Ciara's Heartbroken 'I Bet' Received An Uptempo Remix Featuring T.I.

Who else can turn a ballad into a dope club record? Only Cici.

Ciara's continual reading Future for filth has now taken uptempo dance form with the release of her T.I. assisted remix "I Bet."

The 29 year old new mom debuted the album's lead single "I Bet," an emotional ballad about saying goodbye to a true love. But never one to feel sorry for herself, Cici turned her breakup anthem into a two-step friendly club record ladies can boogie to, with the remix.

Hustle Gang general T.I. comes in on the second verse reppin' for the good guys letting women know, he can provide the world, but doesn't want to hear too much complaining.

The Atlanta songbird's sixth solo album Jackie is set to hit iTunes May 4 via Epic Records.

Spin Cici's record above.

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R&B Singer Andre "Mr. Rhythm" Williams Passes Away At 82

R&B singer and producer Andre Williams, who was best known as Mr. Rhythm, has passed away, Pravda Records confirms . The entertainer reportedly passed away on Sunday (Mar. 17) at the age of 82.

"It is with great sadness that we announce the passing of legendary artist Andre Williams," the Chicago-based label wrote in a statement on Facebook. "He died this after in Chicago at the age of 82. He touched our lives and the lives of countless others. We love you Dre."

William's manager, Kenn Goodman, told Billboard that the singer lost his battle to colon cancer while staying in hospice care. "He was diagnosed two weeks ago with colon cancer that spread to his lungs and brain," Goodman said. "After that his body started shutting down pretty quickly. But [he] was committed to trying to sing and record again."

Born Zephire "Andre" Williams, he moved from Alabama to Detroit as a teen in the early 1950s to launch his  music career. He gained local attention after winning the first place prize at the Warfield Theatre's amateur night show eight weeks in a row.

Williams then signed to Fortune Records and took over as the lead vocalist of the group, The Five Dollars. The group was later renamed Andre Williams and the Don Juans and released the top-10 charting single "Bacon Fat."

He would later go on to produce and record tracks including "The Stroke," "Humpin' Bumpin' & Thumpin'," the Five Dutones' "Shake a Tail Feather" and other Fortune Records singles like "Jail Bait" and "The Greasy Chicken."

In his later years, Williams continued to make music. He toured through Europe in 2001, 2005, and 2006, as well as produced a handful of indie compilation albums and group records. Williams was inducted into the Michigan Rock and Roll Legends Hall of Fame in 2012.

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Terry Crews Believes 'White Chicks 2' Will "Happen One Day"

Terry Crews is eager to breathe life back into his controversial White Chicks character Latrell Spencer. During an interview with Us Weekly, the famed actor expressed his elation behind a possible sequel to the aforementioned film.

"I would love one! I'm staying in shape for White Chicks 2! I will never get out of shape—you know that, right?" Crews said. "I will be 75 and say, 'Here we go, I'm ready to go!' I will never, ever get out of shape because that movie's going to happen one day."

In 2004, Marlon and Shawn Wayans starred as two rich white women as they went undercover to apprehend a suspect in a kidnapping scheme. The film was also written by their older brother Keenen Ivory Wayans, and starred John Heard, Rochelle Aytes, Faune A. Chambers, and Drew Sidora. During the course of its debut, the reel raked in over $113 million a the box office.

In a 2018 interview with The Chicago Tribune, Marlon Wayans discussed the impact of his film. "White Chicks, to me, is one of the most underrated comedies ever. That's one where I have to say '(Forget) critics,'" he said. "You have to have no sense of humor to not like that movie — two black guys dressed up as white women. Anybody who hates White Chicks, something is wrong with them. They had a bad childhood."

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'Black Monday' Explores Mo's Backstory With Narration Of '60s Soul Music: Episode 8 Recap

For seven episodes, we got glimpses into the past that molded Mo into the savage trader he is. Episode “7042” finally takes us closer to his origin, and apparently, that leads us to Los Angeles in 1968. The Jheri curl is now a blown-out afro, and his ruthless mercantilism on Wall Street is replaced by altruism for underserved communities, as a member of the Black Panther Party. The glimpses into his past — the Church’s Chicken on his birthday, his visit with Jammer — all begin to congeal into one vision of a misguided man.

The domineering Xosha Roquemore plays the role of Candance, the woman who Jammer intimated broke Mo’s heart. Roquemore’s last recurring role was as comedian Dawn Lima on Showtime’s I’m Dying Up Here, a short-lived series about the seedy side of stand-up comedy in the early 1970s. Her as Candace is another stellar casting choice. Roquemore was able to speak honey-coated bullets that can pierce any man’s ego in a way that’s both comforting and impactful as a Black woman comic in the 1970s. It’s just as mesmerizing to watch on Black Monday as a Black Panther member in the 1960s.

This arc, while entertaining, seemed to continue an awkward trend in Black Monday: the Black woman bears the weight of the man’s faults. Candace is portrayed as the person who took Mo from thinking of others and drug-free to a staunch individualist who probably has cocaine residue in his DNA. Similarly, it’s Dawn who is the cause of Mo’s Jammer Group being partly owned by the Lehman Brothers in the episode “243,” and the one who feels the obligation to blow up her marriage and future love life to save a risky Georgina Play that Mo involved her in without her say. But, then again, Regina Hall and Roquemore deliver two of the most emotionally jarring performances of the episode and demonstrate two separate, but equally as profound, ways of Black women releasing themselves from the control of men.

Taking Black Monday to the 1960s accomplishes a number of worthwhile feats otherwise unlikely in the 1980s Wall Street timeline. For one, the first 90 seconds of this episode features a wider variety of Black faces than the last seven episodes had, combined. But, more than anything, the new timeline allows for the soul music of the ‘60s to narrate the story.

Music Narrator

Music has always played a noticeable part in the show, but more so as a reinforcement of the time period. In this episode, the sounds of the time guide the audience and take them deeper into the character than what they see on the screen.

In the episode’s opening, soul singer Harry Krapsho lets us know “I don’t care about money too much” and “I don’t have a dollar to my name, and if you don’t mind I’d like to keep it the same” on his song “Don’t Worry.” Those sentiments play as a Black man, whom we don’t realize is Mo, exits a bus in Los Angeles, California. Before we find out Mo wasn’t money-hungry in his past — and formerly known as Roland — the sweet sounds of Harry Krapsho let us know.

Candace deceptively persuades Mo to abandon his principles by smoking weed and going against the Black Panther Party’s wishes, as Sandy Szigeti’s “Make Believe World” scores the scene. After, the plot twist minutes later, the song is a shrewd act of foreshadowing by the showrunners. But, It’s the late, great Nina Simone’s rendition of the 1967 song “I Shall Be Released,” written by Bob Dylan, that expands the Black Monday world.

 

Near the end of the episode, Candace’s true identity is revealed while she’s looking into the eyes of the men and women who seem to have put her in such a position. When Nina’s voice wails out “I remember every face of every man who put me here,” Candace’s motives become more complex. Black Monday lets the music leave you with the thought that Candace may have been compromised by the FBI, and in order to avoid jail time, she would have to turn in her fellow Black people. The steely resolve in her final words to Mo — “I told you, ‘I got you.’”— further complicates that theory and adds an engrossing richness to Candace’s character.

Black Monday could’ve left Nina Simone’s rendition for the climax of the flashback arc and the episode would still be great. But, Nina returns for one last “I shall be released” after Mo sends Dawn packing following her revelation to Mo about who she really loves. The image of Dawn piercing her lips and steadying her gaze on the countryside instead of being shocked into submission by Mo’s thoughtless decision, while Nina belts out her hope for release, is a moment of Black perseverance we would’ve never thought a show like Black Monday would make a focal point in such an important episode.

The episode also ends with an uncharacteristically sentimental Mo reverting back to his selfish ways at the same time Ms. Simone sings about “release.” And just like that, one four-minute song helps set up the emotional stakes at hand in the final two episodes of Black Monday’s first season.

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