Lupe Fiasco Addresses Ghostwriting Re: Drake And Meek In "Haunting" Letter

"Ghostwriting, or borrowing lines, or taking suggestions from the room has always been in rap and will always be in rap," Lupe wrote.

Esteemed rap scribe, Lupe Fiasco, made it his business to weigh in on the state of rap and ghostwriting on Wednesday night (July 22), adding his 140 characters and then some to the Meek Mill beef with Drake.

For those allergic to their timelines, Meek Mill initially came for Nicki Minaj's ex-beau, Safaree "SB" Samuels on July 21 yet managed to squeeze in a comment about Drake's penmanship, which sparked an instant e-controversy:

The Twitterverse has since responded in the form of the hashtag, #MeekBeLike, while rappers from OG Maco to Drizzy's right-hand producer, Noah "40" Shebib, deposited their two cents on the matter. Now, Lupe Fiasco, who has reportedly ghostwrote for Hov in the past, tapped into his smartphone for a lengthy letter on why ghostwriting is a part of the art.

"Ghostwriting, or borrowing lines, or taking suggestions from the room has always been in rap and will always be in rap," he wrote. "It is nothing to go crazy over or be offended about unless you are someone who postures him or herself on the importance of authenticity and tries to portray that quality to your fans or the public at large. Then we might have a problem."

Read Lupe's full piece below.

READ: Let Drake’s Producer, Noah “40” Shebib, Tell His Side Of The Story

The Haunting. A Letter Part 1 of 2 To rappers from a rapper...simply write your own rhymes as much as you can if you are able. Ghostwriting, or borrowing lines, or taking suggestions from the room has always been in rap and will always be in rap. It is nothing to go crazy over or be offended about unless you are someone who postures him or herself on the importance of authenticity and tries to portray that quality to your fans or the public at large. Then we might have a problem. Some of the most pivotal moments in rap have been ghostwritten verses. This leads to a bigger point. Rapping is not an easy thing to do. It's takes years of work and trial and error to master some of its finer points. Respect from other MC's comes in many formats. Sales, live performances, realness etc but the one thing that is the most important is the raps themselves at least in the eyes of other serious rappers. The phrase "I'm not a rapper" gets thrown around as if it's a badge of honor. And that's fine. If rap is a side hustle for you or just a come up then by all means may the force be with you. But I know a lot of MC's where rap is the first love and the first thing they think about when they wake up and the last thing they think about when they go to sleep. Rappers who pursue the art form with this level of intention may not become rich and famous off selling their raps to a wide audience but that has never been an accepted metric to begin with in terms of quality or level of skill. The vast majority of rappers will never sell 100 records in their lifetimes let alone millions. But that's not the point, the point is that what pursuing the craft gives us in terms of the intangibles is something that record sales or fame could never represent. We achieve a mastery of language and poetics that competes on the highest levels of discourse across the entirety of human history. We express ourselves creatively and attain a sense of liberation and self-esteem via this sacred mode of creation and communication.

A photo posted by Lupe Fiasco - Bogglin' Giblets (@lupefiasco) on

Part 2 Of 2 Modern Radio and the commercial realm of music has injured rap. It set up ambiguous rules and systems for success that don't take into consideration the quality and skill of the rappers craft. It redefined rap as just being a beat driven hook with some words in between and an entire generation has surrendered to chasing the format instead of chasing the art form. While mastering any format should be the pursuit of any self-respecting rapper including the commercial format it must be kept clear that it is just one of many formats and that you should strive to master all of them. The art form is kept alive and progressive in the activities of the tens of thousands of rappers around the world who are everyday trying to think of that next witty bar. Trying to put that crazy verse together while at work. Trying to find that word that rhymes with catapult so they can finish off that vivid story rap about their childhood. Meek Mill struck a nerve accusing Drake of having a ghostwriter and the entire rap world reacted on all sides of the fence because rap is alive. It's active and it feels. Its rules and traditions are vibrant and responsive. I enjoy both these brothers music and find inspiration and appreciation from both of them. I remember being in Toronto at Goodfoot years ago and it was a stack of CD's on the counter and the guy behind the counter was like "Lupe you gotta take this CD. It's my mans mixtape." I didn't really pay it any mind I took it to the car and looked it over and just kind of set it aside focused on other things. I vividly remember saying "what kind of rap name is Drake?" The rest is history. Once while in Philly I went to do an interview in a shabby and very hood basement studio complex. I peeked into one of the rooms and it was this tall kid with his shirt off bouncing up and down in the booth with an energy that was electric. I gave him my regards. He gave them back. I think I mentioned something about him cutting his dreads. As I left I remember him rapping something about being a boss. The rest is history. At the end of the day, for better or worse, rap is alive even if some of its greatest moments are written by ghosts.

A photo posted by Lupe Fiasco - Bogglin' Giblets (@lupefiasco) on

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Freeway Reveals Death Of 20-Year-Old Son, Jihad

Freeway is mourning the death of his beloved son, Jihad Pridgen.

The Philly native shared the devastating news on Instagram on Thursday (Oct. 29). “God knows I try my best to be strong, but this right here is a pain like I never felt,” he captioned a graduation photo of his son. “Please cherish your time and your [loved] ones because we’re not [promised] the next breath. I Pray Allah forgives my son for all of his sins and I pray that Allah grants him the highest level of paradise.”

The Muslim rapper did not go into detail about how his son passed away. In closing, he asked fans to make dua (an Islamic invocation) for his son and family. Jihad, 20, was following in his father’s footsteps in becoming a rapper. He went by the stage name “Snowhadd.”

 

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God knows I try my best to be strong, but this right here is a pain like I never felt. Please cherish your time and your love ones because we’re not promise the next breath. I Pray Allah forgives my son for all Of his sins and I pray that Allah grants him the highest level of paradise. Ameen 😢 Please make dua for him & my family.

A post shared by Freeway (@phillyfreeway) on Oct 29, 2020 at 3:28am PDT

New’s of Jihad’s death follows the death of the son of fellow State Property member and former Roc-A-Fella rapper, Oschino Vasquez.  “I wouldn’t wish this on my worst enemy. Devastation at its finest,” the grieving father wrote on Instagram revealing that Freeway attended his son’s funeral last week. “Then I got that bad news. What [are] the chances that [we] both lose our sons. F*ck rap beef that’s fake sh*t. This is real life. I’ve never been depressed before but I [am] now.”

The cause of death is unclear, but according to varying reports, Oschino’s son and his son's pregnant girlfriend may have passed away in a car accident.

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Kenya Barris To Make Directorial Debut With Richard Pryor Biopic

Kenya Barris has signed on to write and direct a forthcoming biopic on Richard Pryor for MGM. The movie studio acquired the film in a heated bidding war, Deadline reports.

The biopic will mark Barris’ directorial debut. In addition to directing and penning the script, the Black-Ish creator will also produce the film through his company, Khalabo Ink Society. Additional producers include Pryor’s widow, Jennifer Lee Pryor, through her Tarnished Angel imprint, and Tory Metzger for Levantine Films.

“The way Pryor did what he did — with truth and specificity that was somehow self-aware and self-deprecating, and said with an unmatched level of vulnerability – that was the power and impact of his work,” Barris said in a statement. “Pryor had a voice that was distinctly his and, in many ways, comedy since then has been derivative of what he created. To me, this is a film about that voice, the journey that shaped it, and what it took for it to come to be.”

There have been several attempts to bring Pryor’s story to the big screen, including in 2016 when The Weinstein Company teamed with Jennifer and Lee Daniels on a script by Oscar-winning screenwriter Bill Condon. Mike Epps was slated to start as the comic legend, and Oprah Winfrey was going to play his grandmother, Eddie Murphy as his father, and Kate Hudson at Jennifer.

Pryor began his comedy career in the early 1960s playing local clubs around New York. By the following decade, Pryor rose up the ranks to become one of the most popular Black comedians in the genre appearing in films like Lady Sings the Blues, The Mack, Uptown Saturday Night, Car Wash, Harlem Nights, and The Wiz. Pryor was also a talented writer and producer (he wrote his stand-up comedy specials as well as other shows such as Sanford & Son, The Richard Pryor Show).

The 65-year-old comedian passed away from Parkinson’s Disease in 2005.

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Beenie Man Speaks Out After Fainting At Mother’s Funeral

Beenie Man broke his silence amid rumors that he was hospitalized after fainting at his mother’s funeral. Footage of the dancehall icon passing out in front of his mother's casket began circulating the web last weekend.

In a heartfelt message posted on social media on Wednesday (Oct. 27), the dancehall star thanked well-wishers, and poured out his grief. “One Sunday, October 25th I laid my Mom to rest. It was by far and still is the most difficult thing I have ever had to do,” he explained. “Leading up to the day of the funeral I was [physically] involved in every aspect of the planning an execution.”

Beenie’s mother, Lilieth Sewell, suffered a stroke in July. Her health began declining after she was released from the hospital.  She passed away in September at age 63.

“I kept telling myself, maybe if it remained active I will be able to function,” Beenie said. “Unfortunately, when it came down to that very last moment, it hit me and hit very hards. This would be the last time I would see my mom. Despite the noise, the singing, the mourning, all I could hear was silence while watching my mom’s body being lowered into the tomb.

“My heart broke and I blacked out for a few minutes,” he continues. “When I revived, I saw my closet friends and family were around me.”

The Grammy winner added that he was not “hospitalized,” but was comforted by friends and family. “Please continue to pray for us as we heal and moved forward.”

Read his full statement below.

pic.twitter.com/frzvivfDse

— Beenie Man (@KingBeenieMan) October 27, 2020

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