to 2010. In the skits, Bundy pretends to be a hairdresser named “Shocantelle Brown.”

Although Bundy caught criticism for her little character, which was deemed racist, she typically gets credit for bringing “okrrr” (different spelling) to the internet a full decade before Cardi made it mainstream.

No matter the origin, it looks like Cardi will be the only one profiting off of “okurrr.”

 

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#CardiB on why she decided to trademark “Okurr”

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Kanye West, EMI Working Towards Private Settlement

Kanye West and EMI could be close to settling their legal drama. Each party filed documents requesting a stay of the case to “explore the potential for a resolution,” The Blast reports.

West sued EMI in an effort to “gain freedom” from his contract, and to own his publishing. In the lawsuit, ‘Ye argued that his contract ended in 2010 under California law, which bars entertainers from being tethered to an agreement for more than seven years. The multi-Grammy winner, who signed the deal back in 2003, also accused the company of slavery because the contract doesn’t allow him to retire.

“Even if the contract were not lopsided in EMI’s favor (it is), even if its terms valued Mr. West’s artistic contributions in line with the spectacular success he has achieved for EMI (they do not), and even if EMI had not underpaid Mr. West what it owes him (EMI has), he would be entitled to be set free from its bonds,” the lawsuit reads.

EMI hit back with a countersuit filed in New York, instead of California. The suit pointed out that the 41-year-old rapper signed multiple contract extensions, in addition to accepting millions in advances.

According to The Blast, West and EMI now feel that putting a hold on the legal proceedings will be beneficial to both sides “and the Court by enabling the parties to engage in meaningful discussions in an attempt to resolve this action without having to incur the burden and expense of litigation and motion practice.”

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