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Opinion: How EDM Took Rap Out Of The Trap House And Into The Clubs

When Gucci Mane put out Trap House in 2005, I highly doubt he pictured a whole bunch of white raver kids getting down to music fused with what he would know as techno, and his beloved southern genre. Trap has definitely went through extreme changes to end up where its at, and no doubt away from its roots. But hey isn't that music in general? This is no longer southern hip-hop, this now has become a global genre in the electronic and hip hop music realm.

Does this really surprise anyone? Lets face it, EDM's bread and butter is the college market. Let me give you some business 101 on what I mean by this. What the college kids listen to is where the money is. Without the next Eminem, Mac Miller, MGK, there was a huge void in digestible hip-hop for this collective of suburbanites. Trap fills that void in a way everyone underestimated. What party kid couldn't get behind a boatload of bass and booties twerkin’ on stage?

Ask any 20-year-old college kid attending OSU varied questions relating to the subject matter of early 2000 trap music, such as what a "trap house" is, or how you "cook," and do you honestly think he's going to know or understand any of that (without consulting the Urban Dictionary)? Probably not. However, he doesn't have to with artists like Diplo, DJ Snake and ETC!ETC! putting out easily accessible hits every day with subject matter that's relatable to all (“Turn Down For What?").

What does this mean for artists like Flosstradaumus and Brillz? A whole new ball game when it comes to their careers. With the celebration and meteoric rise of modern trap music, their opportunities are seemingly endless. Not only do they have the huge EDM pool to swim in, but now the mainstream hip-hop game to expand their horizons. In 2013 alone Diplo worked on tracks with Usher, Mac Miller, Tinie Tempah, and more hip-hop heavyweights while Waka Flocka Flame was touring with the likes of Steve Aoki and Borgore.

This new EDM blended version of trap is all you could ever want out of hip-hop's harder hitting productions, but leaving out the lyrical content that few would understand. It's just good ole straight up 808 party music now, which is easy can get behind. Let's be honest, there is a monumental difference between actual Trap Music and what the genre has evolved into. This is now a whole new squeaky clean ball game.

-- Devan Welch/ Rubix Management

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Jordyn Woods Talks Being "Bullied By The World" After Tristan Thompson Drama

In her first interview since appearing on Red Table Talk, Jordyn Woods shed light into the bullying that she endured in the aftermath of the Tristan Thompson cheating scandal that may have ended her relationship with the Kardashian-Jenner crew.

As previously reported, Woods was busted kissing Thompson, Khloe Kardashian’s ex-boyfriend, during a party at his house. After her Red Table Talk interview, Khloe attempted to blame Woods for ruining her family, but after receiving backlash, the reality star changed her tune.

During an appearance at Nigeria’s Homecoming Festival last weekend, Woods spoke about how the public backlash gave her an understanding of what it feels like to be a black woman.

“My little sister was bullied in school and I wanted to show her that if I was bullied by the world you can [get through it],” she said in a video from a panel discussion that was published by the Daily Mail. “I understood for the first time what it’s like being a black woman in  society, and how we can be so disrespected and nobody can really understand to that extent until you have to live it.”

The appearance in Nigeria marked Woods’ first trip to the Motherland. Despite being bullied online, Woods has seemingly bounced back stronger than before the Kardashian drama. After her initial interview with Jada Pinkett-Smith, Woods was flooded with support and has reportedly been scoring various business opportunities in light of the incident.

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Diddy Opens Up About Kim Porter In Emotional Interview

Diddy is opening up about the day his “life turned upside down.” In the May 2019 issue of Essence magazine, the 49-year-old mogul speaks about hopping into “mommy mode” after the shocking death of model/actress Kim Porter, who was his ex-girlfriend and the mother of four of his children.

“She was unforgettable,” Diddy told writer and producer Dream Hampton. “That day turned my world upside down. Three days before she passed, she wasn’t feeling well. She had the flu, and she sent the kids over to my house so they wouldn’t get sick. One night I was checking on her, and she was like, ‘Puffy, take care of my babies.’ She actually said that to me before she died.”

Diddy graces the magazine’s special 49th anniversary cover alongside his and Porter’s 12-year-old twin daughters, D’Lila and Jessie, as well their 21-year-old son, Christian, and 27-year-old Quincy Brown, Porter’s son with Al B. Sure. The Bad Boy Records founder's tween daughter Chance, who was born weeks before the twins, also appears on the cover along with Justin Combs, Diddy’s 25-year-old son with Misa Hylton.

In the six months since Porter's death, the “unconventional” blended family has been working through the massive loss of their beloved matriarch. Porter, 46, died last November following a bout with lobar pneumonia.

Although Diddy believes that Porter was his “soulmate” the pair endured ups and downs that they were eventually able to “heal” from, he explained.

“The betrayal really affected Kim,” Diddy said in reference to his infidelity, before admitting that he feared that he may lose his “best friend,” at one point in their relationship.

Building “trust” mended the emotional wounds. “There was total trust,” he said. “Whenever I was around her, I felt as though God had his hand in it. I always felt like God had sent her. Nobody could love me the way she loved me, especially as, you know, as crazy as I acted. I mean, she loved me through some real s**t.”

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DJ Paul Sues Travis Scott For Copyright Infringement

DJ Paul has filed a multi-million dollar copyright infringement lawsuit against Travis Scott for allegedly stealing his music.

According to TMZ, the Three 6 Mafia member accuses Scott of snatching a portion of the hook from his 1997 track “Tear Da Club Up,” for “No Bystanders” off the 27-year-old rapper’s Astroworld album.

Paul claims that the hooks to both songs are “virtually identical and strikingly similar,” reports The Blast. The lawsuit also notes that the songs sound so much alike that Scott changed his lyrics from to “f**k da club up,” “tear the club up” during his Grammys performance in February, without Paul's permission.

The Memphis native is asking for at least $20 million in damages. However, TMZ reported that Scott reached out to Paul sometime Tuesday (April 23) to potentially work out the legal matter.

The “Sicko Mode” rapper has faced multiple lawsuits over the last two years, including being sued for canceling a music festival performance. Last week, Scott lost a nearly $400,000 lawsuit after being sued for pulling out of a party during Super Bowl weekend. In 2017, La Flame was hit with a lawsuit brought on by a fan who was paralyzed after sustaining injuries during one of his concerts.


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