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Interview: Wale Talks Robert Griffin III Documentary, Competition In Hip-Hop And 'Self-Made 3'

Wale and superstar Washington Redskins quarterback Robert Griffin III have one integral thing in common: they both strive to be winners in competitive arenas. Penning the title track “No Pain, No Gain” for RGIII’s upcoming documentary The Will To Win, Wale connected with the uphill battle Griffin faced to overcome an ACL injury. VIBE chats with the MMG rapper about his own will to win amongst the leaders of hip-hop’s new school, as he and his peers strive to change the game.—Iyana Robertson

VIBE: How did you get involved with the RGIII: The Will To Win documentary?
Wale: Well Rob and a few people at Gatorade, you know, they selected me as somebody that they saw that can convey a message with what they were trying to do and I always want to challenge myself as a writer. And you know just getting into the zone, with Robert’s zone or where I feel like how he is right now and what he’s been going through just trying to get the word out. We’re just trying to get people to better understand where he’s at right now.

Do you have a personal relationship with Robert? How did you guys link up?
Yeah, I mean we met because of obvious reasons. But, we met on draft night at the 40/40. He was out with his family and I was already at 40/40, you know, with some of the draftees. And you know, obviously, it was a big moment for me because it was the first time our generation [that] we’ve had a quarterback, a franchised quarterback in DC you know, so that meant a lot to me to meet him and we’ve been cool ever since.

So what specifically about his story inspired the “No Pain, No Gain” track and what was the creative process behind putting it together?
I think to come back from an injury like this is something that’s plagued athletes from all over the world [...] I know what he’s going through just as his friend, just being in his inner circle knowing what he’s specifically going through. So, just to be able to relay those emotions to the people, it was a unique opportunity and as a writer myself, to be able to channel somebody else’s pain, that’s what makes us special. Tupac, Jay Z and Biggie and those guys are channeling other people’s plights in order to create music a lot of people can relate to.

The documentary is called The Will To Win. Although you don’t play a professional sport literally, hip hop is it’s own competitive sport. Do you relate to him in that sense?
Absolutely, anything I do is competitive though. I mean some people are just born like that. I want to perform to the highest level. I want to top my last one, better than my last and you know I always want to improve and I always want to work on my craft. You know whether it will be art or physical you know those are the things that are important to me.

Well, having a number one album couldn’t hurt your chances of being the best. So what does that mean for you as far as moving forward, continuing to top yourself, and continuing to be competitive against your peers?
Well it’s certainly something that I was expecting. I put a lot of work into this past album, but it’s more so [about] how that album stands in the test of time , you know, It’s more of how many people are actually discovering it because I got a long way to go. And I just hope that my fans can be the ambassadors of the Wale brand so you know I got a lot of ground to gain.

And as for competitive hip-hop, Kendrick Lamar recently crowned himself the “King of New York.” Who do you think the “King of New York” is in 2013?
Jay. That’s self explanatory. [He has] what, 13 number one albums? That’s really self explanatory.

Being the best sometimes, especially in this game today is lyrical, and it’s music, but there’s also business ventures as well. So you’ve branched out with the Wrkg Title beanie line. How are you still growing that brand, and what are you to do with Wrkg Title in the future?
I’m just trying another outlet to express my creative ideas. It’s important to be able to have balance. I just can’t be in the studio all day 24-7, not really challenging myself, so this has been a great opportunity for me to do so. And the company is growing fast, very fast, faster than I expected. So I don’t have no complaints about that I just want to continue to work hard at it and make it even bigger. So you know I’m very competitive, even if it’s with myself.

So your MMG team is setting up to release the Self Made Vol 3. compilation. What should fans expect this time around?
Everybody’s a lot busier than before obviously, but it was very important to show consistency and make sure all these three albums come out in a reasonable amount of time, you know. We don’t want too much space in between the Self Made [series]. But it’s [Rick] Ross’ brainchild. My album is my brainchild, but Self Made is Ross’ brainchild. That’s when I play my position and just hop on whatever record Ross wants me to hop on and give it my go. I let Ross coach that.

How would you describe it?
Aggressive from what I heard. Right now the playlist is at fifty something songs so Ross got to probably try to narrow it down soon.

You’re also gearing up for the “What Dreams May Come” tour with J. Cole this fall. What are you looking forward to on this tour?
I’m looking for the fans man, like this is really for them. I remember meeting Cole about four years ago in a small studio in SOHO and we’ve been just really tight ever since. And I remember I opened up for Jay Z and Pharrell about a couple of years ago and it’s just the leaps and bounds we have made in our careers and our lives. It’s really just a celebration man, like this is really a once in a lifetime kind of thing. It’s really like two friends that knew each other at the early stages of the career. We use to make fun of the state of hip-hop. We used to be like, ‘Man we could never survive in an era like this,’ ‘Nobody’s checking for real lyrics, real song structure, writing skills, and things like that, you know.’ But the tide changed somewhere along the lines and now we look and we’re doing a crazy tour. So this is really a dream come true.

You’re letting your fans decide, or have a say, in what you’re performing. How are you going to hit them with the element of surprise?
It’s different ways man, the tour in itself it’s just a whole new look for me. Like I’ve reinvented my live show, and I’m excited to show the world that too.

You tweeted that your setup for the show was "mean." Can you give any conceptual details at least?
Nope, nope. All I got to say is if you coming to show, please bring a lighter or an application to light up your phone or something. That’s all I got to say.

So have you decided on your next single, or are you going to use the poll that your fans are doing to choose it?
Well, I got a different group of fans. My fans don’t like anything that would necessarily fall into radio, so it depends of what angle I want to do. It would be nice to get the support from the core fans in the mainstream world, so maybe I might challenge the fans, maybe I might challenge them and have them push one of my records to the top. You know, if they all love something enough maybe that might be the case.

The MTV VMAs are Sunday. What are you looking forward to seeing the most?
I don’t know, I’m just disappointed I wasn’t really included in the festivities as much love as I got from MTV. I heard NSNYC is getting back together for the night, that should be interesting if you’re into that kind of stuff [laughs]. Nah, but it will be good to see Justin on stage, he’s a great performer. I don’t know, I haven’t felt that hip-hop was enough of a focal point at the VMAs so hopefully they can include a little bit more.

There’s this new school: you, Drake, Kendrick. How do you think you all will affect hip-hop in the mainstream?
Well, it’s competitive, but you know at the same time, a win for [Kendrick] is a win for me. A win for Drake is a win for me. A win for Cole is a win for me, and a win for me is a win for them in the grand scheme. But when you get to the top, it gets to be every man for himself. You know we’re bringing back the competitiveness in it. And I’m sure everybody’s sharpening their swords just like I’m sharpening mine. I’m trying to become a more competitive MC so let’s just see where it goes.

Download "No Pain, No Gain" here.

Photo Credit: Instagram

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A potential Sept. 13 concert at New Jersey’s Prudential Center was added to the venue's website and later deleted. The site listed Brown as the marquee act, while Minaj was a featured performer.

Besides going on tour together, Minaj makes an appearance on Brown’s newly released single “Wobble Up,” which also features G-Eazy. The track is the latest music collaboration from Brown and Minaj who have worked together a few times over the years.

News of the joint tour comes a day after it was reported that Minaj parted ways with her longtime management team. The “Gonja Burns” rapper was originally billed to hit the road with Future for the North American leg of her Queen tour but the jaunt was cancelled due to scheduling conflicts. The Queens native recently finished up her European tour with Juice WRLD as her special guest.

Last Sunday, Minaj took the stage as a surprise guest for week one of Ariana Grande’s headlining set at the 2019 Coachella Valley Music Festival. It’s unclear if she will hit the stage when Grande returns to perform for week two of Coachella on April 21.

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Since wrapping up her most recent world tour a few years ago, the British star has been mostly out of the spotlight. In 2017, Adele announced that she may never tour again after being on the road for more than a year.

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Beyoncé performs onstage during 2018 Coachella Valley Music And Arts Festival Weekend 1 at the Empire Polo Field on April 14, 2018 in Indio, California.
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Homecoming: The 5 Best Moments Of Beyoncé’s Documentary

Once Beyoncé became the first African-American woman to headline in its nearly 20-year history, we knew Coachella would never the same. To mark the superstar’s historic moment, the 2018 music and arts festival was appropriately dubbed #Beychella and fans went into a frenzy on social media as her illustrious performance was live-streamed by thousands. (Remember when fans recreated her choreographed number to O.T. Genasis’ “Everybody Mad”?)

With a legion of dancers, singers and musicians adorned with gorgeous costumes showcasing custom-made crests, the singer’s whirlwind performance honored black Greek letter organizations, Egyptian queen Nefertiti, and paid homage to historically black colleges and universities (HBCUs). Aside from the essence of black musical subgenres like Houston’s chopped and screwed and Washington D.C.’s go-go music, the entertainer performed “Lift Every Voice and Sing,” also known as “The Black National Anthem,” and implemented a dancehall number, sampling the legendary Jamaican DJ and singer, Sister Nancy, to show off the versatility of black culture.

One year after #Beychella’s historic set, the insightful concert film, Homecoming, began streaming on Netflix and unveiled the rigorous months of planning that went into the iconic event. The 2-hour 17-minute documentary highlights Beyoncé’s enviable work ethic and dedication to her craft, proving why this performance will be cemented in popular culture forever. Here are the best moments from Beyoncé’s Homecoming documentary.

The Intentional Blackness

“Instead of me bringing out my flower crown, it was more important that I brought our culture to Coachella.”

Throughout the documentary, Beyoncé made it known that everything and everyone included in the creative process leading up to the annual festival was deliberately chosen. “I personally selected each dancer, every light, the material on the steps, the height of the pyramid, the shape of the pyramid,” says Beyoncé. “Every tiny detail had an intention.” When speaking on black people as a collective the entertainer notes, “The swag is limitless.” Perhaps the most beautiful moments in Homecoming are the shots that focus on the uniqueness of black hair and its versatility. What’s appreciated above all is the singer’s commitment to celebrating the various facets of blackness and detailing why black culture needs to be celebrated on a global scale.

Beyoncé’s Love And Respect For HBCUs

#Beychella — which spanned two consecutive weekends of Coachella’s annual festival — was inspired by elements of HBCU homecomings, so it was no surprise when the singer revealed she always wanted to attend one. “I grew up in Houston, Texas visiting Prairie View. We rehearsed at TSU [Texas State University] for many years in Third Ward, and I always dreamed of going to an HBCU. My college was Destiny's Child. My college was traveling around the world and life was my teacher.” Brief vignettes in the film showcased marching bands, drumlines and the majorettes from notable HBCUs that comprise of the black homecoming experience. In the concert flick, one of the dancers affectionately states, “Homecoming for an HBCU is the Super Bowl. It is the Coachella.” However, beyond the outfits that sport a direct resemblance to Greek organizations, Beyoncé communicated an important message that remains a focal point in the film: “There is something incredibly important about the HBCU experience that must be celebrated and protected.”

The Familiar Faces

Despite being joined by hundreds of dancers, musicians and singers on-stage, the entertainer was joined by some familiar faces to share the monumental moment with her. While making a minor appearance in the documentary, her husband and rapper/mogul Jay-Z came out to perform “Deja Vu” with his wife. Next, fans were blessed by the best trio to ever do it as Kelly and Michelle joined the singer with renditions of their hit singles including “Say My Name,” “Soldier,” and more. On top of this star-studded list, Solange Knowles graced the “Beychella” stage and playfully danced with her older sister to the infectious “Get Me Bodied.”

Her Balance Of Being A Mother And A Star

Originally slated to headline the annual festival in 2017, the singer notes that she “got pregnant unexpectedly...and it ended up being twins.” Suffering from preeclampsia, high blood pressure, toxemia and undergoing an emergency C-section, the entertainer candidly details how difficult it was adjusting post-partum and how she had to reconnect with her body after experiencing a traumatizing delivery. “In the beginning, it was so many muscle spasms. Just, internally, my body was not connected. My body was not there.” Rehearsing for a total of 8 months, the singer sacrificed quality time with her children in order to nail the technical elements that came with the preparation for her Coachella set. “I’m limiting myself to no bread, no carbs, no sugar, no dairy, no meat, no fish, no alcohol … and I’m hungry.” Somehow, throughout all of this, she still had to be a mom. “My mind wanted to be with my children,” she says. Perhaps one of the most admirable moments in the film was witnessing Beyoncé’s dedication to her family but also to her craft.

The Wise Words From Black Visionaries

Homecoming opens with a quote from the late, Maya Angelou stating, “If you surrender to the air, you can ride it.” The film includes rich and prophetic quotes from the likes of Alice Walker, Nina Simone, Toni Morrison, and notable Black thinkers, reaffirming Beyoncé’s decision to highlight black culture. The quotes speak to her womanhood and the entertainer’s undeniable strength as a black woman.

Blue Ivy’s Cuteness

Last, but certainly not least, Blue Ivy‘s appearance in the concert film is nothing short of precious. One of the special moments in the documentary zeroes in on the 7-year-old singing to a group of people whilst Beyoncé sweetly feeds the lyrics into her ears. After finishing, Blue says: “I wanna do that again” with Beyoncé replying with “You wanna be like mommy, huh?” Seen throughout Homecoming rehearsing and mirroring Beyoncé’s moves, Blue just might follow in her mother’s footsteps as she gets older.

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