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Interview: Christopher Meyer Talks Filming 'KICKS,' His Favorite Sneakers And More

What's your favorite pair of J's? 

How far would you go for a pair of sneakers? Director Justin Tipping does a great job at answering that seemingly innocuous question in his forthcoming major film KICKS. The movie is a charming albeit problematic coming of age tale about curly haired 15-year-old Brandon (played by Jahking Guillory), and his mission for—you guessed it—his kicks. The East Bay Area native goes on a massive man hunt for his Air Jordans, after he was jumped for them by a local set of neighborhood bullies.

In efforts to undergo his journey all over the Bay, he recruits his homies: funny smooth talker Rico (Christopher Meyer) and Albert (Biggie Smalls' son Christopher Jordan Wallace). The project is inspired by Tipping's own grapple with sneaker theft when he was a teen. Like Brandon on screen, in real life Tipping was caught at the wrong place at the wrong time.

"I was jumped over a pair of Nikes," Tipping told Filmmaker Magazine earlier this year. "It was much like it was in the movie. I had the white-on-white-on-white-on-white custom NikeIDs with my nickname engraved on them. I thought I was on top of the world. I was approaching a group of guys. I knew I was in the wrong part of town anyway. It was a kind of sketchy situation and I thought, 'Oh, I’ll just keep my head down and keep walking. I’ll be fine.'"

Despite the footwear mishap, the movie chronicles themes of friendship, challenged masculinity, the realities of growing up in a inner city hood and placing importance on meaningless material things. VIBE got a first look at KICKS before it premieres in theaters on Sept. 9 during the 2016 Los Angeles Film Festival in June. Originally, the film first premiered at the Tribeca Film Festival in April 2016.

Before its release, VIBE caught up with actor Christopher Meyer, who has steadily been making a name for himself on shows like Wayward Pines as Mario and General Hospital as Danny Malloy. Here, he dishes on what it was like filming the movie, his favorite moments and what he thinks the message behind the movie is.

"I really hope people see that it’s just not about a movie just about chasing someone," Meyers tells VIBE over the phone from Los Angeles, emphasizing how Brandon's sneakers seemed like they were more significant than a person. "It’s about, 'Do you really want to put this person down over sneakers?'"

VIBE:  How did you get the role, and what drew you in about playing Rico?
Christopher Meyer: I remember my manager called me, and the script came across his desk. We had been talking about the type of movies I was interested in doing. He told me maybe I’d be really interested. He sent me the whole entire script, and I instantly fell in love. And who wouldn’t want to play somebody like that? [Rico] is like a ladies' man. He’s funny and I felt like I could relate to him in a number of ways.

In what ways do you think you can relate to him?
I think the most important thing about me and Rico is that he has an immense love for his brothers. For his friends—for people that hold him down, and I’m the same way in real life.

What was it like working with the other actors? Were you nervous when you found out you were working with Biggie’s son?
(Laughs) Working with those guys was so natural. When I met these dudes; we knew what we were doing; we all wanted to do the movie, so we acted accordingly. It’s really funny, I met CJ first at the audition, and we got to talking. He actually had this shirt that said “Notorious” on and after he left somebody was like, ‘Yo man, that was Biggie’s son.' And I was just like, ‘No it wasn’t, get the hell out of here, you’re lying.’

For me that’s crazy because I grew up in Brooklyn. Biggie is like Jesus out there—being around Big’s family was honestly for me like a dream come true, and honestly CJ has just become a really good friend of mine.

What’s your favorite Biggie song?
“Party and Bullsh*t.” Ironically, that’s in the movie. As soon as I saw the song titles on the script I would actually just go play that song while I was reading the script, just to get the vibe. And I listened to “Party and Bullsh*t.” I hadn’t listened to it in so long. I was like, ‘Man this captures the vibe of the movie perfectly.’ And ever since then, it’s something that I listen to like damn near everyday.

If you were Brandon, would you go on that journey just to get your sneakers back?
Those are the Bred 1's, they're sacred. I think I would have at least tried, somehow, someway. I don’t know if I would’ve made it at far as him. To be honest if someone actually jumped me and took my sneakers, I’d definitely be on the lookout for them. (Laughs) I’m not going to lie.

What’s the craziest amount of money that you’ve spent on sneakers?
I just bought some Jordan Aqua 8's for $500. I never thought I’d be able to do that; those to me are the best-looking Jordans. I’ve fantasized about those since I was like twelve years old, and I seen them in Vancouver looking real, real nice, and I just couldn’t let the opportunity go.

What was it like shooting the movie in The Bay?
I got to give it to Oakland for helping me become Rico. We actually stayed in Richmond. We didn’t just shoot there, we stayed there. All of our hotels were right there. I think that was the biggest part of my character prep—was being in Richmond. I went out everyday, even when I wasn’t needed on set. I would go to the Hilltop Mall across the street. I’d talk to girls, talking to different people, meeting people on the street, meeting new friends.

What’s really crazy about KICKS is that there are about 10 people who are actually actors. Everybody else you saw in KICKS was somebody we actually pulled off the street, like someone we pulled from high school, or pulled off the corner late at night, because we wanted to capture that—the real vibe of Oakland, so I had a lot of time to spend with those dudes too, while we were on set.

What were some of your favorite scenes to shoot?
Definitely the chase scene; that was a long day of work but honestly, I had so much fun, it actually felt real too. Kofi is a fast person, like I did not know he was that fast. Like literally they had the steady camera and they were like, ‘Aight Kofi just chase him.’ There was a couple times where I looked back and he was really like five feet behind me, and I was like, 'Oh, this is real, like I need to go.' So that part, and probably the party scene. That was so much fun! (Laughs)

I can imagine, when I was watching it I was like, ‘They’re having fun!’
It was kind of like a whole hour of blasting music. That’s the thing with working with J-Tip (director Justin Tipping), he’s just so free in what he does. He creates this world, and he gives so much room and trusts us so much to operate it, so it's just basically like he had a wide shot and he had different shots. He would just yell out certain things like, ‘Alright, do this!’ or ‘Now you give her a lap dance!’ It was like a party with directions, but it was like an actual party.

What do you hope the movie teaches our youth?
I really hope it pushes the message of real friendship. And not to place so much importance on materialistic things, and that violence doesn’t exactly mean being a man. Brandon going back to get his shoes, that has nothing to do with him actually being a man. I think putting down that gun at the end of the movie will help him become a man more than anything. So really just that violence doesn’t mean masculinity at all. And just friendship man, real friendship. All we have is each other on this earth. We got to cherish those relationships, not throw them away over stupid things.

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Saba's Rhymes Mean A Lot But John Walt Day Means More

“Act like ya’ll know, man. This a holiday,” boasted Frsh Waters, the co-founder of Chicago collective Pivot Gang and the opener of the second annual John Walt Day concert. It's Thanksgiving weekend and while families are gathered around the dinner table, lovers and supporters of Pivot Gang–comprised of Saba, MFn Melo, Waters, SqueakPIVO and a few more–filled the spaces of the city's Concord Music Hall to keep up a holiday tradition of their own.

With a newly-grown fro, Waters enters the stage with no introduction, a contrast from initial mic stand-clasping nervousness during the inaugural John Walt Day, launched at House of Blues Chicago in 2017. Walt Jr., the cousin of Saba, was killed last year and is the sole inspiration for the rapper's John Walt Foundation that brings the arts to children in the city.

The concert is a resounding tradition that his Pivot Gang brothers don’t plan to break anytime soon, with anticipation flooding the city each Thanksgiving weekend and a simultaneous celebration of Walt’s birthday on November 25th. The concert is just a piece of the loving puzzle Saba, Waters and the rest of the group created to keep his legacy alive.

With repeated crouching and soulful backing by Chicago band, The Oh’My’s, Waters regained balance after kneeling on an uneven speaker, referring to the crowd as "Church,” a christening that he echoes on the ending of "GPS" a feature from Saba’s well-received debut album Bucket List Project.

 

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Happy 26th @dinnerwithjohn Long Live my niqqa Johnny 📷 @bda.photo

A post shared by Westside Cat (@frshwaters) on Nov 25, 2018 at 11:37am PST

Saba may have dropped the stellar sophomore project, Care For Me this year, but the continuation of John Walt Day means more. Sold out for its second year in a row with 1,400 in attendance, Pivot Gang house-DJ Squeak Pivot blares "Scenario" by A Tribe Called Quest as the crowd multiplies before his booth. Avid fans gather in all creases of Concord Music Hall, especially on the second floor, where a merch stand resides exclusively for John Walt items. A haloed painting of Walt (or DinnerWithJohn as listeners knew him best), sits next to an assortment of buttons and t-shirts, as a guest brings a newly finished painting of Walt to the show.

Between sets, the crowd roared for cuts by Chicagoans Ravyn Lenae and Noname, who’s Room 25 track "Ace" is cut abruptly before MfnMelo takes the stage. With orchestration by Care For Me co-producer Dae Dae and harpist Yomi, Melo flowed through "Can’t Even Do It" and briefly spoke to the crowd about Thanksgiving, inviting attendees with leftover pies to meet him after the show.

Strutting to Ariana Grande's kiss-off anthem "thank u, next," The Plastics EP rapper Joseph Chilliams poses freely, cloaked in a light pink teddy bear coat. “I made this song because there aren’t a lot of black people [in Mean Girls]. I realized that the fourth time,” Chilliams joked before performing "Unfriendly Black Hotties."

Joined by four-year-old Snacks Pivot, John Walt’s mother Nachelle Pugh pinpoints her nephew’s curiosity of joining his older cousins Saba and Joseph Chilliams as their miniature hype-man.

 

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John Walt Day It didn’t even feel real, so much love in the room. For the encore they usually yell the artist name or one more song or something like that. But on this night they yelled “LONG LIVE JOHN WALT”. I wish this could be everyday. I wish I could play you this new shit we just did. I wish you were here. Love you @dinnerwithjohn look at this coat” lmao 💗💗💗💗 📸 by my shooter @notryan_gosling

A post shared by Joseph Chilliams (@josephchilliams) on Nov 26, 2018 at 3:29pm PST

“It’s like Walter jumped into his body and he’s coming back through this kid," she said of the toddler's enthusiasm. "He’s studied Saba, he’s studied Joseph, and he’ll say 'Auntie, can I use your phone?' So he’d use my phone and watch the boys’ videos on YouTube. Joseph is a person that the kids look at and say ‘He’s so fun,’ and [Snacks] wants to be like him. Everything that they do, [Snacks] is studying them.”

Pugh credits Young Chicago Authors for sparking her son’s musical pursuits, with guidance by poet Kevin Coval. “Kevin mentored him until the day he passed. I really love and respect someone that can just work with kids and give them a place to express themselves creatively,” Pugh said. “Working towards a goal of creating something that I know [Walt] wanted to do, and to help others in the same token, that gives me a sense of accomplishment.”

The stage then transformed into a resting kitchen with illuminating lights on the bottom of side-by-side counters, with Care for Me co-producers Dae Dae and Daoud behind their respective keyboards. Once settled, Saba rushed the stage to perform "Busy," with a special appearance by singer theMIND. The pulse of the venue throbbed as Saba took brief pauses to talk intimately to the crowd. “I lost a lot of people close to me,” he said. “A song like "Stoney" is such a celebration of life. It’s crazy to think how long ago that sh*t was. John was still alive.”

As Saba diverted into memories of Walt’s life, Nachelle recalled the album listening event for Care For Me. “Saba wouldn’t let me listen to it. He didn’t even tell me that he was working on it until it got really close [to the album’s release]," she said. "Then, he warned me about "Prom/King." I think he was thinking about letting me listen to it by myself at first, but then he thought about it like ‘Nah, I’m not gonna do that while she’s by herself, let me just let her listen to it while she’s with everybody else.’ That was an easier way to break it to me, so I wouldn’t really break down.”

Saba capered into "Prom/King," but performing the heart-tugging ode to Walt was a first, even after embarking on his 2018 Care For Me tour.

“I didn’t know he was gonna do that. I didn’t think that he’d ever be able to do that. I don’t think he thought he’d be able to do that,” Pugh explained. “I don’t know if anybody captured the expressions, but I think he was in tears and he was just fighting through it. We went through this fight together on the day we found out what happened with Walt. When he got finished, he sat down, turned around and he looked at me and I’m like 'We did it.'”

Even with "Prom/King" being the most grief-stricken track on Care For Me, Nachelle revealed that the most poignant song about her son was "Heaven All Around Me," realizing the message just months after the album’s release. “I was like, 'Walter wrote that song through Saba,' she said. "That’s the song that gets me the most off Care For Me. I don’t think [Saba] intentionally did so, but it just put so much power behind "Prom/King" because you see what happened. He told a story.”

The storytelling of Walt’s legacy was fulfilled throughout John Walt Day, from Joseph Chilliams doing a comedic, warbled rendition of "Ordinary People," Walt’s favorite song to play on the aux cord, to the entire Pivot Gang reuniting to perform their ensemble track "Blood" for the first time. Walt’s presence was unwavering, with remaining Pivot Gang members continuing to carry his eternal flame.

“This year’s show, the passion was a little bit stronger, because at the time we did last year’s show, I think we were all still in denial, like 'We’re gonna wake up from this dream’ type of thing.' Pugh said. “I think we accepted the fact that [Walt’s] not coming back. They wanted to go as hard as possible because they were doing this for him.”

 

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JOHN WALT DAY was so beautiful. We gotta find a bigger venue for next year. I made so many new friends. Pivot tape up next 💪🏽🔥

A post shared by Joseph Chilliams (@josephchilliams) on Dec 1, 2018 at 5:15pm PST

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15 R&B Songs We Obsessed Over Most In 2018

Hip-hop may have become the Nielsen Music-declared most dominant music genre, but let's not overlook the strides R&B (including all its many sub-genres and cousin genres) have taken on the airwaves and within the culture in this year alone.

While persistent naysayers keep peddling the tired argument that "R&B is dead," the most recent news cycle has proven the exact opposite, as talks of a supposed King of R&B dominated discussions both on- and offline. Jacquees' lofty declaration notwithstanding, there's no denying that there are ample songs swimming around the 'Net from talented vocalists killing it within the genre.

For those looking to satiate rhythm and blues earworms—and in no particular order—VIBE compiled a list of the 15 bonafide R&B songs of 2018 (or at least ones that fall within the genre's orbit) that pulled us into our feelings each and every time we pressed play.

READ MORE: Let Jacquees Tell It, He’s The Jodeci Of This R&B Game

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Ian Reid

Let Jacquees Tell It, He’s The Jodeci Of This R&B Game

Rodriquez Jacquees Broadnax doesn’t want to be the bad guy of R&B. He says this with a sinister, yet warm smile. With year-end debates taking over social circles, Jacquees wants all the flowers for his glowing debut, 4275. “I ain't never had a year like this, I got one of those careers and lives that keep going like this,” he says, as he raises his iced out wrist to draw his progression. “It keeps going up, my sh*t just keeps going up.”

At 24 years old, the singer knows a thing or two about the ever-changing genre. Nearly half of his life has been dedicated to music, specifically to quiet storm-like sounds that now take on new meaning in our adult love lives. He’s hibernated under the radar for some time with his 2014 debut EP 19 and released gentle falsettos and big name features with Chris Brown, Ty Dolla $ign and Trey Songz along the way.

But between his accolades, he’s been condemned for his favorable “Quemix” of Ella Mai’s “Trip” and now, his self-proclaimed status of “The King of R&B” for his generation.

"I just wanna let everybody know that I'm the king of R&B right now," Jacquees said in an Instagram post on Sunday (Dec. 9). "For this generation, I understand who done came and who done did that and that and that, but now it's my time. Jacquees, the king of R&B.”

R&B artists like J. Holiday and Pleasure P shared their two cents on the matter while the game’s most elite like Tank, Tyrese and Eric Bellinger dropping stacks of knowledge on the gift of consistency, respect, and talent. But Jacquees has these things and then some with legends like Jon B., Donell Jones and Jermaine Dupri in his corner. Despite quick reactions from his peers, Jacquees is confident in nature and proud of his space in the game.

“I think I'm the leader though, as far as males go, I think I'm the number one,” he tells VIBE, just days before his “King of R&B” comments went viral. “You're talking about R&B young dudes who understand who goin’ [at] it, [but] who are they going to put in the front? I believe everyone will say Jacquees.”

Jacquees’ music is just a branch of what R&B has evolved into. Over the years, artists like SZA, H.E.R., Daniel Caesar, The Internet, Miguel and many more have flipped the genre on its head by churning out music that not only speaks to the soul, but to their vocal abilities. Successful R&B records aren’t confined to rap guest verses and traditional instruments now take center stage. But Jacquees sits in an interesting space seeing as his style caters to a grey area of folks who just heard their first Monica album yesterday and now appreciate a good nayhoo like the rest of us.

With hopes to release his sophomore album in February 2019, Jacquees chats with VIBE about his confidence, making 7275 and why he’s the perfect leader for R&B today.

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What have you learned about yourself as a human and an artist in 2018?

Jac

quees: This was my biggest year. I made the most money I’ve ever made. I dropped my album and was able to take care of my family. I ain’t never had a year like this and I thank God for that. I got one of those careers and lives that keep going like this, (slowly raises a hand to the ceiling) It keeps going up, my sh*t just keeps going up.

I think I learned about my whole self in 2018. Being that it was my biggest year, I went through a lot of stuff personally, but I think the biggest thing for me was listening to other people but also trusting myself. I have a strong mind so more of listening to myself helped.

Do you think you're the good guy or the bad guy in R&B?

Who do you think I am?

I think you’re a sweetie.

I don’t wanna be the bad guy, I’m a good guy. I’m easy to deal with. I’m a sweetie, but ain’t sh*t sweet though. (Laughs)

You have a lot of ‘90s and 2000s influence in your music. Do you ever feel you might sound dated, or do you think you’re bringing new sounds into the genre?

I just think I'm bringing a whole new sound. When I was younger, someone told me if you switch up what you’re doing, someone else is going to do it and you’re going to be pissed off. Just stick with it. When I was 14, everyone was telling me I needed to make club records but I didn’t want to do it. I remember CEOs saying, “Just let Jacquees do that [what he wants,]” because it’s a clock.

I figured out how to get my records at the club without changing who I was. I remember making “B.E.D.” and finding my flow on my project 19, you know? That’s when I got my swag.

What does love look like to you right now?

I think about a family. I think about me, a girl, a kid or something, like a whole family. One day I’m going to have it. I’ll still be in the game but I’ll say, “Yeah, that’s my wife over there with our son and daughter.” I'm getting older, too. I’ve been in the game for 10 years for real, but I’ll be 25 next year and soon they’ll be a little Jacquees.

There are a lot of layers in today’s R&B, especially in the mainstream resurgence it’s had. In that, there aren’t as many young male black vocalists being pushed to the forefront. I want to know your thoughts on where you exist in the genre today.

I think there's a big wave coming back right now because even if R&B didn't die down they weren’t promoting it that heavy. Artists were making songs, they just weren’t being acknowledged on a mainstream level. I think the game is really putting R&B back on top. You know, you’ve got artists like me, Tory [Lanez], Ella Mai, H.E.R., so many people, you know what I’m saying? Of course, you had Chris [Brown], Trey [Songz], all of them but that’s when we were in school. It’s a new time, ain’t no big male R&B singers.

I think I'm the leader though, as far as males go, I think I'm the number one. You're talking about R&B young dudes who understand who goin’ [at] it, [but] who are they going to put in the front? I believe everyone will say Jacquees. They’re not rugged like me. You’ve got Jodeci and Boyz II Men. I’m Jodeci, they’re all Boyz II Men. I’m street, they’re not street like me. You can hear it in their voice. There’s a difference.

It’s no disrespect to nobody because they’re all my friends, but I still wanna be number one. If we’re playing the game and I lose, I’ll be mad as hell but I’m still a good person. I just want to win.

As you should. Everyone wants to make the best music they can–

But I ain’t no hater either. The game is like a sport. The game is like high school. I remember being at this year’s BET Awards and seeing certain singers and thinking, ‘Oh, they’re seniors.’ I knew I was a freshman, but I saw Meek and all of them thought, “He’s a senior.’ You know how it is when you walk through school in the first year. Then the second you’re like, “I’m the ni**a now.”

When I did the Soul Train Awards in November, I felt like a sophomore that everybody knew. They knew me from my freshman year, but this time I’m playing varsity.

You’ve said before you want to do this for a long time–

Yeah, I want to make music forever and it’s my choice. I want to make enough money for me to turn down shows because now, I have to take everything I get. I always tell artists, you got this much time to make this much money. Because after that, sh*t’s closed. I've seen it happen.

For me, I know I got longevity in this game because I'm an R&B singer and a lot of R&B singers have longevity if you take care of yourself, you know what I'm saying? Even rappers, you know what I'm saying? You keep that flow going, don't do no lame sh*t, you know you’re stick around.

How do you take care of yourself?

You gotta take care of your health. That's number one. Your mind and your health is your biggest thing. Keeping good people around you...stay in good spirits with me. I like to keep good people around me. I like people around me [who] make me laugh. Smile, I don't really like people around me that I got to be like, “What's going on?” I just like people who are themselves.

Stream 4275 below.

READ MORE: Tyrese, Usher And Others Reacts To Jacquees' Claim That He's The King Of R&B

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