BET's 'Punk'd' Premiere Gets Chris Brown & K. Michelle Good

BET cleverly trolled the Internet when it announced the return of BET Uncut, a thirstbucket's wet dream. (Hell, we fell for it too.) The real surprise was the network reviving Ashton Kutcher's MTV celebrity-pranking sensation, Punk'd.

Taking cues from the the man formerly known as Kelso from That 70s Show, Punk'd 2.0 opened with host Destorm, producers Michael Felix and Kenny, coordinator Brandy, and special guest host/ Vine sensation, King Bach, in a creative brainstorm meeting, listing a hundred of the most famous black people in the world to target (Kim K was name-dropped because "she got that black a**," per Destorm). The tall hit list included Denzel Washington, Will Smith, Oprah, Shaq and Jalen Rose. Just like the original, the same blueprint was outlined: locate celeb, hire accomplice then punk 'em.

The premiere episode featured R&B's most controversial darlings, Chris Brown and K. Michelle. It was a case of the #TBTs, though, when a cast member would shout out, "What do we know about so-and-so?," a version of a line Kutcher would always dish out before zeroing in on his prank victim. Ruling out A$AP Rocky to location and Jay Z to black-ops-level security guards, the crew tapped French Montana for Mission: Prank Breezy and socialite, Miss Diddy, for K. Michelle's hoax.

There's an unspoken giddiness in watching some of music and Hollywood's finest be the butt of a joke. Sure, social media handles that on the regular with emoji battles and memes galore but a good prank remains as timeless as secretly slipping a whoopee cushion under a grown-up's chair. Taking advantage of celebs' weaknesses (usually) churns out must-see TV. In K. Michelle's case, we learn that she is not a fan of annoying drivers. Miss Diddy helps plan K. Michelle's bumpy ride to her comedy show, tapping Ron G ("Annoying Uber Driver") fake fight Amberia ("His Cheating Girlfriend") over the phone.

Ron G discovers that his faux bae is sexing another man without a condom, sending the R&B songstress into save mode. K. Michelle dials up the GF and asks the pivotal question off top, "ARE YOU F**KIN'?" Amberia is quick to ask who the female voice is on the phone, clapping back at Ron G with, "You accuse me of f**king when you got some b*tch in the car?" K. Michelle's bestie then swoops in and defends her BFF, calling Amberia a string expletives not fit to print. The real highlight: when Ron G pulls over and K. Michelle gets behind the wheel to drive her damn self. While it wasn't exactly Love & Hip Hop: Atlanta material, the stunt was A1.

Next up was Chris Brown. French Montana volunteered as plug to prank the singer/ father at a video shoot. "I just feel like people don't know how much of a good dad he is," says French when asked about Breezy's weakness. "I've been tellin' him. People's kids get kidnapped out there." Enter nine-year-old Jayla, the "Lost Girl" recruited to tug at Breezy's heartstrings on-site. When she pops up at the shoot, whippin' and Nae Nae-ing in the background dolo, she approaches C.B. and tells him she's been alone in what looks like a middle-of-nowhere desert. "We gotta call the police," Brown insists before assessing the situation out loud. "There's something going on around here."

When Jayla is taken to the bus with a random staffer, Brown immediately pops up to ask of her whereabouts. "Who she went with?," says Brown, who pounded at the bus door and frantically searched for the girl on set. "She got no family here. Come on, bro," he says. "I got my daughter in my bus, I don't play that. We gotta figure this sh*t out." The cameras come rushing in as French finally lets Brown in the joke. "You had me nervous," says a relieved Brown, before adding, "I got punk'd before, but this, this left me on the edge of my seat."

While BET's version of the hit MTV show wasn't as oh-sh*t-worthy as, say, Tyler, The Creator's man-on-fire episode, this first go-round deserves a bravo and rounds of LOLs. True to Punk'd form, each segment wraps with the celeb saying, "I'm [so-and-so] and I just got punk'd" while still carrying the same spirit of the series' founding father, Ashton Kutcher. With future episodes pulling pranks on the likes of Miguel and Michael B. Jordan, BET's Punk'd is sure to be a serious laughing matter.

Watch Punk'd every Tuesday night at 10:30p/9:30c on BET.

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Beyoncé performs onstage during 2018 Coachella Valley Music And Arts Festival Weekend 1 at the Empire Polo Field on April 14, 2018 in Indio, California.
Larry Busacca/Getty Images for Coachella

Homecoming: The 5 Best Moments Of Beyoncé’s Documentary

Once Beyoncé became the first African-American woman to headline in its nearly 20-year history, we knew Coachella would never the same. To mark the superstar’s historic moment, the 2018 music and arts festival was appropriately dubbed #Beychella and fans went into a frenzy on social media as her illustrious performance was live-streamed by thousands. (Remember when fans recreated her choreographed number to O.T. Genasis’ “Everybody Mad”?)

With a legion of dancers, singers and musicians adorned with gorgeous costumes showcasing custom-made crests, the singer’s whirlwind performance honored black Greek letter organizations, Egyptian queen Nefertiti, and paid homage to historically black colleges and universities (HBCUs). Aside from the essence of black musical subgenres like Houston’s chopped and screwed and Washington D.C.’s go-go music, the entertainer performed “Lift Every Voice and Sing,” also known as “The Black National Anthem,” and implemented a dancehall number, sampling the legendary Jamaican DJ and singer, Sister Nancy, to show off the versatility of black culture.

One year after #Beychella’s historic set, the insightful concert film, Homecoming, began streaming on Netflix and unveiled the rigorous months of planning that went into the iconic event. The 2-hour 17-minute documentary highlights Beyoncé’s enviable work ethic and dedication to her craft, proving why this performance will be cemented in popular culture forever. Here are the best moments from Beyoncé’s Homecoming documentary.

The Intentional Blackness

“Instead of me bringing out my flower crown, it was more important that I brought our culture to Coachella.”

Throughout the documentary, Beyoncé made it known that everything and everyone included in the creative process leading up to the annual festival was deliberately chosen. “I personally selected each dancer, every light, the material on the steps, the height of the pyramid, the shape of the pyramid,” says Beyoncé. “Every tiny detail had an intention.” When speaking on black people as a collective the entertainer notes, “The swag is limitless.” Perhaps the most beautiful moments in Homecoming are the shots that focus on the uniqueness of black hair and its versatility. What’s appreciated above all is the singer’s commitment to celebrating the various facets of blackness and detailing why black culture needs to be celebrated on a global scale.

Beyoncé’s Love And Respect For HBCUs

#Beychella — which spanned two consecutive weekends of Coachella’s annual festival — was inspired by elements of HBCU homecomings, so it was no surprise when the singer revealed she always wanted to attend one. “I grew up in Houston, Texas visiting Prairie View. We rehearsed at TSU [Texas Southern University] for many years in Third Ward, and I always dreamed of going to an HBCU. My college was Destiny's Child. My college was traveling around the world and life was my teacher.” Brief vignettes in the film showcased marching bands, drumlines and the majorettes from notable HBCUs that comprise of the black homecoming experience. In the concert flick, one of the dancers affectionately states, “Homecoming for an HBCU is the Super Bowl. It is the Coachella.” However, beyond the outfits that sport a direct resemblance to Greek organizations, Beyoncé communicated an important message that remains a focal point in the film: “There is something incredibly important about the HBCU experience that must be celebrated and protected.”

The Familiar Faces

Despite being joined by hundreds of dancers, musicians and singers on-stage, the entertainer was joined by some familiar faces to share the monumental moment with her. While making a minor appearance in the documentary, her husband and rapper/mogul Jay-Z came out to perform “Deja Vu” with his wife. Next, fans were blessed by the best trio to ever do it as Kelly and Michelle joined the singer with renditions of their hit singles including “Say My Name,” “Soldier,” and more. On top of this star-studded list, Solange Knowles graced the “Beychella” stage and playfully danced with her older sister to the infectious “Get Me Bodied.”

Her Balance Of Being A Mother And A Star

Originally slated to headline the annual festival in 2017, the singer notes that she “got pregnant unexpectedly...and it ended up being twins.” Suffering from preeclampsia, high blood pressure, toxemia and undergoing an emergency C-section, the entertainer candidly details how difficult it was adjusting post-partum and how she had to reconnect with her body after experiencing a traumatizing delivery. “In the beginning, it was so many muscle spasms. Just, internally, my body was not connected. My body was not there.” Rehearsing for a total of 8 months, the singer sacrificed quality time with her children in order to nail the technical elements that came with the preparation for her Coachella set. “I’m limiting myself to no bread, no carbs, no sugar, no dairy, no meat, no fish, no alcohol … and I’m hungry.” Somehow, throughout all of this, she still had to be a mom. “My mind wanted to be with my children,” she says. Perhaps one of the most admirable moments in the film was witnessing Beyoncé’s dedication to her family but also to her craft.

The Wise Words From Black Visionaries

Homecoming opens with a quote from the late, Maya Angelou stating, “If you surrender to the air, you can ride it.” The film includes rich and prophetic quotes from the likes of Alice Walker, Nina Simone, Toni Morrison, and notable Black thinkers, reaffirming Beyoncé’s decision to highlight black culture. The quotes speak to her womanhood and the entertainer’s undeniable strength as a black woman.

Blue Ivy’s Cuteness

Last, but certainly not least, Blue Ivy‘s appearance in the concert film is nothing short of precious. One of the special moments in the documentary zeroes in on the 7-year-old singing to a group of people whilst Beyoncé sweetly feeds the lyrics into her ears. After finishing, Blue says: “I wanna do that again” with Beyoncé replying with “You wanna be like mommy, huh?” Seen throughout Homecoming rehearsing and mirroring Beyoncé’s moves, Blue just might follow in her mother’s footsteps as she gets older.

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Trailer Released For Ava DuVernay's Central Park Five Flick, 'When They See Us'

Ava DuVernay's last work of cinematic excellence is coming pretty quickly. The writer and director's forthcoming film When They See Us has officially released the trailer, and in the 30th anniversary of the very event it memorializes. The Netflix film, which takes a look at the true story of the Central Park Five—five black teenaged boys who were falsely convicted for the April 19, 1989 rape of a white female jogger—is set to hit the streaming platform on May 31.

The four-part series will follow the lives of Antron McCray, Yusef Salaam, Raymond Santana, Jr., Kevin Richardson and Korey Wise over the course of 25 years, allowing viewers to follow their perspectives from accusation to conviction to exoneration to their eventual settlement in 2014.


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On this exact day 30 years ago, a woman was raped in Central Park. Five black + brown boys were framed for her rape. The story you know is the lie that police, prosecutors and Donald Trump told you. WHEN THEY SEE US is the story of the boys from their eyes and their hearts. May 31 on @Netflix.

A post shared by Ava DuVernay (@ava) on Apr 19, 2019 at 9:25am PDT

When They See Us boasts a laundry list of talented stars, including Michael K. Williams, Vera Farmiga, John Leguizamo, Felicity Huffman, Niecy Nash, Blair Underwood, Famke Janssen, Aurora Perrineau, William Sadler, Jharrel Jerome, Christopher Jackson, Joshua Jackson, Omar J. Dorsey, Adepero Oduye, Jovan Adepo, Aunjanue Ellis, Storm Reid, Dascha Polanco, Chris Chalk, Freddy Miyares, Kylie Bunbury, Marsha Stephanie Blake, Justin Cunningham, Ethan Herisse, Asante Blackk, Caleel Harris, and Marquis Rodriguez.

Take a look at the trailer up top.

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Wendy Williams' Estranged Husband Reportedly Fired As Executive Producer From Talk Show

Wendy Williams’ estranged husband, Kevin Hunter, was reportedly fired as an executive producer on her eponymous talk show, Deadline reports. The news follows a tumultuous time for the host, who allegedly filed for divorce due to Hunter’s reported infidelity.

Since 2011, Hunter served as an executive producer of The Wendy Williams Show. Nationally syndicated and distributed by Debmar-Mercury, the company issued a statement on Hunter’s departure. “Kevin Hunter is no longer an Executive Producer on The Wendy Williams Show. Debmar-Mercury wishes him well in his future endeavors,” a spokesperson for the company told Deadline.

Williams tearfully admitted on her show in March that she relapsed and was living in a sober house. Prior to that, she embarked on a brief hiatus from the show due to health concerns as she was recovering from a fractured shoulder. The show then took another hiatus because of her bout with Graves disease.

Hunter recently spoke out publicly about the divorce and has expressed remorse for what he did to their marriage. “I am not proud of my recent actions and take full accountability and apologize to my wife, my family and her amazing fans,” Hunter told PEOPLE. “I am going through a time of self-reflection and am trying to right some wrongs.”

“Twenty-eight years ago I met an amazing woman: Wendy Williams. At the time, I didn’t realize that she would not only become my wife, but would also change the face of entertainment and the world," he said. "I have dedicated most of our lives to the business empire that is Wendy Williams Hunter, a person that I truly love and respect unconditionally."

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