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Meet Battle Rap's Wildest Lyricist: Daylyt

Some say that as much precaution you take to meet the destiny you desire, you still reach the destiny that was set for you. For the Watts, California rapper, Daylyt, it is clear that whether to be a lyricist was his desired or set destiny, the right choice was made.

Before the ushering in of the new crop of lyrical leaders in Hip-Hop, Daylyt was paving his path in the rap game by battling any opponent willing to get in the ring with him. Throwing off his competition with slick catch phrase lines ("Off to the Batmobile!"), outrageous acts (wearing ski masks and stripping naked on stage) and sporting a mean Spawn inspired face tattoo, Daylyt has not only made a name, but a brand for himself.

Fresh off of his latest rap battle headlining run of RBN's Barfest and his naked showing in London, Daylyt spoke with VIBE to discuss his rap battle tactics, how he became a battle rapper and his future plans. Check out the interview down below. -Jasmina Cuevas

Update: Since this interview, Daylyt has shaken up the battle rap world with a series of rants aimed at the folks at RBN for cutting out "chokes" by his challenger, the Brooklyn, NY repping Math Hoffa. The practice of leaving battles unedited has come into question as Daylyt shines heavy on the topic. Check it.

RBN Battle (edited): Math Hoffa vs. Daylyt

Daylyt's Rant on Edited Chokes

Daylyt Strips At A Battle

VIBE: Who got you into battle rapping?

Daylyt: Actually, I was never a battle rapper. I was forced into battle rapping. One day there was this underground hip-hop spot out here in California that’s called, The Pit and one of my friends, Sticks, invited me to his event there. So when we get there, he comes up to me and says, “Sign your name right here. This is the get in free list.” So I sign my name and I get in free and I’m chilling in the back when they go, “Daylyt to the stage.” I’m like, “Oh yeah! They are going to give me a shout out.” So I get on the stage and he whispers in my ear, “Yo! I need you to battle this dude. C’mon, just do it for me, bro. Don’t leave me hanging.” I’m like, “Brandon, I don’t know how to battle, what hell are you talking about?” So mind you I am up there and you can quote my exact words, I’m up there shitting bricks. My hands are shaking, palms sweating. So the other guy comes on stage and I had a couple of old verses from a rap I did and I just spit them and the crowd went crazy! From then, it was like smoking crack. It was like I smoked crack for the first time and I was stuck. The feeling that the crowd gave me and the cheering. I signed my first autograph in my life at my first battle. I was completely addicted to the feeling of the crowd going crazy.

Did you go back after that to battle?

Back then they had The Pit every Friday, so I was battling almost every single Friday. Probably about 5-6 a night every Friday.

How did the transition happen from you battling at local spots to battling in the major leagues?

Back in the early battle raps days, I started making so much noise that main stream rappers started to fly out to see me. Redman flew out to see me. Meth flew out to see me. Kaz came out. Tyrese came out. People were flying out to come see me because I was making that much noise in that little environment. Also, Kendrick Lamar and I almost locked horns. But it didn’t happen because when he did his first verse the crowd did the typical biased stuff because they were biased towards me because I was like the main dude. So when he spit his first verse, they kind of booed him off stage so I ended up not battling him because I knew the crowd was going to be biased. They say that battle rap is big now, but back then it was big for me because I was actually battling on a stage in front of 600, 700 people.

Do you prefer battles where the atmosphere tries to throw you off? Does it add more fire to the battle?

I actually look for that now. At first I didn’t want it. I used to think I needed people on my side, but now I like to go into forbidden territory just to test my limits and see if I can make it out.

How do you come up with your tactics? Your ideas?

There is a thing called a rebuttal. What a rebuttal is for instance, somebody says something in a battle and when its your time to go, you make up something off of their rap. What I do is rebuttal things in real life. Instead of saying something, I would do something. For example, I battled Interstate facts, a caucasian male who hangs with all black guys and acts like a black guy. So my rebuttal was to be a black guy who acts like a white guy. So I’m not going to say a rebuttal, I will just do one! And that’s pretty much how I come up with some of my tactics.

What's your approach to your regular rhymes versus your battle raps?

When you’re in the studio and you’re making a song, you have to ask yourself, “Ok, what crowd is this song going to?” Because it’s almost impossible to make a song that everybody likes. Music is very segregated right now. If you really pay attention to it, I have a lot of things that are going on which includes the mixtape, I’m Not a Rapper, and the whole idea behind that was to make the songs that people don’t really listen to but they bought. I just look at the crowd and prep the song based on the crowd I’m writing for. Now in battle rapping, the crowds are segregated as well. You have people that like street type of bars. You have people that like jokey bars or you have people that like complete 100% talking about real life stuff. So what I do in my battle raps, I take a format that’s not any of those. I take a format of taking people to time they forgot.

A few days ago, you wrote on your twitter, "Kanye is gonna get killed soon! them.people fear niggas like him ! hes open up people eyes...." What is the meaning behind that?

At first, I was the biggest Kanye fan in the world and then when all the crazy stuff started popping off, I was like, “What’s up with Kanye? What is he doing?” And then I realized something, he is doing exactly what I am doing which is you start off right, give people the message, they don’t really pay attention to it. Then you go butt ass crazy and the entire world pays attention to you and once you got the entire world listening to you, you drop the real music. So I just heard, “New Slaves,” and he’s talking about stuff that they (the mass) don’t really want you to talk about at that level. And we know when you get out of line, they are going to shut you up. So if his album is filled with telling people about all that type of stuff, the contracts, the fucks...they are going to have to silence that somehow. I noticed that when you are making music that people don’t really pay attention to, they let it slide. But when you are an intelligent, black man, they will shut you down. Look at Lupe Fiasco, last time you seen him on TV? As soon as Lupe got on and he was talking about Obama, he ain’t been on TV since.

What are you working on or what will you be working on in the future?

I’m actually working on a full movie and the trailer is out now. It is called, Daylyt: I’m an Animal. And it’s a movie that I wrote, directed and produced completely by myself and I’m the lead actor in the movie. The movie symbolizes how us as a people are stuck in the ways we are stuck in when life could be much better. Us as people know that we could do better, but we don’t want to because we are stuck in our ways. For example, people say “I’ll never leave the hood. I’m going to die in the hood.”

Because society makes you feel like that is how you should feel.

And that is exactly what the movie is about. Why would you want to live and die in the hood when there is a better life right around the corner? And that is pretty much what the movie is based on. Why be proud of being in the struggle and stay in the struggle when you can leave the struggle and it’s very easy to leave? Why do we praise the bottom when we complain about struggling? So that’s what the movie is about, but I put it in pre-historic time and it shows that this mentality has been in us since way back. Once I’m all done with battle rapping, I will be dropping the movie in hopes to open people’s eyes up.

Will you be dropping any new music as well?

In the meantime, I will be dropping my official album which is, I Am Daylyt: The Spawn Album. It’s an album filled with positive music, positive hip-hop. The release date is set for June 30th and you will be able to find at daylyt2k.com. The intention is to open up some people’s eyes.

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Eminem Reignites His Rage With 'Music to Be Murdered By'

It became easy to hate on Eminem going into the 2010s. Starting with 2009’s Relapse, his first album in five years after taking time off to recover from drug addiction, the Detroit legend’s peerless mic wizardry became increasingly overshadowed by plodding production and below-the-belt potshots at pop stars. Never mind that that album contained some of Em’s most pristine, conceptually-driven bars; to a maturing fan base, the retreads of previous themes and a liberally-employed new accent missed the mark. And though Recovery seemed to be just that for him, culminating in some noteworthy hits like the Rihanna-assisted “Love the Way You Lie,” Marshall Mathers spent the rest of the last decade releasing a series of uninspiring missteps leading up to 2017’s forgettable Revival. Fortunately, Music to Be Murdered By is an ably produced late-career triumph, with some of Eminem’s most poignant and exquisitely crafted lyrics in in recent memory.

What better backdrop for Eminem’s refocused angst than that which is invoked by the shoveled-dirt sounds and an eerie drop—announcing the album’s macabre title—by a Hitchcockian narrator on the intro? From jump, it’s a way of keeping things fresh and thematically consistent for a potentially daunting 20-song stretch. Suddenly those lazy strays by far too many on Rap Twitter at his supposedly lame “skippity be bop de boo” rhyme patterns seem moot when the 8 Mile representative comes off newly enlivened in his grown-man vent, with one of the best openers since Meek Mill’s “Dreams and Nightmares.” Over woofer-caving bass and a dramatic organ, he spits, “They said that they hated the awake me/I lose the rage, I’m too tame/I get it back, they say I’m too angry.” It’s thrilling to hear him sounding this focused—no funny voices or childish slurs—while defending the humorous and reflective aspects of his legacy and persona.

The former aspect is on display on “Unaccommodating,” his link-up with Young M.A, the first of several well-placed features here. Em’s lighthearted lines—in all their hacked-algorithm complexity—about “getting head like a Pillow Pet” blend unusually well with the Brooklynite’s loose, languid flow. And far from the workmanlike thud of past Slim Shady beats, the song’s hypnotic, bells-driven melody adds some much-needed verve and bounce, helping modernize and stabilize a beloved MC whose verbiage tends toward rigid and caffeinated.

“Cause, see, they call me a menace and if the shoe fits, I'll wear it. But if it don't, then y'all will swallow the truth, grin and bear it” #Renegade #MusicToBeMurderedBy pic.twitter.com/2aIFk2kz8a

— Marshall Mathers (@Eminem) January 23, 2020

But those revitalized hijinks of Em’s soon give way to some of the headier material that one one would expect on such a darkly-themed project. “You Gon’ Learn,” with a guest spot from Royce da 5’9”, is a moving meditation on the inevitability of struggle. Whereas his longtime friend recalls his past with alcoholism, Marshall ruminates on the existential dilemma of being white and poor in a Chocolate City: “Didn't have knots, I was so broke/On my last rock, for my slingshot/Better haul ass, don't be no slow poke/Through the tall grass, run your ass off/Oh no, got your pants caught on the fence post/Getting chased, by them Jackboys.” These sepia-toned snapshots, emboldened by world-weary synths and hard snares, bristle with a fuming blue-collar furor, reminding us once again of Em’s remarkable triumphs over adversity.

But what about those well-crafted bars? Not only does Music to Be Murdered By possess them in spades, it also astoundingly manages to bring the ever-illusive third verse back to the forefront. Its inclusion on “Yah Yah” is obvious, if not expected alongside such heavyweight spitters as Black Thought and, again, Royce da 5’9,” though Em makes it indelible: “And I'm like a spider crawlin' up your spinal column/I'm climbin' all up the sides of the asylum wall/And dive in a pile of Tylenol, you're like a vagina problem/To a diabolical gynecologist tryna ball a fist.” More surprising, however, is “Lock It Up,” a hit waiting to happen, which features Anderson .Paak and a third verse whose heading-spinning quatrain (“Get a whiff of the doctor's medicine/Like sedatives you'll get popped, Excedrin/'Cause you can get it like over the counter/Like I just left the damn concession stand”) seems all the more outstanding amid Dr. Dre’s lucid and infectious guitar stabs.

Less a radio-ready earworm than a morbid monologue, “Darkness” is a tragic narrative in the tradition of “Stan.” In under six minutes, Eminem embodies a deranged shooter, self-medicating backstage with Valium and alcohol before opening fire on his audience then killing himself. The song ends, significantly, with Eminem highlighting gun debate loopholes and playing news clips from the 2017 Mandalay Bay Hotel shooting in Las Vegas as well as the 2019 shooting in Daytona, Ohio among others. This is social commentary with the subtle implication that white male privilege in this country far too often hides an unchecked anxiety, along with the observation that these mass shooters aren't as far from us as we may think. It may fall flat with some listeners since just several songs earlier he makes a punchline out of the deadly bombing at an Ariana Grande concert in Manchester, but for an artist who has previously likened himself to the Columbine shooters, the song is growth.

A more suitable conduit is the punk-rock-like Stepdad,” where Marshall blows up on his guardian for abusing him and and his mom to the point where “I’m startin’ to think I’m psychotic.” What would otherwise serve as a welcome reprieve, “Those Kinda Nights,” a saccharine ode to hitting up the strip club, with Ed Sheeran on the hook, falls flat. It’s not that we don’t want to hear Shady at his ease; it’s just that with such a formulaic setup (not to mention a clunky line about D12 member Bizarre and a lap dance—something no one really ever needs to visualize, no disrespect), it dissipates some of the album’s bullet-point intensity.

That eye-of-the-tiger ferocity is, thankfully, flexed on “Little Engine,” which revisits the zany worldview introduced on his debut some 20 years ago with bars like, “I'm still the one that your parents hate/I’m in your house eatin' carrot-cake/While I sit there and wait and I marinate/I'm irritated, you 'bout to meet a scary fate/And come home to find yourself starin' straight into a fuckin' barrel like Sharon Tate.” Elsewhere, “Marsh” mines a similarly combative mode while showcasing more breathtaking internal rhymes: “A pad and pen'll be great, but a napkin'll do/Return of the whack sicko/Head spinnin' like Invisibl Skratch Piklz/Yeah, Shady's back, see the bat signal.”

But it’s “I Will,” which boasts the remaining Slaughterhouse members, that marks his newfound penchant for score settling. Here, instead of coming for R&B songstresses who are for the most part defenseless against him, Eminem trains his sights, finally, on someone who’s fit for the smoke. In a blistering swipe at former Brand Nubian and frequent VladTV affiliate Lord Jamar, he observes: “Yeah, your group was off the chain, but you were the weakest link.” If it seems like presumption to go at one of the culture’s pioneers like that, it’s thanks to a buildup of bad vibes that have long been brewing between the two. It’s a sentiment he echoes in the aforementioned “Lock It Up,” where he addresses the proverbial elephant in the room, regarding Joe Budden’s exit from Slaughterhouse, degradingly referring to the podcast host as “Trader Joe.” Eminem doesn’t merely get mad here; with Music to Be Murdered By, he also gets even.

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Premiere: 12-Year-Old Rap Princess That Girl Lay Lay Introduces Tha Slay Gang With Fun "Long Hair" Video

It all started with some freestyle raps in her Dad's car that went viral on social media, now Houston's 12-year-old superstar rapper, Alaya High aka That Girl Lay Lay, is poised to take over the teen market and y'all grown-ups need to watch ya back too!

With an infectious hook game and bars that topple stars, Lay Lay burst onto the scene in 2018 with a crowd pleasing appearance on The Ellen DeGeneres Show. That's the same year she dropped her Tha Cheat Code music project to adoring fans that were clamoring for a full body of work from the energetic artist. Having laid claim to signing a record deal as the youngest female rapper ever to her own label, Fresh Rebel Muzik/EMPIRE, Lay Lay is wasting no time in bringing her girls on this ride with her.

Pushing their first single, "Long Hair," Lay Lay and her two bouncy "Tha Slay Gang" group members, Sweets (hailing from South Carolina) and Sugar (repping North Carolina), are sure to dominate every pre-teen birthday, graduation and youth celebration party from here on out. The uptempo track is fun, super engaging and chorus friendly for the hyper masses. Lay Lay explains, "This is one of my favorite songs because its fun and something everyone can dance to. It’s about my friends 'Tha Slay Gang' and I sticking together, working hard and not getting into any drama! We try to demote bullies, and show the world that working hard pays off.”

The video takes place at a neon'd out roller skating rink, with the ladies leading a group of kids in a lit chant of the vocals and letting off one liners galore like: "I don't want no drama/If you go dumb then I'mma go dumber/hot girl winters and hot girl summers/If you knew me Daddy I'm Balenciaga Momma!" Just got to love the kids.

Check for Lay Lay in national tv commercial campaigns with Old Navy

and Mitsubishi.

So much more is on the way for this uber talented MC.

 

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Dave J Hogan

New Music Friday: Eminem, Mac Miller, Dreamville And More

Eminem fans were greeted with a pleasant surprise today, with 20 new tracks from the rap legend. But there's plenty of new music this week: Mac Miller fans are left with a final musical memory from him, Dreamville revamped their Grammy-nominated compilation, and Thundercat released a new single with Steve Lacy and Steve Arrington. Look below for today's New Music Friday.

Mac Miller – Circles The passing of Mac Miller in Sept. 2018 was one of the toughest losses that hip-hop has had in years, with the rapper/singer/producer’s kind spirit and immense artistic growth touching the lives of many. Today, his legacy continues with the release of Circles, his first posthumous album. According to a note from his family, Mac was “well into the process” of recording the Jon Brion-produced album, which was meant to be a companion piece to Swimming, the last album he released months before his death. Apple Music | TIDAL

Eminem – Music To Be Murdered By In the first major surprise release of the year, Eminem has surfaced out the blue with Music To Be Murdered By, the follow up to his 2018 surprise release Kamikaze. Eminem tweeted that the album was inspired by filmmaker Alfred Hitchcock, and the 20-track final product has guest appearances by the likes of Young M.A., Juice WRLD, Black Thought, Q-Tip, Anderson .Paak, and a partial Slaughterhouse reunion. Apple Music | TIDAL

Dreamville – Revenge of the Dreamers III: Director's Cut The Dreamville crew’s Revenge of the Dreamers III compilation made history in 2018, uniting over 100 musicians from around the world for a “rap camp” in Atlanta and earning a Grammy nomination in the process. Now, they’re releasing a deluxe edition with an extra 12 tracks from the same lineup that made the first edition special. Apple Music | TIDAL

Thundercat - “Black Quails” Jazz maestro Thundercat announced a new album this week, and the beautiful first single “Black Quails” has him playing and singing alongside Steve Lacy (of The Internet) and Steve Arrington. Apple Music | TIDAL

2 Chainz ft. Future - “Dead Man Walking”

Bad Boys For Life Soundtrack Will Smith and Martin Lawrence reunited for the third installment in their hit Bad Boys buddy cop franchise, and DJ Khaled flexed his superstar rolodex for the film's soundtrack. Meek Mill, Rick Ross, City Girls, The Black Eyed Peas, Pitbull, Nicky Jam, and more make contributions. Apple Music | TIDAL

Stretch and Bobbito + The M19s Band – No Requests Stretch and Bobbito are largely known for hosting the Stretch Armstrong and Bobbito Show, a New York radio program from the 90s that welcomed many of the greatest rappers ever before they officially blew up. But they're music fans first, and their new album showcases their tastes to brilliant effect: the two DJs compiled a playlist of their favorite songs to DJ, and then they enlisted the handpicked M19s Band to play them live. Their foundation is hip-hop, but No Requests is a diverse set of Latin, afrobeat, samba, jazz, reggae and soul. Apple Music | TIDAL

Theophilus London – Bebey Theophilus London’s new album, Bebey, is “a celebration of self-love and represents a return to Theophilus' roots, inspired by his Caribbean heritage and the Brooklyn neighborhoods he grew up in, steeped in Dominican, Puerto Rican, Jamaican and his native Trinidadian traditions,” according to a press release. Tame Impala, Lil Yachty, Ian Isiah, Raekwon, Giggs, Ariel Pink, Gemaine, and Kristian Hamilton provide guest appearances. Apple Music | TIDAL

070 Shake – Modus Vivendi Many music fans discovered 070 Shake with her standout vocals on the G.O.O.D. Music run in 2018 with Kanye’s 2018 album Ye (“Ghost Town,” “Violent Crimes”), Pusha T’s Daytona (“Santeria”), and Nas’ Nasir (“Not For Radio,” “Everything”). Since then, the rapper/singer has been steadily taking her time to drop her G.O.O.D. Music debut, Modus Vivendi. Apple Music | TIDAL

Madlib and Oh No – The Professionals Recent years have seen all-time great producer Madlib enjoy critical acclaim after his two albums with Freddie Gibbs, and this year he's teaming up with his blood brother Oh No, a talented producer and rapper in his own right, for an album called The Professionals. Apple Music | TIDAL

Raekwon – The Appetition Three years after his stellar album The Wild, Chef Raekwon has teamed up with Red Bull to release The Appetition, a three-song EP of new songs with producers and songwriters from Red Bull Songs and created at Red Bull Studios in NYC. Apple Music | TIDAL

Tech N9ne – Enterfear Level 2 =One of the most prolific rappers of all time, indie or otherwise, Tech N9ne follows up his 2019 studio album N9NA with the EP ENTERFEAR Level 2. Apple Music | TIDAL

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