Busta Rhymes Hot Holidays Review
Busta Rhymes Hot Holidays Review
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Review: Busta Rhymes' All-Star "Hot For The Holidays" Concert Was A Fitting Hip-Hop Victory Lap

Busta Rhymes commemorated his 25-year career with a star-studded "Home For The Holidays concert," and it was the perfect hip-hop victory lap.

Busta Rhymes is well-connected and well-respected. Last night (Dec.5), the former Leader of the New School gathered a slew of hip-hop family and friends of yesteryear and this year for his "Hot For The Holidays" concert, presented by Hot 97 and Footaction.

Legends like Mary J Blige, Jadakiss, Lil Kim, Puff Daddy, Capone N Noreaga, Naughty by Nature, Redman, Method Man, Rick Ross, Lil Wayne, Rah Digga, Rampage, Sean Paul, Jr. Reid, and Mariah Carey took concertgoers down memory lane with their respective hits and verses.

But it wasn’t just an affair for ‘90s R&B and hip-hop heads. Riding shotgun with the vets were a couple leaders of the new school such as French Montana, Jeremih, J. Doe, Sevyn Streeter, O.T. Genasis, and hip-hop's current favorite newborn, Fetty Wap. The new stars brought us back to the future with thier hits and sixteens of their own.

VIBE was able to peep the picturesque hip-hop mash-up from a suite at Newark, N.J.'s Prudential Arena before a packed out house of fervent fans.

A little before 9:30 p.m., Busta–along with Spliff Star–decked in a white sailor's suit, made his way to the stage to ear-splitting applause. Playing the background were a bevy of dancers draped in what appeared to be African garb, a la the rapper's “Gimme Some More” video. Along with the 1998 hit, the Native Tongue member also ran through verses from “Put Your Hands Where My Eyes Can See,” and “Every Body Rise," a song from his E.L.E. album.

After his grand and lively entrance, Busta had some choice words for New Jersey. Apparently, the crowd of Hennessy, Ciroc and Effen chuggers lacked enthusiasm.

“I see y’all over there, sitting down. Get the f**k up. I’m not tolerating that sh** tonight,” Busta barked. “This is a proud moment. I’m a happy n***a, I’m a happy n****a, I’m a happy n****a.”

And just like that, the tone was set for a recollecting and vivacious evening filled with 25 years of hip-hop and #BustaRhymesFamilyAndFriends.

With the quickness, Busta dived in. First, he brought out M.O.P. The Brownsville duo ran through their street favorite “Ante Up.” Capone N Noreaga followed through by tearing open N.O.R.E.’s “Super Thug (What, What)." Busta even unearthed the DJ Scratch-produced Rotten Apple anthem, “New York Sh**.”

It didn't stop there, though. Classics flowed like a fusillade of shots busting from twenty-five Uzi’s. There was no chill inside the Prudential Arena. Once round two commenced, Raekwon and Method Man ran through “C.R.E.A.M.” “Incarcerated Scarface’s” and “M.E.T.H.O.D. Man.” French Montana kicked in the back door with “Ain’t Worried About Nothing,” and “Off the Rip.” Hometown legends Naughty By Nature even surprised the crowd with “Hip Hop Hooray.” And, Redman and Tical unearthed “Blackout.”


Busta Rhymes & Friends | @methodmanofficial + @redmangilla #Hot4TheHolidays

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But before New York’s finest transformed the Prudential Arena into the infamous Tunnel Club, the stunning Mary J. Blige sashayed on stage cranking the energy up a notch, yet giving it a touch of refinement and an unclenched vibe. Dipped in blue jeans with holes at each leg and an all-black leather shirt, MJB rolled through classics “Real Love,” “Be Without You,” “Take Me As I Am,” and “Love No Limit.”

Other than seeing MJB’s signature dance moves, Mary’s triumphant and authentic story permeated her presence. In fact, she represented the streets better than some of your favorite rappers. That’s why her performance held so much prestige; she even had thugs two-stepping. Before exiting the stage, a visibly thicker Lil' Kim reunited with Blige for their collab, “I Can Love You.” And of course, the “Share My World” crooner linked with Method Man for “All I Need.” Mary was so live and into the moment that she let concertgoers bellow a good portion of her hits while she got her boogie on, which was straight eye candy. It was as if Mary wanted the moment to last forever.

The highlights continued with Lil Wayne, who was as stoked as a little kid and draped in a white sweatsuit. He let off “A Milli,” and his sixteens from Chris Brown’s “Loyal” and “Look At Me. Weezy did irk the crowd however, when she stopped rapping after asking "What'a goon to a goblin?..." on "A Milli." But it was soon forgotten, and all was forgiven.

Wayne’s set was special because of the story that Busta attached to it. With his arm wrapped around Weezy’s neck in a brotherly embrace, Bussa Buss recounted the night Wayne won four Grammy awards (2009). Immediately after the Grammys, the Young Money boss went back to his tour bus where he continued recording music.

“It was me, Keri Hilson and Soulja Boy outside his bus. You know what this n***a did? He said, 'Come here Bus’, give me your sh**. Here you go. Keri, give me your sh**, here you go. Soldier, give me your sh**. Here you go. He knocked them verses out right there, and went right back to working on his sh**."

The arena erupted with cheers. This served two purposes. One, it was motivation for Weezy to keep fighting and working through his legal woes with Cash Money Records. Secondly, it’s proof that the general consumers of hip-hop want to see the Young Money shot caller walk away with a "W."

Busta Rhymes & Friends | Weezy F. Baby. @liltunechi. #Hot4TheHolidays A photo posted by VibeMagazine (@vibemagazine) on Dec 6, 2015 at 2:48pm PST

Now, Busta’s praise didn’t stop with Weezy. After Jersey native Fetty Wap–whose leg didn’t seem to bother him–ripped the stage with his ubiquitous “Trap Queen,” and “My Way,” Busta told a story of how the Zoo Crew honcho stopped what he was doing to come perform at his son’s college graduation party at Manhattan’s Space Ibiza. This just further solidified Wap’s genuine character that he’s portrayed to be his contemporaries and media.

After Busta ended his emotional salutes to the youngin’s the hits continued. Rick Ross ran through "I ‘ma Boss,” and "Pop That” with French Montana. Puff Daddy diddy-bopped through “Workin,'" where he damn near re-created the Money Making’ Mitch track’s video on stage. The Bad Boy general flowed in and out of his verse on “Victory” and “It's All About The Benjamins,” alongside Jadakiss and Lil' Kim. He also performed his verse from “Mo' Money, Mo' Problems.” The only drawback to Puff’s set was that the DJ didn’t let B.I.G.’s verse from the latter roll out.

The evening concluded with Busta Rhymes performing with his day-ones: Leaders of the New School and A Tribe Called Quest. On one stage, this set of Native Tongue members’ spazzed out to “Case of the PTA” and “Scenario (Remix),” respectively. This mash-up with LOTNS and ATCQ was a lesson in hip-hop history for some, which prevented them (us) from rapping along. As fans of the culture, it was common knowledge as to how special that moment was. And to witness LOTNA and ATCQ together on stage is a once-in-a-lifetime opportunity. Furthermore, what made this performance a hip-hop love story was seeing Busta drop to his knees at the end of his verse on “Scenario (remix).” He looked to be in a trance, and desperately trying to hold back tears. That wasn’t animated (sorry Hov). It was nothing more than twenty-five years of raw passion and love for the culture.

Busta Rhymes and Friends | Leaders of the New School x A Tribe Called Quest #Hot4TheHolidays

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Yes, we’ve seen Busta on television showing off his humorous animation, but seeing it in person, with his demanding presence and tone of voice, one gets the sense that his supercharged vigor isn’t a put on. It’s real, which made the "Hot For The Holidays" concert all the more special. Seeing his family and friends perform some of his favorite songs, his own catalog of hits, and embracing a few of the current standout class of MCs was just as much as a treat to Busta as it was for was concertgoers, and for the culture.

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Joey Purp Gives New York A Taste of ‘QUARTERTHING’ At Album Listening Party

Chicago’s Joey Purp is making his long-awaited return to the hip-hop scene this Friday (Sept. 7) with his forthcoming project, QUARTERTHING. We haven’t heard much from Purp besides a pair of loosies (“March 12th”, “Bag Talk”) and a few guest features with Vic Mensa (“Down for Some Ignorance”)and more over the last two years. But make no mistake, Purp has been hard at work crafting the follow-up to his promising 2016 mixtape, iiiDrops.

To celebrate the impending release, Purp took to New York City’s Golden Unicorn in Chinatown Thursday night (Sept. 5) to host an intimate listening party for the project. Draped in an Adidas track jacket, black pants, and a pair of white Nike Air Force Ones, Purp was in high spirits throughout the night, mingling and taking pictures with those in attendance. While the space felt like a mix between a high school reunion and a karaoke bash, Chicago’s essence was felt by way of Purp’s crew and beer provided by Chicago-based brewery, Goose Island. It was a festive affair as guests took in Purp’s new music with head nods and a few dance moves showing their approval of the project.

“QUARTERTHING” is about life,” Purp said on the concept of his new project. “My life and the lives of people that I know. It’s just about us in every sense of the word.” The 14-track project features rap royalty like RZA and GZA, with fellow Chi-town wunderkinds like Queen Key, CDOT Honcho, and Ravyn Lenae.

What’s sure to bring in new fans are the variety of production on QUARTERTHING being handled by Smoko Ono, DJ Khalil, Thelonious Martin, Knox Fortune, and Nate Fox of The Social Experiment.


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A post shared by Big Purple (@joeypurps) on Aug 31, 2018 at 12:46pm PDT

The biggest reactions from the project came from the hard-hitting “God Body Pt. 2” featuring RZA and introspective “24/k Gold/Sanctified” featuring Ravyn Lenae. There’s a little bit of everything on the album from braggadocious raps on “Look At My Wrist” to the speaker rattling records like “QUARTERTHING.” Purp explained the diverse music scene he was exposed to growing up in Chicago helped inspire the sound of the project as he was applauded for incorporating Chicago house music on “Elastic” and Chicago Juke on “Aw S**t!” The record “Lebron James” received the most adulation as Purp is heard rapping over gritty production reminiscent of the early 90s hip-hop scene.

“It’s cool seeing everybody here. I’m grateful. Grateful for the love and people that are interested in hearing this project,” Purp tells VIBE after the event. Despite being absent from the limelight, Purp is confident in his path.

“Whatever God has in store for me I’m ready. Whether it's being on top of the world or at the bottom of the bottom. That’s what’s meant to happen and it’s going to happen.”

Purp recently released “Elastic,” which also features a perfect Billy Squire sample. QUARTERTHING arrives on streaming platforms Friday.

In the meantime, jam to “Elastic” below.

QUARTERTHING tracklist 1 “24/k Gold/Sanctified” (Feat. Rayvn Lenae) 2 “God Body Pt. 2 (Feat. RZA) 3 “Hallelujah” 4 “Elastic” 5 “Aw Shit!” 6 “QUARTERTHING” 7 “Paint Thinner” 8 “Look @ My Wrist” (Feat. CDot Honcho) 9 “2012” 10 “Fessional/Diamonds Dancing” (Feat. Queen Key) 11 “Karl Malone” 12 “Bag Talk” 13 “LeBron James (Thelonious Martin)” 14 “In The Morning” (Feat. GZA)

READ MORE: Joe Budden Talks Creative Beefs With Diddy And Leaving Rap Behind

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Drake performs onstage at Madison Square Garden on August 25, 2018 in New York City. (Photo by Jamie McCarthy/Getty Images)
Jamie McCarthy/Getty Images

Drake And Migos Light Up Brooklyn With Hits At Barclays Center

Drake and Migos gave Brooklyn a party Friday night (Aug. 31) as fans filled the cavernous halls of the Barclays Center for the highly-anticipated Aubrey & The Three Migos Tour. In support of his record-breaking number one album, Scorpion, the 6 God embarked on a 57-date tour across the country, hitting cities like Chicago, Toronto, Miami, and Boston.

With New York holding a special place in Drizzy’s heart, the Big Apple is getting quite the treatment with Drake and Migos performing seven shows in nine nights. It was an energetic night as both the 6 God and the Atlanta trio delivered incredible sets giving Brooklyn fans an exciting show to remember.

Migos got the night off to an explosive start as the group ran through their extensive catalog of hit records. Classics like “Hannah Montana,” “Handsome & Wealthy” and “Pipe It Up” delighted fans who rapped along. Migos’ electrifying presence brought on boisterous cheers from the Brooklyn crowd as highlights from Culture and Culture II, including “Narcos” and “Slippery,” rang through the Barclays Center.

Audio feedback issues during their set caused no problems, as they maneuvered through “Kelly Price” and “Deadz” without missing a beat. Before making their exit, Quavo praised the old and new fans for their nonstop support saying, “Thank you for making us the number one group in the world.”

As fans were still gathering themselves after Migos’ thrilling set, Drake wasted no time diving into the A Side catalog of his latest album, with hard-hitting tracks like “Talk Up,” “Mob Ties,” and “Energy” booming through the giant speakers stationed high above the stage.

Fans rapped alongside Drizzy on “Elevate” and “Emotionless” while marveling at the bright, miniature drones on stage and the inflatable yellow Ferrari making its rounds through the arena during Drake’s guest verse on “Yes Indeed.”

“This that Friday night Brooklyn sh**,” Drake said in response to the raw Brooklyn energy that radiated throughout the venue. “This not Madison Square Garden. We definitely in Brooklyn tonight.”

READ MORE: Drake Parties With Quavo And French Montana In “Nonstop” Music Video

Drake took a moment to speak on his long history with New York City before jumping into a medley of his throwback records. “Do you realize how long we’ve been together,” Drake asked as he reminisced on the moments he’s experienced in the city —- like his first performance at the famed SOB’s or hearing “Best I Ever Had” on the iconic radio station Hot 97. Fans wallowed in the retro vibes as Drake blazed through a vintage medley that included “Trophies,” “Over,” “Headlines,” “Yolo,” and more.

Migos, French Montana (who served as a surprise guest) and a group of backup dancers joined Drizzy on stage to bring the night to an even higher level. After their fiery set earlier in the night, Migos kept the momentum going with a lively performance of their collaborative banger with Drake “Walk It Talk It.” The quartet followed that up by rapping through their respective verses on “Versace” with quickfire precision. French Montana joined the party afterward, performing his standout chorus on Fat Joe and Remy Ma’s “All The Way Up” and his number one record “Unforgettable.”

After a brief intermission, Drizzy put a smooth relaxing vibe on the night as he moved on to his B Side records. Performing mostly R&B hits, Drake sang his way into the hearts of all the women in the audience belting out vocals for “Jaded” and the Michael Jackson-assisted “Don’t Matter to Me” while also covering the King of Pop’s timeless record “Rock With You.”

Acknowledging the strong, independent women in the audience, Drake had the ladies in their bag with “That’s How You Feel” and “Nice For What” while recognizing Brooklyn’s rich reggae history with “Controlla” and “Work.” The troupe of dancers joined him on stage once again, taking part in the Shiggy Challenge during a booming performance of “In My Feelings.”

READ MORE: #DoTheShiggy: Drake Brings Out Shiggy On Stage At NYC’s Madison Square Garden

As the show neared its end, a tireless Drake reignited the flames with his guest verses on Blockboy JB’s “Look Alive” and Travis Scott’s “Sicko Mode.” Drake kept his foot on the pedal with “Nonstop” and “I’m Upset” before taking another moment to reflect on his early beginnings.

A video montage showcasing a young Drake alongside his longtime friends and OVO brothers 40, Oliver, and Future played on the screen above the stage. The crowd cheered and applauded Drake’s 10-year journey that took him from his mother’s basement in Toronto to becoming one of hip-hop’s titans.

When the video finished, Drake got right into the anthemic “God’s Plan” with massive amounts of confetti falling from the rafters. While fans relished at the moment Drake left the OVO faithful with a moving, uncharacteristically sociopolitical message.

“All of us are living in a country where we have to deal with people telling us we don’t understand, how divided we are, and how bad sh** is getting and how we gotta deal with this fu**ing idiot that’s in office,” Drake said.

“They’ll sit there and tell us this country is falling apart because of us. But tonight we got 16,000 people from all different backgrounds inside one building and all we’re doing is chilling and having a good time. This is how the country should be.”

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Rewind: G-Eazy's Endless Summer Tour Brings The Hits To Chicago

G-Eazy has been on the road nonstop this year. After wrapping up his Beautiful & The Damned Tour with Trippie Redd, Anthony Russo, and Phora, the Oakland native is now embarking his Endless Summer Tour featuring Lil Uzi Vert, Ty Dolla $ign, YBN Nahmir, Murda Beatz, and P-Lo. The “No Limit” rapper made a stop at Chicago's Huntington Bank Pavilion for an incredibly wild Tuesday (Aug. 15) evening. The tone and energy were set from the moment the YBN crew could be heard and seen near the box office on a small fleet of dirt bikes, riding around the outdoor venue.

Aside from the packed-out venue full of ungodly priced drinks (water included!), warm weather, and noticeably skewed racial dynamics between the workers and the concert attendees (another story for another time), an army of rabid, yet pleasant fans who were ready to see young Gerald rock the house once again. The city of Chicago offered a fitting backdrop to celebrate his ongoing string of “Ws” as, by his account, he’s been performing across the city since his early days. In fact, some of his fans who attended the show watched him gradually work his way from performing at minor in-store appearances “with only 10 people,” and small, intimate venues in Northside Chi, to large-scale festivals like Lollapalooza and bigger settings such as the Aragon Ballroom.

“I don’t know if any of you all know how much I’m in love with your city and respect I have for it, but the first show I ever played at was at Leaders for an in-store performance of, like 10 people or some shit,” he reflected before the red-hot crowd. “Then I remember coming back and playing at Schubas, then later on playing at Aragon Ballroom a bunch of times, Lollapalooza twice. You realize this is one of the greatest cities on the planet!”

And while he kept fans on their toes the whole night with stunning visual effects and a passionate stage presence, it took a minute for most of the young crowd to bring that same energy throughout, despite performances ranging from solid to amazing.

The Summer Is Ours #EndlessSummerTour Shot by @bobbybillions Edited by @_marcoalexander

A post shared by P-Lo (@p_lo) on Aug 14, 2018 at 8:57pm PDT

First up on the opener's circuit was the HBK Gang affiliate P-Lo who was fully charged up from the get-go. The San Francisco native hopped out to “No Idea” from his latest release, Prime and went on give solid and hype performances of songs like “Feel Good” and “Put Me on Something”. While most of the fans near the front and upper middle of the pit were rocking heavily to his jams, others from the lower middle section in the back weren’t quite as familiar as most were still mingling and getting snacks (because, of course, Chicagoans make entertainers work for their attention).

Eventually, attendees caught on to the vibe, thanks to P-Lo’s highly-energetic work rate and ongoing interactions with his the fans in the crowd. He even stopped to have a hearty swig of a fan’s gigantic cup of a Bud Light Straw-Ber-Rita. From there, it led to P-Lo’s fun and spirited performance of “Same Squad” where he had fans grab their best friend and move from side to side while doing the same with his DJ. His set was lit and this certainly was not the last anyone would see of him during the show.

After a brief intermission, Birmingham, Ala.’s rising sensation YBN Nahmir came out the gate swinging with his viral banger, “Rubbin’ Off The Paint” followed by his booming “Bail Out” during his set. From there, he continued to have the crowd rocking by paying homage to the incarcerated Tay-K with “The Race (remix)”, complete with colorful, glittery digital graphics which changed with every song.

When YBN Almighty Jay arrived, draped in his mini-bike gear (which from afar looked more like a bulletproof vest one didn’t catch them on their bikes earlier) he went on to showcase his catalog of bops like “Chopsticks”, the glossy “2 Tone Drip”, and high-octane rapid-fire duet with YBN Nahmir “No Hook”. And with the lingering controversy with the infamous Chicago Police Department and their recent instances of police brutality, the entire YBN gang took a moment to have the crowd put their middle fingers in the air and having them yell, “when I say f**k, y'all say 12!” leading into the somewhat related, “Changes.” After announcing they’ve hit 110 million views on YouTube, P-Lo got back on stage to party with the gang once again, before they abruptly closed their set.

The baby-faced crew had a solid stage presence and a performance quality that was better than what some purists would like to believe, however, after YBN Nahmir and YBN Almighty Jay each performed their biggest hits, the overall energy began to hit an inconsistent wave of dying down, to picking back up and so on, likely because of the lack of familiarity rather than anything related to their noticeable effort.

N The Night 🌌 #YBNmixtape #Sept7 🍽

A post shared by NUMBA FOE 🐺📑 (@ybnnahmir) on Aug 15, 2018 at 1:21am PDT


The gold and platinum plaque studded producer Murda Beatz was initially a head-scratcher after a glance at the lineup due to A. being a very strong producer/beatmaker who, as a personality, lacks a similar captivating star power, presence, and charisma as DJ Khaled who has a similar style of performance. And B. one would be a poor fool to believe would bring out his A-List clientele like Drake, 2 Chainz, Nicki Minaj, and especially 6ix9ine for obvious reasons. However, the Canadian hitmaker, whose wrist was dripping with the shiniest diamonds, showed and proved and by delivering a fun set by having the crowd rock out to a string of hits like 6IXN9NE’s “FeFe,” “M&Ms” with Blac Youngsta and Offset, and even A$AP Ferg’s “Work.” He and his fellow hype men kept the crowd moving with his booming production while shooting “Murda Gang” branded water guns into the fired-up crowd.

Murda also took a moment to unveil his newest member of his Murda Gang crew, Chicago artist Lil Geno, who performed his tracks “Finessin” and “Hit Me a Lick.” Unfortunately, the predominantly white crowd wasn’t quite hip to him and didn’t catch on despite his commendable performance. However, a memorable moment occurred when he was christened as an official member of the squad when they stopped to deliver the announcement and fit him with a dripping gold medallion a la Kanye West/Roc-A-Fella style.

Things continued to remain a bit flat when he transitioned to two of his songs, a Smokepurrp collab from the Bless Yo Trap tape and a Trippie Redd melody which made his set a bit dull, but it turned around immediately when he went into an even more explosive string of his biggest hits like Migos' “Walk It Talk It” and “Motorsport” where he had the ladies sing every word of Cardi B’s scene-stealing verse, and of course the crowd-pleasing anthems from Drake “Nice For What” and “God’s Plan.” Despite a few misses, Murda Beatz gave a solid set that kept the party going.

After entering to the sounds of “Paranoia,” Ty Dolla $ign went on to deliver a sultry, rock star performance that had the fans going insane by performing jams like “Pineapple” and “Missionary.” But the Taylor Gang heavyweight managed to have some fun in between alongside TeeCee 400. During his set, he even took a moment to show love to the city and pay homage to the late Drill music icon, Fredo Santana.

Been coming out to Chicago for a few years now and met some of the realist most genuine people I know . I miss my dog Fredo ! Blood was a solid guy who’s memory will never be forgotten 🙏🏾

A post shared by Ty Dolla $ign (@tydollasign) on Aug 14, 2018 at 10:47am PDT


The longtime YG and DJ Mustard collaborator practically blew the roof off when he gave a shirtless, rock star performance of Post Malone’s “Psycho” (which he wrote), where he delivered such a high-quality performance making fans wish he kept it for himself. Afterward, Ty closed out with the most interactive performance of the night, singing “Or Nah”. But what made this stand out the hardest was when he got off stage and walked throughout most of the pavilion (with security in tow) and continued singing within the crowd while being chased by a pack of young women. It was the finishing touch to make his set a glorious one.

Shortly after Ty Dolla $ign's set, a newly blond-haired G-Eazy unveiled himself from the shadows and behind a double door with blinding light behind him. With the Holy Cross appearing across the multiple monitors among other brightly lit graphics, he wasted no time performing the compelling and electrifying “Pray for Me,” followed by songs like “The Plan,” “Sober," and “Eazy,” each with passionate conviction. One can’t help but be glued to the stage.

What’s different about this his Endless Summer Tour set up compared to his The Beautiful and Damned Tour is how the stunning visual effects complimented the show. Each set had an over-the-top and immersive effect matched with the right lighting that specifically complimented each song. G-Eazy brought out the engulfing fire and brimstone during his dark alluring performance of “The Beautiful and Damned,” the inner workings of the internet with web pages, emojis of himself, and random cameos of the Lil B’s Twitter avatar during “That’s A Lot,” and even took us to the basketball court with the Yo Gotti and YBN Nahmir assisted “1942.” And what made it spectacular was how Gerald didn't lean on the effects as he delivered his passionate set. He amplified the emotional impact and value of every song, creating many deeply immersive moments (even the “thunderstorm” introduction before one of his songs felt eerily realistic.)

G-Eazy wasn’t selfish with the spotlight as he brought out YBN Nahmir to perform his verse from “1942,” Murda Beatz who joined him on top of an old school Ford Mustang on “Goddamn” during the second act of the show, and once again, P-Lo to perform their each of their popping duets, “Feel Good”, “Light This Bi**h Up”, and “Power” sans Nef The Pharaoh. And like Eazy himself, there were no slouches on stage; they helped make his set an enjoyable one.

But just when (some) fans thought it was a wrap, he came right back to give fans a powerhouse performance of his biggest hits like the Halsey-assisted, “Him and I.” While performing “No Limit,” Gerald brought out hip-hop lawyer Steven Reisman aka $2 Dollar Steve to the help shower fans in the pit with cash as the ladies sang Cardi B’s verse.

While Lil Uzi Vert was sorely missed from the show, the Endless Summer Tour was an enjoyable evening of electrifying performers matched with dazzling effects and good vibes. Casual music fans and those who aren’t as familiar with G-Eazy’s music appeared to enjoy themselves as well.

If you’ve experienced the Beautiful & Damned Tour, you may not want to miss the Endless Summer Tour.

READ MORE: G-Eazy's Beautiful & Damned Tour Reveals Beauty Of The Grey Area 

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