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Selena: Her Living Legacy & What It Still Represents Today

Selena gave us visibility and embodied the truth that a Latinx identity is not defined solely by Spanish language acquisition…

This week the Hollywood Chamber of Commerce Walk of Fame Selection Committee announced that the late, great Tejano songstress, Selena Quintanilla-Perez, will posthumously receive a star on the Hollywood Walk of Fame in 2017. The Quintanilla family announced the news on Selena's Facebook fan page on Tuesday, and thousands of die-hard fans are out-of-their-minds excited.

Quintanilla is not the only Latinx artist that will receive a spot on the Walk of Fame in 2017: actress Eva Longoria, Venezuelan Conductor Gustavo Dudamel, and zombie apocalypse horror film director George Romero will also be recognized with their own stars for their accomplishments in arts and entertainment. While congratulations are in order for everyone who will be receiving a star next year, the response to the news about Selena Quintanilla’s award has been overwhelming and brimming with love. Over 20 years after her death, Selena Quintanilla continues to make headlines, with publications like the Huffington Post and the Los Angeles Times celebrating the news that Selena’s legacy will be immortalized forever in Hollywood.

This year has been especially busy for the Selena legacy and her fans, whose love for the Chicanx superstar has not slowed down in the 21 years since her murder in March of 1995. Many of Selena’s millennial admirers were very young when she was killed (I was three-years old), but our parents, primxs, and communities raised us on her. She was taken from us far too soon; she was only 23 when she passed, and our communities were not ready to let her go.

We grew up watching the biopic about her life, Selena, which gave J. Lo her first major leading role and set the stage for the Boricua’s future superstardom. In fact, it was a young Chicanx Selena fan, Tonantzin Esparza, who encouraged her movie-making father, Moctezuma Esparza, to produce the film about Quintanilla’s life. We were brought up listening to "Como la flor" and perfecting our washing machine. We wanted to dress like her, dance like her, and we were captivated by her smile and adorable sense of humor. Selena has had an incredible impact on hundreds of thousands of people, Latinx or not, and the reasons are numerous.

Selena was a triple threat. She could sing, dance, and design her own costumes. She served LOOKS. Every costume she designed and wore was a memorable signature and her eye for fashion was timeless—just ask Beyoncé. The designs that she created with boots, high waisted form-fitting pants, skirts, and jeweled bustiers combined her Texas roots, Latin cultural markers, and Disco flavor. The silhouettes she rocked on stage continue to influence artists today and you can see major nods to Selena’s steez in the wardrobes of Rihanna, Lady Gaga, Katy Perry, and many more. Her fashion, her music, and her flare also made her an icon in LGBTQ communities of color, a phenomenon that Dr. Deborah R. Vargas wrote about in her 2007 paper, “Selena: Sounding a Queer Transnational Latino/a Queer Imaginary". The girl had the range and she could knock out a pop tune or a love ballad with ease, passion, and intense emotion. Selena’s incredible vocal ability and tenacity made her a stand out. But it was her personality, her smile, and the way she embraced her identity and community that had us fall madly in love with her.

She's so cute with her BOY George hat on. #selenadiditfirst #Selena #queen quintanilla #selenaquintanilla #boygeorge

A video posted by Selena Quintanilla (@queenquintanilla) on

Selena was a pocha, a term that is generally used to describe a Mexican who was born in the United States and speaks Spanglish or very little Spanish. Historically used as a derogatory term, younger Latinxs have taken to reclaiming the word and recognizing it as a term of endearment and symbol of Latinx identity in a U.S. context. Selena's Spanish was far from perfect, but she owned her lexicon and her Mexicanidad with pride. A third generation pocha myself, I saw myself in Selena once I was old enough to appreciate who she was. She wasn’t a disappointment, white washed, or “less Mexican” because of her choppy Spanish. How could she be? She was the Tejano Queen! She sang in Spanish and in English. Selena was one of us, a Mexican-American, a pocha, and her rise to international, Grammy Award-winning fame marked our space in American history.

The Tejana’s experiences reflected the realities of many Chicanxs whose parents and grandparents came to the Southwestern United States prior to the 1970s, during times of intense de jure racial segregation. My father, a second generation Mexican-American and former farm worker from Bakersfield, was not raised speaking Spanish in his home because his mother and grandparents knew that a child who spoke Spanish in school or spoke English with an accent was a target for corporal punishment from teachers, or at risk of being placed in lower level educational tracks by racist school administrators.

My father grew up in California in the 1960s where he frequently saw signs in store windows that read, “No dogs or Mexicans allowed." The racism, xenophobia, and linguistic oppression that many of our parents and grandparents faced gave way to generations of Chicanxs who did not grow up speaking Spanish as a tool for survival in a cutthroat capitalist and white supremacist environment. This history of forced language loss and acculturation in immigrant communities has been generally understood and studied in academic circles, but our communities do not always have access to this information and often place much shame on pochxs without understanding our socio-historical context.

Selena gave us visibility and embodied the truth that a Latinx identity is not defined solely by Spanish language acquisition, but is the totality of one’s history, heart, and being. Although Selena and her family came up in Texas, in a racially oppressive society, she was able to hold on to her identity and her cultura in spite of generations of systemic racism. She wasn’t “less Mexican," fragmented, or broken because of her U.S. context. She was whole in spite of it. The culture lived in her, her music, and notably, her aesthetic. She sang cumbias, Disco, Tejano, and she sang in Spanish. She wore bright red lipstick, extensive acrylic nails, gold hoops, and sported long raven hair. She was an iconic femme Chicanx, and she proved that not only was there a place for women in Tejano music, but that a woman could in fact revolutionize the genre on an international level. She was a woman of color whose brilliance made her a force to be reckoned with in a machista musical genre and white supremacist, patriarchal world.

Decades after her death, Selena’s impact continues to have major reach. Her image, life, music, and brilliant personality have inspired young Latinxs and many other people of color to pursue their dreams in the arts. There are even scholars with PhDs who have studied and written about Selena’s cultural impact in peer reviewed journals. MAC recently announced that they will be releasing a line of Selena inspired makeup, including her signature red lipstick, this October. Venues in L.A. and other major U.S. cities boast regular Selena tribute nights, Selena Techno Cumbia parties, and even Selena pizza parties. Drag Queens nationwide have perfected Selena’s look and can emulate her "Bidi Bidi Bom Bom" like no other.

While I love the dedications to Selena and the way that our communities continue to celebrate her music, I am also weary of corporate exploitation of her name in death. We want the chance to remember her, celebrate her, mourn her passing, and honor her music. We want to share her art with our young primxs and future children. Selena’s star on the Hollywood Walk of Fame will serve as a physical memorial to her in Los Angeles and knowing her fan base, I anticipate that her star will be unique. Latinxs have a way of celebrating our dead that is full of love, color, and joy. I imagine that Selena fans will pay tribute to her by visiting her star, leaving her recuerdos, velas y flores.

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Sean Zanni

Swizz Beatz On Art Endeavors, 'Godfather of Harlem,' Son Painting His Nails

Swizz Beatz has already established himself a rap legend, with 20-plus years of production credits with hip-hop and R&B greats. But now, the passionate collector and curator is making just as much of a name for himself in the art world. He and his wife Alicia Keys have founded The Dean Collection, which loans pieces to museums and galleries around the world while advocating to get creators paid and introducing art to new audiences. Those endeavors continued this week, as their entity partnered with the Marriott Bonvoy and American Express for the platform, "Women In Art."

At an intimate dinner in New York City, the organizations honored Joeonna Bellorado-Samuels, director of the renowned Jack Shainman Gallery in New York City. Bellorado-Samuels worked with two artists, February James and LaKela Brown, who created two pieces that will be on display at the Dream Party event during Art Basel in Miami, Fla. Similar to his work in music, Swizz is always pulling the strings, both publicly and behind the scenes, to present valuable artists at their best.

But don't let his art endeavors make you think he's not still active in music. His 2018 album Poison was one of the year's best with collaborations with the likes of Nas, Lil Wayne, and Young Thug. This year, he's dropped weekly heat for the soundtrack of Godfather of Harlem, a new show on Epix starring Forest Whitaker as 1960s crime boss Bumpy Johnson. The songs have featured Rick Ross, DMX, A$AP Ferg, Dave East, Jidenna, Pusha T, and many more – and Swizz is overseeing them all as the executive music producer. VIBE spoke to Swizz about honoring women in art, creating a soundtrack without having finished the show, and his response to online controversy surrounding his son.

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VIBE: So what’s the occasion for tonight?

Swizz Beatz: Tonight is the announcement of the continuation of my partnership with Marriott Bonvoy and American Express with the Dean Collection. Tonight, we’re celebrating an amazing female force behind the creatives in the art world, her name is Joeonna Bellorado-Samuels. Then we have two accompanying artists that we’re celebrating that we added to the celebration, one’s name is February and the other’s name is LeKela. It’s an honor to celebrate these amazing women in art and have great partners like American Express, Marriott Bonvoy, and push the conversation forward.

The partnership first started with an interest in the Dean Collection and all the different things we’ve been doing around the world with the arts and giving back. American Express and Marriott Bonvoy felt it was a perfect opportunity to fuse the two together and make the message louder. Very organic.

Tonight, the event is honoring Joeonna Bellorado-Samuels. What made her the right choice for this?

She works with Jack Shainman, which is a very popular gallery.  Seventy percent of my collection in the past five years has been through that gallery, and she’s the person that’s behind the scenes dealing with the artists, all the phone calls and all the emails, but then also always showing up to everybody else’s events. So I thought, why don’t we celebrate the person who always celebrates? Just thought it was a great way to spotlight, give her an award, let her smell her flowers, let her know that she’s appreciated for all the work she’s done to give everybody else life in the art world.

We’re having a party called the Dream Party, which is a pajama party, and then you see the two artists designed those pajamas. Those are going to be for sale, and the proceeds go to those artists. Just thinking outside the box and having fun. I think it might be the first pajama party at Basel.

Are women recognized as they should be in the art world, or is this against the grain in that respect?

Man, there’s so much work still to be done. I think women in the art world make up three percent of the sales, so it’s our job to increase that number by any means necessary. It starts with things like what we’re doing now. Putting the spotlight and having a male, and also my wife, who’s a part of the Dean Collection, saying “let’s do something where women can feel special as well, and boost the awareness so we can try to even out the numbers a little bit, just like everything else in the world.

 

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🖤🤓 I am super thankful to have been recognized for my work in the Art community by @AmericanExpress, @MarriottBonvoy, @TheDeanCollection, and my dear friend @TheRealSwizzz as part of their platform to support “Women in Art”. This recognition means the world to me and I am excited to continue being an advocate in the art community in order to help spotlight other women creatives like the insanely talented @LakelaBrown and @FebruaryJames. I’ll be unveiling more soon at Miami Art Week with #mbonvoyamex #AmexAmbassador #ad (but I mean it)

A post shared by JØɆØ₦₦₳ bellorado-samuels (@joeonna) on Nov 15, 2019 at 3:01pm PST

You also have a talk coming up at Art Basel with Kehinde Wiley. How did that come together?

Kehinde Wiley started an honors residency called Black Rock in Senegal. We went there for the opening to support him. This talk is raising money for Black Rock. Kehinde was the first artist to officially participate in No Commissions as an established artist, even when everybody was scared to do it. Just the fact that it was going towards Kehinde, I had to support him. He’s a real brother.

A few minutes ago, I said that I’m not in the art world, and you said that I can be. For someone who’s not a collector yet and who doesn’t have the means that you have, how would you suggest they get involved?

There’s a lot of information online, there’s a lot of gallery shows. And there’s art available for people of all levels financially. That’s one of the stigmas, that art is only for rich people. That’s not the case. Art is available for whoever wants it, it’s just the scale that you want to play on at that time. Get your entry point, and it goes up from the entry point. Just like No Commissions, you can get an amazing print from an amazing artist like Swoon. That money goes toward Heliotrope, which is a foundation of helping people, for $30. There’s no excuses. But in the near future, I have my technology coming out called Smart Collection, which is going to give people an entry point on how to really get it cracking.

You ever think back to when you first started collecting and think “man, I’m at the point where I’m getting artists paid, I’m speaking to one of the greatest artists in the world at Art Basel.” How often do you think about how far you’ve come in that respect?

I reflect on where I’m at now, but I still know that I’m only just beginning. There’s still a lot of work to be done. I’m happy that I was a part of bringing African American collecting--whatever we helped do, we’re forever thankful. But it’s about all forms of art. And all colors, by the way. Art has many colors, but I see none of them. I feel like a dope creative is a dope creative. We invested heavy into African American art because we weren’t owning enough of our own culture. We have artists from all around the world in our collection. So it’s pretty balanced out. It’s been fun collecting living artists and having a relationship with them, and being able to do things like we’re doing here tonight with our partners at American Express.

You’ve done a great job with the Godfather in Harlem soundtrack songs every week. How have you been putting that together?

It’s been fun. I’ve turned every night in the studio into an event, and it allowed me to step out the box. Every week you hear a different sonic, and it sounds like it’s for the show, but the show is based all the way back then but it feels now. I just got in my zone. I’m happy with where the show is going, it’s breaking records. I’m happy to be the executive music producer.

Are you watching each episode and breaking down plots for the artists to create songs to?

I’m just playing clips, and I’m letting them write to those clips. That’s why the songs feel like they were meant for the show. No particular order. I didn’t watch the whole series yet, I watch every Sunday as a fan. I didn’t want to ruin it for myself.

In recent weeks, your wife Alicia Keys posted about your son wanting to paint his nails but being afraid of being teased in school. How is he holding up, and how do you and Alicia foster a household that can embrace creativity and feminine energy?

We let our kids have their freedom. That incident she was talking about was a one-time incident. That wasn’t something he asks to do every day. He’s four years old. He’s in the nail shop with his mom, and he’s like, “that looks cool.” That’s art to him. Us as men, now, we all put our mother’s shoes on when we were younger. We were exploring. Name one person who didn’t put their mother’s shoes on growing up. We don’t cut off the exploration and give a four-year-old a label. My son is harder than most guys I know; he’s a real serious kid, to be honest. If you look at his Instagram, he’s one of my more serious kids. But he’s also open to express how he wants to express. Although as a father I’m going to teach him things to know to protect himself, I’m also going to let him explore himself. I am who I am because I was able to explore. We just live in a world sometimes where people want to put a label on something, but you can’t put a label on a four-year-old. My wife had a great message. It probably was misinterpreted, but she meant what she said, and I stand behind what she said. I don’t have any labels on my kids.

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Lee Steffen

MK Asante's 'While Black' Docuseries Explores Being A Gifted POC In America

The bravery of the youth has been at the heart of some of the nation's most prominent organizations like the Black Power movement, civil rights movement, and Black Lives Matter, to name a few. The unparalleled courage of raw-minded young adults is uplifting, educational, and not to be ignored. One person paying attention to the shorties of the future is activist and professor, MK Asante.

Asante, author of Buck: A Memoir and It's Bigger than Hip-Hop, joined forces with Snapchat for a ten-episode docuseries titled While Black with MK Asante, produced by Snap’s joint venture with NBCUniversal, Indigo Development and Entertainment Arts, along with Main Event Media. The program explores what it means to be young, gifted and black through the lens of several young men and women who are making a radical change within themselves and their communities

"On average, over 210 million people use Snapchat daily, and 90 percent of 13-24-year-olds in America are on Snapchat, so we want to create a series that dealt with some really important and impactful issues, and deal with it where the kids are," MK Asante said during a phone conversation with VIBE. "We want to create a show that starts a conversation and empowers them on their phones. Snapchat has been a pioneer in mobile storytelling. And this series explores what it means to be young gifted and black in America."

The professor of English and film at Morgan State University spoke to us about While Black With MK Asante, lessons gleaned from kids hosting the Snap Originals series, and more.

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VIBE: The kid Nasir, who talked about being shot...the intelligence he has for being in tune with his emotions is inspiring. Many of today's young rappers are in tune with their emotions like that.  Asante: That’s my nephew. He’s 19 years old, he’s been shot. He survived all of that and makes music. In his music he tells the story, it’s a very inspirational story. He’s 19 and he’s found his purpose. And he understands why he’s here now. But he also talks about his perspective on gun violence.

Nasir talked on his own. Those weren't questions I asked him. He started on his own talking about PTSD, and what that’s like. The film crew observed that my nephew is very observant. In a way that’s noticeable. You’re dealing with someone who notices every single thing around him, behind him, in front of him, every car that rides by. Someone commented on that, and he said, "It’s PTSD. I’m aware of everything. I have to be."

Can you tell me about one of the kids you spoke with who is doing amazing work in his/her community?   Thandiwe Abdullah, she's a 16-year-old co-founder of the Black Lives Matter-Los Angeles Youth Vanguard. She helped organize, and lead a bunch of demonstrations, and a bunch of actions that ultimately lead to the overturning of racism in L.A. school policy in random police searches of kids' bags and stuff like that. We talked to her about all of these issues. You have more hope for the future because you realize that there are young people like that who get it.

Speaking of random police searches, when they use language about high crime rates in these areas, how do you combat that? It’s not an argument that we honestly heard while we were making the show, but it’s an argument that I have heard. When you look at the numbers, statistically, you realize that the great majority of African American kids are not criminals. I think the problem is that we’re really talking about perception, we’re not talking about reality. We're talking about the perception that I’m going to do something, not that I’m doing something. How do you perceive someone, and why do you perceive someone the way that you do? Why does a cop throw a 12-year-old child down to the ground and punch them? Because they do not perceive that child as a child. And that’s what we talk about in one of the episodes. It’s not about any realities that are happening. It’s really about a distortion of media, and distortion in the media and distortion over time. This isn’t new.

What did you observe while working with these gifted black kids? I observed that to be young, gifted and black in America means to remove the limitations. The young people that we feature in the show and the spirit that we want to capture is really a spirit of victory, a spirit of overcoming impossible circumstances. One of the things that I see the young people creating is a new language and with a new language comes a new reality.

The show also exposed me to lots of young people around the country, and their articulation of what they’ve been through and what they're going through and even the system was amazing, powerful. They inspired me. That’s one of the things I love about documentary-based stuff. It’s real people. I always feel like I walk away with real information.

For MK Asante, what does it mean to be a black man in America? Not having limitations. Create a new reality, a new language, and a new world. I know that sounds counterintuitive because we’re taught you can’t do this while black, you can’t do that while black. But that is not the totality of our experience.

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Gabe Ginsberg

10 Indie Artists Issa Rae’s Label Raedio Needs To Sign

Insecure star and creator Issa Rae has steamed up timelines all across social media with her trailer for the upcoming rom-com, The Photograph. But after spending much of recent years behind the camera and in front of it with her popular show Insecure and as an executive producer for Robin Thede's Black Lady Sketch Show and Rap Sh*t, she's taking a stab at the music business.

In October, the award-nominated creative announced Raedio, a joint partnership with Atlantic Records which will enable her new baby to carve out more space in the crowded entertainment industry.

“Music has always been an essential part of every project I do and working with emerging talent is a personal passion,” Rae said in a statement. “Raedio allows me to continue that work within the music industry and audio entertainment space. The Atlantic team are innovators in terms of shifting and shaping culture. I’m excited to join forces with them to discover new artists."

Her label reveal kicked off the introduction of Raedio’s flagship artist, Haitian-American singer-rapper TeaMarrr and her single, “Kinda Love.” At the Soul Train Awards this week, she introduced Teamarrr to the audience for a solid performance of the single.

Rae’s track record with spotlighting “female, independent” artists is pretty impressive. From featuring music by Saweetie to SZA to Houston’s own Peyton on her show and soundtracks, Issa has an ear for future sounds unlike anyone else in the biz right now.

With that in mind, VIBE imagines 10 indie acts that we’d love for Issa Rae to sign to her budding label and champion artistic evolution.

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Emmavie

If Issa is looking for new sounds in the “intense and sensual” department, then Emmavie is the right artist to turn to. Her rhythmic sensibilities enhance any room where lovers are looking to have a red light special moment. Much like her television counterpart, the Harrow, London original writes, arranges, and produces her own music with a mix befitting of Insecure’s vibe. Emmavie’s unique blend of electronic, R&B, and jazz on songs such as “Distraction” and “Can’t Get Over You” would play well over scenes where Molly is caught up between her would-be lovers, Niko and Dro.

Mylezia

Mylezia is considered by most underground R&B/soul lovers as the “King of the First State.” The Delaware Valley native has been recognized by her peers as a rising pop phenom with songs such as “Can’t Trust Your Smile” and “Party Of One” racking up thousands of views and streams online. Her independent success caught the attention of Meek Mill, which meant that the young sensation has not one but two cities riding for her. A nuanced performer with the radiance of a blockbuster supernova, Myleiza can be as powerful as any of today’s pop stars, while remaining down-to-earth like our favorite around-the-way-girls. Backed with an angelic voice and a long family history of singers, Issa Rae’s Raedio label would be betting on a sure winner with Mylezia.

Quiñ

Pasadena all the way down to the socks, singer-songwriter Bianca Leonor Quiñones has been a name that has rang bells around the indie LA R&B scene for some time. Better known as Quiñ (pronounced “Keen”), her song “Mushroom Chocolate” landed into lover’s Valentine’s Day-inspired date night playlists, thanks to her silky vocals and its guest star, Atlanta rapper-singer 6LACK. Her latest project, 7th Heaven, promises to up the ante with a true sense of after-hour musical adventurousness, which, judging by this, is right up Insecure’s lane.

Liza Colby

Oozing danger and sensuality are two traits that singer-songwriter Liza Colby holds in spades. As the frontwoman and lead for The Liza Colby Sound, her sexy-soul vocals are paired with gritty garage textures that make for a thumping, late-night romp. Like Insecure, Colby exerts a confident charisma that blows away the competition and attracts people who enjoy good music with a bit of a rough edge. For example “Cryin,” off the band’s Draw EP, is powerful and free, yet a bit reluctant and demure as well. It would make for a perfect pairing alongside franchise artist, TeaMarrr, whose “One Job” sounds similar in subject and tone.

Jamilah Barry

Jamilah Berry is a super-talented songstress with a strength in storytelling. Her replay-worthy 2018 EP, Salix Babylonica, placed her squarely alongside other UK R&B/soul artists such as NAO and Jorja Smith, thanks to her vocal skill and deft songwriting. Her ability to extricate emotion from inner conflict on songs like “Sunblock” and “More Than (>)” is a trait that Insecure fans have come to know and love from Issa Rae, making this Raedio connection one that would work greatly if it were to happen. With cosigns from Nile Rodgers and Roy Ayers, adding Jamilah Barry to Issa’s label roster is a soulful vibe worth clamoring for.

Yung Baby Tate

Even though 2020 is the year Yung Baby Tate will break out to the masses, Issa Rae has a chance to close by signing this ATL superstar talent. After gaining momentum in the streets with her #MegatronChallenge, bookended by her GIRLS and BOYS projects, Yung Baby Tate is setting her sights higher — and what better way to do so than be a part of Raedio? The versatile artist has explored the alternate identities of girls and women, making jams like “That Girl” and “Freaky Girl” standout amongst all the rest in the game. With Tate on board, Insecure could feature an artist who is thrilling when she’s just being herself on records.

BbyMutha

To call bbymutha “underground” is a misnomer. The Chattanooga MC, whose real name is Brittnee Moore, is a new type of role model. Her parental advisory raps advocate for women to keep fake dudes in the rearview mirror and their money ambitions in the front. Think if Tiffany DuBois was riding for working mothers everywhere set to songs like “Rules” and “Lil’ Bitch,” and you have bbymutha. Raedio could serve as a stable place for the self-proclaimed “work-from-home” mother of four and her upcoming album, Prosperity Gospel. If Issa Rae has cultivated a career where she’s been “rooting for everyone Black,” then signing bbymutha would enable her to move into her “Spooky Mutha Mansion” without begging the white man for a job.

Tiffany Gouche

Tiffany Gouche is no stranger to the music scene, having worked with or shared a stage with the likes of Masego (“Queen Ting”), Terrace Martin (“Never Enough”), Lalah Hathaway (Honestly, 2017) and more. An all-around musician, Tiffany earned everyone’s attention back in 2015 with her esteemed Pillow Talk EP. “Red Rum Melody” might be a bit dated for another sexy-sex scene between Issa and Daniel, but songs like “Dive” and “Down” could be playful and flirty songs that would turn Raedio from a boutique label into a powerhouse that creates a much-needed discussion through stirring melodies.

Joy Postell

Joy Postell is a rising soul singer from Baltimore who has already impressed music lovers with her debut album, Diaspora. Singing about self-love, self-acceptance, and self-awareness, Joy Postell packs a punch on every song she performs. Her mesmerizing vocals on “Make Believe” from Back and Forth (2019) and her advocate intonations on “Consciousness” reflect on what’s happening in her life and the world around her. Raedio’s stance as a label that empowers independent women would be emboldened with Joy Postell’s speaking-truth-to-power vibes on deck.

IAMDDB

Manchester hip-hop songstress IAMDDB is defined by her songs of women empowerment, representation, and self-acceptance—three tenets Raedio subscribes to. At only 22-years-old, Diana Debrito has, in the past few years, graduated from a local favorite into a Miss Lauryn Hill-cosigned, buzzed-about artist all throughout Britain. Her wildly popular songs like “Pause” and “Shade” mixes hip-hop, trap, and silky Afro-jazz, and has garnered over 20 million streams on Spotify. As one of Forbes’ “30 Under 30” entries on its annual list, her independent status is ripe for Raedio to bring her talents to the U.S. as R&B’s next big thing.

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