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Premiere: Jade De LaFleur Brings Colorful Vibes To Her 'Shotgun' Video

Jade de LaFleur's visual for "Shotgun" brings an 80s-inspired tone to her sensual lyrics, in which she tells a lover she plans to mix "business and pleasure" when all is said and done.

Jade de LaFleur's visual for "Shotgun" brings an 80s-inspired tone to her sensual lyrics, in which she tells a lover she plans to mix "business and pleasure" when all is said and done.

The Louisiana native, who is gearing up to released her sophomore EP in early fall, can be seen in the video serving several fashion looks from hot pants to a maxi dress while dancing her way through various colorful scenes, seamlessly matching the kaleidoscopic aesthetic of the Patrick Wimberly-produced track.

"I haven't shared a visual 'Since Smoking In My Car' in 2014, and I'm still smokin' in my car lol, so shotgun is strictly for my stoners," de LaFleur says. "I wanted the visual and aural effects of the video to parallel the song, and stay true to its authentic infectious mashup of culture and raw euphoric expectations."

De LaFluer has been hard at work promoting her sound and style, and her efforts haven't gone unnoticed. She's had the chance to work with Ro James, James Fauntleroy and Solange Knowles, the latter of whom had the Jaded musician's vocals featured on her Saint Heron compilation album.

Check out the intoxicating Jordan Riggs-directed video for "Shotgun" below.

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Premiere: ReeMarkable Turns The Lights Down Low With Sy Ari Da Kid For "VIBE"

Rapper Henree Wright, also known as ReeMarkable, is slowing things down on the sweetest of days with her new single, "VIBE."

With songwriter Sy Ari Da Kid (Future, Waka Flocka Flame) on the track, the two toy with an idea of a relationship after years apart. In addition to the love that lies beneath the games, the song also serves as a great addition to any playlist dedicated to Mary Jane. Produced by Atlanta's 8 Major, ReeMarkable takes a detour from the gritty raps heard on tracks like "Pardon Me" and "Bonnie And Clyde" and into more experimental sounds.

ReeMarkable's journey in music has been documented through her time on the series Growing Up Hip-Hop as the daughter of the late iconic rapper, Eazy-E. As his youngest child, the rapper-singer opened up about her struggles breaking into the industry and how she plans to honor her father through her music.

Recently, ReeMarkable paid homage to her father by recreating his most iconic images. Originally taken by legendary photographer Ricky Powell, ReeMarkable's take is commendable as she barely a striking resemblance to Eazy.


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I was a baby when you left this world , I have no memories, but I also don’t have any pain from your return to heaven. I am honored to be your daughter . I am the Spitting image of you and it warms me to see a legend every-time I look in the mirror. Today is a day for celebration as you would have came upon your 54th birthday . So here’s my gift to you . A shoot dedicated to simply, you . I directed this shoot and worked with a great team to capture your spirit daddy . I Love you & Happy Birthday , I hope you all enjoy . Captured by @lsfotography1 Graphics by @colourfulmula Make up by @tunchyy.marie Styled & directed by @iamreemarkable Special thanks to @vinceamani @exclusivegame , @bfflyer , @lakayb_ @thelazyhustler & All my Family Friends and Fans !! 🧡 #ripeazye EVERYONE SAY HAPPY BIRTHDAY FOR ME 🎈🎁

A post shared by ReeMarkable (@iamreemarkable) on Sep 7, 2018 at 7:14am PDT

Enjoy "VIBE" below.

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Premiere: Diamond D "Survive Or Die" (ft. Fat Joe, Fred The Godson, Raekwon) (Video)

Diamond D has already contributed much of his life to hip-hop. As a founding member for Diggin' In The Crates, a producer for some of rap's most important voices (Lord Finesse, KRS-One, The Fugees, Busta Rhymes), and a more than capable rhymer himself, he has already done more than enough for the culture we love. But thankfully, the Bronx legend has continued to make great music nearly 30 years into his career.

In the video for "Survive Or Die," Diamond D gathers Fat Joe, Raekwon, and Fred The Godson for a gritty, New York all-star record that any golden era hip-hop fan would drool over. The video was shot throughout NYC's five boroughs over four days by director Robert Mayer.

“It was an honor to work with these three dope lyricists on one song,” Diamond D told VIBE. “The fact that we are all from NYC made it that much more special.”

"Survive Or Die" appears on The Diam Piece 2, Diamond D's album from May 2019 with a staggering lineup of lyricists: Pharoahe Monch, Snoop Dogg, Talib Kweli, Erick Sermon, Elzhi, Styles P, and many more.

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Exclusive: T3 of Slum Village Announces Solo EP 'Mr. Fantastic,' Shares Single 'Relax' with IIla J, Frank Nitt

In the mid-1990s the hip hop world was introduced to the Detroit trio of Baatin, Jay Dee (aka J. Dilla), and T3 known as Slum Village with the underground rumblings from their initial underground DIY project Fantastic (Volume 1) onto their first official album, Fantastic Vol. 2. When Slum Village appeared, they marked an important transition taking the vibe of 1990s hip-hop pioneers like Pete Rock, De La Soul, and A Tribe Called Quest into the new millenium, while almost staking claim of the burgeoning sound coming from Detroit. Through the years, members would come and go, some would stay for longer than others, and others would leave us forever. It would be through the one constant of the group, T3, that the legacy would live on into a new generation of fans who would take Slum Village as-is, without the criticism from early enthusiasts that weren't always comfortable with the ever-changing aspects of the group they were passionate about.

After more than 20 years of keeping the Slum Village story alive, through all of its ups and downs, T3 feels like the name of Slum Village is in a good place to close that chapter on a positive note. Now, it’s time for T3 to step out on his own and deliver his solo project Mr. Fantastic, produced entirely by Teeko and Ruckazoid, due out on January 23 through Delicious Vinyl.

One of the aspects of the original Slum Village lineup that was overlooked at the time, but people started to understand long after, is that each member of the group contributed to the overall aesthetic of the group. With Mr. Fantastic, T3 aims to show how he specifically contributed to the sound of Slum Village while experimenting with styles we never seen from him before.

In anticipation for Mr. Fantastic, T3 has released the first single “Relax” featuring Illa J and Frank Nitt. He spoke to VIBE about taking a break from music, managing the personalities of his groupmates, and finally going solo.


Let’s talk about this new solo project Mr. Fantastic.

This is an EP with Delicious Vinyl. I put it out through them because they have history and credibility for putting out quality products. This is my first solo EP. I did stuff, but this is the first official solo EP. I wanted to make sure it came out through the right situation. I think it’s long overdue. I dedicated 20 years to just Slum Village in all forms and fashion. I just don’t want anything that is on my bucket list before I walk away from music that I saw I didn’t do.

What was the first thing that crossed your mind when you first decided to do Mr. Fantastic?

About two years ago, I had the idea in my head that it was time for me to start doing music. I had stopped doing music and shows for a while. I was online searching for new producers. I was just searching for a new feel. I came across these guys Ruckazoid and Teeko. They inspired me to want to make music. Then I found out that Ruckazoid did one of Baatin’s albums that never came out, which was incredible. I didn’t even know that when I saw him on the Internet. That connection made my connection even greater. It was like a perfect fit. It was like they knew what I wanted to hear without me even knowing these guys at all.

From a personal standpoint, how was it working with Teeko and Ruckazoid?

Those guys are creative geniuses. We had fun. We did these records over a course of a year, but when we work, it was really fast. Working with them is like working with people that know you, but we are still newly friends. It’s just a dope connection. It’s almost like how is this possible?

The first single from Mr. Fantastic is “Relax” featuring Illa J and Frank Nitt. Talk about that record.

That’s a fun record. It’s like a warm up. The concept is as Detroiters, we always feel like we have a chip on our shoulder because they are always counting us out for some strange reason. At this point, we don’t even get offended by it anymore. That makes us extra cocky sometimes because of that. It’s one of those records of us having fun and just telling people that regardless of the doubt, that we’re coming through.

There’s also a song called “Mr. Fantastic” featuring a verse from Baatin. Talk about that song.

That is my favorite record on the album. Basically, it’s a dedication to Baatin and J. Dilla. I don’t think Baatin gets enough credit. I know Dilla gets credit, but I still like to put it all together. Everybody that was in Slum Village contributed to the sound, especially in the beginning days. Doing my solo thing, I have to reintroduce people to my legacy in a different way. That’s the reason why I did this song. I just had an epiphany that I should be doing music and it was time.

What was going on in your life when you weren’t doing music or shows?

I was at the crib very domesticated. I was newly married. You have to find your inner-mojo, which is tough to do sometimes. I tell this to a lot of artists. You can lose your craft and not be able to find it for a while. You have to continue to write and produce and be creative, or you will lose it. I literally had to cut myself off of that and go into my office and just work. Inspire myself. I was used to bouncing stuff off other people. I had to dig into myself and find myself to make these records. I’m happy I’m able to do this now because I don’t need to depend on having a bunch of people to be inspired from. I can go into myself and be inspired.

What inspired you during that time and did you learn anything about yourself?

What I learned about myself is how people may perceive me. I know who I am and I know what I’m capable of, but all my people know is what I show them. When I tell people I’m doing a record and then it never comes out, then people build up this perception about you. I took that time to reflect and I didn’t want to be that type of person anymore. I want to do the things I said I was going to do. That really sparked the inspiration to become a better me.

With all the members that have come and gone through Slum Village and everybody having their own personalities, how did you try to keep all that together throughout the years?

By being very diplomatic. I would try to be the guy that would always see your side, but let’s see if we can come to a compromise. It was different personalities. With Dilla, musically, you just have to wait for him to call upon you and give you that opportunity to provide feedback. Everybody was different. I always had a vision for Slum Village musically anyways because I was always producing and writing the hooks, contributing a lot to Slum Village. So even when other people were coming into the group, people were always wondering why the sound hasn’t changed that much.

What’s the meaning behind the title of the project Mr. Fantastic?

It’s a double meaning. Fantastic is the name of the lead album for Slum Village, period. That’s what got us in the game. I’m saying I’ve been there for the whole legacy and the whole situation, so I’m saying that without saying that. I’m reintroducing myself to people just in case you didn’t know who Slum Village was, who Dilla and Baatin was. I’m doing it in a fun way but still letting people know.

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