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Juicy J and The Weeknd ‘One Of Those Nights’ (Alexander Mendoza Remix) First Listen

It's gonna be "one of those nights" because its Friday! Check out budding producer, Alexander Mendoza's remix of Juciy J’s ‘One Of Those Nights’, featuring The Weeknd. Alexander Mendoza (otherwise known as one half of the charted HipHop/R&B pair Kings Dead) lends his sweat and beats in one of his first ventures rolling dolo. Check his style below, and stayed tuned for more tracks from Mendoza.

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Premiere: Leslie Odom Jr. Provides Easing Mantras On Comeback Single "Under Pressure"

There's a climatic aura surrounding Leslie Odom Jr.'s new single "Under Pressure." Blame the favorable string instruments or the singer's light falsetto. Whatever it is, fans will enjoy the ride to clarity.

Produced by Theron “Neff-U” Feemster and Joseph Abate, the Grammy-winning artist takes a slight pivot from jazz into a traditional R&B format as he sings about the perils that come with success as well as internal strife. The thoughtful single was one of the last songs completed for Odom Jr's new project.

Setting up creative shop in George Lucas' Skywalker Ranch, the album is not only an array of emotions from Odom Jr. but stories that weave together his evolution.

"Under Pressure was one of the last songs we wrote for the record," Odom Jr. tells VIBE about the creation process with executive producers Joseph Abate and Steve Greenberg. "It came together after we’d spent some hours getting to know one another and we were comfortable with each other. Once you’re comfortable you can start asking, 'Ok so, what scares you?'"

The project also warranted emotional reactions from his tribe. "I played the record for my family this past week. My mom and my sister cried. My dad broke down which songs he thought were the “hits.” [Laughs] Writing the music started in such a personal way. Feels appropriate to share it with the people closest to me before we share it with the world. I hope everyone likes it. I really do. But if for some reason “the world” didn’t, I think I could rest knowing that it touched the people who’ve known and held me up the longest."

But "Under Pressure" won't give you anxiety. Throughout the track, Odom Jr.'s voice is complimented well with orchstrated production that includes violins, cellos and deep horns. It's a refreshing feeling only Odom Jr. can deliver.

Known for his iconic time on Hamilton, the award-winning entertainer has released two jazz albums including his self-titled debut album in 2014 and an amazing Christmas album titled Simply Christmas in 2016. Both albums topped Billboard's Jazz Albums chart.

Enjoy "Under Pressure" below.

Credits

Produced by: Theron “Neff-U” Feemster and Joseph Abate Executive producers: Joseph Abate, Leslie Odom Jr. and Steve Greenberg

Violins: Bruce Dukov , Alyssa Park , Charlie Bishara, Jessive Guidero, Lucia Micarelli, Phil Levy, Tammy Hatwan, Sara Parks Violas: Zach Dellinger, Shawn Mann Cello: Jake Braun Horns: Dylan Hart, Steve Becknell, Rob Schaer , Jonah Levy, Steve Suminski, Steve Holtman, Woodwinds: Heather Clark, Julie Burket, Lara Wickes, Stuart Clark, Don Foster, Dan Higgins Background Vocals: Suzanne Waters Orchestrations by: Bill Elliott, Gordon Goodwin

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Rapper Young MA attends BET Hip Hop Awards 2018 at Fillmore Miami Beach on October 6, 2018 in Miami Beach, Florida.
Paras Griffin/Getty Images for BET

Don't Call Young M.A. A Lesbian Or Female Rapper

Young M.A. is making it clear that she's more than a label. On the heels of her debut studio album, the Brooklyn native sat with Hollywood Unlocked UNCENSORED's Jason Lee, Mylissa Ford, and DJ Damage for a candid interview in New York City.

During the extensive interview, the rapper spoke candidly about heartbreak, the pressure of delivering another hit after her chart-climbing single, "Ooouuu," and why she doesn't consider herself a lesbian despite the politically correct names under the LGBTQ+ umbrella."

"No, just Young M.A....No, I don't do [those] labels." When asked to clarify if that means she's into men, she candidly said, "Absolutely not. That's it. I just wouldn't date a guy....I'm just Young M.A., man. I just don't dig dudes. I love women."

Young M.A. took it even further when the topic of pronouns/titles and sexual orientation came up and took it a step further, saying, "Not even with the 'female rapper' thing, I don't buy into that. I'm just a rapper. I'm Young M.A."

When asked why she's against being put in the box of a female rapper, the music artist started by saying, "First of all, female rappers alone seem to be the only ones in a box because you don't say 'male rapper.'" She added, "You really don't...When you see a male rapper you don't call him a "male rapper," you call him a rapper. And with the female rapper, it seems like the female rap thing is more glorified.

"And then the gay rapper thing, I feel like if we don't want to be separated. If we're uniting and we're doing all this type of thing where we want people to accept us for us, and stuff like that. Then as people, just like you're a human and I'm a human, why still separate yourself? To me, it just doesn't make sense. If you just want to be accepted for who you are, just say, 'I am me'...I just came in the game being me."

During the sitdown, Young M.A. touched on why she decided to respond to Kodak Black's comment, the importance of nurturing your fanbase as an independent artist, and her KWEENZ Foundation's mission to help those in East New York, Brooklyn who've experienced grief and trauma after the loss of a loved one.

Watch the full interview above.

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Lil Wayne performs at the 2019 Outside Lands music festival at Golden Gate Park on August 09, 2019 in San Francisco, California.
Tim Mosenfelder/Getty Images

Lil Wayne Talks ‘Ghost Recon Breakpoint’ Game, ‘Funeral’ Sessions And More

When Lil Wayne released his long-delayed Carter V and resolved his legal differences with Cash Money Records a year ago, he could have walked into the sunset and ended his career as one of the greatest artists ever. He’s put more than 20 years of his life into music, starting his career as a fresh-faced teenager in the mid-90s and going nonstop with more than 30 albums and mixtapes, an all-time great run of guest verses, a relentless touring schedule, and an indelible impact on the other rappers who have come after him. But Tunechi is still staying just as active, both in the booth and outside of it. 2019 alone has seen him launch a collection with American Eagle, continue his annual Lil Weezyana Fest for the fifth year, and tour with Blink 182 while releasing mashups of their previous work.

But today, Wayne is speaking with VIBE about another one of his passions: video games. He’s doing commercials for Ubisoft’s upcoming Ghost Recon Breakpoint, the 11th game in Tom Clancy’s tactical shooter franchise, slated for an Oct. 4 release. The ads see Wayne showcasing his hilarious personality, playing online with a team of other players and throwing jokes while consistently letting them down with phone calls and other distractions.

“That’s happened more than a few times, when you play games a lot, especially with your homies, and everybody’s on some sort of team and everybody’s counting on everybody,” Wayne tells VIBE over the phone. “It doesn’t even have to be a phone call. It can be somebody at the door, it can be your mom screaming at you, anything.”

Artists have historically relied on video games to pass the time during their tours, and Wayne has always been known for his adoration for the Madden NFL series. He’s a die-hard sports fan, as seen from his social media and his appearances on sports talk shows with his friend Skip Bayless. Years ago, T-Pain said he saw Wayne and Cash Money co-founder Birdman bet up to $10,000 on games, while letting the computer battle it out to see who wins – like sports betting, but you get to pick each other’s competition.

“I don’t recall that,” Wayne laughs when asked if T-Pain’s statements were true. “I don’t recall letting the computer play for no $10,000, but we definitely probably played each other for something like that. … I’m sure I didn’t lose that $10,000 bet whenever it happened. I don’t think I’ve lost too much. I’d say about $500 would be the biggest loss I’ve had, if anything. Maybe $1,000. But I’m putting the [cheat] code in on you and everything for that $10,000.”

These days, while Wayne says that Drake and Birdman have made games tough for him in terms of other artists, he admits that his biggest competition is at home.

“If I’m playing an artist, I’m only practicing against you to get better against my kids. You gotta stay superior on stuff like that,” he chuckles. His sons are aged 10, 9 and 9, “but think they’re 21 and 22.” “My sons, they like to play vintage, so I have to go back and get a team that was great in the year of the team that they pick. My middle son’s vintage team is the LA Rams, my youngest son, Meatball, is going to go with the Atlanta Falcons from the year that Deion Sanders was playing, and my oldest son, Tune, is going to go with the Bengals when they had Boomer Esiason.”

Wayne also spoke about the Top 50 rap lists that have been circulating this summer. While he’s cited Jay-Z as his GOAT before, he took time to give credit to Missy Elliott as one of his favorite rappers and described her impact using another sports analogy.

“A lot of people, their eyes widen up when I say that. If I placed her, there may be a question. It shouldn’t be, though,” Wayne says. “When Missy came out, everybody was rapping about the same things, and everybody [in each region] was trying to get better at the same things, one type of style, in my eyes. … Missy came out way from Virginia on some other shit, making sounds. Her and Timbaland were like Tom Brady and Bill Bellichick.”

His rap bonafides are unquestionable, but Wayne has also dabbled in rock: his tour with Blink 182 was paired with a mashup of his song “A Milli” and the band’s “What’s My Age Again,” and he released his own rock album Rebirth in 2010. When asked if he would consider making another rock album, Wayne said he liked the idea.

“I would definitely want some help on it this time. I did that one by myself. The most help I got, I consider her like another mom, is [soul/R&B singer] Ms. Betty Wright. She taught me a few strings, a few chords on the guitar, how to hold a few notes,” Wayne reveals. “I would definitely fuck with Blink, I’d let Travis go crazy on one or two of them bitches. … I would love to go back and do some vintage songs on it this time as well. I would have to get some clearances on one or two songs from a band or an artist we all love, and do it like that. I’m trying to see what’s up with a Nirvana song or something. Try to get my Kurt Cobain on.”

The Young Money Entertainment founder also says that despite a lack of updates, he and Drake still plan to make an album together.

“We’re both doing what we do, but he already know,” Wayne says. “We still text and send songs here and there, change a verse because he killed me or change a verse ‘cuz I killed him. It’s still the same competition.”

While those two projects are good interview fodder, Wayne’s 13th studio album Funeral is further along – he’s said in the weeks after this interview that he plans to release it by the end of the year. It’ll be his first collection of new, timely music in at least four years, and he says his recording process has changed drastically since his prolific mixtape days.

“I love the difficulty of trying to fit in with what’s going on today, making sure I sound likable to the ears today and having to remind myself that it’s not about what it was back then. Going to the studio now, for me, is awesome. I used to go to that mufucka and do 12 songs a night. Cut a beat on, I’m going to go and you let me know when to stop,” Wayne says.

“It’s different now. I can’t wait to get in the studio now every night, just to see what I can come up with. [Before] it was just me going to the studio and saying, let me kill ten more songs and then I’m going to go home or do whatever I was doing. Now, it’s let me see what I come up with. Self-discovery, rebirth – call it whatever you want to call it but it feels awesome, I swear to God.”

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