'Entourage'

Non-Dude Review: Ain't No Party Like An 'Entourage' Party

A girl's take on 'Entourage: The Movie'

According to the Internet, there are two types of people penning reviews for Entourage: The Movie: the hardcore Stans who ride-or-die for the series-turned-film yet are "meh" about the big screen version. The other, a group of sometimers who write off the Hollywood-sized film as an entertaining flop. Most of these critics happen to be men. This journo, however, is neither a guy nor a religious advocate of Doug Ellin's show; the only common ground I walk with the Entourage man-boys is being from Queens. Still, it's a trip to the Left Coast worth taking.

The hour-and-a-half ride begins at sea in Ibiza at a yacht party with enough lady racks to fill the Playboy Mansion. The guys greet us with Johnny "Drama" Chase (played by Kevin Dillon) contemplating about getting his nut off before before boarding the boat bash hosted by his half-brother, Vince Chase (Adrian Grenier). He's also accompanied by a slimmer, wealthier Turtle (Jerry Ferrara) and the blue-eyed womanizer, Eric (Kevin Connolly).

After amicably calling it quits on his week-long marriage to a Vanity Fair writer, Vince has set his sights on director-dom. His latest passion project is a big budget film that plays off Dr. Jekyll and Mr. Hyde, simply titled Hyde. It's a two hour-long "masterpiece" (we only see the opening scene) to the delight of his long-time agent and the hotheaded Hollywood big shot, Ari Gold (Jeremy Piven). His biggest challenge is getting more M's from Travis, played by Haley Joel Osment (a.k.a. the guy who made the line "I see dead people" a thing) and his oilman tycoon father, Larsen McCredle (Billy Bob Thornton). After Vince blows money fast on his production, the main mission becomes Ari caping for Vince & Co.'s talents to Hyde's financiers while trying to keep his cool.

SEE ALSO: The Boys Are Back: Watch The Official Trailer For ‘Entourage’

Like the HBO hit, each bro is going through their own set of struggles: Drama's TMZ fiasco; Turtle's situationship with UFC champ, Ronda Rousey; Travis' thirst; Vince's credibility and his situationship with Emily Ratajkowski; Eric's free sausage to any pair of legs that spreads open and caring for his baby's mother, Sloane (Emmanuelle Chriqui) and Gold's anger issues. More money equals more champagne problems and most likely, female objectification. You know, the stuff Amy Schumer parodies are made of. But before feminists throw spears at the movie, remember the Hollywood satire and king-sized bed of bravado the series was founded on. Even Chriqui told Esquire earlier this month, "Have no illusions: The show is what it is and what it has always been, which is the guys ... I'm so grateful that I could be a part of it. And I don't think it's a slight to the show. It's just the nature of the beast.

SEE ALSO: Unmanly Men Not Allowed: Four Minutes With Ronda Rousey

Chriqui, critics and the show's others stars say it's a man's answer to Sex and the City. It's not. It's a man's answer to Sex and Living The Dream For Men—supermodel groupies, Ferraris and putting your boys on when one of you makes it. Then, of course, there's the plethora of big-name cameos to get you hype: Seattle Seahawk Russell Wilson, Liam Neeson, Pharrell and his hat, Warren Buffett, the film's executive producer, Mark Wahlberg, the VIP list goes on.

Does Entourage the film merit the backlash it has been getting? Maybe. Should devout followers and interested newbies—including women—give it a shot? Oh yeah! For the past four years, folks have been fiending for Entourage's return and now that it's back, everyone is quick to drag the flick to the trash bin. Oscar nominations aren't the goal here. You'll get a few laughs and a lot of "Oh, that guy!" moments but at the heart of it is one last hoorah with the guys who showed you that making it, either in Hollywood or life, is possible—even if it's a sh-t show.

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The Game Reboot Lands At Paramount+ Streaming Service

A revival of the BET’s The Game is officially in development under the ViacomCBS digital subscription streaming service Paramount+, which was originally branded as CBS All Access.

The series reboot was announced on Tuesday (Sept. 15), along with a list of original and rebooted shows headed for the streaming outlet which includes a limited series chronicling the making of The Godfather, a new edition of VH1’s Behind the Music, and the true crime docuseries, The Real Criminal Minds. The programming will join CBS All Access’ list of more than 20,000 episodes and movies across BET, MTV, CBS, Comedy Central, Paramount Pictures, Nickelodeon, and more.

Although no details have been released about The Game revival, the series will fall under BET’s Paramount+ programming from CBS Television Studios and Garment Productions. It’s unclear if any of the show's original cast members like, Tia Mowry, Pooch Hall, and Wendy Raquel Robinson, will be involved in the new installment.

The hit sports series was created by Mara Brock Akil, as a spinoff of her other hit sitcom, Girlfriends. Akil recently inked an overall deal with Netflix to develop new projects for the streamer. The company also acquired the rights to Girlfriends, Sister, Sister, Moesha, and The Parkers.

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50 Cent Developing Starz Series About Beef With The Game

Add a couple more credits to 50 Cent’s long list of TV projects. The rapper-turned-TV-producer inked a deal to develop two new series for Starz, one of which will explore his feud with The Game, the cable network announced on Monday (Sept. 14).

The seasonal anthology series tentatively titled, Moment in Time: The Massacre, chronicles “true stories in which iconic hip hop moments collided with the sensational and sometimes criminal events behind the scenes.” Season one focuses on the beef between Fif and Game that “led to an all-street war, pitting G-Unit against music impresario Jimmy Henchman.”

Henchman, The Game’s former manager, is currently serving life for the murder-for-hire of a G-Unit affiliate. Moment in Time will be written and executive produced by Abdul William, who penned The Bobby Brown Story, The New Edition Story, Lottery Ticket, and Lifetime’s forthcoming Salt-N-Pepa mini series.

Inspired by the life of sports agent and attorney Nicole Lynn, who serves as executive producer, the second series follows a Black female sports agent’s rise up the ranks in the male dominated industry of sports agents. Tash Grey will produce the series and pen the script. Grey’s notable credits include the Power spinoff Raising Kanan, Snowfall, P-Valley, and the true-crime drama, Unsolved: The Murders of Tupac and Notorious B.I.G.

Both series will be executive produced by 50 Cent and his G-Unit Film & Television imprint.

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Netflix Acquires ‘Malcolm & Marie’ Starring Zendaya, John David Washington

Netflix has acquired the rights to the film Malcolm & Marie staring Zendaya and John David Washington in a $30 million deal during this year’s Toronto International Film Festival. The streaming giant beat out HBO, Amazon, Searchlight, Apple and MGM among others in a bidding war over the film, Deadline reports.

Shot on 35mm black and white film, Malcolm & Marie, tells the story of a filmmaker (portrayed by Washington) who returns home with his girlfriend after a celebrating the premiere of his latest movie. Things take a turn as revelations about the couple’s relationship rise to the surface, changing the mood of the evening.

Malcolm & Marie pic.twitter.com/99RWzgLFbD

— Zendaya (@Zendaya) July 8, 2020

Malcolm & Marie was written, directed and produced by Euphoria creator Sam Levinson, who penned the script in less than a week. Aside from starring in the romantic drama, Zendaya and Washington serve as executive producers on the project.

“I am so grateful to this cast and crew, many of whom are my ‘Euphoria’ family, for coming together during such uncertain times,” Levinson said in a statement. “We felt privileged to be able to make this film together and we did so with a lot of love. We are all thrilled that it has ended up with Netflix which is unparalleled in allowing filmmakers the freedom to tell their stories that reach audiences all over the world.”

The film was shot amid the COVID-19 pandemic at a quarantine location in California in mid-June. Over the course of the two week shoot, heavy precautions were taken to ensure the health and safety of the cast and crew including social distancing, increased sanitary measures, and daily temperature checks.

Netflix’s acquisition of Malcolm & Marie follows an onslaught of TIFF films scooped up by  the company, with Halle Berry’s Bruised among the lot. The film marks Berry’s directorial debut and was sold to Netflix for a reported $20 million.

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