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DJ Spotlight: Alix Perez And Teklife Takeover Bass Mecca Of LA Smog

Set upon a foggy, moody, rainy evening, Smog bass stronghold gathered a lineup of hypnotic talent from Alix Perez, special guest DJ Spinn, Eprom, Nevermind and Taurus Scott at the luxe 613 warehouse in Downtown LA last weekend.

With a banging sound system, electrifying graphics, and a dope, mature crowd, Smog’s very own Taurus Scott set the vibe right opening the night followed by Trouble & Bass’s Nevermind, then Eprom who hails from Portland repping Warp Records. Eprom played spine tingling trap, and dropped '90s inspired D&B/jungle before Alix took to the decks at 1:30.

Many party goers assumed Alix to deliver mainly a D&B oriented set, but he reached further than what most people had expected. His set was laced with jukework, trap, jungle, and mixing that entailed unexpected twists and turns. His track selection repeatedly showcased the crisp, engaging sounds that he often uses in his own production.

Teklife founder and footwork pioneer DJ Spinn arrived in the building at 2:30 and made his way towards the stage, accompanied with Taso, while a bevy of excited fans clamored to meet Spinn. Immediately upon seeing Alix, DJ Spinn gave him an embrace, and then took the reigns and played absolutely, mind bending footwork dripping with Chicago soul, and passion till the end of the night.

DJ Spinn & Rashad created a massive, sonic movement that influenced thousands. With the sound labeled as footwork/juke, it’s message reached artists throughout the world specifically Belgian born, UK Based Alix Perez. And after making his Low End Theory debut this past Wednesday, Perez played the sold out Hard Summer Festival on Saturday and then finished his LA whirlwind of a week making his Smog Debut. Vibe had the opportunity to speak with Perez prior to his Smog set to find out more about the grandiose success that he’s had, and the privilege of working with the late DJ Rashad.

What are your upcoming production plans?
I’m working on a bunch of stuff like my solo stuff, finalizing an EP at the moment. Doing a bunch a bunch of remixes, I’m working with Foreign Beggars and doing various production for MC’s and rappers, all kinds of stuff, it’s really interesting at the moment.

Would you ever to move LA?
I wouldn’t say move indefinitely, but I’d like to spend close to a year here. In the last few days, I played Low End Theory which was super dope and I’ve been a fan of Low End Theory for years, and I was actually mad nervous. To me all those guys are a big inspiration, in the last few days I’ve made so many links, cool opportunities out here to work with people you can’t really reach easily if you’re in London. I find that everyone’s really friendly here, just willing to know what you’re about and see what you can do together, people are interested in collaborating, it’s cool.

What’s the ultimate thing you dream of happening in your career?
I want to write as a main thing, and just writing for people. Get in the studio and mold a sound for someone and create what they’re after. I think it’s cool and challenging because you have to bend and adjust, but with my own sound. I’m into that idea.

Top three favorite rappers & top 3 favorite producers?
Big L is probably my favorite ever, old school school Rakim from Eric B and Rakim, and in terms of new shit, Kendrick Lamar to be honest, the last album he killed it for me. Producers: Dilla, massive influence, Amon Tobin for technical creativity, and Jeff Mills.

Do you prefer live sets or DJ sets?
It’s different, it's a different thing you get out of it. It’s equally as good and it’s the same thing like do you prefer producing or DJ’ing. I started DJ’ing and it’s where my heart is at first, producing is just as rewarding. I think the best thing is producing then playing your track out, and if it works and if it sounds good that’s the ultimate satisfaction.

I was reading about your background and your mother is why you got into D&B and I was like wait is his mom Storm?
Yeah my mom is a fucking g! It’s funny that you say that because 3 months ago I played at Fabric and she came to the show and Storm was playing. My mom used to go to Metalheadz nights and I introduced her to Storm and she was the biggest fan girl, it was so funny. My mother’s the reason why I moved to the UK, and also being in the UK is where I discovered this music through her. She’s responsible for a lot, she’s been really supportive, not even just for music but in general she’s taught me well, so I big her up a lot.

Advice for producers:
Keep going, it’s good to be influenced but really try to curate your own sound, that’s what's gonna set you apart. Developing your own style which is a natural thing.

Dead or alive if you could do a collaboration with any artist in history or even living now who would it be?
Prince. I’ve met a lot of people in music and I like to think I’m a humble guy and I don’t take myself seriously. I met some people who take themselves very seriously but I’ve always said if you’re Prince you can be a dick. He’s so talented. For me, Prince is the guy.

Let’s say the world is ending and you could only grab one piece of equipment to produce with
The Virus, it’s a synth, I have a bunch of hardware stuff but that’s the most well rounded thing that I use. if I was in the studio and I could only have one synth I’d want the virus.

Do you know how to footwork/juke?
No I don’t. I’ve worked with Rashad and Spinn and on tour they had 2 dancers with them who were amazing but my dance moves are pretty rusty.

I know it must be difficult to speak about the passing of DJ Rashad, but can you talk about his influence on you?
All I can say is he was the happiest, most vibe producer ever. We were in the studio and he just was so into it, lifting everyone's spirits. He was a very friendly guy, very approachable, humble guy, charismatic, a lot of vibes around him. It felt good to be around him for the small amount of time that I spent with him. It’s a bit of a shock, but with what happened you saw that so many people were touched by it, it goes to show he had a legacy and he was the head honcho. For me it was great not even just making tunes but just spending time with him.

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VIBE / Nick Rice

10 Most Important Hip-Hop Artists Of 2018

We’ve reached another end to an eventful year in hip-hop. From rap beefs to new music releases and milestones, 2018 has been forged in the history books as a year to remember. But more important than the events that happened over the span of 12 months are the people who made them happen.

While fans received a large dose of music from our favorite artists and celebrated some of the most iconic album anniversaries, there are a few names that stood out as the culture pushers, sh*t starters, and all-around most significant artists of the year.

For your enjoyment, VIBE compiled a list of the top 10 most important hip-hop artists of 2018 based on a series of qualifications: 1) public actions - good, bad, and ugly; 2) music releases; 3) philanthropic/humanitarian work; and 4) trending moments.

Be clear: This list isn’t about the most influential, the most talented, who had the best music or tours. While we are commemorating artists for the work they’ve contributed to this year’s music cycle, we’re looking beyond that and evaluating how these particular artists have shaped conversations and pushed hip-hop culture forward.

READ MORE: 15 R&B Songs We Obsessed Over Most In 2018

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Stacy-Ann Ellis

NEXT: Intent On Impact, Kiana Lede Is Ready To Leave Her Mark

After learning The Alphabet Song as a little girl, Kiana Lede would always “get in trouble” for singing during class. “My mom was like, ‘why can't you focus?’” she laughs while reminiscing on her career’s formative years. “I was like, ‘I don’t know! Songs are just playing in my head all the time!’”

Whilst sitting in a shoebox-sized room at Midtown Manhattan’s Moxy Hotel on a humid September day, the now- 21-year-old Arizona-bred R&B songbird, actress and pianist speculates that she “may have had ADD.” However, she settles down after taking off her white cowboy boots and flops down on the ivory-clothed bed, demonstrating that her fiery Aries energy can be contained. Cool as a cucumber, Lede shuffles between chewing on banana candies and blowing smoke rings after taking drags from a pen, all while musing about her journey to becoming a Republic Records signee.

“I just grew up singing and doing musical theater, and reading a lot of books, and playing piano way too much in my room by myself,” she says, pushing her big, curly brown hair out of her face. Her expressive green eyes widen as she grins. “It was my thing. Nobody in my family does music, just me.”

After winning Kidz Bop’s 2011 KIDZ Star USA talent contest at 14 (which her mother secretly entered her into), Lede was signed to RCA Records. She was released from her contract and dropped from the label three years later. However, thanks to guidance and friendship from the Grammy-winning production duo Rice N’ Peas, (who’ve worked with G-Eazy, Trevor Jackson, and Bazzi), she released covers of songs such as Drake’s “Hotline Bling” while working to get her groove back. The latter rendition resulted in Republic Record’s Chairman and CEO Monte Lipman flying her out and signing her to his label.

“I got a second chance, which a lot of people don't get,” she reveals. “So I'm really happy that that all happened. I wouldn't be here right now in this room if that didn't happen.”

Thanks to the new opportunity she was given, Lede’s sound has evolved into something she’s proud of—equal parts soul, R&B and bohemian. As evidenced by the aforementioned ensemble, glimmers of each aesthetic can be found when observing her personal style as well. She released her seven-song EP Selfless in July, which features the bedroom-ready “Show Love” and “Fairplay,” which manages to fit in the mainstream R&B vein while also showcasing her goosebump-inducing vocals. The remix of the latter features MC A$AP Ferg. What pleases her most is that it not only garnered a favorable response from fans, but that those listeners found it so relatable.

“As an artist, it's really nerve-wracking for someone who writes about such personal things all the time,” she says. “Just the fact that it is my story… It's good to know that other people know that there's somebody on their side, and they're not the only ones going through it. A lot of people obviously feel this way, and have been through this same thing that I've been through. So I think that's cool.”

Although she moved to various places as a Navy serviceman’s daughter, Lede claims Phoenix as home. This means she hails from the same stomping grounds as rockers Alice Cooper, Stevie Nicks and the late Chester Bennington of Linkin Park. However, growing up in a mixed race household gave way to tons of sonic exploration outside of the rock-heavy scene.

“My dad's black, and both of my parents are from the East Coast,” she says of her musical and ethnic upbringing (she’s black, Latina and Native American). “[My parents] listened to a lot of R&B. My mom listened to a lot of SWV, TLC, Boyz II Men. I didn't realize I knew the songs until I got older. I played a charity show with T-Boz, and I was like 'why do I know these songs?'” Lede also says her father was a fan of neo-soul and gangsta rap, but she personally believes the early-2000s was the best time for music.

“[That era] influences a lot of my music subconsciously, and also, singer-songwriter stuff,” she continues. “I listen to a lot of early-2000s music because I played piano most of my life. I listened to Sara Bareilles, John Mayer.”

An open book, Lede details some of her struggles with anxiety and depression with the utmost candor. After being dropped from RCA, her trust in people diminished, and she experienced long bouts of depression after being sexually assaulted by someone in the industry. The track that she feels most deeply about is “One Of Them Days,” which tackles these issues head-on.

“When I'm anxious and depressed, it's really hard to be happy,” Lede says. “Most of the time, I can do it, but there are just some days where I literally can't separate the anxiety, and I can't tell anybody why, because I don't really know why myself… I was feeling very odd that day, didn't even know if I could write a song. Hue [Strother], the guy who I wrote the song with, he was like 'I totally get you. Lots of people go through this.’’’

As we’ve observed in headlines recently, mental health and being honest about life’s trickier situations can help someone going through the same thing, and Lede hopes her music provides encouragement to those who are struggling. As for how she’s learning to push through her mental health roadblocks, she meditates, runs, and is an advocate for therapy, especially in Trump’s America, where harrowing news reports dominate the cycle.

Another hallmark of Kiana Lede’s personality is her bleeding heart for others. She cites women of color, sexual assault victims and the homeless youth specifically as individuals she feels most responsible to help, since she is personally connected to all three. While she’s aiming to create a project that helps homeless youth specifically, she’s working hard this holiday season to ensure that they have a place to stay “at least for the night” after horrific wildfires displaced many individuals in California.

“My passion is really people. Music is just a way that I can get to helping people,” she says with a grin. “Helping people emotionally and physically are both very important. I never want to stop helping people. I feel if other people can respect me, and I can respect myself, then I'll be happy. Happiness is all that we strive for.”

Recently, Lede played her first headlining solo show, a one-night event at The Mint in Los Angeles. While she was thrilled to see that the show sold-out, she was even happier to see the faces of her audience members, who she said ‘looked like [her].’ “Mixed girls, brown girls, black girls, gay boys,” she explains over-the-phone. Even though she wasn’t in person to discuss her latest huge accomplishment, you could hear the pride and joy through her voice.

As for the future of her career, she’s looking forward to more acting roles. You may recognize her from the first season of MTV’s Scream, and after her recent Netflix series All About The Washingtons with legendary MC Rev Run was cancelled, she has been “reading for auditions” and is “negotiating” for a role in a film set to shoot in NYC. While her time with the Run-DMC frontman was brief, she says he taught her about the importance of “not compromising your art for money.”

What Kiana Lede is most excited about, of course, is making music. She hopes to work on a new EP and then release an album after that. The ultimate goal is to fully realize the dreams in her personal and professional life, and she assures she’s just getting started.

“I want to be able to look back on my career and think 'man, I really poured my heart into this music, and made music that mattered, and made music that made people feel a certain way, whether it's bad, good, sad, anxious, whatever it may be.’”

READ MORE: NEXT: H.E.R. Is The Future Of R&B (And Then Some) In Plain Sight

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Lloyd Pursall

THEY. Break Down The Creation Of 'Fireside' EP And Their Unique Group Dynamic

Dante Jones and Drew Love–equally important, yet separate entities THEY.–arrive comfortably late to the listening of their newly released EP, Fireside. Drew, the more personable member of the group, swaggers into the room in a silk button-down. Failing to fasten the first three of the light brown buttons, his soft mocha chest peeks through. Closely following, Jones saunters in physically present but distant from the world around him, in his Friday's best casual fit. Quickly dividing to greet the crowded room of New York City journalists the pair fan out, taking the east and west wings of Esther & Carroll’s Soho eatery by storm.

Tracks from Fireside flow through the speakers like the honest "Broken," a conversational duet with Jessie Reyez and "18 Months," with Ty Dolla $ign. Both songs go further than love at first sight as THEY. speak on the rough parts of an evolving relationship. Overall, the six-track project takes on the progressive side of R&B with a little help from friends like Reyez, Jeremih, and Wiz Khalifa. Inviting outside forces into their world, the musicians are stretching their creative muscles while providing lessons as ear candy to fans.

THEY. is the culmination of a four-year relationship that has left a beast bigger than the fame in its wake. Standing on the precipice of a new subgenre of hip-hop and R&B, the duo has centered their sound around the eclectic flare of rhythm and blues while crashing into a new lane of its own. The members drive down the same road, they ride in two different cars. Fireside’s inspiration stems from the movie The Grey. "[Fireside is] this really interesting scene where all these different people from different walks of life are coming together,” Jones admits.

Much like the exploits of Agents J and K in Men In Black, their collaboration rings true to the futuristic movie series starring Tommie Lee Jones and Will Smith. Easily distinguished by the eager rookie paired with the grumpy veteran, the roles commandeered by Love and Jones can be heard through the cell phone. Cycling through evolution, the self-proclaimed yin and yang constantly battle the forces of dark and light to bring forth harmony in their ever-changing relationship.

At times unable to see eye-to-eye, the East Coast natives have adapted their rocky partnership, fine-tuning the kinks between them, learning to compromise, and most of all made subtle changes to the ways in which they interact with each other. Never expanding on the nature of their true relationship, the past tensions never seep into the conversation. Throwing subtle brotherly love moments during our interview, the artists toss admirable compliments back and forth.

“He understands where I come from because I am very rough around the edges and very abrasive at times,” Love says of his fellow creative. "Dante can be very hard to read at times, but I think it is an ongoing understanding and continual effort to learn to understand the other person and what triggers them and what doesn't trigger them, what their strengths are and what their weakness are. And how to motivate them and how to work together toward the common goal. I think both the work relationship and friendship have continued to evolve in a good way.”

Following the uprising of their movement through the states, their transcendent sound carried them across the pond to New Zealand and Australia, where they were opened for 6LACK earlier this year. receiving a more welcome reception from their overseas counterparts. The good vibes transferred throughout the show brought them one step closer to the aspirations that bond them together.

“The people are beautiful and you know, are not so pretentious and high strung,” Love explained of the best and worst moments in Australia. “The fans are very receptive to any type of music it seems. They just like to go to concerts and have a good time, as opposed to coming to the United States, you'll get someplace that sit there and fold their arms like you are supposed to impress them.”

 

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Melbourne was a movie 🎥 Round 2 this Wednesday at @theoxfordartfactory. Limited tickets still available. 🐺x🇦🇺

A post shared by THEY. (@they) on Oct 15, 2018 at 6:00pm PDT

Just a few months prior, the duo made their first appearance at Billboard’s Hot 100 Festival. The group caught the short end of the festival stick when their set time clashed with hip-hop acts like Rae Sremmurd and Lil Xan. THEY. was subjected to a crowd cross-armed and unwilling to catch the vibes. Pushing forth a strong performance, the group shattered the hard shells of concert goers, changing their crossed arms and intimidating stares to body rolls and kinder eyes.

As momentum continues for the duo, they've avoided the type of burnout establishing acts normally face. From smaller venues to sold-out arenas, the boys have set their sights on performance meccas like Madison Square Garden. But beyond the surface level goals, THEY. seeks to give the outcasts a place to call home. Leaving their mark on all the generations to come after, former victims of bullying illustrate that life has the opportunity to get better.

“At the end of the day, I want to change the world,” Jones explained. “That's really the goal to change the world and change music and really it only takes one moment. It's like the butterfly effect. We were the first few people to put out the idea of 808's, guitars and pop vocals. Now it's out in the atmosphere and we see a lot more people taking that approach. I feel like ultimately it's circling back our way."

Uncertain about the next trends in R&B, THEY. find themselves ahead of the curve. A few years removed from their first album Nü Religion: Hyena, the two have made strides to perfect their music making formula. Naturally, Dante and Drew are striving to leave a lasting impact on as many people as possible.

Stream THEY.’s Fireside EP below

READ MORE: NEXT: R&B Is Taking Many Directions And Music Duo THEY. Is Creating Their Own

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