Peter Rosenberg

Peter Rosenberg Responds To Chuck D's Summer Jam Comments

Last week, hip-hop legend Chuck D berated HOT97's Summer Jam by claiming the station does not represent New York hip-hop.

HOT97 personality Peter Rosenberg appeared on The Realness to address Chuck's "sloppy fiasco" comments. "Listen, Chuck, I respect the hell out of you, but you, sir, are trolling and you are above that," he said.

Rosenberg added that Chuck D is loved by the hip-hop community, but the legendary MC isn't president of the culture. "No one owns hip-hop. It's a collective culture and we all do our best to support it. Speaking of which, last thing, Chuck, what are you doing to support this culture besides tweeting confusing messages in 140 characters or less?"

Watch The Realness in full below.

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'The Chi' Recap: Ep. 3 Shows The Effects Of Childhoods Being Stolen By Adults

A child can die and still grow up. A child can die from growing up. In The Chi, where humanity is hustled and children face their mortality, childhood is a luxury few are lucky enough to keep let alone enjoy. Adults traffic in stolen youths, trading in childhoods that never belonged to them. Some use them to make their lives easier, others use them to advance their careers, but they all snatch away the childhoods of young black boys and girls in order for them to navigate adulthood better.

On the insidious side, Ronnie’s lawyer Kimberly Hendricks (Kimberly Hebert Gregory) uses Kevin’s youth to both intimidate and discredit the only eye witness to Ronnie’s murder of Coogie Johnson in Season One. She orchestrates this by employing a white man with a purported history of dealing with black youths testifying in court to tell Kevin’s family about the untold dangers that can arise from his testimony against Ronnie in the courthouse. All the while, Hendricks sits nearby surveying the scene of her own making, knowing the preservation of Kevin’s precious youth would be his mothers’ first thoughts when hearing of these “consequences” and force them to not have Kevin testify.

Not too long after that, Hendricks calls into question the validity of the 12-year-old eyewitness account, since she claims the accounts of adults are typically unreliable and Kevin having experienced trauma from shooting Ronnie makes his account even more shaky. Soon after, we find out Hendricks’ motive for using Kevin’s young age to get a murderer out of jail is not based in some warped view of justice, but instead in her desire to advance her own law career by making partner at her law firm.

The Chi drives home the severity of what Hendricks’ actions could do to the future of a child like Kevin. Before Kevin and his family are intimidated by Hendricks’ flunkie in the courthouse, Kevin mentions how some of his knowledge of the criminal justice system comes from long-running TV drama Law & Order. Mere seconds later, a young black boy, who looks no older than Kevin, is escorted in handcuffs by police officers while wearing grey prison garbs. This idea of adults snatching away black boys’ youth through the legal system is an all too common reality in a city such as Chicago, where judges go against local ordinances banning the detention of children under 12 years of age at the Juvenile Temporary Detention Center.

Beyond Chicago, adults within the American legal system have had transactional relationships with black youths. Between 2000-2007, judges Mark Ciavarella and Michael Conahan from Wilkes-Barre, Pennsylvania received financial compensation from the owners of juvenile detention centers for filling their detention centers with young offenders through excessive sentencing for minor infractions. The ordeal is referred to as the “kids for cash” scandal, a title that could easily be the name of an episode of The Chi.

But, just like in episode two, where Jerrika appeared to sell out of her blackness for the advancement of her career, nothing is ever clearly good or bad in The Chi. In one of the more heartbreaking scenes in the early part of the season, Kevin discovers his classmate Maisha (Genesis Denise Hale) hasn’t been coming to school because she has to watch her siblings while her mother works. Her mother is robbing her daughter of a traditional childhood by having her assume parental roles over her siblings versus focusing on school. As Kevin sits in her living room surrounded by her siblings and their toys, Maisha’s usual calm but condescending demeanor is replaced with irritable fatigue. You can see her face struggle to contort into a smile when joking with Kevin.

Neither Maisha nor Kevin make any mention of Maisha’s father, so it’s safe to assume she lives in a one-parent household, like more than 11 million other American households, according to 2016 Census data. Of those more than 11 million households, more than 80 percent of them are headed by mothers. Those same mothers have to spend upwards of 70 percent of their annual income on child care. Without Maisha sacrificing a piece of her childhood, her siblings may not have one of their own.

When Maisha somberly asks Kevin if she’ll see him tomorrow after school—she’d asked him to bring her each day’s homework—the look in her eyes is one crying out for a connection to her peers’ leisurely, carefree lives. That’s what people see when they look at him: the purity of childhood. It’s the reason why Jake wouldn’t let Kevin be part of his illegal candy resale scheme in episode two. So much of The Chi involves making sure this one black boy doesn’t get swallowed by the streets.

Despondent themes aside, the episode is not without its silver lining. There is a humorous side to children growing up too quickly in The Chi. Papa, Kevin’s best friend and the most mature kid in the show, participates in the school’s candy drive in order to win a flat screen TV for his man cave. But instead of a “man cave,” he calls it a “Papa cave.” Humorous displays of otherwise depressing topics, such as black youths growing up much faster than they should, gives The Chi’s commentary a bit more realism, showing that there’s good in the bad, and vice versa.

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Prince's Memoir Set To Be Released Fall 2019

In October 2019, Prince's memoir will be available for purchase, titled "The Beautiful Ones." According to the Associated Press, the 288-page book will be divided into four sections. Readers will learn about the "When Doves Cry" artist's childhood, journey into music, and an intimate look at how the Minneapolis native established the iconic status of "Purple Rain."

"The Beautiful Ones" will present "a first-person account of a kid absorbing the world around him and then creating a persona, an artistic vision, and a life, before the hits and fame that would come to define him," a brief synopsis of the passage states, per publisher Penguin Random House. Another part of the book will display "candid photos" that'll showcase a timeline of Prince's rise to stardom.

The Prince Estate is thrilled to announce that on October 29, 2019, @RandomHouse will be publishing THE BEAUTIFUL ONES by Prince, the American artistic visionary—singer, songwriter, musician, producer, actor and filmmaker. Available for preorder now. https://t.co/gEqMEdYoEa pic.twitter.com/RJtK9fowH8

— Prince (@prince) April 22, 2019

Described as a "deeply personal account," the publishing company also noted that the memoir will touch on Prince's death in 2016. The organization described that time as a moment when the award-winning artist "was thinking deeply about how to reveal more of himself and his ideas to the world, while retaining the mystery and mystique he'd so carefully cultivated." At age 57, Prince passed away from an accidental fentanyl overdose.

The book will be released on Oct. 29.

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The Clark Sisters Imply Kanye West Didn't Get Sample Clearance For 'Sunday Service'

During his 'Sunday Service' show at Coachella on Easter Sunday (April 21), Kanye West delighted fans with church-tinged renditions of some of his hits and hits from gospel sensations and black artists.

While it appears that much of the service was a success, gospel icons The Clark Sisters took to Instagram to imply that West didn't ask to use their song during the performance. Kanye used snippets of their song "Ha Ya."

"Thanks for the love man we appreciate it. Taking the gospel to the world," the legendary musicians wrote in a caption of a video, which featured Kanye using the sample. "We own the rights to this music," they continued.

Reports state that if he had been cleared to use the song during the service, he would have had to go through The Clark Sisters' publishers for licensing purposes.

Looks like the sisters will likely be getting a check soon.

 

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Thanks for the love man we appreciate it. Taking the gospel to the world. ❤️❤️❤️@twinkieclark We own the rights to this music @thelegendaryclarksisters @kanyesundayservices #Sunshine #theclarksisters

A post shared by The Legendary Clark Sisters (@thelegendaryclarksisters) on Apr 21, 2019 at 8:49pm PDT

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