Watch: 'The Wolf Of Wall Street' Trailer Featuring Kanye West's 'Black Skinhead'

Kanye West's Yeezus hasn't even touched shelves and already, it's become the musical accompaniment for what is sure to be another blockbuster hit. After wowing crowds in the Jay-Z-soundtracked Great Gatsby, Leonardo DICaprio returns to the big screen in the Wolf of Wall Street. Helmed by Academy Award winning director Martin Scorsese, Leo stars alongside Matthew McConaughey and Jonah Hill in the flick based on the bestselling memoir of the same name by notorious stockbroker Jordan Belfont, who landed in prison for illegal dealings. 'Ye's "Black Skinhead" provides the background sounds in the trailer above.

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'Boomerang' Episode 3 Recap: Stand In Your Power

As the aptly-named episode of BET’s Boomerang kicks off, Bryson is in a deep sleep when his sexual fantasy of Simone riding him like an Amtrak is abruptly cut short after she pulls out a strap-on (um, y’all are grown). Let’s just say, she’s not a football player but she rams. Despite his obvious initial thought, this isn’t a conflict of sexual identity. It’s that feeling of loss of power whenever he’s around the two most important women in his life: Simone and his mother Jacqueline who (FUN FACT) was played by the Queen, Robin Givens in the series’ 1992 film inspiration. First of her name. Mother of no BS. Protector of her pockets. Goddess of You Got the Wrong One. We stan.

While diving deeper into his familial issues, we realize that Jacqueline wasn’t just a ball-buster to Marcus back in the day. A therapy breakthrough reveals that mommy dearest isn’t too affectionate to young Bryson either.  Although she did pull her strings to land Bryson a solid role at the Graham agency, she didn’t make family a priority and that kind of thing sticks with you, ya know? Don’t feel too bad for Bryson just yet because at this point, he will no longer be a “yes, man,” no matter how bomb Simone always looks in her bob.

Just as Bryson decides to boss up, he unexpectedly runs into Simone back at the office who is helping herself to some supplies for her "home office." In a sudden “I can make moves, too” moment, Bryson shares with Simone that her idea (that he’s been persistently pitching)  has finally been greenlit and naturally, sis is annoyed. Marketing an avant-garde black film, such as the project in the episode, “Woke,” has always been a passion of hers.

Within two seconds into listening to his “plan of strategy” to market the movie, it’s obvious that Bryson can’t possibly be Big Bad Bry for too long without asking for Simone’s help. And Simone knows that. At this point, he’s still strong enough to not ask Simone for it but the Hustle Hungry protege takes it upon herself to force it anyway. It’s simple to her. Bryson needs black talent to promote the film and Simone has just the client- Tia. Granted, homegirl can’t sing a note to save her life, but Simone has some tricks and this is way too big of an opportunity to pass up.

Once again at the board meeting, a clearly annoyed Victoria is still over Bryson for previously messing up by being a sucker for love, but she hasn’t lost faith just yet. He still has a shot to prove himself. At an afternoon meeting at their swanky loft, the twin directors of “Woke” try to explain the direction they want for their movie. Although poor Bryson is lost (mainly because their responses barely answer his questions) he hasn’t reached a place of uncertainty to where he feels as if he has to agree with all of Simone’s suggestions. He’s holding it down as Boss Man Bry and he proves that when he reaches the studio. Simone has Tia record two different versions of the track, confident that Bryson would like hers better.

After listening to both, unbeknownst of who is responsible for which, Bryson chooses Tia’s track. He almost even backtracks when he finds out that wasn’t Simone’s vision, but he decides to man up instead and stand his ground, instead.  Yes, he said what he said. Operation Stand in Your Power is in full effect. Simone’s grip on Bryson’s heart slowly slipping. Maybe now she’ll retire from the Rams. *wink, wink*

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Meek Mill, 2 Chainz, And More To Appear On LeBron James' 'The Shop'

HBO Sports' The Shop starring LeBron James and Maverick Carter is coming back this Mar. 2019. Season two of the series will feature appearances from Meek Mill, 2 Chainz, and more.

James will also be joined by Jamie Foxx, Pittsburgh Steelers All-Pro wide receiver Antonio Brown, New Orleans Pelicans superstar Anthony Davis and stand-up comedian Jerrod Carmichael.

Ahead of the air date, LeBron shared a clip of his chat with 2 Chainz on Instagram. "Can’t wait for y’all to hear the continues evolution of his profound skills from his mind to the booth to the records itself. Proud of you homie and the people will be as well when this hits," he wrote in the caption on Instagram.

The show initially premiered in Aug. 2018. It created quite the buzz on social media due to its unfiltered conversations surrounding race, politics and sports. The show's episode with Drake went viral after the OVO artist commented on his beef with Kanye West and Pusha-T.

The 2019 season premiere is filmed in Charlotte, NC, home of the 2019 NBA All-Star Weekend. The first episode of The Shop will air on HBO on Friday, Mar. 1, at 10:30pm ET.

 

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Had to pleasure of working on my first music project from start to finish with my guy @2chainz “Rap or Go To The League” coming to y’all 3/1. Can’t wait for y’all to hear the continues evolution of his profound skills from his mind to the booth to the records itself. Proud of you homie and the people will be as well when this hits! 🙏🏾✊🏾💪🏾 #ARBron #RaporGoToTheLeague🤷🏾‍♂️

A post shared by LeBron James (@kingjames) on Feb 19, 2019 at 9:13am PST

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'American Soul' Episode 4 Recap: Don, You In Danger, Boo

We couldn’t help but focus on the men of American Soul during Episode 4.

The ladies are good, for the most part: Tessa found her footing, literally and figuratively, finally showing Flo and the Soul Train gang she ain’t nothin’ to play with on the dance floor, and checking Don for taking out his frustration on her with mixed messages and disrespect. Simone is still getting away with using a fake ID to chase her singing dreams in a jazz club and has emerged as a Soul Train fan favorite.

But the men are having a tough time.

JT avoided getting pinched for his role in the robbery and police shooting – but only because Chris (Trey Best) made sure the crime was pinned on someone else. Now we maybe understand why Benny (Kristopher Charles) was tearing up after giving info to the police last episode. He knew he was basically writing a death certificate. Chris has now told JT he won’t get any money from the heist, so all the stress and drama was for naught. Now his family’s finally being evicted. Just as it seems he can buy a little bit more time, Mr. Willard pushes JT past the breaking point with a comment about his mom’s “million-dollar mouth.” We knew this was coming; people been talking to JT crazy for 3 episodes now. JT knocks him out, and the family seeks shelter from Ma Mable (Elizabeth Omilami) in a storage room at the diner. JT wants to hide this from Simone and Kendall, even against Ma Mable’s grandmotherly advice, “Don’t lie to the people you love.”

Simone’s on a mission to save up enough money for Encore to cut a demo and gives JT the pooled cash to hold onto. She knows his mama’s a drug addict, why would she do that? We’ll bet $96 - the amount Simone passed to JT - that the money’s gone next episode. Also possibly gone next episode? JT’s mama. Soon he may have to cut her loose so he doesn’t drown along with her.

Kendall is still figuring out who he is in the absence of his father. Possibly still sorting his guilt for avoiding his father’s fate in the service, he’s trying patriotism on for size, hanging a gigantic American flag in his room. Simone reminds him their mom would not want it in the house, but he insists – to his sister’s amusement – that since he’s the “man of the house,” it’s his call. He’s also still juggling responsible fatherhood with chasing his dreams, bringing his son with him to an emergency show rehearsal. Our real worry, however, is that Flo now has Kendall in her sights. Kendall clearly isn’t a virgin, but Flo’s on another level. Pulling celebrities, locking people in rooms to get a look, on a make it by any means necessary level. Kendall’s not ready. Our hero (anti-hero?), Don, is going through it. He’s still not landing big enough acts for the show, and his primary sponsor is threatening to pull out. He’s taking it out on Tessa, the only other person working as hard on the show as he is, and she’s fed up. Motown, which moved to LA right before Soul Train, has shut him out because he was “difficult” with Gladys.

Don rolls through Club 100 Proof hoping he can again grab an act through Gerald, but Gerald makes it clear that the new BFF free trial period is over. “(The) first taste is hospitality, brotha,” he says. “Now you gotta pay to eat.” Eventually, the two businessmen come to a gentlemen’s agreement: Gerald will help Don land marquee acts for a 5% cut of the business. But what Don doesn’t know (that we do), is that Gerald is a for real gangster. Like killing people and then standing up to his gangster boss’ crew, gangster. Don, you in danger, boo.

Before settling on an arrangement with Gerald, Don tries one more time to land an act on his own. Following a tip that Ron Isley is performing at an NAACP fundraiser, Don crashes the event and runs into Motown’s Ilsa Dejarrnette (Shannon Kane). Isla and Don bond over a little coke (what’s a couple of lines between social acquaintances?) and Ilsa offers to help him navigate the black bourgeoisie and make an introduction to Diana Ross (Michelle Williams), who showed up in place of Isley.  Don, ever anxious and determined to do things his own way, charms Ross by knowing she sang Ray Charles’ “The Night Time is the Right Time” when she first auditioned for Berry Gordy. Diana, of course, is way too big of a star for a fledgling show, and she tells Don as much. Now, Don must get into Dejarnette’s good graces to get an in with Motown acts. Sounds like a scandalous tryst is on the horizon.

What this episode got right: Soul Train dancers indeed got paid in fried chicken. Members of the Soul Train Gang weren’t compensated, but there was free KFC on set every show taping for lunch.

What it could have done without: Johnnie Cochran showing up as the attorney for Dexter Brown might be a bit much. We appreciate incorporating black figures that we know and will recognize, and highlighting their backstory (Cochran made his name representing black victims in highly publicized police brutality cases), but the intersecting moments can feel forced.

What we absolutely don’t believe: That a record label’s legal representative is all up in lounges and parties, having final say on who performs where, and schmoozing with artists. Even at an everyone-wears-multiple-hats label like Motown. Ilsa is most likely based on long-time Motown senior executive Suzanne De Passe, but De Passe worked on all aspects of creative and artist development.

What we don’t understand: Why there wasn’t more of Janelle Monae’s Wondaland artist Roman GianArthur as Ernie Isley.

This wasn’t the strongest episode so far, but it was a necessary plot builder. Episode 5 looks lit, though. (Come through K. Michelle!)

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