Charleston

Opinion: VIBE Editors React To #CharlestonShooting

VIBE offers their emotional reactions to the Charleston shooting

On Wednesday (June 17), 21-year-old shooting suspect, Dylann Roof, opened fire during a Bible study session at the historically black Emanuel African Methodist Episcopal Church in Charleston, S.C. Six females and three males were killed, including South Carolina Senator, Rev. Clementa Pinckney.

As the nation tries to make sense of the heinous hate crime, VIBE reflects on last night's events and weighs in on the current state of America.

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When you're covered in black skin, there are a list of things you can't do in America without putting your life in danger. Now, added to that list is going to the house of the Lord.

Buying Skittles and wearing a hoodie has proven to be detrimental. Celebrating your bachelor party the night before your wedding day will merit you 50 shots, while holding your wallet will earn you 44 bullets. Blasting what some deem to be loud, ghetto rap music while at a Florida gas station will get you killed and running away from police means you are to be shot in the back. Let's not forget having your hands raised as you surrender is now grounds to be murdered and have your body lay on display in the sweltering August sun for hours. So yes, black people in America are well-versed on what we should not do.

But the shooting in Charleston is different. Worshipers have long sought out refuge in the four walls of their church home, whether it be for Sunday service, bible study or simply to fellowship among fellow believers, and for someone, unprovoked, to open fire as attendees bowed their heads, closed their eyes and prayed is an unexplainable evil, a robust cowardice, and has ignited a very palpable fear once again in the black community.

Are we now being told worship will also get us killed?

I am a writer. I've been a writer for many moons, and seldom am I at a loss for words, yet the shooting in Charleston has rendered me speechless. All I can do now is pray, but as the recent events showcase, I must do so from the safety of my own home.
—Shenequa Golding, Editor

Hearing the news about the about Charleston shooting struck a particular nerve with me this morning. The details about about the victims in the prayer group sent a chill through my spine as I instantly thought about my own mother, who attends her prayer group five days a week at 6am. She's mostly there to pray for me, my well-being and for me to have a successful career. As I realized the victims very well could have been members of my family, I could feel the heaviness creeping to my eyes. I couldn't tell if I was feeling the burdens of sadness because I became conscious that similar heinous acts of violence could very well happen at my mother's church or if the death of nine innocent churchgoers was plaguing my soul. This is life in America now.


—Mikey Fresh, Music Editor

SEE ALSO: What Needs to Happen After Eric Garner

I hate that the first thing that came to mind when I heard about the Charleston, SC shooting was, "Another one?" Another mass killing? Another white gunman dismissed as an isolated incident or a mental illness discrepancy? Another set of black lives erased from Earthly existence? Another day we have to prove our lives are worth even a morsel of a damn?

Every day living in America feels like a game of Russian Roulette. There's honestly no safe place to go where people of every color, religion or cultural background can feel safe going about their day to day lives. It's disturbing to know that the one institution constructed as a place of peace and a safe haven for Charleston's black community was reduced to a floating target for a trigger happy (alleged) white supremacist. What kind of hatred is brewing so feverishly inside the heart of 21-year-old Dylann Roof—the confirmed suspect in last night's shooting—that he NEEDED to go kill off innocent people during their time of prayer and worship?

As a person of color, how can you not feel helpless in this country at times like these? The same country that personally saw to it that we stayed at the bottom of the bottom, and continues to do so in subtle, underhanded ways and with one-sided public policies. We're not wanted here, and it's a waiting game until the next moment presents itself for American purists to let us know exactly how much they want us gone.

Which city will be the next to be rocked with a hate crime? Who will earn the next roadside memorial, hashtag and placement on an inner city mural? Which state will slap its residents of color in the face by saying that, legally, there's not enough evidence for justice and no realistic way to protect black lives? The worst feeling in the world is not knowing any of the answers.
—Stacy-Ann Ellis, Assistant Editor

I'm still struggling to make sense of America. Especially when news of a neighborhood watch captain is acquitted in fatally shooting an unarmed black teenager, who just bought Skittles and Arizona iced tea. When a 43-year-old man is wrestled to the ground in a chokehold by a police officer and elicits his final words, "I can't breathe." When a cop shoots an 18-year-old man and lets his body lay out on the Ferguson street for hours. When nine people in South Carolina are shot during bible study by a 21-year-old who opens fire at a church...

I'm not the type to wear my emotions on my timeline but I can't suppress the heaviness on my heart and mind, wondering how many headlines depicting people of color dying from police brutality, gun violence and hate crimes need to be published before a real change comes. If this is the so-called Land of the Free, why doesn't it feel like it?
—Adelle Platon, Associate Editor

As I stood in my living room, watching the underwhelming media coverage on TV this morning, I couldn’t help but think about how 2015 has already been a year filled with disappointment, sadness and deep, long sighs.

Will hateful racism ever die its overdue death? When will the excuse of “mental illness” cease to exist as the cause of one’s actions rooted in anger? Why is a rhetorical question being posed every time one person of one race causes physical and fatal harm on that of another? What ever happened with that pool party incident? Why are we so focused on Rachel Dolezal’s wanna-be blackness more so than the Haitian deportation in the Dominican Republic?

As a Black woman, I can only pray for the remaining six months of this year… and for my future children.
—Eboseta Christine, Social Managing Editor

SEE ALSO: Everything You Should Know About The Charleston, South Carolina Shooting

A lot has changed in the last 50 years, and yet nothing has changed at all. By the looks of our social climate, we are merely living in a remix of the 1960s. Though tweaked with considerable new elements such as the Internet and the presence of a black president, the undertones of racism and hatred make for the same song and frankly, I’ve grown weary of singing it.

Cynthia Wesley, Carole Robertson, Addie Mae Collins and Denise McNair were just four little girls who went to church on September 15, 1963. Likely coerced by their God-fearing elders to sit still and pay attention in the house of the Lord, those four little girls saw their final day at the 16th Street Baptist Church in Birmingham after Ku Klux Klan member Robert Chambliss bombed the church with dynamite, leaving them dead. Targeted as predominantly black church and hub for civil rights protesters, the 16th Street was punished for being a vehicle of faith and peace. The fact that this story is even remotely familiar to what transpired at Charleston’s Emanuel AME Church yesterday – in 2015 – is equally saddening and mind-blowing.

This is evidence that the wool has been pulled over our eyes. In this sociopolitical remix, the lyrics are muffled, murmured and interpolated to trick us into thinking that times have changed. We’ve been hoodwinked into faux freedom. We’ve been deceived into imaginary equality. But if we slow down the track and listen with a more meticulous ear, we realize that this is just like that other song – the one where we are slaughtered, imprisoned and degraded. We’re just bopping our heads to a new beat.

And I don’t know about anyone else, but I’d like to change CDs.
—Iyana Robertson, News Editor

Rage. The kind you have where you don't yell out and go all crazy, but the quiet storm rage is what I have right now. It's been brewing long before Trayvon's unfortunate death and following circumstances. What I personally went through in Charleston, South Carolina, dealing with the affairs of my ailing grandfather in that town would make anyone lose it. A lot of the issues I dealt with was being a black male questioning the movements, decisions and authority of those in power that preyed on the weakened condition of elderly people of color. Yet I also noticed the dire situations of the black community in the downtown area of Charleston. The youth, looking lost and unstructured and aimlessly wandering...just hurt. Then seeing the hate by some that looked and lived differently was also a huge problem. Was it all white directed? It wasn't totally, but those in position to make things harder than they needed to be were white and seemed to revel in making things tough. I understood then that things were racially motivated as the white families going through similar processes as mine weren't dealing with the same obstacles and were given special treatment.

Mindstate. Racism is taught. The battle rapper Hitman Holla of St. Louis said something profound on Instagram about this. If the young man that did this heinous crime is indeed the one, and did this out of racism or black hate, he's only 21. He doesn't even know why he hates black people. He can't! But I have a bigger issue. I don't even think he's only motivated by black hate. I think there is a planned angle to stop the momentum that State Senator/Pastor Clementa Pinckney had going with challenging police law and the push for cops to wear body cameras in South Carolina.

The 41 year-old Democratic Senator was connected to Al Sharpton during the national news story of Walter Scott being shot down by the hands of South Carolina authorities. Pinckney was highly educated, spiritually focused and married with two kids. Was this mass shooting to cover up a hit on this man? I question that motive. I really do. So many thoughts and emotions are traveling through me right now. The main one is sorrow for all the lives lost in this tragedy. My heart and prayers go to the victims and their families.

Now that this subhuman has been caught, I hope justice is served. Will things ever change? Will this moment of rage be the turning point for modern civil rights like the bombing of that Birmingham, Alabama church that killed four little black girls in 1963? How much more can a race of people take? I hope we don't have to answer that last question anytime soon.
—Datwon Thomas, Editor-in-Chief

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Jay-Z's 50 Most Underrated Songs

The following sentence is guaranteed to make you feel old: Jay-Z turns 50 on Wednesday, December 4, 2019.

Arguably the most celebrated hip-hop artist of all-time, Shawn Corey Carter, has lived multiple lifetimes as he comes to the halftime of life. He’s been a street hustler, a misogynistic, materialism fueled lyrical mastermind, a real musician, a successful businessman, a husband, a father, and a teacher. Looking back on a musical catalog that spans some 25 plus years, there's a substantial amount of standouts, from “Takeover” to “Hard Knock Life” to more recent triumphs like “Family Feud.” What about the tracks that fell through the cracks? The ones that had momentary flashes of adoration but have faded as the years have gone by? Here is a definitive list of Jay-Z’s 50 most underrated songs.

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“Lucky Me” – In My Lifetime Vol. 1 (1997)

Arguably Jay-Z's most underrated song, "Lucky Me" is less about the sonic soundscape and more about the lyrics, which may be Jay's most introspective on wax, rivaling even that found on the profoundly personal “4:44.” The song sees Jay reflecting on the perils of fame and the legacy he wants to leave behind:

"And ain't nothing changed so even in my afterlife I show it up/Don't grieve for me, my art remains/Like a dart from the speaker to your heart/Spiritually through the portal now my words is immortal"

The song is easily missed on the flashy and braggadocio filled '...Vol. 1’, but it's one of Jay's most notable songs and timeless in its content around the trappings of fame and what it truly means to be Hov.

“Dopeman” – Volume 3...Life and Times of S. Carter (1999)

Playing out like a movie on record, the Digga-produced "Dopeman" is underrated in more than one sense. The tension-filled, anthemic production provides a canvas for Jay to testify in a mock trial as the state brings charges against Jay's "criminal enterprise" known as Roc-A-Fella Records. The songs second verse is a time capsule looking back at late 90s hip-hop and the music business that was:

"Your distribution's Polygram, and through your connects/Def Jam, you pushed over five million SoundScan/And not to mention, your cohorts and henchmen/Dame, Biggs, Lyor, Kev and Russell Simmons/And we ain't gon' talk about Murder Inc./that just establishes a deeper, darker criminal link."

Storytelling in rap isn't a lost art per se, but storytelling that puts the listener in the courtroom and builds suspense throughout the song is rare, and "Dopeman" is one of hip-hop’s best examples of storytelling as a part of the art form.

“Young, Black & Gifted Freestyle" – S. Carter Collection (2003)

Appearing on Jay-Z's only official mixtape (don't we wish now that Hov was more prolific in the mixtape game?), "Young, Gifted & Black" features one of Jay's most fluid flows as Jay goes in over Big Daddy Kane's "Young, Black and Gifted" instrumental, originally produced by Marley Marl.

Some of the freestyles most memorable bars include:

"I'm America's worst nightmare/I'm young, black, and holdin' my nuts like "Geah!"/Y'all was in the pub, havin' a light beer, I was at the club, havin' a fight there"

"Downloadin' all our music on ya iPods there/I'm Chuck D, standin' in the crosshairs here"

“Caught Their Eyes” Feat. Frank Ocean – 4:44 (2017)

As anticipation built for the release of Jay's 4:44 album and guests and rumors began to swirl, fans locked in on "Caught Their Eyes" with Frank Ocean. The song doesn't immediately stand out as one of 4:44's most lyrically dense; however, the No I.D.-produced track expertly sampling Nina Simone's "Baltimore" is hypnotizing to the ear. And this isn't to say that it doesn't deliver lyrically either. Jay's 2nd verse is a glimpse into the music business, and Hov's relationship with the late Prince as Jay doesn't shy away from calling out those who he believes profited from the singer's death:

"Now, Londell McMillan, he must be color blind/They only see green from them purple eyes" "You greedy bastards sold tickets to walk through his houseI'm surprised you ain't auction off the casket"

“Cashmere Thoughts” – Reasonable Doubt (1996)

In a 2011 interview with Complex, “Cashmere Thoughts” producer Clark Kent said the song was a joke of sorts with him and Jay talking pimp sh*t back and forth at the beginning. But the song is anything but a laugh as the song sees Jay pre-super stardom spitting pure pimped out, braggadocio lyrics saying his words are “worth a million” like he was spitting them through platinum teeth. Clark Kent’s production on “Cashmere…” is wildly underrated as he beautifully spins Hamilton Bohannon’s “Save Their Souls” into a groovy street soundscape for Jay to talk his sh*t.

“I Know What Girls Like” Feat. Puff Daddy and Lil’ Kim – In My Lifetime, Vol. 1 (1997)

“I Know What Girls Like” isn’t a great song, but time has rendered the jiggy-era track from “In My Lifetime Vol. 1” more impressive. Save for the stomach-turning chorus, verses from Lil’ Kim and Jay-Z are everything late 90s hip-hop was: flashy, filled with innuendo, and hosting enough brand name drops that pretty much every listener felt poor as hell listening to the song.

“Safety deposit in the walk-in closet/Marble faucets and matching Rolls Royces” spits Lil’ Kim in a time in Hip-Hop when Bad Boy and ‘The Roc’ ruled the world.

“If I Should Die” (Feat. Da Ranjahz) – Vol.2...Hard Knock Life (1998)

Roc-A-Fella artists before there was actually a Roc-A-Fella, Wais and Haph AKA Da Ranjahz appear on the Swizz Beatz-produced “If I Should Die” off Jay’s breakthrough album Vol. 2...Hard Knock Life. Beat wise it’s a time capsule to Swizzy’s stutter-step, spastic production, and what makes the song underrated isn’t so much Swizz or Jay but rather some underappreciated verses by the aforementioned Wais and Haph. Haph (or Half Dead as he was known then) especially comes through with some vicious, vivid bars to finish off the song:

“I'll be down in hell scorchin' preparin' for life/Afterlife still torchin' and blazin' these mics/It'd rain for 40 days and 40 nights/And I'd return on the 3rd like Christ/(Without my physical portion)/My spirit a poltergeist for sureI'll be back through the Heights tomorrow/Blood over y'all fake ni**as door”

“Snoopy Track” (Feat. Juvenile) – Volume 3...Life and Times of S. Carter

Sounding like an engine revving at the starting gates of the Indy 500, the Timbaland-produced “Snoopy Track” off Jay’s Vol. 3 released in December 1999 is an impressive coming together of Hov’s growing NYC rap domination, and Juvenile’s Cash Money bred southern slick talk. It would be easy to make the argument for “Snoopy Track” being of Jay’s top three most underrated songs if it weren’t for what is ultimately hollow lyrical content, but pure uncut dope nonetheless. Juvenile assists on the song's hook while Hov tells tales of “Spanish cats with the keys of coca” and liking women with Gucci shoes and “new coochie.”

“There’s Been A Murder”– Volume 3...Life and Times of S. Carter (1999)

If you've forgotten this gem from 'Vol. 3…", one only needs to go back and look at the lyrics of this hidden masterpiece which reads like the script for the yet-to-be-produced Jay-Z biopic:

"Follow the life of this reckless minor/At sixteen in the 600, unlicensed driver/Playin', cops and robbers, like shots can't stop us/Flippin' a bird to the choppers (f**k you coppers!)"

The song gets its charge from the Alana Davis-sampled chorus with the aching refrain of "think there's been a murder…" Lost in the tales of drugs, gun, murder, and hustling is the fact that the song is the first time Hov "killed Jay-Z" with the 2nd being on "Kill Jay-Z" off his 4:44 album.

“Soon You’ll Understand”– The Dynasty: Roc La Familia (2000)

Relationships are complicated, and Jay-Z attacked them head-on with "Soon You'll Understand," one of the few solo tracks on Jay's should-have-been-a-compilation 'The Dynasty…' album. Rumors suggest the song is about model Shenelle Scott, a model who Hov was once rumored to have a child with. Song's intended target aside, the haunting Just Blaze production allows Jay to paint pictures of relationships lost amidst guiding exes in his black book:

"But still when your boyfriend ditched you, life's a bi**h you cried/Over my right shoulder, I told you to wipe your eyes/Take your time when you liking a guy/'Cause if he sense that your feelings too intense, his pimp'll die"

“Girls, Girls, Girls Part 2” – The Blueprint (2001)

A hidden treasure for Hip-Hop purists, Jay-Z’s “secret” track from his hip-hop classic The Blueprint album is a chest of historical music facts. Most people know about the uncredited Michael Jackson background vocals. The song is also one of Kanye’s first beats for Hov and along with MJ, features background vocals from Chante Moore. Pt. 2 brings substantially more soul than its album single counterpart “Girls, Girls, Girls,” thanks to a smooth Persuaders sample of their song “Trying Girls Out”.

Where the original “Girls, Girls, Girls” was more accessible for the masses, “Pt. 2” is dripping with soul and brings a stronger lyrical performance from Jigga:

“I'm lookin' for a Southern girl that cook like Patti LaBelle/Big ghetto booty, scarf over her doobie/Chanel under the Louis, Gucci over her booty”

“Bi**hes & Sisters” – The Blueprint 2: The Gift and the Curse (2002)

“ Sisters work hard, b**ches work your nerves” said Hov on his criminally unnoticed “B**ches & Sisters” bonus track from his bloated The Blueprint 2… album (but hey, “mid” for Hov is the peak for many). Sampling N.W.A.’s classic “A B**ch Iz A B**ch” and Kim Weston’s 70s cut “When Something is Wrong with My Baby,” the song sees Jay breaking down the differences between “b**ches” and “sisters.” Some examples? “Sisters tell the truth, b**ches tell lies,” “Sisters do it slow, b**ches do it fast”...you get the point. For his part, Just Blaze gives Jay a horn-fueled banger to spit game on what could be considered one of the Roc-A-Fella honcho’s last overtly misogynistic songs.

“Guns & Roses” Feat. Lenny Kravitz –The Blueprint 2: The Gift and the Curse (2002)

It’s not everyday Lenny Kravtiz guests on a Hip-Hop track. The forgotten banger from Jay-Z’s only truly average album ‘The Blueprint 2…’ is chock-full of interesting facts that make this one a must revisit track from Hov’s catalog. First off, the song samples Cake’s “Arco Arena.” What makes the Cake sample even more impressive is it was crafted into the song’s track by the late hip-hop pioneer Heavy D. In one of his last interviews in 2011, Heavy D told Tim Westwood that he played the track for Jay-Z in Los Angeles as they drove around. Jay crafted the lyrics in his head. Little known fact: Hov and Lenny performed the song on Saturday Night Live in 2002.

“Meet the Parents” – The Blueprint 2: The Gift and the Curse (2002)

Because of the mixed reaction to its initial release, not much credit is given to Jay-Z's The Blueprint 2… album. Not only did it follow up one of the essential albums in music's history with The Blueprint, but the collection was bloated with substantial filler. That being said, it's time to give Hov and Just Blaze their flowers for some of what they did on the project. Case in point: "Meet the Parents." Just Blaze's synthy, gloomy backdrop was the perfect track for Hov to speak on the perils of street life and telling a story with the ultimate lesson of being there for your children. One of the song's more emotional moments is Hov's nod to the passed on B.I.G. and Aaliyah:

"So, give Big a hug, tell Aaliyah I said hi/Till the next time I see her, on the other side"

“Do U Wanna Ride” Feat. John Legend – Kingdom Come (2006)

As the story has been told, Jay-Z's close friend Emory "Vegas" Jones was sentenced to 16 years in prison, missing Jay's meteoric rise to the top of the entertainment world. But like a good friend, Jay never abandoned Emory, ultimately helping secure his early release with a job offer at Rocawear. Now a successful executive at Roc Nation and entrepreneur with his  ‘Bet on Yourself' Puma collaboration, Emory has turned his life around.

It wasn't always this good, however, and Jay's Do U Wanna Ride from his Kingdom Come album was a letter to his incarcerated friend, even beginning with a recording of a call Emory made to Jay while locked up. The song was said to have been critical in keeping Emory's spirits up while serving his sentence. As Hov says on the song, any time Emory called him while inside he just wanted to hear Jay "talk fly" and Hov does just that on the song's 2nd verse:

"International Hov, I told you so/ 40/40s out in Tokyo/ Singapore, all this from singing songs"

“30 Something” – Kingdom Come (2006)

Getting older is unavoidable, but aging gracefully is within your hands. Jay-Z's 2006 track "30 Something" aimed to shine a light on aging Hip-Hop fans, including Hov himself. The song set out to teach Jay's aging audience how he has managed to transition gracefully into adulthood. Think of it as a precursor to Jay telling fans about the artwork he bought for one million with early investment advice around stocks and clubs:

"I don't got the bright watch, I got the right watch / I don't buy out the bar, I bought the nightspot/I got the right stock"

Dr. Dre mans the boards and while Dre's production on "30 Something" won't have anyone confusing it with "Still Dre," it's reliable and shines on the song's remix with Ice Cube and Andre 3000.

“People Talkin'” – MTV Unplugged (2001)

After making history with his MTV Unplugged live album backed by The Roots playing his hits, Jay-Z placed this gem as a hidden track at the end. Armed with a beautiful sample flipped by frequent collaborator Ski Beatz, Hov celebrates his rarity and his excellence in hip-hop through that point of his career. "Damnit man, this is a gift from God," he insists. Amen.

“Heaven” – Magna Carta Holy Grail (2013)

When people list Jay-Z's "hardest" songs, it's unlikely they reference the Timbaland, The-Dream, and J-Roc produced "Heaven" from 2013's often panned Magna Carta Holy Grail album. But when Jay spits "arm, leg, leg, head - this is God body" with ferocity, Hov launches into an examination of religion, life, and death that can only be described as one of Jay's more underappreciated songs. Hov even tackles the Illuminati rumors head-on providing a believable explanation: "Conspiracy theorist screaming Illuminati/They can't believe this much skill is in the human body."

Fun fact: The song was supposed to feature Ghostface Killah and Raekwon.

“Somewhereinamerica” – Magna Carta Holy Grail (2013)

"Somewhereinamerica" should be remembered as one of Jay-Z's most poignant on racism and the state of race relations in America. Unfortunately, it's more often remembered for the line "Cause somewhere in America/Miley Cyrus is still twerkin'" which was followed up by a Miley tweet and subsequent Hov acknowledgment.

Hov seemingly brushed off the line as a slight at Miley but looking at the context of the song's lyrics, it's obvious it's a sharp commentary on not only white appropriation of black culture but the out front racism of new America: "New money, they looking down on me."

“This Life Forever” – Jay-Z: The Hits Collection, Volume One (2010)

For the Jay-Z purists, "This Life Forever" is about as pure as it gets for a song that didn't appear on 'Reasonable Doubt.' The underrated street hustler's tale appears on the 1999 soundtrack for the unreleased film Black Gangster based on the 1972 novel by Donald Goines. Much of the credit for the purity of "This Life Forever" goes to Queens producer Ty Fyffe whose hard drums give Hov the canvas to spit lyrics like: "I'm the truest ni**a to do this, ni**a, and anything else is foolish/Like those who stay high, under God's grey skies/My lyrics is like Bible, made to save lives"

And when Jay says, "All day, socks explode and sweatpants pockets is bulging" you can see a young Shawn Carter on the corner moving his work while dreaming of what could be.

“Imaginary Players” – Reasonable Doubt (1996)

The Prestige produced “Imaginary Players” could have easily found itself on The Blueprint. The Rene & Angela-sampled track is dripping with soul as Hov speaks on his pre-and post-rap riches and his love of finer things. It’s interesting to look back and see the brands name-checked by Hov back in the late 90s - Cartier, Versace, Hummer, and Rolex. “Imaginary Players” is really that “down south Master P, bout it, bout it” sh*t as the listener rides shotgun with Hov early rap fame and seeing visions of what the future holds.

“Always Be My Sunshine” Feat. Foxy Brown & Babyface – In My Lifetime Vol. 1 (1997)

Wait, underrated? Wasn’t this is one of Jay-Z’s most successful songs? Not really. “Sunshine” peaked at #95 on the Hot 100 and #16 on the rap charts. And chart struggles aside, the song was the one in Jay’s career that seemingly everyone loves to hate, including former Roc-A-Fella executives. In an interview with the ItsTheReal podcast in 2017, Roc Nation’s Lenny S. said, “We were kinda digging out of a hole after “Sunshine,” and the video didn’t help…”

But is the hate warranted? Ring off “Sunshine” at any party and no one is going to tell you to turn it off. The Prestige-produced track samples MC Lyte, Alexander O' Neal, Kraftwerk, and The Fearless Four providing a sugary canvas for Jay and Foxy Brown to trade playful lyrics while Babyface lends his vocals to the song’s hook. No, “Sunshine” is not Blueprint quality Hov, but it is one of the jiggy era's more enjoyable guilty pleasures.

“Rock Star Freestyle" – S. Carter Collection (2003)

With a nod to Run-DMC’s “King of Rock” to kick off the freestyle, Jay’s destruction of N.E.R.D’s “Rockstar” beat off the ‘S. Carter Collection’ mixtape was the official signal to Jay’s “retirement” when the Roc head honcho rapped “Rap’s my hobby, spending money’s my job.”

Hov had reached such heights at the time of the freestyle that a comparison like “bigger than U.S. steel” (U.S. steel was at the time the 15th largest steel producer in the world) didn’t seem so far fetched. By no means Hov’s most magnificent set of bars but a forgotten moment off of Jay-Z’s only official mixtape.

“Glory” Feat. Blue Ivy

In the music blog era, the drop of “Glory,” Jay-Z’s tribute to the birth of his daughter, was a huge moment. At the time of its release, Rolling Stone called the record “rushed,” but a more accurate description of the song is “pure.” Featuring the first sounds of his newborn daughter, the Neptunes-produced track is one of Jay’s most-open lyrically on wax. The feelings of a new father seep through lines like “Your mama said that you danced for her/Did you wiggle your hands for her?” and deeply personal bars around previous miscarriages suffered by Jay and B. “False alarms and false starts/All made better by the sound of your heart.”

But it’s the song’s 2nd verse that genuinely cements this as one of Jay’s most underrated. Where the first verse sees Jay reflecting on his daughter’s birth, the second speaks to some of Jay’s trials growing up, including those with his father: “Your Grandpop died of ni**a failure/Then he died of liver failure/Deep down he was a good man.”

“The City is Mine” Feat. Blackstreet – In My Lifetime, Vol. 1

What makes “The City is Mine” notable is that it feels like New York City at night. When Jay says, “I snatch your girl if your arm ain't strong enough/plus y’all don't stay in the studio long enough” you can visualize the late-night NYC studio sessions followed by club nights into the wee hours of the morning in the early Roc days. The song, like much of the shots at Pop stardom on ‘...Vol. 1’ was a moderate success and sure, the Teddy Riley production and Blackstreet helmed chorus isn’t the hardest you’ll ever hear Hov coming. However, much like “Sunshine”, the song’s lyrics still hold to what made people fall in love with Jay-Z in the first place: clever wordplay, vivid lyrics, and a sense of motivation for the listener who saw the street hustler beginning to rise Rap’s ranks.

“Party Life” – American Gangster (2007)

Somewhere between underrated, despite overall incredible reviews, and misunderstood, you will find Jay-Z’s American Gangster album. A concept project inspired by the film of the same name starring Denzel Washington, the album was steeped in 70s soul and funk with Diddy and The Hitmen helming the boards for six of the album’s tracks.

“Party Life” isn’t one of the tracks that jump out immediately from the project, but it encapsulates the build of the project. Diddy and team more or less jacked Little Beaver’s “Get Into the Party Life” for the song which Jay-Z chews up and spits out, using a slower, almost Southern drawl flow with tales of parties, sex and enough classic gangster references to fill a novel:

“I make it look good to be this hood, Meyer Lansky/Mixed with Lucky Lefty, gangster effortlessly”

“Dear Summer” – Memphis Bleek: 534 (2003)

In 2005, two years had passed since Jay-Z released what many believed was his swan song with The Black Album. So that made "Dear Summer," his solo song on Memphis Bleek's album 534, particularly resonant when it dropped. Over a nostalgic production by Just Blaze, Hov writes a breakup letter to the summer, in homage of the way that he would drop a new record or start the album cycle during the summer of every year. Thankfully, he would return full force the following year with Kingdom Come, launching a new era of his already storied career.”

“Ignorant Sh*t” Feat. Beanie Sigel – American Gangster (2007)

Yes, Just Blaze killed "Ignorant Sh*t." Yes, both Jay-Z and Beanie Sigel skate on this track like they play for the New York Rangers. And yes, "Ignorant Sh*t" is underrated - underrated in the sense that it should forever be referenced for being one of Hov's brightest moments. Digging deeper into Jay's lyrics on the 'American Gangster' track, Hov gets in between the bars on this one:

"Then, actually, believe half of what you see / None of what you hear, even if it's spat by me / And with that said, I will kill ni**as dead"

It's like Jay pulled back the curtain on hip-hop the same way CM Punk pulled back the curtain on pro wrestling during his infamous pipe bomb promo, exposing the scripted nature of much of what you hear on a record.

"Oh My God" – Kingdom Come (2006)

With its hints of “U Don’t Know”-like rowdiness and ferociousness, but with a bit of a lighter feel, the Just Blaze-produced “Oh My God” is a standout from Hov’s Kingdom Come album. Just’s masterful sampling of “Whipping Post” (originally performed by The Allman Brothers Band) anchors the chorus screams of “good lord” as tension builds into each verse. The 3rd verse is the highlight with Hov recanting visits to Africa and having dinner with Italian designer Roberto Cavalli:

“I got crowned king down in Africa/Out in Nigeria, do you have any idea/Sold out shows out in Seoul, Korea/Jo'burg, Dublin, Tanzania/Lunch with Mandela, dinner with Cavalli”

“I Made It” – Kingdom Come (2006)

Never one to shy away from braggadocio bars, "I Made It" off Jay's Kingdom Come album is one of those rare moments where it's less about making a hit and more about therapy. The therapy, in this case, is what feels like Jay-Z finally exhaling the countless hours in the studio, trials and tribulations and trappings of success to proclaim that he had “made it.” The first two verses recap Jay's relationship with his mom Gloria Carter with the 3rd bringing the song to the present day, giving the listener a glimpse into Hov's current relationship with Mrs. Carter:

"CEO of Carter Foundation, wow! I know pop looking down/I know Colleek somewhere up in the clouds like/Go get 'em Grandma make me proud"

Colleek is the reference to Jay-Z's nephew who passed in a car accident in 2005. Jay references the incident on "Lost One", another standout from his Kingdom Come album:

"My nephew died in the car I bought / So I'm under the belief it's partly my fault"

“Bam” Feat. Damian Marley – 4:44 (2017)

4:44 is arguably Jay-Z’s latest hip-hop classic filled with painfully personal lyrics around infidelity, loss, and redemption. “Bam,” while one of the album’s more shallow moments (i.e. it doesn’t talk about family or cheating on Beyonce), the song is underrated for one primary reason. Where much of 4:44 is meant to make the listener think and look inwards at their own life, “Bam” serves one primary purpose: to show that Jay-Z can still get a listener amped and bang their head. – nothing more, nothing less. It sees Jay leaving the family talk alone and getting back to that Pyrex talk telling tales of stuffing a million in a sock drawer and having ARs before A&Rs.

“Anything” –  Beanie Sigel: The Truth (1999)

When Beanie Sigel dropped his Rocafella debut The Truth in 1999, label boss Jay-Z provided his client with an assist by placing the solo song "Anything" on the album. The song had similar vibes to "Hard Knock Life," the breakout single from his album Vol. 2...Hard Knock Life that dropped the year before: clunky drums, a sample of a child singing on the hook, and lyrics that reminisce on his time growing up in Brooklyn's Marcy Projects. The song also appeared on the European version of Vol. 3...Life And Times of S. Carter as a bonus track.

“Intro” ‘The Dynasty: Roc La Familia (1999)

A Jay-Z album intro track is always a thing of beauty. From the classic that is “Intro / A Million And One Questions / Rhyme No More” off Vol. 1 to “The Ruler’s Back” off The Blueprint, it’s always a guarantee that the opening darts on the board from Hova are sure to be fire. “Intro” off The Dynasty… album is one of Hov’s intro tracks that many people don’t immediately look at as a “go-to,” but once it’s played, memories of just how fire it is coming rushing back. If “Intro” was on The Blueprint or Vol. 1 or one of any other more memorable Jay albums, it would be a more recurring play. It isn’t a stretch to say that the production on this is some of Just Blaze’s most exceptional work ever.

Interesting fact: The singing in the sample that occurs every four bars was a mistake due to two separate loops playing at the same time. In the end, it’s one of the most memorable parts of the song and cements this as one of Jay’s underrated intros.

“100$ Bill” – Various Artists: Music From Baz Luhrmann's Film The Great Gatsby (2013)

Don’t feel too bad if your first response was, “what Jay-Z song is this?” Jay’s contribution to The Great Gatsby soundtrack didn’t exactly light the music world on fire, but it’s worth a revisit if for nothing the way Jay dissects the “roaring 20s” and compares it to modern-day. When Jay compares himself to Mark Twain as a writer or to Malcolm X as a revolutionary, it’s like Hov verifying his pages in music’s history book. Producer E*Vax gives Jay one of the more awkward, skittish beats of his career, which makes this one a little less pleasing to the ear but worth a revisit nonetheless.

“In My Lifetime” (Remix) – Various Artists: Streets is Watching (1998)

“In My Lifetime” (Remix) is 90s hip-hop encapsulated in 4 minutes and 37 seconds of pure bliss. Nothing but an incredible Jaz-O rework of the original track produced by Ski and a fresh-off-the-streets Jay-Z enjoying life “lettin the Cristal breathe at the Barnacle Bar.” The song continues the theme of early Jay-Z struggling with his past experiences with lines like “I’m a prisoner of my crimes.”

“A Week Ago” Feat. Too $hort – Vol 2 ... Hard Knock Life (1998)

MIA producer J Runnah helms the beat on Jay-Z and Too $hort's collaboration off Jay's Vol. 2… album. Fueled by a beat centered around 80s-like rock guitars and devastating piano keys, Hov and $hort tell the all too common street tale of a former partner snitching when the chips are down:

"I ran to the spy store to add some more features on my phone/To see if I had bugs and leeches on my phone/Can't be too safe, 'cause ni**as is two-faced"

The song is said to be directed at Jay-Z's former friend DeHaven Irby who Jay has accused of snitching on songs in the past.

“What We Talkin’ About” Feat. Luke Steele – The Blueprint 3 (2009)

“I ain't talkin' about gossip, I ain't talkin' about Game/I ain't talkin' about Jimmy, I ain't talkin' about Dame/I'm talkin' about real sh*t, them people playin'”

With those bars, Shawn Carter took yet another step in leaving the old Jay-Z behind. This underrated album cut from The Blueprint 3 features MGMT's Luke Steele on the song's hook. "What We Talkin' About" is Jay's shot at the critics and the fans for that matter, asking for the old Hov or wanting to know about perceived shots at the throne from other emcees. While the song isn't the pinnacle of Jay album intros, there are still some true lyrical gems to be found here, including Jay reminding people of his part in getting Barack Obama elected to office: "A small part of the reason the president is black."

“I Can’t Get Wid Dat” B-Side

The first comment under the YouTube video for Jay-Z’s “In My Lifetime” b-side is “I wanna see Jay z rapping like this in 2019.” And with good reason. “I Can’t Get Wid Dat” is a lesser-known Hov time capsule to his “wiggity wack,” Das-Efx like early 90s flow. The crazy thing about “old” Hov is that the vocal inflections and vibe have never been lost. In a way, this track from 1994 captures why Jay-Z is still at the top of the hip-hop world in going into 2020: presence, a raw but crisp delivery, and the ability to ride any track, including this Clark Kent banger, to critical acclaim and adoration.

“You Must Love Me” – In My Lifetime, Vol 1 (1998)

"You Must Love Me" type hip-hop music is unfortunately not made too often anymore. Sure, rappers make songs about life's trials, growing up in stressful situations and doing wrong to those close to them, but how authentic is it truly? "You Must Love Me," a Kelly Price-featured gem that gets somewhat lost in the "jigginess" of Hov's In My Lifetime..., feels real. It feels so real that the listener can envision Jay stealing from his mom's purse, shooting his brother, or having "girlfriends" smuggle drugs on planes. It’s one of those rare moments where a song becomes so vivid that it makes the listener feel like they’re hearing things they shouldn’t know about.

“It’s Like That” Feat. Kid Capri – Vol. 2...Hard Knock Life – (1998)

Nothing revolutionary content-wise, this standout from Kid Capri’s Soundtrack to the Streets album also appeared on Jay’s third album Vol. 2...Hard Knock Life. Produced by Kid, the song sees Jay politicking on his street origins and singling out the only rappers he f**ked with at the time:

“You dudes is too soft, why I don't f**k with you all I might bark at X, or spit at The LOX/But, other than that, I don't be f**kin' with cats”

“I Did It My Way” – The Blueprint 2: The Gift and the Curse (2002)

In hindsight, “I Did It My Way” could have been a bigger song for Jay-Z had the label ante’d up on sampling the Frank Sinatra version of “My Way” rather than the Paul Anka version, which Hov communicated at the time was the cheaper route.

“All Around the World” Feat. LaToiya Williams – The Blueprint 2: The Gift and the Curse (2002)

The lyrics from “All Around the World” aren’t going to sit in any hip-hop hall of fame, but this forgotten track from Jay’s The Blueprint 2… album is fun. And many times “fun” hip-hop is cast away shortly after its release due to its lack of substance, but there are some great bars on this song – not because of the content but Jay’s uncanny ability to use flow and cadence to make something stay in the listener’s head:

“London, England, South of France/And all points between they know about your man / Konichiwa ladies when I'm out in JapanI'm a Tokyo Giant like Ichiro, I am”

“Runnin', then I wake up in Martha's Vineyard/St. Bart's this year, I think I'm gon' spend Christmas/Reminiscin' 'bout the time my mom couldn't spend Christmas”

Whether the Ichiro line or Hov’s double-play on “Christmas,” the song’s concept is simple, but there are more to the bars than what’s on the surface.

"Blueprint 2” – The Blueprint 2: The Gift and the Curse (2002)

Ask most hip-hop fans, and they'll tell you that the classic rap beef that was Jay-Z vs. Nas is primarily wrapped up in Nas' "Ether" and Jay's "Takeover" and "Supa Ugly" (which was so disrespectful that Jay's mom made him apologize). But Jay-Z's "Blueprint 2" off The Blueprint 2: The Gift and the Curse is a wildly underrated chapter in the story of one of Rap's most historic beefs. Yes, the chorus is beyond awful, but the song contains some of Jay's best body blows at Nas:

"Is it Oochie Wally Wally or is it One Mic?Is it Black Girl Lost or shorty owe you for ice?"

"And the little homie Jungle is a garden to me"

"Can't y'all see that he's fake, the rap version of T.D. JakesProphesizin' on your CD's and tapes"

The almost comically apocalyptic backdrop from producer Charlemagne isn't "Takeover" level punishing, but it serves the purpose for Jay's last shots in the battle.

“Show You How” – The Blueprint 2: The Gift and the Curse (2002)

The appropriately titled “Show You How” is the essence of Jay-Z’s famous line “I can’t help the poor if I’m one of them” off his classic Black Album song “Moment of Clarity.” The song provides the listener specific instructions on how to ball-out like Hov and go after what you want in life. But it’s the fairer species who may have gotten blessed most by Hov on this album cut:

“And ma don't give him nothin', unless he's treatin' you special/Soon he'll get desperate, and go down and bless you/And when he come up for air, with a mouth full of hair/Just grab your coach bag and get the f**k outta there, yeah”

“Minority Report” Feat. Ne-Yo – Kingdom Come (2006)

It’s hard to believe that “Minority Report” isn’t celebrated more when it comes to Jay’s broader catalog. Similar to Lil’ Wayne’s underrated “Tie My Hands”, the challenging subject matter on “Minority Report,” centered around the devastating Hurricane Katrina that battered New Orleans in 2005, opens up wounds around race in American that many listeners likely don’t want to revisit too often. Which is a shame because the song contains some of Jay’s most meaningful bars, including one of the truest ever spoken on record at the onset of the song - “People was poor before the hurricane came...”

As much as the song is about America’s response to the hurricane, it’s also about Jay-Z looking inward at his response to the tragedy and questioning if he did enough: “Sure, I ponied up a mil' but I didn't give my time/So, in reality, I didn't give a dime.”

“Nickels and Dimes” – Magna Carta Holy Grail (2013)

At the time of Magna Carta Holy Grail’s Samsung-sponsored release, Jay-Z produced a series of videos where he talked about the meaning behind the album’s songs including the underrated “Nickels and Dimes”:

The song’s theme is one many can relate with who have found success in life despite close friends, family, or even strangers for that matter continuing to struggle day-to-day. How do the successful reconcile a beautiful experience with a dark mess left behind? Jay gets knee-deep in trying to answer the question on the Kyambo “Hip-Hop” Joshua-produced track, including considering the beauty of the struggle:

“Something 'bout the struggle so divine/This sort of love is hard to define/When you scratching for every nickel and dime”

But Jay isn’t there anymore; he’s further away from the struggle than most people on earth with a net worth north of $1 billion. And this is why Jay is brutally honest in saying that sometimes he feels “survivor’s guilt,” and instead of simply giving money to the less fortunate, he wants to provide opportunity.

“MaNyfaCedGod” Feat. James Blake – 4:44 (2017)

A bonus track from Jay’s critically-acclaimed 4:44 album, “ManyFacedGod” features James Blake, hip-hop's favorite white boy crooner next to Bon Iver. The trip-hop-like beat was produced by the aforementioned Blake and English producer Dominic Maker and continues the theme of Jay reflecting on a significantly rough patch with his wife, honing in on the timing of the release of Beyonce’s critically-acclaimed Lemonade album which many see as the onset of infidelity accusations levied against Hov:

“Look at all we been through since last AugustSkating through the rumors like, "Aw, sh*t!"Still came back, f**ked up the red carpet/Shows how big your heart is”

The production on the track is one of the song's more underrated elements as it lays out a gloomy, painful layer for Jay-Z to pile on with truly deep-cut bars like "Woulda broke me down had you got away/It woulda broke me up, you took my child away/I'm glad we found a way"

“Things That U Do” Feat. Mariah Carey – Vol. 3...Life and Times of S. Carter (1999)

If Jay-Z's "Sunshine" is pop sugar-filled radio candy, "Things That U Do" off 'Vol. 3…" is a truck full of raw sugar dumped on a pile of pink lollipops. In other words, it's up there with the most poppy material Jay has ever done. That being said, the song is still an undiscovered gem in Jay's catalog, driven by the riddled flute backdrop from Swizz Beatz and surprisingly substantive lyrics from Hov. Mariah's airy, somewhat forgettable chorus leans into a third verse from Jay that touches on his entry into the game and his versatility as an MC:

"Don't matter to me the Garden or flowin' on Clue...You know I've traveled through zones/Homes spazzed like a bad back/I came into this game on Jaz's back”

“Fallin’” – American Gangster (2007)

“Fallin’” is everything a song should be on a concept album like Jay-Z’s American Gangster. Vivid, poignant, and with lyrics at the forefront. The production from Jermaine Dupri isn’t minimalist in the most real sense, but it isn’t overpowering and lets Jay’s tales of taking the street game one-step too far room to breathe. The song is centered around the “alphabet boys” closing in on Frank Lucas, the legendary gangster the American Gangster film is centered around, and Jay references some other famous gangster flicks to communicate just how close Frank had taken it to the edge:

“Damn, you f**ked up like your favorite movie scene/Godfather, Goodfellas, Scarface, Casino/You seen what that last run did to De Niro in Heat”

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