Getting To Know MMG's MVP, DJ Scream, And His Hoodrich Empire

"Even if you don’t see me or hear me putting out records per se, I still got my hands on certain things as far as keeping the airwaves hot"

He's an underground legend and a mixtape king. That’s how Rick Ross describes MMG’s in-house and prolific DJ Scream. Garnering the respect of the streets and fellow hip-hop legends is something that the 6-foot-8 DJ set out to do since his rabble-rousing, nappy-headed days as a kid. Even when his family encouraged him to pursue a basketball career, the young music junkie locked into his passion of moving crowds by spinning the hottest records.

“My family wanted me to play basketball, I hated basketball,” DJ Scream recently told VIBE. “So I bought my first pair of turntables. They were Fisher Price. I was about eleven years old. I saved all my lunch money to buy them.”

After years of making a name for himself by selling five dollar CDs as a Mathematics/Computer Science major at Tuskegee University to working in college radio at Georgia State and Auburn University, Scream's dedication to DJing earned him hosting gigs on Hoodrich Radio alongside co-hosts Cory B and DJ Spin, which can be heard Atlanta’s Hot 107.9 ATL and Sirius XM Hip Hop Nation.

The MMG affiliate hit pause on his busy schedule of interviewing rappers and clocking in lengthy studio hours to chop it up with VIBE about his upcoming yet-to-be-titled project, tag teaming with Rick Ross, current affairs and his journey from childhood DJ to MMG MVP.

VIBE: How did you link with Rick Ross?
DJ Scream: I was just on my street mixtape grind and he would come to Atlanta, and he would just hear my name. So one day he just reached out and was like, I just wanted to let you know that whatever you doing, you doing your thing and I’m going to f*ck with you in the future. This was around 2007 or 2008, around the time "Speedin'" was out. I think also [DJ Khaled's] "I'm So Hood" was out at the time. Two weeks later, he put out a freestyle over John Legend’s “Green Light.” My name was in there and I was like, ‘I appreciate that.’

Then we would go back and forth. I did a few mixtapes with Triple C’s, and one day, he hit me. He was like, So, as you see I got this situation, I got Meek, I got Wale and I want to chop it with you. We need power players on the team. I was like, ‘Cool, let me know what it is.’ He was like, ‘Aight, cool. I’ll have your plane ticket tonight.’ So the next day, I went out there to chop it up with him and he was like, I want you be part of the team, but I also want to put you in a situation with a major label to do an album. And we‘ve been rocking on that level for a minute now.

Is Rozay's work ethic really that crucial?
I’m a person that has a very, very, very, very, very, very strong work ethic but when you get around him, you start to question your work ethic. It just kind of teaches you that you can get a lot done in a day. At the time, I was working but it kind of taught me at that time to work smarter. We a great team, too. You got to have a proper team. You can’t do it all yourself.

It seems like he’s getting some sh*t off his chest with Black Dollar. Did he play it for you before it dropped?
Yeah, I got to hear most of the project. He’ll bring me in and be like, I want you to hear it for yourself and tell me what you honestly think. And I was like, ‘Well, I hope it’s like Rozay.’ He played “Foreclosures,” the track with The Dream, the one with Gucci. He played about seven records.

What was your initial reaction?
It’s like the Rich Forever vibe. It’s the mixtape vibe but still good enough to be an album. I think the people gon’ enjoy it. Obviously, for “Foreclosures,” he got some sh*t to talk about. But even with Rich Forever, I was introduced to one project but when he put it out I was like, ‘This ain’t what I heard.’ So he takes it down to the last minute.

Switching gears, that "Grippin’ Grain" is a good look.
I just got to a space where just listening to music, it gets monotonous. For me, being a big fan of UGK, even sharing the same birthday as Pimp C, and being friends with Cory Mo—who’s the producer of “Grippin’ Grain.” When he let me hear the beat, I instantly went back to the ‘90s. I instantly went into Caprice Classic mode. And 8 Ball is someone that I did mixtape work with and I just heard his voice on it. I just knew he’d do this thing. And Scotty ATL, being familiar with him, I knew he’d do his thing. He has a lot of dope music out. He doing his thing in Atlanta. You know K.R.I.T., his names speaks for itself. And those three haven’t been on a track together. I know K.R.I.T. and Scotty have did some records but we haven’t had those three on a body of work together and that’s what I felt like I wanted to do. I could’ve reached out and go [with] whoever but I wanted to break the monotony and let people know that right now, what I’m on is trying to deliver music that’s good and going to make you happy. It bridges the gap for people who might not know about 8 ball and MJG.

That’s why films like Straight Outta Compton are important also.
I do a radio show and there were young people calling in like, ‘It was a great movie. I didn’t know Ice Cube and Dr. Dre was N.W.A.’ This is a whole new generation. If we are going to preserve this culture, they have to know about N.W.A., they have to know about UGK, they have to know about 8 Ball and MJG. In other cultures, they know about The Rolling Stones. They know about The Beatles, they’ll never forget that. But imagine somebody born in 1999. They’re 16 years old. Their first album was Migos or Future. That’s why I’m glad that that Outkast reunion happened last year, ‘cause I felt some of Atlanta started to slip from understanding what they are and who they are—the South.

Is it easy for you to get rappers together as a DJ?
Nah, it’s not easy but it is a level of respect there because I did a mixtape project with Scotty, I did a project with 8 Ball, I know K.R.I.T. from way back. It was on the production tip we did records before the deal so I just told him like, ‘Yo, this is the deal.' I told him the vision, this is what I’m trying to accomplish. We want people to pay attention to the sound and let them know that you can break the monotony of sound. 808s is cool. I love the sound but sometimes, I just want to lean back, grip the grain and ride.

So what will "Grippin' Grain" be featured on?
"Grippin' Grain" is from a forthcoming EP that is still untitled. I tried to have a title before I came to New York for the press run but it got to be the right title. It’s going to be somewhere along those lines of that good quality music. Might not be limited to the South but it will be good quality street music. In the imprint of Hood Rich, which is my side of things, we got so many dope producers—Danny Wolf, he produced the big record by iLoveMakonnen out now called “Trust Me Danny.” One K HoodRich, Dirty Costello, and of course, we got DJ Spinz. He’s doing his thing. He got Rich Homie Quan's “Flex With Me,” “Commas” with Southside. So even if you don’t see me or hear me putting out records per se, I still got my hands on certain things as far as keeping the airwaves hot.

On your radio show, you briefly touch on social issues. Do you have strong political beliefs?
Oh yes. Actually, I’m in talks of doing some particular podcast that’s inspired by the radio show. On the show, we go everywhere. People know from the show that there’s a political side of me where I may drift off into what’s going on. I may get into stuff that’s going on in the world and that may be as serious as police brutality, or as entertaining as Kanye’s rants. In a radio show, people tune in to hear music so we can only talk so much. We have a duty to bring the hottest music, which is what we’ve been doing for years but sometimes we want to talk, and me and my co-hosts can talk for hours. Now, I think people are warming up to the podcast because they want to know what DJ Scream’s opinion is on this and that. We hear you every week but I don’t get to go as deep, so this will allow me and the crew to go deeper into things that we want to talk about.

"Even if you don’t see me or hear me putting out records per se, I still got my hands on certain things as far as keeping the airwaves hot"

So what’s your opinion of the 2016 election?
I think the Donald Trump aspect of it is a circus but you have to be fair with that, though, because money is powerful. We know what kind of budget [Mitt] Romney had but when people come together—and I think that’s the blessing of social media that you can spread the word that, ‘Hey, if you don’t do this or do that, this can happen.’ Now as a Democrat, I say this openly, I don’t think that Hillary Clinton is the resolution either.

It’s just not tight enough. Of all the candidates that I’ve heard—and I haven’t heard all of them—I listen to them. Y’all coming in after Obama. This has nothing to do with him being a black president, but y’all coming in after a guy that was like, ‘Okay, this is what I’m about to do. This is what I’m going to try to do, this is my plan. It’s calculated. Here’s step by step.' He had his sh*t together. Even from a social media standpoint, he was like, I may not have the money like A or B but I got the people so if I can get these entertainers to influence the people who would never vote to vote, black president or not, then I can make it happen.

How would you rate Obama’s overall performance?
I think overall with Obama, he’s the president so everybody’s not 110 percent happy. As a president, you can’t make everything you say happen, but he did make some moves. You can never do everything you say you gon’ do as a president but he did make some moves so you got to respect that.

Are you a heavy reader?
Man, yes. I’ve read so much. This year has been all about the Compound Effect and I read a lot of Deepak Chopra. Moreso lighter reading this year because sometimes I read some deep stuff and I just be like, 'Ahh, let me read something light, man.' It can get deep. It’s one thing hearing something but then when you read it and internalize it, it’s like, 'Damn.'Deepak is nice. He has some soul-stirring stuff about the universe. I’ve listened to some of his stuff. He just teaches the simple things like love, peace, silence. It’s the simple things that you can lose sight of when you running around hustling. Sometimes, regardless of what I’m doing, I just sit down and be quiet. It’s therapeutic to just be quiet and reflect. Let me just think about where I’m at and where I’ve come from. Let me be thankful and be humble. I’m a firm believer in just sitting down and being quiet sometimes. I’ve learned a lot from Deepak. He’s dope.

You said you’ve been reading the Compound Effect. Speak on it.
It’s by Darren Hardy and basically, it’s for people who are trying to accomplish something. He breaks it down, step by step. If you got to take it hour-by-hour or minute-by-minute then do that. Like, did you know that if you saved a penny everyday from the beginning of your life, you’d be rich? It asks, are your really doing everything that you can? Are you taking advantage of everyday?

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Saba's Rhymes Mean A Lot But John Walt Day Means More

“Act like ya’ll know, man. This a holiday,” boasted Frsh Waters, the co-founder of Chicago collective Pivot Gang and the opener of the second annual John Walt Day concert. It's Thanksgiving weekend and while families are gathered around the dinner table, lovers and supporters of Pivot Gang–comprised of Saba, MFn Melo, Waters, SqueakPIVO and a few more–filled the spaces of the city's Concord Music Hall to keep up a holiday tradition of their own.

With a newly-grown fro, Waters enters the stage with no introduction, a contrast from initial mic stand-clasping nervousness during the inaugural John Walt Day, launched at House of Blues Chicago in 2017. Walt Jr., the cousin of Saba, was killed last year and is the sole inspiration for the rapper's John Walt Foundation that brings the arts to children in the city.

The concert is a resounding tradition that his Pivot Gang brothers don’t plan to break anytime soon, with anticipation flooding the city each Thanksgiving weekend and a simultaneous celebration of Walt’s birthday on November 25th. The concert is just a piece of the loving puzzle Saba, Waters and the rest of the group created to keep his legacy alive.

With repeated crouching and soulful backing by Chicago band, The Oh’My’s, Waters regained balance after kneeling on an uneven speaker, referring to the crowd as "Church,” a christening that he echoes on the ending of "GPS" a feature from Saba’s well-received debut album Bucket List Project.


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Happy 26th @dinnerwithjohn Long Live my niqqa Johnny 📷

A post shared by Westside Cat (@frshwaters) on Nov 25, 2018 at 11:37am PST

Saba may have dropped the stellar sophomore project, Care For Me this year, but the continuation of John Walt Day means more. Sold out for its second year in a row with 1,400 in attendance, Pivot Gang house-DJ Squeak Pivot blares "Scenario" by A Tribe Called Quest as the crowd multiplies before his booth. Avid fans gather in all creases of Concord Music Hall, especially on the second floor, where a merch stand resides exclusively for John Walt items. A haloed painting of Walt (or DinnerWithJohn as listeners knew him best), sits next to an assortment of buttons and t-shirts, as a guest brings a newly finished painting of Walt to the show.

Between sets, the crowd roared for cuts by Chicagoans Ravyn Lenae and Noname, who’s Room 25 track "Ace" is cut abruptly before MfnMelo takes the stage. With orchestration by Care For Me co-producer Dae Dae and harpist Yomi, Melo flowed through "Can’t Even Do It" and briefly spoke to the crowd about Thanksgiving, inviting attendees with leftover pies to meet him after the show.

Strutting to Ariana Grande's kiss-off anthem "thank u, next," The Plastics EP rapper Joseph Chilliams poses freely, cloaked in a light pink teddy bear coat. “I made this song because there aren’t a lot of black people [in Mean Girls]. I realized that the fourth time,” Chilliams joked before performing "Unfriendly Black Hotties."

Joined by four-year-old Snacks Pivot, John Walt’s mother Nachelle Pugh pinpoints her nephew’s curiosity of joining his older cousins Saba and Joseph Chilliams as their miniature hype-man.


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John Walt Day It didn’t even feel real, so much love in the room. For the encore they usually yell the artist name or one more song or something like that. But on this night they yelled “LONG LIVE JOHN WALT”. I wish this could be everyday. I wish I could play you this new shit we just did. I wish you were here. Love you @dinnerwithjohn look at this coat” lmao 💗💗💗💗 📸 by my shooter @notryan_gosling

A post shared by Joseph Chilliams (@josephchilliams) on Nov 26, 2018 at 3:29pm PST

“It’s like Walter jumped into his body and he’s coming back through this kid," she said of the toddler's enthusiasm. "He’s studied Saba, he’s studied Joseph, and he’ll say 'Auntie, can I use your phone?' So he’d use my phone and watch the boys’ videos on YouTube. Joseph is a person that the kids look at and say ‘He’s so fun,’ and [Snacks] wants to be like him. Everything that they do, [Snacks] is studying them.”

Pugh credits Young Chicago Authors for sparking her son’s musical pursuits, with guidance by poet Kevin Coval. “Kevin mentored him until the day he passed. I really love and respect someone that can just work with kids and give them a place to express themselves creatively,” Pugh said. “Working towards a goal of creating something that I know [Walt] wanted to do, and to help others in the same token, that gives me a sense of accomplishment.”

The stage then transformed into a resting kitchen with illuminating lights on the bottom of side-by-side counters, with Care for Me co-producers Dae Dae and Daoud behind their respective keyboards. Once settled, Saba rushed the stage to perform "Busy," with a special appearance by singer theMIND. The pulse of the venue throbbed as Saba took brief pauses to talk intimately to the crowd. “I lost a lot of people close to me,” he said. “A song like "Stoney" is such a celebration of life. It’s crazy to think how long ago that sh*t was. John was still alive.”

As Saba diverted into memories of Walt’s life, Nachelle recalled the album listening event for Care For Me. “Saba wouldn’t let me listen to it. He didn’t even tell me that he was working on it until it got really close [to the album’s release]," she said. "Then, he warned me about "Prom/King." I think he was thinking about letting me listen to it by myself at first, but then he thought about it like ‘Nah, I’m not gonna do that while she’s by herself, let me just let her listen to it while she’s with everybody else.’ That was an easier way to break it to me, so I wouldn’t really break down.”

Saba capered into "Prom/King," but performing the heart-tugging ode to Walt was a first, even after embarking on his 2018 Care For Me tour.

“I didn’t know he was gonna do that. I didn’t think that he’d ever be able to do that. I don’t think he thought he’d be able to do that,” Pugh explained. “I don’t know if anybody captured the expressions, but I think he was in tears and he was just fighting through it. We went through this fight together on the day we found out what happened with Walt. When he got finished, he sat down, turned around and he looked at me and I’m like 'We did it.'”

Even with "Prom/King" being the most grief-stricken track on Care For Me, Nachelle revealed that the most poignant song about her son was "Heaven All Around Me," realizing the message just months after the album’s release. “I was like, 'Walter wrote that song through Saba,' she said. "That’s the song that gets me the most off Care For Me. I don’t think [Saba] intentionally did so, but it just put so much power behind "Prom/King" because you see what happened. He told a story.”

The storytelling of Walt’s legacy was fulfilled throughout John Walt Day, from Joseph Chilliams doing a comedic, warbled rendition of "Ordinary People," Walt’s favorite song to play on the aux cord, to the entire Pivot Gang reuniting to perform their ensemble track "Blood" for the first time. Walt’s presence was unwavering, with remaining Pivot Gang members continuing to carry his eternal flame.

“This year’s show, the passion was a little bit stronger, because at the time we did last year’s show, I think we were all still in denial, like 'We’re gonna wake up from this dream’ type of thing.' Pugh said. “I think we accepted the fact that [Walt’s] not coming back. They wanted to go as hard as possible because they were doing this for him.”


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JOHN WALT DAY was so beautiful. We gotta find a bigger venue for next year. I made so many new friends. Pivot tape up next 💪🏽🔥

A post shared by Joseph Chilliams (@josephchilliams) on Dec 1, 2018 at 5:15pm PST

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15 R&B Songs We Obsessed Over Most In 2018

Hip-hop may have become the Nielsen Music-declared most dominant music genre, but let's not overlook the strides R&B (including all its many sub-genres and cousin genres) have taken on the airwaves and within the culture in this year alone.

While persistent naysayers keep peddling the tired argument that "R&B is dead," the most recent news cycle has proven the exact opposite, as talks of a supposed King of R&B dominated discussions both on- and offline. Jacquees' lofty declaration notwithstanding, there's no denying that there are ample songs swimming around the 'Net from talented vocalists killing it within the genre.

For those looking to satiate rhythm and blues earworms—and in no particular order—VIBE compiled a list of the 15 bonafide R&B songs of 2018 (or at least ones that fall within the genre's orbit) that pulled us into our feelings each and every time we pressed play.

READ MORE: Let Jacquees Tell It, He’s The Jodeci Of This R&B Game

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Ian Reid

Let Jacquees Tell It, He’s The Jodeci Of This R&B Game

Rodriquez Jacquees Broadnax doesn’t want to be the bad guy of R&B. He says this with a sinister, yet warm smile. With year-end debates taking over social circles, Jacquees wants all the flowers for his glowing debut, 4275. “I ain't never had a year like this, I got one of those careers and lives that keep going like this,” he says, as he raises his iced out wrist to draw his progression. “It keeps going up, my sh*t just keeps going up.”

At 24 years old, the singer knows a thing or two about the ever-changing genre. Nearly half of his life has been dedicated to music, specifically to quiet storm-like sounds that now take on new meaning in our adult love lives. He’s hibernated under the radar for some time with his 2014 debut EP 19 and released gentle falsettos and big name features with Chris Brown, Ty Dolla $ign and Trey Songz along the way.

But between his accolades, he’s been condemned for his favorable “Quemix” of Ella Mai’s “Trip” and now, his self-proclaimed status of “The King of R&B” for his generation.

"I just wanna let everybody know that I'm the king of R&B right now," Jacquees said in an Instagram post on Sunday (Dec. 9). "For this generation, I understand who done came and who done did that and that and that, but now it's my time. Jacquees, the king of R&B.”

R&B artists like J. Holiday and Pleasure P shared their two cents on the matter while the game’s most elite like Tank, Tyrese and Eric Bellinger dropping stacks of knowledge on the gift of consistency, respect, and talent. But Jacquees has these things and then some with legends like Jon B., Donell Jones and Jermaine Dupri in his corner. Despite quick reactions from his peers, Jacquees is confident in nature and proud of his space in the game.

“I think I'm the leader though, as far as males go, I think I'm the number one,” he tells VIBE, just days before his “King of R&B” comments went viral. “You're talking about R&B young dudes who understand who goin’ [at] it, [but] who are they going to put in the front? I believe everyone will say Jacquees.”

Jacquees’ music is just a branch of what R&B has evolved into. Over the years, artists like SZA, H.E.R., Daniel Caesar, The Internet, Miguel and many more have flipped the genre on its head by churning out music that not only speaks to the soul, but to their vocal abilities. Successful R&B records aren’t confined to rap guest verses and traditional instruments now take center stage. But Jacquees sits in an interesting space seeing as his style caters to a grey area of folks who just heard their first Monica album yesterday and now appreciate a good nayhoo like the rest of us.

With hopes to release his sophomore album in February 2019, Jacquees chats with VIBE about his confidence, making 7275 and why he’s the perfect leader for R&B today.


What have you learned about yourself as a human and an artist in 2018?


quees: This was my biggest year. I made the most money I’ve ever made. I dropped my album and was able to take care of my family. I ain’t never had a year like this and I thank God for that. I got one of those careers and lives that keep going like this, (slowly raises a hand to the ceiling) It keeps going up, my sh*t just keeps going up.

I think I learned about my whole self in 2018. Being that it was my biggest year, I went through a lot of stuff personally, but I think the biggest thing for me was listening to other people but also trusting myself. I have a strong mind so more of listening to myself helped.

Do you think you're the good guy or the bad guy in R&B?

Who do you think I am?

I think you’re a sweetie.

I don’t wanna be the bad guy, I’m a good guy. I’m easy to deal with. I’m a sweetie, but ain’t sh*t sweet though. (Laughs)

You have a lot of ‘90s and 2000s influence in your music. Do you ever feel you might sound dated, or do you think you’re bringing new sounds into the genre?

I just think I'm bringing a whole new sound. When I was younger, someone told me if you switch up what you’re doing, someone else is going to do it and you’re going to be pissed off. Just stick with it. When I was 14, everyone was telling me I needed to make club records but I didn’t want to do it. I remember CEOs saying, “Just let Jacquees do that [what he wants,]” because it’s a clock.

I figured out how to get my records at the club without changing who I was. I remember making “B.E.D.” and finding my flow on my project 19, you know? That’s when I got my swag.

What does love look like to you right now?

I think about a family. I think about me, a girl, a kid or something, like a whole family. One day I’m going to have it. I’ll still be in the game but I’ll say, “Yeah, that’s my wife over there with our son and daughter.” I'm getting older, too. I’ve been in the game for 10 years for real, but I’ll be 25 next year and soon they’ll be a little Jacquees.

There are a lot of layers in today’s R&B, especially in the mainstream resurgence it’s had. In that, there aren’t as many young male black vocalists being pushed to the forefront. I want to know your thoughts on where you exist in the genre today.

I think there's a big wave coming back right now because even if R&B didn't die down they weren’t promoting it that heavy. Artists were making songs, they just weren’t being acknowledged on a mainstream level. I think the game is really putting R&B back on top. You know, you’ve got artists like me, Tory [Lanez], Ella Mai, H.E.R., so many people, you know what I’m saying? Of course, you had Chris [Brown], Trey [Songz], all of them but that’s when we were in school. It’s a new time, ain’t no big male R&B singers.

I think I'm the leader though, as far as males go, I think I'm the number one. You're talking about R&B young dudes who understand who goin’ [at] it, [but] who are they going to put in the front? I believe everyone will say Jacquees. They’re not rugged like me. You’ve got Jodeci and Boyz II Men. I’m Jodeci, they’re all Boyz II Men. I’m street, they’re not street like me. You can hear it in their voice. There’s a difference.

It’s no disrespect to nobody because they’re all my friends, but I still wanna be number one. If we’re playing the game and I lose, I’ll be mad as hell but I’m still a good person. I just want to win.

As you should. Everyone wants to make the best music they can–

But I ain’t no hater either. The game is like a sport. The game is like high school. I remember being at this year’s BET Awards and seeing certain singers and thinking, ‘Oh, they’re seniors.’ I knew I was a freshman, but I saw Meek and all of them thought, “He’s a senior.’ You know how it is when you walk through school in the first year. Then the second you’re like, “I’m the ni**a now.”

When I did the Soul Train Awards in November, I felt like a sophomore that everybody knew. They knew me from my freshman year, but this time I’m playing varsity.

You’ve said before you want to do this for a long time–

Yeah, I want to make music forever and it’s my choice. I want to make enough money for me to turn down shows because now, I have to take everything I get. I always tell artists, you got this much time to make this much money. Because after that, sh*t’s closed. I've seen it happen.

For me, I know I got longevity in this game because I'm an R&B singer and a lot of R&B singers have longevity if you take care of yourself, you know what I'm saying? Even rappers, you know what I'm saying? You keep that flow going, don't do no lame sh*t, you know you’re stick around.

How do you take care of yourself?

You gotta take care of your health. That's number one. Your mind and your health is your biggest thing. Keeping good people around you...stay in good spirits with me. I like to keep good people around me. I like people around me [who] make me laugh. Smile, I don't really like people around me that I got to be like, “What's going on?” I just like people who are themselves.

Stream 4275 below.

READ MORE: Tyrese, Usher And Others Reacts To Jacquees' Claim That He's The King Of R&B

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