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A Look At "Independence" For Puerto Ricans Under U.S. Colonialism

This is what “independence” means to a 2016 colony, the last colony in the world, Puerto Rico.

On July 4, 1898, in the Central Presbyterian Church of Brooklyn, the Reverend J. F. Carson read from the Holy Bible, "And Joshua took the whole land, and the land rested from war." He sermonized that "the high, the supreme business of this Republic is to end the Spanish rule in America, and if to do that it is necessary to plant the stars and stripes on Cuba, Porto Rico, the Philippines or Spain itself, America will do it." That same night, in the Presbyterian Church of Fifth Avenue, the Reverend Robert MacKenzie prophesied, "God is calling a new power to the front. The race of which this nation is the crown . . . is now divinely thrust out to take its place as a world power." Senator Albert J. Beveridge also saw a divine plan. "God has not been preparing the English-speaking and Teutonic peoples for a thousand years for nothing" he declared. "He has made us adept in government so that we may administer government amongst savages and senile peoples."

On July 21, 1898, the US government issued a press release stating, "Porto Rico will be kept. . . . Once taken it will never be released. It will pass forever into the hands of the Unites States. . . . Its possession will go towards making up the heavy expense of the war to the United States. Our flag, once run up there, will float over the island permanently." On the floor of the US Senate, Republican Senator Joseph B. Foraker declaimed, "Porto Rico differs radically from any other people for whom we have legislated previously. . . . They have no experience which would qualify them for the great work of government with all the bureaus and departments needed by the people of Porto Rico."

Note: “Porto Rico” is not a misspelling by the author of this piece. The United States in legal documents and in speeches referring to the island spelled the name wrong for much of the first 50 years that they controlled it.

This is what “independence” means to a 2016 colony, the last colony in the world, Puerto Rico.

People may be aware of the recent news that has been highlighting the Puerto Rican economic crisis, 73 Billion US dollars of debt hanging over the head of the Puerto Rican people. That is over 20,000 US dollars per person living on the island.

Currently there is a bill that was signed by President of Obama called PROMESA that was supposed to help with the restructuring of the debt for the people of the island of Puerto Rico. Here are some highlights of the bill:

–No clear path to restructuring the debt, no clear bankruptcy or restructuring protocol or procedure is outlined.

–The installation of a Financial Control Board of the island that can overrule any financial decision made and voted on by the people or governmental bodies of Puerto Rico.

–This Financial Control Board is allowed to receive “gifts”, no description on what is meant by “gifts”, on the bill though it is obvious this creates the inherent conditions for bribery.

–The people of the Financial Control Board are to be selected by the US Senate, where Puerto Rico has no voting representation at all, and approved by the President. Not a single one of these people have to have any ties to the island.

–The minimum wage of the island will be reduced to $4.25 for workers under the age of 25 on the island, a place where Cost of Living is already drastically higher than most other places in the US.

This bill obviously exerts the colonial rule of the US over Puerto Rico in 2016. But it doesn’t stop there. Other things are contributing to the miserable human and social conditions of the island.

–Puerto Ricans pay the same amount for Medicaid as any other state or US territory but they only receive 50% of the Medicaid benefits that other states and territories receive. This coupled with the economic crisis has helped contribute to the closing of hospitals and clinics throughout the island creating a health crisis on the island that is already experiencing the Zika virus scare and the possibility of poisonous gasses being sprayed on the island to kill the Zika virus at the detriment to the health of the Puerto Rican people. That gas spray is being protested by the people of the island.

–Schools are being closed and privatized due to lack of funds. University of Puerto Rico has raised its tuition again making educational attainment ever more difficult for people already struggling to meet high tuition costs.

–Public Beaches are being sold and privatized to pay for the debt. Obama also announced the “Promise Zone” which favors US developers to build resorts, entertainment, and high end real estate on the eastern part of the island.

–The U.S. Geological Survey (USGS) will no longer monitor water resources in Puerto Rico because the island’s government owes it $2 million

The slow death of Puerto Rico and the Puerto Rican people through an economic and colonial chokehold has gone mostly unnoticed and unchecked. The reason why it has gone mostly unnoticed is because most people don’t know how it got this bad or that it really is this bad. Until the debt crisis and PROMESA no one really knew anything about Puerto Rico outside maybe Jenifer Lopez and Marc Anthony. Many Puerto Ricans don’t even know the history of the island that led to these conditions. That is due to the incredible refusal of US media to cover things pertaining to the island and, until recently, a scarcity of educational resources detailing the progressive destruction and now, in my opinion, a guided gentrification of the island and slow murder of the Puerto Rican people. It would take too long for me to detail these things but if anyone is interested in taking a deeper dive read War Against All Puerto Ricans by Nelson Denis.

The similarities between the current state of Black America and the trap used to subjugate black communities through economics, gentrification and disruption of black communities, and the use of the TRAP are eerily familiar.

Don Pedro Albizu Campos once said “[US] cares more about the cage than the bird.” Our cage is physical, mental, and spiritual. Colonialism has infiltrated our very veins through the 118 years of US rule over Puerto Rico. Now as the conditions have worsened for the people on the island to a breaking point independence movements and solidarity movements have begun to take form. It will be a long and difficult road but what more could be worth fighting and dying for than Freedom? Vive Puerto Rico Libre! Jesse 'SobreViviente' Cosme

This is an excerpt from an article originally published on DreamDefenders.org.

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A new trailer for Netflix’s upcoming series on Tejano singing legend, Selena, has arrived. The streaming giant unveiled the teaser and official release for the highly anticipated Selena: The Series on Tuesday (Oct. 6).

The Grammy winner is portrayed by actress Christian Serratos, best known for her role on The Walking Dead. Standing at just over a minute-long, the teaser shows Serratos on stage while Selena’s “Como La Flor” plays in the background.

A native of Texas, the Latin singer sold approximately 30 million records world wide and remains a music icon decades after her death. Having already found success in the Latin arena, the 23 year old was on the brink of crossing over into the American music market when she was shot to death by Yolanda Saldivar, a friend and former manager of her Selena Etq. boutique. Saldivar, 60, will be eligible for parole in 2025.

Since her passing, Selena has received several accolades and honors including a posthumous star on the Hollywood Walk of Fame, a Madame Tussauds wax figure, and a MAC lipstick collection honoring her memory.

Selena: The Series debuts on Netflix on Dec. 4.

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Supreme Court Blocks Trump Administration’s Attempt To End DACA

The Supreme Court voted to block the Trump Administration's attempt to end the Deferred Action for Children Arrivals program on Thursday (June 18). The decision, handed down in a 5-4 vote, protects 800,000 DACA recipients who came to the U.S. as children, from being deported.

The SCOTUS vote delays the Administration’s potential efforts to rescind DACA versus blocking it indefinitely. The court ruling determined that a DACA reversal is not unconstitutional.

“Today’s decision must be recognized for what it is: an effort to avoid a politically controversial but legally correct decision,” Justice John Roberts wrote.

Roberts, the swing voter, joined Justices Ruth Bader Ginsburg, Elena Kagan, Sonia Sotomayor, and Stephen Breyer. The remaining Justices Clarence Thomas, Neil Gorusch, Samuel Alito, and Brett Kavanaugh, voted to rescind.

Sotomayor was the only Justice who acknowledged the argument that ending DACA was motivated by discrimination against Latinos, who make up a large percentage of DREAMers.

Former President Barack Obama, who created DACA in 2012, reacted to the SCOTUS decision on Twitter. “Eight years ago this week, we protected young people who were raised as part of our American family from deportation. Today, I’m happy for them, their families, and all of us.

“We may look different and come from everywhere, but what makes us American are our shared ideals. And now to stand up for those ideals, we have to move forward and elect @JoeBiden and a Democratic Congress that does its job, protects DREAMers, and finally creates a system that truly worthy of this nation of immigrants once and for all.”

...and now to stand up for those ideals, we have to move forward and elect @JoeBiden and a Democratic Congress that does its job, protects DREAMers, and finally creates a system that’s truly worthy of this nation of immigrants once and for all.

— Barack Obama (@BarackObama) June 18, 2020

Thursday's SCOTUS ruling hands a second blow to the Trump Administration in a matter of days. Earlier in the week, the SCOTUS voted to add a provision to the 1964 Civil Rights Acts that bans employers from discrimination based on sexual orientation of gender identity.

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Carlos Perez

Anuel AA Breaks Free

In 2015, an entourage of close to 30 men drew guns among one another during a traditional Christmas parranda in Puerto Rico. The scene turned into something straight out of a movie when a pair of gangsters clandestinely attempted to kidnap local rapper Anuel AA. After a brief scuffle and flagrant shouting match, however, the man born Emmanuel Gazmey Santiago went on to finish the evening’s holiday spree in the boisterous company of his loyal posse.

Months later, after ushering in the new year on a promising note by featuring on one of Latin trap’s first global hits – De La Ghetto’s sex anthem “La Ocasion” with Arcangel and Ozuna – someone delivered Anuel AA a divine premonition of sorts: “If you keep talking about this stuff in your songs, something really ugly is going to happen to you.”

A Puerto Rican music legend, Hector “El Father” of reggaeton-turned-son of God, paid Anuel a visit to share his foreboding message. “He and I did not know each other,” explained Anuel, who prides himself on waxing poetics about the real-life experiences Hector was concerned with, “but God spoke to him and Hector felt he needed to reach out to me. When he warned me, he said it with so much conviction that he even cried.”

Having forged a legacy of his own as one of the key trailblazing reggaeton entertainers of the ‘90s who later signed a deal with JAY-Z’s Roc-A-Fella Records, Hector – now a devoted Christian – understood life imitated art when it came to Anuel’s lyrics.

“My lyrics talked a lot about God and the devil, so when he told me that,” Anuel continued, “I knew I needed to make some changes. Those themes, good versus evil, they were my mark and what separated me from the rest.”

On April 3, 2016, just two weeks after meeting with Hector, Anuel was arrested and held in Guaynabo’s correctional institution on charges of illegal gun possession. Following his biggest musical break yet, just as he was touching the cusp of international stardom, a court judge sentenced Anuel to 30 months in federal prison without bail.

Raised east of San Juan, in the Puerto Rican city of Carolina, Anuel AA has a lot in common with many of my favorite MCs: he’s charming, resolute, and lyrically gifted, yet marred by a criminal past, complicit misogyny and the constant struggle between right and wrong. “I had no choice but to carry those weapons with me, because of the issues I had on the street,” the rapper said to VIBE Viva over the phone, while quarantined in Miami. “I thought to myself I’d rather be locked up than found dead.”

Indeed, Anuel had evaded his probable demise when he was nearly abducted and landed right behind bars months later, fulfilling a prophecy that cost him both his freedom and a flourishing start at the tipping point of trap music en Español. “I was being forced to reckon with all the bad things I had done for money in the past,” Anuel expressed, regretfully. “I started reading the Bible for the first time and realized that my talent and blessings came from God, not anywhere else.”

Anuel had begun to take music seriously around the same time his father, José Gazmey, was laid off from his coveted A&R position at Sony Music. With his back against the wall, a scrappy Anuel left home at 15 and began to engage in felonious activity to help provide for his family and finance his music endeavors.

Like many rappers on the island, Anuel was influenced by popular culture and trends on the mainland, most discernibly by contemporary trap. Anuel understood the genre’s synonymy with street life and the drug enterprise and immediately took to Messiah El Artista, a Dominican-American rapper VIBE profiled for championing Spanish-language trap music all over New York.

“I figured if Latin trap was doing well in New York, it was for sure going to pop in Puerto Rico,” said Anuel, who had signed with the Latino division of Rick Ross’ Maybach Music Group the year prior to his arrest. “I spent about a month in New York before I returned to Puerto Rico. Then I started to release all the songs I had, one by one, and they began to gain popularity.”

While artists like J. Balvin helped breathe new life into the reggaeton genre in Colombia, Anuel wanted to spearhead a movement in Puerto Rico with a sound all their own. “I recorded the ‘Esclava’ remix with Bryant Myers and it might not have taken off worldwide, but it became a huge trap song in Puerto Rico.”

Akin to the heydays of reggaeton, an Afro-Caribbean genre-fusing hip-hop and reggae that originated in Puerto Rico, trap music was considered lowbrow and was heavily criticized for its vulgarity, violence, and explicit lyrics. Puerto Rican critics and artists alike had very little faith in the music’s potential and therefore denounced it. “DJ Luian, who is like a brother to me, couldn’t understand why I wanted to put all my energy into music that none of our artists wanted to sing.”

“Reggaeton went dormant for years,” he continued. “It was necessary to make trap music, because it felt like reggaeton was stuck in another era.” A self-described student of the late and oft-controversial Tupac Shakur, Anuel thought reggaeton had reached its pinnacle and believed Latin trap would be its successor.

Songs like “Nunca Sapo,” where Anuel channels Rick Ross’ Teflon Don ethos and spits a grimy slow-tempo flow over a sinister 808-laden instrumental, helped put a face to Anuel’s little-known name in the US. On cuts like Farruko’s “Liberace,” Anuel speeds up his delivery for fun and plays on the “Versace” rhythm popularized by Migos, who all hail from Atlanta—the widely credited birthplace of trap music.

For Anuel, whose life mantra “real hasta la muerte” is now a famous hashtag, music aspirations had little to do with radio play. Anuel, 27, was largely concerned with dominating the digital space, especially while incarcerated. Despite his arrest, he continued to release music from behind prison walls while his team fed his massive following up-to-date content.

Hear This Music CEO, DJ Luian heeded what Anuel was trying to accomplish and began to work with Bad Bunny, the Latin Grammy-winning artist and star voice of the current Latin trap movement. “When I was locked up, Luian helped develop Bad Bunny and he basically became in charge of keeping trap alive while I was away,” said Anuel, who ironically came under fire recently and was accused of throwing shade at Bad Bunny for the video treatment of “Yo Perreo Sola,” in which the rapper-singer dresses in drag as a stance against toxic masculinity.

“I couldn’t believe something like this was going viral,” Anuel interrupted anxiously before I could expound on a question concerning their relationship. “It looked like it was something that was edited or put together to make my Instagram posts read that way. I immediately texted Bad Bunny about it and he was like, ‘Don’t worry, people are always going to be talking sh*t.’”

Anuel considers Bad Bunny a genius at what he does and maintains that despite not knowing each other very well, he and his fellow compatriot are friendly collaborators with a working rapport: “When he and I do a new song together, what will people say then?”

Today, the collective jury will reach a verdict upon listening to Anuel’s newly-released sophomore studio album Emmanuel, where fans will find a track titled “Hasta Que Dios Diga,” a sultry, mid-tempo reggaeton number. Fans can expect to hear a star-studded project riddled with guest features, including Tego Calderón, Daddy Yankee, Enrique Iglesias, J. Balvin, Ozuna, and Karol G, to name a few.

Discussing life during a global pandemic, Anuel spoke fondly of his partner-in-rhyme, Colombian singer-songwriter Karol G. “She’s the love of my life. She’s been there with me through the good and bad. People who really love you are the ones who stand firm by you when things are bleak. In my toughest moments, Karol was there. She’s shown me how to be a better man,” he gushed.

“Karol comes off as super feminine—which she is, but Karol also has a really tough masculine side,” Anuel laughed heartily on the other end of the line. “She rides motorcycles and likes taking them up these crazy hills. She rides jet skis too! She’s like a dude, haha. We work well together and we give each other advice all the time.”

The pair are making the most of quarantine life in South Florida, releasing a self-directed and self-shot music video for their joint single “Follow,” a reference to flirting over social media in the era of social-distancing, the idea that shooting one’s proverbial shot can lead to a budding romance.

On July 17, 2018, Anuel dropped his debut studio album, Real Hasta La Muerte, hours before he was released from jail. By September, the RIAA certified his introduction to the game platinum, garnering the attention of Roc Nation artist Meek Mill. When the Philly wordsmith released his fourth studio LP in November of the same year, followers were geeked to learn Anuel had earned himself a place on Meek’s highly anticipated Championships album with “Uptown Vibes.”

I always wanted you and anuel aa to make a track together bc i feel like he’s the meek mill of spanish trap , how was it working with him ?

— Nagga (@naggareports) December 17, 2018

“Recording with Meek Mill for me was like when Allen Iverson played with Michael Jordan for the first time,” Anuel said, singing praises about their first-ever partnership. “I’m a huge fan of Meek; when his music took off I was still in the streets, so I related and identified with a lot of the things he was saying.”

“Meek doesn’t understand a lick of Spanish,” he mused in jest, “but he’s always with a bunch of Latinos. When I speak to him he says, ‘I don’t know what you’re saying, but my Spanish [speaking] ni**as tell me you be talking that sh*t!’”

Anuel leveraged his knack for storytelling and released “3 de Abril” earlier this year, an emotional freestyle about the day he was arrested and a graphic snapshot of his trials and tribulations.

“I did things without caring about the consequences. I thought I was a man because I was street smart. Now I know what it’s like to lose everything, so I wanted to talk more about my life and the experiences of me and my family,” Anuel described the inspiration behind the song.

Following the release of “3 de Abril,” Anuel again turned hip-hop heads when he and Lil Pump shared a fiery audiovisual for their collaborative effort “Illuminati,” stamping Pump's first new song since summer 2019. This year, Anuel also has songs with Colombian pop empress Shakira (“Me Gusta”) and with the late Juice WRLD (“No Me Ames”).

Albeit Anuel and Juice WRLD never got to meet in person, Anuel learned about the Chicago rapper from listening to his singles on the radio in jail. “The same year I won Billboard Latin’s Artist of The Year award, Juice WRLD won New Artist at the American Billboard Awards. We ended up recording the song after that but held off on releasing it for a bit because he and I had respective singles coming out at the same time,” Anuel explained.

“By the time we were finally ready to premiere it, Juice WRLD had passed away. We were never able to record together in person, but at least we got to feature him on the video. I know the tribute gave his fans and family some needed strength.”

Less than 30 minutes have gone by and already I am forced to wrap my conversation with Boricua’s burgeoning superstar:

Anuel, explain “real hasta la muerte” for me. Why exactly is this mantra of yours so important? 

“I can’t betray anyone. I don’t know what it’s like to really betray someone. I’m very loyal to my circle, my family, and those I hold close to me. Being real is what keeps me humble. It doesn’t matter how much money I make or how much I accomplish. What’s critical is staying real to myself and keeping my feet on the ground. That’s what helps keep me going.”

This interview was translated from Spanish to English and has been edited and condensed for clarity.

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