Mike Myers and Kanye West

Mike Myers On Kanye West's Katrina Statement: 'I'm Very Proud To Have Been Next To Him'

Kanye West shook up the system when he said these words at a Hurricane Katrina telethon: "George Bush doesn't care about black people." Almost nine years later, he has found a supporter in comedian/actor Mike Myers. In a new interview with GQ, the man commonly known as Austin Powers say he was proud to stand next to 'Ye during the telethon and how the rapper spoke "a truth" about how the former U.S. President handled the disaster in New Orleans. See an excerpt from the Q&A below.

It's weird to think that for a certain generation the moment they may most readily associate you with in recent years is when Kanye West said "George Bush doesn't care about black people" on the Katrina telethon while you were standing next to him looking a little...well, I don't know how to describe you.
Surprised.

And a bit uncomfortable, maybe?
Yes.

Do you remember what you were thinking as he said it?
I don't do many things. And I remember watching the television and seeing, because I'm a citizen now, my fellow citizens on the roofs of buildings dying. And I turned into my father, where my dad would shout at the TV. My dad hated injustice. I've been called for many, many telethons, hither and yon, and I remember just being so upset and feeling, ironically, that if this was white people on roofs, the army would be there in five seconds. And these are my fellow citizens, who just happen to be people of color, sitting on roofs for multiple days. So when they called me I said, "Yeah, I'll do it." I went there specifically because I wanted to help the Red Cross. I was supposed to be by myself, and I was, like, "fine", then they said "Do you mind doing it with somebody else?" And I always remembered that Live Aid thing of "leave your egos at the door", so I said, "Sure, of course." And they said, "Would you do it with Kanye West?" and I said, "Uh, sure." I actually wasn't familiar with his work. And then he said he was going to take some liberties with the thing.

So he gave you kind of a warning.
Yes, but I didn't know that the liberty would be calling out the president.

If you watch the footage, I don't think he knew.
I don't think so either. But the question itself is a little beside the point of what actually went down in New Orleans. For me it isn't about the look of embarrassment on my face, it is truly about the injustice that was happening in New Orleans. I don't mind answering the question but the emphasis of it being that I'm the guy next to the guy who spoke a truth. I assume that George Bush does care about black people—I mean I don't know him, I'm going to make that assumption—but I can definitively say that it appeared to me watching television that had that been white people, the government would have been there faster. And so to me that's really the point—the look on my face is, to me, almost insulting to the true essence of what went down in New Orleans. You know, there's a great line by the great Northern English poet Elvis Costello, as sung by Nick Lowe: "What's so funny 'bout peace love and understanding?" [Myers seems both dubious and slightly irked when I tell him that it was the other way round—the song was written by Nick Lowe but made famous by Costello.] The point being that. What is so funny about peace, love, and understanding? To have the emphasis on the look on my face versus the fact that somebody spoke truth to power at a time when somebody needed to speak? I'm very proud to have been next to him. Do you know what I mean?

Of course.
I'm, like, super proud to have been next to him. The look on my face is...to be honest with you, I thought I handled it well. I was like "This is what's happening..." Because live TV is my milieu, and improv is my training, you know. It has been painful that the culture has at times meditated on my surprise, when it's really the message, dude. The message, the message, the message, you know. There's a world of fail culture, and it's hardly a fail on my part to be next to the guy that spoke truth to power at a time when horrific injustices... [he trails off, point made]

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Last Sunday, Minaj took the stage as a surprise guest for week one of Ariana Grande’s headlining set at the 2019 Coachella Valley Music Festival. It’s unclear if she will hit the stage when Grande returns to perform for week two of Coachella on April 21.

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Beyoncé performs onstage during 2018 Coachella Valley Music And Arts Festival Weekend 1 at the Empire Polo Field on April 14, 2018 in Indio, California.
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Homecoming: The 5 Best Moments Of Beyoncé’s Documentary

Once Beyoncé became the first African-American woman to headline in its nearly 20-year history, we knew Coachella would never the same. To mark the superstar’s historic moment, the 2018 music and arts festival was appropriately dubbed #Beychella and fans went into a frenzy on social media as her illustrious performance was live-streamed by thousands. (Remember when fans recreated her choreographed number to O.T. Genasis’ “Everybody Mad”?)

With a legion of dancers, singers and musicians adorned with gorgeous costumes showcasing custom-made crests, the singer’s whirlwind performance honored black Greek letter organizations, Egyptian queen Nefertiti, and paid homage to historically black colleges and universities (HBCUs). Aside from the essence of black musical subgenres like Houston’s chopped and screwed and Washington D.C.’s go-go music, the entertainer performed “Lift Every Voice and Sing,” also known as “The Black National Anthem,” and implemented a dancehall number, sampling the legendary Jamaican DJ and singer, Sister Nancy, to show off the versatility of black culture.

One year after #Beychella’s historic set, the insightful concert film, Homecoming, began streaming on Netflix and unveiled the rigorous months of planning that went into the iconic event. The 2-hour 17-minute documentary highlights Beyoncé’s enviable work ethic and dedication to her craft, proving why this performance will be cemented in popular culture forever. Here are the best moments from Beyoncé’s Homecoming documentary.

The Intentional Blackness

“Instead of me bringing out my flower crown, it was more important that I brought our culture to Coachella.”

Throughout the documentary, Beyoncé made it known that everything and everyone included in the creative process leading up to the annual festival was deliberately chosen. “I personally selected each dancer, every light, the material on the steps, the height of the pyramid, the shape of the pyramid,” says Beyoncé. “Every tiny detail had an intention.” When speaking on black people as a collective the entertainer notes, “The swag is limitless.” Perhaps the most beautiful moments in Homecoming are the shots that focus on the uniqueness of black hair and its versatility. What’s appreciated above all is the singer’s commitment to celebrating the various facets of blackness and detailing why black culture needs to be celebrated on a global scale.

Beyoncé’s Love And Respect For HBCUs

#Beychella — which spanned two consecutive weekends of Coachella’s annual festival — was inspired by elements of HBCU homecomings, so it was no surprise when the singer revealed she always wanted to attend one. “I grew up in Houston, Texas visiting Prairie View. We rehearsed at TSU [Texas State University] for many years in Third Ward, and I always dreamed of going to an HBCU. My college was Destiny's Child. My college was traveling around the world and life was my teacher.” Brief vignettes in the film showcased marching bands, drumlines and the majorettes from notable HBCUs that comprise of the black homecoming experience. In the concert flick, one of the dancers affectionately states, “Homecoming for an HBCU is the Super Bowl. It is the Coachella.” However, beyond the outfits that sport a direct resemblance to Greek organizations, Beyoncé communicated an important message that remains a focal point in the film: “There is something incredibly important about the HBCU experience that must be celebrated and protected.”

The Familiar Faces

Despite being joined by hundreds of dancers, musicians and singers on-stage, the entertainer was joined by some familiar faces to share the monumental moment with her. While making a minor appearance in the documentary, her husband and rapper/mogul Jay-Z came out to perform “Deja Vu” with his wife. Next, fans were blessed by the best trio to ever do it as Kelly and Michelle joined the singer with renditions of their hit singles including “Say My Name,” “Soldier,” and more. On top of this star-studded list, Solange Knowles graced the “Beychella” stage and playfully danced with her older sister to the infectious “Get Me Bodied.”

Her Balance Of Being A Mother And A Star

Originally slated to headline the annual festival in 2017, the singer notes that she “got pregnant unexpectedly...and it ended up being twins.” Suffering from preeclampsia, high blood pressure, toxemia and undergoing an emergency C-section, the entertainer candidly details how difficult it was adjusting post-partum and how she had to reconnect with her body after experiencing a traumatizing delivery. “In the beginning, it was so many muscle spasms. Just, internally, my body was not connected. My body was not there.” Rehearsing for a total of 8 months, the singer sacrificed quality time with her children in order to nail the technical elements that came with the preparation for her Coachella set. “I’m limiting myself to no bread, no carbs, no sugar, no dairy, no meat, no fish, no alcohol … and I’m hungry.” Somehow, throughout all of this, she still had to be a mom. “My mind wanted to be with my children,” she says. Perhaps one of the most admirable moments in the film was witnessing Beyoncé’s dedication to her family but also to her craft.

The Wise Words From Black Visionaries

Homecoming opens with a quote from the late, Maya Angelou stating, “If you surrender to the air, you can ride it.” The film includes rich and prophetic quotes from the likes of Alice Walker, Nina Simone, Toni Morrison, and notable Black thinkers, reaffirming Beyoncé’s decision to highlight black culture. The quotes speak to her womanhood and the entertainer’s undeniable strength as a black woman.

Blue Ivy’s Cuteness

Last, but certainly not least, Blue Ivy‘s appearance in the concert film is nothing short of precious. One of the special moments in the documentary zeroes in on the 7-year-old singing to a group of people whilst Beyoncé sweetly feeds the lyrics into her ears. After finishing, Blue says: “I wanna do that again” with Beyoncé replying with “You wanna be like mommy, huh?” Seen throughout Homecoming rehearsing and mirroring Beyoncé’s moves, Blue just might follow in her mother’s footsteps as she gets older.

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