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Indigenous Protester Crashes Kanye's Controversial Casting Call

"You ain't slick, Ye." 

Kanye West recently took to Twitter and issued a casting call for "multiracial women only" in his Yeezy Season 4 collection at this year's New York Fashion Week (NYFW). Due to its wording, the request garnered protests, not only online, but also in real life.

Never mind the laughable "reverse racism" belted out by Anglos, a significant part of the backlash came from women of color who chin-checked Mr. West for subscribing to the toxic ideology that dark-skinned women do not meet traditional—or Eurocentric—beauty standards.

One Indigenous woman, presumably from Lakota, arrived at Ye's casting in quite a timely fashion. Babyscumbag, as she refers to herself in the viral universe, showed up topless and in full protest mode, emphatically calling out Mr. West's hypocrisy and the fashion industry's inherent colorism with a giant poster that read: "Multiracial only = Lightskin only. You ain't slick, Ye." At the bottom of said poster, Babyscumbag quoted Kanye saying, "We call them mutts," which the Chicago rapper said of multiracial women in a 2006 Essence interview.

Soon thereafter, the brazen objector (whose bare torso read, "They want black features, not black girls") took to Tumblr to further address Mr. West's problematic implication:

This is an indictment of not just Yeezy but the entire fashion and beauty industry in which there is a racialized hierarchy of beauty which is a ubiquitous symptom of the legacy of colonialism. This is a protest of a pervasive and dangerously toxic Ideology not Individuals. Regardless of whether Yeezy does choose to include darkskinned women in the end, the coded language of the casting call was clear and a part of a broader problem of colorism in the fashion industry.

Beyond Yeezy’s casting there are hundreds of castings for this upcoming NYFW going on where thousands of models are all hoping for a chance to walk down a runaway and for Black girls, the chances of being one of these girls is alarmingly slim and those chances go down depending on the deepness of the color of your skin. This casting call for “Multiracial ONLY” (not MULTIETHNIC which would still be fetishization) asserts that Black can only be beautiful when “MIXED” with another RACE. There is a history of wanting to dilute the Blackness of one’s children because of the longstanding stigmatization of Blackness.

On Wednesday (Sept. 7), prior to the roll out of the Yeezy Season 4 collection, Mr. West addressed the casting call controversy in an interview with Vogue. “How do you word the idea that you want all variations of black?” West posed. “How do you word that exactly?”

Read Babyscumbag's full letter, here.

 

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Cardi B performs on day 1 of Music Midtown at Piedmont Park on September 14, 2019 in Atlanta, Georgia.
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Cardi B's Latest Freestyle Fuels Anticipation For Sophomore Album

Cardi B is sparking more anticipation for her next album thanks to her latest freestyle. On Monday (Nov. 19), the rapper dropped some bars on Instagram to hold fans over until the release of her sophomore project.

"Just a little something something... hair on healthy," she captioned the freestyle over Cam'ron's classic track, "357." Keeping it natural and raw, the Bronx native posts up in front of Cap'n Crunch and a Costco box full of Vienna sausages to drop her freestyle about the wins and losses she's taken this year.

"I be in the mansion, you be in my mentions / I came right out the trenches to the top of the charts / Lost friends on the way / This s***t is breaking my heart / 'Bout 30 seconds in I'm like where do I start / I don't act I'm a hustler just playing my part,"  she spits.

If anything, this can be a hint to fans that she's gravitating back towards her hip-hop roots, an element heavily heard on her debut album, Invasion of Privacy. In a recent interview with Billboard, Cardi talked about her new album and curiosities about its direction.

"There's certain music that I want to do, but I feel like, [are] people interested in that? I feel like things have changed. It's more like a twerk sound going on right now," she said. "It's just like, 'Should I just do my music around that?' But I cannot just go with what's hot. I still gotta go with what I want to do."

Cardi has no problem adapting to popular music. She's worked with the likes of Selena Gomez on DJ's Snake's "Taki Taki" with Ozuna in 2018 and took her guest spots to another level in 2019 by working with Ed Sheeran ("South of The Border"), Lil Nas X ("Rodeo") and French Montana ("Writings On The Wall"). She also dropped a show-stopping video for "Press" over the summer.

But at the end of the day, Cardi's new music is coming first. "My album is on my mind 24/7,"she said. "It's practically all I'm focusing on."

Enjoy her freestyle (and sleek blowout) below.

 

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Just alittle something something ......hair on healthy.

A post shared by Iamcardib (@iamcardib) on Nov 18, 2019 at 6:55pm PST

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Love To See It: DaniLeigh Choreographed DaBaby's Extraordinary "BOP" Video

Nearly reaching 10 million views in a matter of days, DaBaby's "BOP" music video teaser has A-1 editing, hilarious characters (recorder guy) and perfect choreography. As it turns out, we have DaniLeigh to thank for the rapper's smooth dance moves.

The singer-songwriter teamed up with choreographer Coach Cherry to share her eclectic dance style with the buzzing rapper. "BOP" dropped Friday (Nov. 15) as "BOP on Broadway" with a bevy of dancers taking part in the one-shot style video. Directed by Reel Goats, the teaser feels like the full music video for the single thanks to the three different dance flows including a surprising set by the iconic Jabbawockeez.

DaniLeigh's influence can be felt throughout the video thanks to her signature moves. With her own video reaching 100 million views on YouTube, the singer continued her winning streak with the remix for "Easy" featuring Chris Brown.

The video earned her a Soul Train Music Award nomination for "Best Dance Video" and inspiration for lovers of dance challenges. The Dominican-American might look familiar to many thanks to her contribution to the infamous #InMyFeelings challenge where she managed to hop and bop out of moving car. Ironically, the "Lil Bebe" singer started her career as a backup dancer for the likes of Nelly Furtado and Pharrell. She also choreographed and wrote the treatment for Prince's visuals for "Breakfast Can Wait."

"He wanted it really big in the dance industry so from there, I held auditions and did this video on my own," an 18-year-old Dani told VIBE in 2013. "It's crazy and hard to believe but it was great."

Dani recently released "Cravin" featuring G-Eazy and dropped her debut project The Plan late last year.

Check out the visuals to "BOP" below.

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Netflix Drops Preview Of 'Selena: The Series'

In a video that has amassed over 62,000 views since its Nov. 12 debut, Netflix posted a sneak peek into its upcoming Selena: The Series—Part 1. Within the 60-second clip, viewers witness actress Christian Serratos as the Tejano legend, preparing for a performance in one of Selena’s most iconic outfits.

Serratos has starred in hit series like The Walking Dead, Twilight, American Horror Story: Murder House, and more. In a statement published by Deadline, the show's production company Campanario Entertainment and its president/co-founder Jaime Dávila, praised Serratos for stepping into the "Dreaming Of You" singer's shoes.

“Selena is an inspirational figure who’s transcended generations. At Campanario, we’ve always known it was crucial for this series to find actors with the right mix of talent, charisma, and passion to honor Selena’s legacy and the story of her family,” said Davila. “Our casting director Carla Hool and her team have found an amazing cast to depict the Quintanilla family, and we’re sure fans everywhere will be captivated yet again by Selena’s incredible life.” On March 31, 1995, Selena was murdered, sparking a wave of tributes and films, such as 1997's movie starring Jennifer Lopez as the iconic vocalist.

The program, which chronicles Selena's life and career, is slated to premiere in 2020 with six hourlong episodes. Watch the preview above.

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