Dr. Dre Abuse Dee Barnes Michel'le
Dr. Dre Abuse Dee Barnes Michel'le
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Dr. Dre On His Abusive Past: “I Made Some F***ing Horrible Mistakes In My Life”

In a recent interview, Dr. Dre refers to his past abuse allegations as "f***ing horrible mistakes."

As a new movie about his beginnings of hip-hop success holds court in theaters this weekend, Dr. Dre is still defending himself against abuse allegations from several women in his past. Covering Rolling Stone to promote the Straight Outta Compton N.W.A. biopic, the storied West Coast producer was probed about two particular incidents: accounts by his ex-fiancee, singer Michel’le and journalist Dee Barnes.

In a statement released in 1991, Barnes, a former host for Fox’s Pump It Up! noted that Dre "began slamming her face and the right side of her body repeatedly against a wall near the stairway" and “grabbed her from behind by the hair and proceeded to punch her in the back of the head” during a record release party. During an interview with The Breakfast Club back in March, Michel’le said of her time with Dre: “I had five black eyes, I have a cracked rib, I have scars that are just amazing.”

READ: Interview: The ‘Straight Outta Compton’ Cast Shares What Made The Movie’s Success Possible

During his recent sit-down with Rolling Stone Dre expressed regret for his abusive past, noting the incidents at “things i would like to take back.” While not taking responsibility for all the accusations in full, the producer did admit that some of them were factual, noting his youth and stupidity as culprits for his actions.

READ: Review: ‘Straight Outta Compton’ Shines A Timely Light On America’s Darkest Scar

“I made some f**king horrible mistakes in my life. I was young, f**king stupid. I would say all the allegations aren’t true -- some of them are," Dr. Dre said. "Those are some of the things that I would like to take back. It was really f**ked up. But I paid for those mistakes, and there’s no way in hell that I will ever make another mistake like that again."

Additionally, Ice Cube addressed the misogyny in his lyrics during his N.W.A. and solo career eras, remarking that “upstanding females” should not have been offended by his references to “h**s” and “b****hes.”

"If you're a bitch, you're probably not going to like us," he says. "If you're a ho, you probably don't like us. If you're not a ho or a bitch, don't be jumping to the defense of these despicable females. Just like I shouldn't be jumping to the defense of no punks or no cowards or no slimy son of a bitches that's men. I never understood why an upstanding lady would even think we're talking about her."

Read more details from N.W.A’s Rolling Stone cover story here.

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DAWN Relishes In Self-love On New Song "Sauce"

DAWN is back with a sexy single off her forthcoming project, New Breed. "Sauce" is a sonic ode to pleasing all her hedonistic sexual desires after a long work week. Lyrically, the song is filled with suggestive lines and clever double-entendres that are far from coy when describing what she wants in the sack.

Just as much as “Sauce” is about sex, it’s also about basking in self-pleasure that comes after genuine self-love. In a statement published by Stereogum, the former Danity Kane member described the message behind the song:

“‘Sauce" is about women taking pride in their prowess, and about being raised to celebrate my skin,” DAWN said. “I lost focus of that when so many men degraded and disrespected my brown skin. ‘Sauce’ is about being bathed in your own beauty, being sexy for you. The new breed of women are unapologetic about sex and the way they choosing to express themselves.”

DAWN recently joined Aubrey O’Day and Shannon Bex of Danity Kane for the DK3 reunion tour across the U.S. In an interview with Billboard, the Louisiana native revealed she wants to give fans more of her authentic self on New Breed.

“This album is my relationship with New Orleans, me as a woman, and how being from New Orleans has created a person in me that acts and sees things a certain way. "'Jealousy'" is a prime example of that,” she said. “I just want to give you the girl from the 9th Ward that you guys only met once on [MTV's] Making The Band.”

Listen to "Sauce" below. New Breed drops on Jan, 25.

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LaVar Ball Is Requesting $3,500 From Anyone Planning On Recording Son During Tournament

As we know, LaVar Ball goes above and beyond in terms of making sure his sons become the superstar basketball players he wants them to be. His youngest son LaMelo is currently playing for SPIRE Institute in Ohio, and they have an upcoming tournament taking place in Kentucky. Mr. Ball is reportedly asking outlets to pay $3,500 at the door to videotape his son playing.

"All games are free to film except for the Spire Institute games,” an email reportedly sent by LaVar read. “To film either of the 2 Spire Institute games, you will have to present $3,500 at the gate, as per rules of the Big Baller Brand media credential… If you accept these conditions, you may present this email at the gate as proof of our approval where you will be given a media pass.”

While a few Internet folks are scoffing at the idea of having to pay that sort of money, others are pointing out the fanbase of LaMelo, stating that there are outlets who certainly would (and have) paid the fee for the chance to record LaMelo and SPIRE moments from the game. According to Forbes, this is one of many revenue streams for the Ball family.

"The Ball Sports Group in November entered into a partnership with FloSports Inc. to live stream five SPIRE games featuring LaMelo, beginning with one on Tuesday (Jan. 14) at Brush High School in Ohio," the site reports. "FloSports Inc. agreed to pay $5,000 per game, according to the contract which was signed by Foster."

Here's the email telling video outlets they must pay $3,500 to film LaMelo and @SpireBasketball this weekend in Kentucky. pic.twitter.com/XoiiorNxVr

— Adam Zagoria (@AdamZagoria) January 17, 2019

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Big Boi Purchases Studio Where OutKast First Began Their Career

Big Boi is going back to his roots with the recent purchase of the Atlanta recording studio — legendarily dubbed The Dungeon — where he and Andre 3000 recorded their classic albums at the beginning of their OutKast career, WSB-TV reports.

The veteran rapper, born Antwan Patton, announced the news via Instagram. The studio is located in the Lakewood Heights neighborhood. The studio once served as the hub for production crew Organized Noize, creating the beats for some of OutKast’s biggest hits.

 

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New day new Lot ... Just copped the Dungeon #WeDF #playingRealLifeMonopoly #RealEstate

A post shared by Big Boi (@bigboi) on Jan 16, 2019 at 10:54am PST

The Dungeon also served as a beacon of creativity for the group. In addition to OutKast recording their 1994 debut album Southernplayalisticadillacmuzik, they also recorded 1996’s ATLiens and 1998’s Aquemini at The Dungeon.

Deep in the Dungeon 👑 pic.twitter.com/IFLLONpSzp

— Big Boi (@BigBoi) January 16, 2019

In buying The Dungeon, Big Boi is securing an important piece of hip-hop history, especially considering how popular Atlanta has become in the entertainment industry. However, this wasn't always the case. In an interview with Rolling Stone, he admits that Atlanta wasn't always respected in creative circles like it is now.

“When we first started, it wasn’t cool to be from Atlanta,” he said. “Now Atlanta is the place to be with music, film, and television. To have people excited about the city and the culture and the lifestyle, I’m very proud of that. We’re the pioneers of it, and we’re still at the forefront of what’s happening. There’s plenty of people over the years, hundreds if not thousands like, ‘[1994 LP] Southernplayalistic … made me move to Atlanta.’ There’s no greater place in the world to be but A-Town.”

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