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Show Review: Sidney Samson Spins, Eva Simons Wins, Feenixpawl Closes Hard

EDM fans who weathered the storm and made it to Pacha NYC Friday (June 7) night for Sidney Samson, got a special and unforeseen treat.

Sidney Samson is known for his ability to get any venue jumping and stretch the limits of house and DnB music. With enthusiastic drops, ridiculous synths alongside the unmistakable voice of the ever so lovely Eva Simons, and Samson’s girlfriend, the evening had another crowd pleaser in store.

About halfway through his set, Samson stopped the music and shared a moment with the lucky partygoers as an incredibly surprised Simons was presented with a congratulatory plaque for over one million copies sold of her acclaimed single, "Take Over Control", presented by Robbins Entertainment.

"Thank you! This is so dope!” Eva thanked the crowd, leaving Sidney to play that very same song as Eva took to the mic and belt out the lyrics, leaving the crowd in whirlwind of excitement.

Afterwards, Samson dropped his new remix of Ariana Grande's single, "The Way" ft. Mac Miller. He went onto mix "Joyenergizer" into Daft Punk's "Harder Better Faster", and crowd-stompers like "It's a Trap!" fused with his original "Chase the Trap" single, just to add that grimey NY sound.

As expected, the prolific DJ catered to the crowd, tearing the decks up until 4 a.m. He then handed the reigns over to Australian duo, Feenixpawl. Knowing they had big shoes to fill after Sidney Samson's incredible set, they instantly busted out their single, "Universe" in addition followed by the tune that put them on the map, "In My Mind". The duo dropped a tweaked version of "Redux", displaying their skills by adding an extra touch to the already famed club bangers.

The event was exactly what NYC needed to bring it out of that rainy funk. Don't forget to tweet @evasimmons and congratulate her on #OVER1MILSOLD.

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Cardi B Explains Why She Wants To Trademark “Okurrr”

Cardi B hopes to secure as many “bags” as possible. In response to backlash and burning questions surrounding her decision to file to trademark “okurrr,” the 26-year-old rapper took to social media Friday (March 22) to defend her latest money move.

Since people tend to ask Bardi to use what has become her signature catch phrase, she figured that it was time to cash in. “You think I ain’t gonna’ profit off this sh*t? B*tch white folks do it all the motherf**king time,” she said. “So you gon’ be mad at me ‘cuz I want to get some motherf**king money?

“While I’m still hear I’ma secure all the fucking bags,” Cardi continued before adding that there are a “lot of ways to get rich” in 2019.

The Bronx native caught heat for wanting to trademark the word because she wasn’t the first to say “okurrr.” Cardi already revealed that she started using it after she heard Khloe Kardashian saying it, but the word was originally popularized in drag culture -- most notably by Rupaul’s Drage Race contestant Laganja Estranja, in 2014.

However, Rupaul attributed the word to Broadway actress, Laura Bell Bundy, who used it in YouTube skits dating back to 2010. In the skits, Bundy pretends to be a hairdresser named “Shocantelle Brown.”

Although Bundy caught criticism for her little character, which was deemed racist, she typically gets credit for bringing “okrrr” (different spelling) to the internet a full decade before Cardi made it mainstream.

No matter the origin, it looks like Cardi will be the only one profiting off of “okurrr.”

 

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#CardiB on why she decided to trademark “Okurr”

A post shared by the Jasmine BRAND (@thejasminebrand_) on Mar 22, 2019 at 5:32pm PDT

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Kanye West, EMI Working Towards Private Settlement

Kanye West and EMI could be close to settling their legal drama. Each party filed documents requesting a stay of the case to “explore the potential for a resolution,” The Blast reports.

West sued EMI in an effort to “gain freedom” from his contract, and to own his publishing. In the lawsuit, ‘Ye argued that his contract ended in 2010 under California law, which bars entertainers from being tethered to an agreement for more than seven years. The multi-Grammy winner, who signed the deal back in 2003, also accused the company of slavery because the contract doesn’t allow him to retire.

“Even if the contract were not lopsided in EMI’s favor (it is), even if its terms valued Mr. West’s artistic contributions in line with the spectacular success he has achieved for EMI (they do not), and even if EMI had not underpaid Mr. West what it owes him (EMI has), he would be entitled to be set free from its bonds,” the lawsuit reads.

EMI hit back with a countersuit filed in New York, instead of California. The suit pointed out that the 41-year-old rapper signed multiple contract extensions, in addition to accepting millions in advances.

According to The Blast, West and EMI now feel that putting a hold on the legal proceedings will be beneficial to both sides “and the Court by enabling the parties to engage in meaningful discussions in an attempt to resolve this action without having to incur the burden and expense of litigation and motion practice.”

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Megan Thee Stallion Mourns Loss Of Her Mother

According to a recent post on Megan Thee Stallion's Instagram account, her mother, Holly Thomas, has passed away.

The rapper revealed the news of her mother's death in an Instagram post on Friday (March 22), publishing a photo of herself with "the strongest woman on the planet."

"The best mom in the whole world," she wrote. "...I can't even put complete sentences together rn RIP mama."

The best mom in the whole world. The strongest woman on the planet. I can’t even put complete sentences together rn RIP mama

A post shared by Hot Girl Meg (@theestallion) on Mar 22, 2019 at 10:49am PDT

Just like the Tina Snow artist, Thomas was a rapper who went by the name of Holly-Wood. With no doubt that her lyrical abilities rubbed off on her daughter, Thomas refused to let the "Tina Montana" emcee rap professionally until she turned 21. Beyond their bond, Megan Thee Stallion's mother doubled as her first assistant and manager.

In VIBE's NEXT feature, the 24-year-old artist revisited the moments her mother listened to her music. “Sometimes when we’re in the studio, I get her so hyped that she’s like, ‘Megan, I’m about to get in the booth and come out with another mixtape,’” she said.

There are currently no reports stating the cause of death.

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