case & Point

Interview: EDM Duo Case & Point Applies The Music 'Pressure'

Boston, a historical city centered around our country’s independence, diehard sports fans, and um, beans. We love Boston dearly at VIBE, but dance music is not the first thing that comes to mind when speaking about the New England city. But with groups such as Terravita, Soul Clap, and now, Case & Point coming out of the small city, perhaps the view is changing. Case (Casey Vadum) and Point (TJ Jordan) have been mastering their dynamic electro sound and very well may have discovered not only their own sound, but the solution to today’s monotiny in the electro house charts.

Their newest release, "Pressure," is a prime example of the much needed refreshing take on electro that still has power and emotion to it. At VIBE, we sit down with these EDM powder kegs who are on the cusp of having a seat at the dance music table amongst today’s big names.

VIBE: We’ll start with a very tough question: What are your favorite drinks?
Casey: Well to generalize you could label us as whiskey drinkers
TJ: Macallan 18 year, Laphroaig.
Casey: If those are around we’ll drink them but we also don’t turn down Johnny Walker and Maker’s Mark. We just love whiskey.

What was it like growing up in Boston and being lovers of dance music? Do you feel that your location influenced your music in any way?
TJ: Boston is a really interesting place. It’s a smaller scene where a lot of people are focused on the [dance music] community itself. In a way, Everyone is in a way pulling for each other
Casey: Boston’s proximity to other cities also makes for an interesting dynamic. Being a very condensed area with a lot of cities close together, I was driving to raves all over New England.
TJ: I started working at an all drum and bass record store, with the guys who are now known as Terravita. It just so happened that Casey grew up with these guys so that’s how we met. I guess its hard not to say being in Boston influenced us both!

The track ‘Pressure’ seems to signify the feeling of releasing tension. Do you think that sentiment could have a bigger meaning?
TJ: I think we were both going through a bit of a stressful time when we wrote this track, and the theme and structure of the track seemed to parallel what we were both individually enduring.
Casey: We are really working hard to not make tracks that sound like everything else out there on the Beatport Top 100. There is always a bit of pressure to make something fresh as well, so I guess that also plays into it a bit.

It seems that you two are taking that step towards being regular names you would see on a festival bill. What has this tipping point felt like?
TJ: I hate the long process of getting to that tipping point.
Casey: It’s been a grueling process getting anywhere in this industry, but having fans say how much they love your music and building the whole process is incredibly rewarding. We love the internet!

How does it feel to hear your stuff being played by guys like Porter Robinson, Laidback Luke, and Dyro?
Casey: It’s always an unreal feeling to know that a bigger artist we look up to, is playing our music. I remember being at EDC NY and I heard Porter Robinson play ‘Upgrade’ and it was absolutely amazing to be on the dancefloor side. It was a pretty surreal experience to be with everyone in the crowd losing it to a track we worked super hard on.

You guys have donned the new age idea of giving away your music for free. What is your stance behind that?
TJ: We love giving stuff out for free cause it gets your music out there to as many people as possible. As a newer act this is pretty important to help increase your chances in cutting through the noise.
Casey: Yeah, exactly! We’ve been lucky enough to receive support from popular blogs and it makes a lot more sense for them to give something out to their audience as well. We are definitely continuing to embrace this mentality and we are going a step further and are starting to push out acapellas and instrumentals of our tracks for free for Case & Point fans and other producers that want to give their own take on our tracks.

What is next on the horizon for Case & Point?
Casey: We have a few gigs that we are excited about. We are playing Bella Terra and House of Blues in Boston. We have a pretty aggressive release schedule lined up including a remix of ‘Bulletproof’ by Doctor P, and a few exciting collabs we are in the early stages of, that we can’t yet mention.

In exactly one year from today, where do you expect to be, what will you be doing, what will you have done the night before, and what’s for dinner?
TJ: It’s always hard to predict where you might be in the future, and I feel like it might be bad karma to do so, but we would definitely love to be playing our music out as much as possible, and reaching as many fans as possible.
Casey: Yeah, what TJ said, not really sure, but I do see palm trees and boats.
TJ: And what’s for dinner? I don’t think our diet would have changed much between now and then, so a bottle of whiskey and we’re probably running late for the gig, so we’ll have to skip dinner.

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African-Americans Are At A Greater Risk To Contract Coronavirus

Racial disparities in coronavirus deaths are now coming to light due to the overwhelming amount of African-Americans dying from COVID-19.

Weeks after warnings from lawmakers and health officials, US Surgeon General Jerome Adams confirmed Tuesday (April 7) that African-Americans were at greater risk of contracting the novel coronavirus. "I and many black Americans are at higher risk for COVID, which is why we need everyone to do their part to slow the spread,” he said. Adams explained that Black Americans with pre-existing conditions such as diabetes, high blood pressure and heart disease are more prone to having the virus in addition to lack of access to proper health care.

In an op-ed for The New York Times titled "The Racial Time Bomb in the Covid-19 Crisis," Charles M. Blow compared the growing concern to the early days of the H.I.V./AIDS crisis affecting people of color. "On some level, H.I.V. is ravaging the South because Southern states have made a policy decision not to care in a sufficient way because the people suffering are poor and black," he said while pointing out the stark similarities in how both life-changing moments haven't provided the demographic with the right resources.

Numbers between race and ethnicity for the virus are limited but Stat News reports Black people in Illinois, made up 29% of confirmed cases and 41% of deaths as of Monday morning, but only make up 15% of the state’s population. ProPublica also points out how Black people make up nearly half of the 941 cases in Milwaukee County and 81% of its 27 deaths–but the population is 26% African-American.

The Centers for Disease Control and Prevention distributes data on age, gender, and location of COVID-19 patients but not their race or ethnicity. On Tuesday, CDC spokesman Scott Pauley responded to the data about race and ethnicity around the coronavirus. “Unfortunately, case report forms are often missing important data, including race and ethnicity," he said. "To address this and other data gaps, supplementary surveillance systems are being stood up to better capture ethnicity and race data, as well as other key demographic or clinical information.”

In a letter written by Sens. Kamala Harris, Cory Booker, Elizabeth Warren with  Ayanna Pressley and Robin L. Kelly to Health and Human Services (HHS), the group called for the correct information to avoid the gap from getting larger.

“The C.D.C. is currently failing to collect and publicly report on the racial and ethnic demographic information of patients tested for and affected by Covid-19," the letter reads. "Our concerns echo those from some physicians: that decisions to test individuals for the novel coronavirus may be ‘more vulnerable to the implicit biases that every patient and medical professional carry around with them,’ potentially causing ‘black communities and other underserved groups … [to] disproportionately mis[s] out on getting tested for Covid-19. Although Covid-19 does not discriminate along racial or ethnic lines, existing racial disparities and inequities in health outcomes and health care access may mean that the nation’s response to preventing and mitigating its harms will not be felt equally in every community.”

It was also announced New York Mayor Bill de Blasio and Melissa DeRosa, the top aide for Gov. Andrew Cuomo, promised to release data that reflects ethnicity and race as well. But as DeRosa revealed, hospitals in the Albany area haven't reported on the race of COVID-19 victims.

“The hospitals actually don’t report the race information directly to the state,” said DeRosa via The New York Post. “So what we end up doing on the back-end is calling the coroners’ offices around the state, after the death has been reported, so there has been a lag.“We understand people want that information. We want that information, too.”

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Instagram Shuts Down Tory Lanez’s ‘Quarantine Radio’ Show

Tory Lanez had the most popular show on Instagram Live and now it’s gone, temporarily. After peaking with over 350,000 viewers, Instagram shut down Lanez’s popular Quarantine Radio show on Tuesday (April 7).

The Toronto native is blocked from using Instagram until April 14. “I can’t go on right now they won’t let me… they [don’t] want me to win damn b,” Lanez captioned an Instagram post detailing the weeklong digital quarantine.

He also encouraged fans to spread the hashtag #FreeTory until he’s allowed back on Instagram Live.


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THIS IS ME CURRENTLY .... 😭😭😢😢😢 even if I wanted to ..... I won’t be back on quarantine radio till the 14th ..... 😪😪😥 ... EVERYBODY HASHTAG #FreeTory SO I CAN GET OUT OF HERE MAN !!!! lmao Instagram stop hating . We can be friends man ! 📸: @midjordan

A post shared by torylanez (@torylanez) on Apr 7, 2020 at 3:51pm PDT

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Stay tuned...

A post shared by torylanez (@torylanez) on Apr 7, 2020 at 3:09pm PDT

Over it’s short but memorable run, Quarantine Radio welcomed a long list of guests including Drake, Timbaland, Chris Brown, DMX, T-Pain, and a bunch of NSFW content.

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— Tory Lanez (@torylanez) April 7, 2020

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Rikers Island Inmate Dies From Complications Of COVID-19

An inmate at Rikers Island awaiting a parole hearing has died from COVID-19 complications, reports several news outlets, including New York Times.

Michael Tyson, 53, had been jailed on Rikers Island since Feb.28. On March 26, Tyson had been moved from the Anna M. Kross Center on Rikers Island to Bellevue Hospital, where he died from COVID-19. Tyson’s name was among the 100 detainees from The Bronx held on parole violations for whom the Legal Aid Society has been seeking immediate release, via a lawsuit filed in Bronx Supreme Court on April 3.

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Tyson was one the 100 inmates named in a lawsuit filed in the Bronx Supreme Court by the organization on April 3. The lawsuit claims that inmates are being held for non-criminal parole violations. Names of individuals in the lawsuit are either elders or have underlying health issues. Tyson was listed as among “the highest risk group” due to his age and unspecified health issues, according to a letter cited therein from Correctional Health Services.

“Our deepest condolences go out to the detainee’s family in their time of grief. The safety and well-being of those in our custody remains our number one priority,” Peter Thorne, a spokesperson for the Department of Corrections (DOC) said in a statement sent to TIME.

TIME also reports that a 273 inmates on Rikers Island have tested positive for the virus. Also, 321 jailers and 53 health professionals within NYC's jail system have tested positive for COVID-19, and four jailers have died.

During a press conference, Mayor Bill De Blasio said that 900 inmates have been released from NYC's jail system, with more releases in the works.

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