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A Definitive Track Ranking Of Lil Kim's 'Hard Core' Album

To celebrate its 20th anniversary, we dissect her debut album and list the songs from least impressive to most undeniable.

It can be argued whether 1996 is the greatest calendar year in hip-hop history, but what cannot be debated is its distinction as the most blockbuster year in rap history. From tenured legends to talented upstarts, it seemed as if a new classic album, artist, personality, or one-hit-wonder was being introduced to the rap populist daily, but one of the most lasting occurrences of 1996 was the rise of the female rap star. Women in rap were far from an anomaly, with early acts like The Sequence and Roxanne Shante having already led the charge during the early '80s, and golden era acts like MC Lyte, Queen Latifah, Salt-N-Pepa, and others making their own contributions to hip-hop culture and the music which drives it. The early '90s would continue to spawn more ladies rocking the mic, but 1996 would see a changing of the guard with Lil Kim's arrival and debut release of Hard Core.

By the time 1996 rolled around, rap fanatics were already familiar with Lil Kim's charismatic nature. She made her first appearance on Notorious B.I.G.'s Ready to Die, and emerged as the breakout star of the deceased Brooklyn heavy collective, Junior M.A.F.I.A., via electric performances on singles "Player's Anthem" and "Get Money." However, Hard Core's release in November of that year would serve as her official coronation as rap's new queen pin, not to mention one of its more endearing stars, despite gender. Led by the hit singles "No Time" and "Crush On You," as well as the star-studded remix to her album cut, "Not Tonight," Hard Core peaked at No. 11 on the Billboard 200 and was certified double platinum by the RIAA, with more than 5 million copies sold worldwide, making it the most successful release from a female rapper at the time.

Lil Kim's career would continue to blossom after its release, as she would ascend to icon status within the course of a decade. Hard Core remains her magnum opus and a definitive body of work. To celebrate its 20th anniversary, we dissected the album and ranked the songs from the least impressive to the most undeniable.

Where does your favorite track land?

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11. F**k You

First appearing on Junior M.A.F.I.A.'s 1995 debut, Conspiracy, group members Trife and Larceny back up the First Lady of their clique on Hard Core's final track, "F**k You." Produced by Chris "Cornbread" Cresco, the song includes a verse by Lil Kim - who gets off clever lines like "The Anne Klein sporting coke, snorting niggas lovely/I keep my pu**y Fresh like Doug E.; watch the show" - sandwiched in between stanzas from Trife and Larceny, the latter of whom delivers an interesting 16 of his own that certainly creates cause to pause. One of the more strenuous listens on Hard Core, "F**k You" is a stark contrast from the other tracks on the album.

10. M.A.F.I.A. Land

A vivid tale of criminality gets spun on "M.A.F.I.A. Land," a brooding number that sees Lil Kim playing the role of a femme fatale that rises in the ranks of her crime bosses faction. Breaking down her position within the family with the lines "Where life's initiated, ain't no givin' it back/Once you in it, like Bennett, you'll soon be lieutenant/Like me, the Don Juan, that's Yvonne/The sweat-a the money getter, coppin' mad Jettas," Kim details shootouts, drug deals gone bad, and lost casualties of war with the precision of a seasoned wordsmith. Produced by Faraoh, "M.A.F.I.A. Land" is a praiseworthy display of storytelling and a testament to Lil Kim's ability to deliver focused, conceptual cuts with a more racy fare.

9. Spend a Little Doe

Few things are worse than a woman scorned and Lil Kim lends credence to this truth on the Hard Core standout, "Spend a Little Doe." Opening with a brief skit in which Kim confronts a lover about his lack of financial and emotional support during her three-year prison sentence, the Brooklyn diva has a score to settle and proceeds to vent her frustrations and disappointments before exacting revenge on her unloyal partner in crime. Produced by Ski Beatz, who utilizes snazzy piano to do his bidding, "Spend a Little Doe" is a solid offering that shows Lil Kim in a rare state.

8. We Don't Need It

"How you spell cash? C's and some hash/At last, a nigga kickin' game full blast," Lil' Cease raps on the Hard Core posse cut, "We Don't Need It," which also sees Junior M.A.F.I.A. member Trife matching wits with Lil Kim. Lil' Cease bats lead-off with a serviceable 16 but is bested by his sister in rhyme, who lays down a stellar string of couplets of her own, with Trife rounding out the proceedings. Featuring an infectious call-and-response chorus, "We Don't Need It," which was originally included on the soundtrack for the 1996 flick Sunset Park, is an entertaining battle of the sexes that serves as one of the sleeper cuts on Hard Core.

7. Dreams

Taking a page out of the book of Christopher Wallace, who once infamously shared his "dreams of fucking an R&B bitch," Lil Kim crafts a cut dedicated to the R&B stars she lusts for in the form of the Hard Core tune, "Dreams." Produced by Prestige - who makes use of a rollicking electric guitar and kicks and snares for his boardsmanship - "Dreams" includes mentions of everyone from R. Kelly, D'Angelo, and Case, as well as Prince, who gets a private invitation to partake in the Queen Bee's groceries.

6. Crush On You

The casual fan may be more familiar with the radio version of Lil Kim's classic single "Crush On You," on which she rhymes on the song's second and third verse. But after not being able to record her verses before the debut album release, Hard Core was submitted with a version featuring Lil' Cease. While that may have been a bummer to many fans expecting to hear the Queen Bee after copping the CD or cassette, Lil' Cease is able to hold down the fort, accounting for Kim's missing portions with bars of his own that display his charisma and presence.

5. Drugs

One of the records in Lil Kim's catalog that remains criminally underrated is the Hard Core album cut, "Drugs," a cut that sees the Brooklyn china doll minimizing the dirty talk and getting gutter with the flow. Produced by Fabian Hamilton - who hooks up a sample of Soul Mann & The Brothers Shaft contribution "Bumpy's Lament" - "Drugs" includes an appearance from The Notorious B.I.G., who tackles the hook duties in admirable fashion, resulting in a duet of sorts between the mentor and the mentee.

4. Not Tonight

Hardcore gets the So So Def treatment, as Lil Kim links up with Jermaine Dupri for "Not Tonight," one of the album's finest - and raunchiest - offerings. With J.D. lacing the beat, which features elements of George Benson's "Turn Your Love Around," Lil Kim proceeds to admonish and chide lackluster lovers, demanding that they perform cunnilingus to compensate for their subpar sexual prowess. Giving multiple accounts of feeling unsatisfied and in need of stimulation, Lil Kim flips the tables on the men who covet her sexually by becoming the aggressor and dominant figure in her encounters with men, making for a classic tune for the general rap fan, and an empowering record for the ladies.

3. Big Momma Thang

"I used to be scared of the dick/Now I throw lips to the shit, handle it like a real bitch," Lil Kim shamelessly admits on "Big Momma Thang," Hard Core's explosive opening selection. Produced by Stretch Armstrong of the legendary underground rap radio show Stretch & Bobbito, "Big Momma Thang" is one of the most instant songs from the album aside from its singles, if only for those iconic opening bars by Lil Kim that shocked the world. Featuring a pre-fame Jay Z, who jokingly attempts to put the charm on Kim asking, "How B.I.G. and 'Un' trust you in the studio with me/Don't they know I'm tryin' to sex you continuously," and threatening to "Pull a high power Coup make you jump ship/Leave who you wit', I'm with the Roc-A-Fella crew." "Big Momma Thang" sees the rap game's Pam Grier making an entrance of her own design, effectively kicking off one of the greatest long players of the mid-'90s.

2. No Time

In October of 1996, weeks before the release of her solo debut album, Hard Core, Lil Kim unveiled the LP's Puff Daddy assisted lead single, "No Time," which saw Kim officially step out on her own, fully commanding the spotlight in the process. Puffy, who provides the brash hook declaring "I got, no time for fake ni**as/Just sip some Cristal with these real ni**as/From East to West coast spread love ni**as/And while you niggas talk sh** we count bank figures" plays hypeman as Lil Kim basks in all of her glory throughout the three verses. Rapping "I Momma, Miss Ivana/Usually rock the Prada, sometimes Gabbana/Stick you for your cream and your riches/Zsa Zsa Gabor, Demi Moore, Prince Diane and all them rich bitches," the Queen Bee left little question as to who was next in line to wear the crown of rap's "it" girl, a title she would defend throughout the subsequent decade. Peaking atop Billboard's US Rap Songs chart and at No. 9 on the Hot 100, "No Time" was a smash hit and has gone on to become one of the definitive recordings of her career.

1. Queen Bi**h

Hard Core may be arguably regarded as the most influential rap album by a woman in the history of the genre largely for its liberating subject matter, but what actually makes the album a certified classic is the superior lyricism displayed on it. The album's most riveting selection, "Queen Bi**h," sends this sentiment home, as Kim flexes all over the Carlos "6 July" Broady and Nashiem Myrick co-produced soundscape masterpiece. Spitting "If Peter Piper pecked em, I bet you Biggie bust em/He probably tried to f**k him, I told him not to trust him/Lyrically I dust em off like Pledge/Hit hard like sledge-hammers, bi**h with that platinum grammar," Lil Kim sets it off, navigating nimbly over a sample of Roberta Flack's "Hey, That's No Way to Say Goodbye," while The Notorious B.I.G. provides reinforcement and drops a few bars of his own. Addictive enough for R&B singer Mary J. Blige to sample the track for her Lil Kim-assisted hit single, "I Can Love You," "Queen Bi**h" stands as Hard Core's shining moment and the definitive deep cut in the Queen Bee's catalog.

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Saba's Rhymes Mean A Lot But John Walt Day Means More

“Act like ya’ll know, man. This a holiday,” boasted Frsh Waters, the co-founder of Chicago collective Pivot Gang and the opener of the second annual John Walt Day concert. It's Thanksgiving weekend and while families are gathered around the dinner table, lovers and supporters of Pivot Gang–comprised of Saba, MFn Melo, Waters, SqueakPIVO and a few more–filled the spaces of the city's Concord Music Hall to keep up a holiday tradition of their own.

With a newly-grown fro, Waters enters the stage with no introduction, a contrast from initial mic stand-clasping nervousness during the inaugural John Walt Day, launched at House of Blues Chicago in 2017. Walt Jr., the cousin of Saba, was killed last year and is the sole inspiration for the rapper's John Walt Foundation that brings the arts to children in the city.

The concert is a resounding tradition that his Pivot Gang brothers don’t plan to break anytime soon, with anticipation flooding the city each Thanksgiving weekend and a simultaneous celebration of Walt’s birthday on November 25th. The concert is just a piece of the loving puzzle Saba, Waters and the rest of the group created to keep his legacy alive.

With repeated crouching and soulful backing by Chicago band, The Oh’My’s, Waters regained balance after kneeling on an uneven speaker, referring to the crowd as "Church,” a christening that he echoes on the ending of "GPS" a feature from Saba’s well-received debut album Bucket List Project.

 

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Happy 26th @dinnerwithjohn Long Live my niqqa Johnny 📷 @bda.photo

A post shared by Westside Cat (@frshwaters) on Nov 25, 2018 at 11:37am PST

Saba may have dropped the stellar sophomore project, Care For Me this year, but the continuation of John Walt Day means more. Sold out for its second year in a row with 1,400 in attendance, Pivot Gang house-DJ Squeak Pivot blares "Scenario" by A Tribe Called Quest as the crowd multiplies before his booth. Avid fans gather in all creases of Concord Music Hall, especially on the second floor, where a merch stand resides exclusively for John Walt items. A haloed painting of Walt (or DinnerWithJohn as listeners knew him best), sits next to an assortment of buttons and t-shirts, as a guest brings a newly finished painting of Walt to the show.

Between sets, the crowd roared for cuts by Chicagoans Ravyn Lenae and Noname, who’s Room 25 track "Ace" is cut abruptly before MfnMelo takes the stage. With orchestration by Care For Me co-producer Dae Dae and harpist Yomi, Melo flowed through "Can’t Even Do It" and briefly spoke to the crowd about Thanksgiving, inviting attendees with leftover pies to meet him after the show.

Strutting to Ariana Grande's kiss-off anthem "thank u, next," The Plastics EP rapper Joseph Chilliams poses freely, cloaked in a light pink teddy bear coat. “I made this song because there aren’t a lot of black people [in Mean Girls]. I realized that the fourth time,” Chilliams joked before performing "Unfriendly Black Hotties."

Joined by four-year-old Snacks Pivot, John Walt’s mother Nachelle Pugh pinpoints her nephew’s curiosity of joining his older cousins Saba and Joseph Chilliams as their miniature hype-man.

 

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John Walt Day It didn’t even feel real, so much love in the room. For the encore they usually yell the artist name or one more song or something like that. But on this night they yelled “LONG LIVE JOHN WALT”. I wish this could be everyday. I wish I could play you this new shit we just did. I wish you were here. Love you @dinnerwithjohn look at this coat” lmao 💗💗💗💗 📸 by my shooter @notryan_gosling

A post shared by Joseph Chilliams (@josephchilliams) on Nov 26, 2018 at 3:29pm PST

“It’s like Walter jumped into his body and he’s coming back through this kid," she said of the toddler's enthusiasm. "He’s studied Saba, he’s studied Joseph, and he’ll say 'Auntie, can I use your phone?' So he’d use my phone and watch the boys’ videos on YouTube. Joseph is a person that the kids look at and say ‘He’s so fun,’ and [Snacks] wants to be like him. Everything that they do, [Snacks] is studying them.”

Pugh credits Young Chicago Authors for sparking her son’s musical pursuits, with guidance by poet Kevin Coval. “Kevin mentored him until the day he passed. I really love and respect someone that can just work with kids and give them a place to express themselves creatively,” Pugh said. “Working towards a goal of creating something that I know [Walt] wanted to do, and to help others in the same token, that gives me a sense of accomplishment.”

The stage then transformed into a resting kitchen with illuminating lights on the bottom of side-by-side counters, with Care for Me co-producers Dae Dae and Daoud behind their respective keyboards. Once settled, Saba rushed the stage to perform "Busy," with a special appearance by singer theMIND. The pulse of the venue throbbed as Saba took brief pauses to talk intimately to the crowd. “I lost a lot of people close to me,” he said. “A song like "Stoney" is such a celebration of life. It’s crazy to think how long ago that sh*t was. John was still alive.”

As Saba diverted into memories of Walt’s life, Nachelle recalled the album listening event for Care For Me. “Saba wouldn’t let me listen to it. He didn’t even tell me that he was working on it until it got really close [to the album’s release]," she said. "Then, he warned me about "Prom/King." I think he was thinking about letting me listen to it by myself at first, but then he thought about it like ‘Nah, I’m not gonna do that while she’s by herself, let me just let her listen to it while she’s with everybody else.’ That was an easier way to break it to me, so I wouldn’t really break down.”

Saba capered into "Prom/King," but performing the heart-tugging ode to Walt was a first, even after embarking on his 2018 Care For Me tour.

“I didn’t know he was gonna do that. I didn’t think that he’d ever be able to do that. I don’t think he thought he’d be able to do that,” Pugh explained. “I don’t know if anybody captured the expressions, but I think he was in tears and he was just fighting through it. We went through this fight together on the day we found out what happened with Walt. When he got finished, he sat down, turned around and he looked at me and I’m like 'We did it.'”

Even with "Prom/King" being the most grief-stricken track on Care For Me, Nachelle revealed that the most poignant song about her son was "Heaven All Around Me," realizing the message just months after the album’s release. “I was like, 'Walter wrote that song through Saba,' she said. "That’s the song that gets me the most off Care For Me. I don’t think [Saba] intentionally did so, but it just put so much power behind "Prom/King" because you see what happened. He told a story.”

The storytelling of Walt’s legacy was fulfilled throughout John Walt Day, from Joseph Chilliams doing a comedic, warbled rendition of "Ordinary People," Walt’s favorite song to play on the aux cord, to the entire Pivot Gang reuniting to perform their ensemble track "Blood" for the first time. Walt’s presence was unwavering, with remaining Pivot Gang members continuing to carry his eternal flame.

“This year’s show, the passion was a little bit stronger, because at the time we did last year’s show, I think we were all still in denial, like 'We’re gonna wake up from this dream’ type of thing.' Pugh said. “I think we accepted the fact that [Walt’s] not coming back. They wanted to go as hard as possible because they were doing this for him.”

 

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JOHN WALT DAY was so beautiful. We gotta find a bigger venue for next year. I made so many new friends. Pivot tape up next 💪🏽🔥

A post shared by Joseph Chilliams (@josephchilliams) on Dec 1, 2018 at 5:15pm PST

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15 R&B Songs We Obsessed Over Most In 2018

Hip-hop may have become the Nielsen Music-declared most dominant music genre, but let's not overlook the strides R&B (including all its many sub-genres and cousin genres) have taken on the airwaves and within the culture in this year alone.

While persistent naysayers keep peddling the tired argument that "R&B is dead," the most recent news cycle has proven the exact opposite, as talks of a supposed King of R&B dominated discussions both on- and offline. Jacquees' lofty declaration notwithstanding, there's no denying that there are ample songs swimming around the 'Net from talented vocalists killing it within the genre.

For those looking to satiate rhythm and blues earworms—and in no particular order—VIBE compiled a list of the 15 bonafide R&B songs of 2018 (or at least ones that fall within the genre's orbit) that pulled us into our feelings each and every time we pressed play.

READ MORE: Let Jacquees Tell It, He’s The Jodeci Of This R&B Game

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Let Jacquees Tell It, He’s The Jodeci Of This R&B Game

Rodriquez Jacquees Broadnax doesn’t want to be the bad guy of R&B. He says this with a sinister, yet warm smile. With year-end debates taking over social circles, Jacquees wants all the flowers for his glowing debut, 4275. “I ain't never had a year like this, I got one of those careers and lives that keep going like this,” he says, as he raises his iced out wrist to draw his progression. “It keeps going up, my sh*t just keeps going up.”

At 24 years old, the singer knows a thing or two about the ever-changing genre. Nearly half of his life has been dedicated to music, specifically to quiet storm-like sounds that now take on new meaning in our adult love lives. He’s hibernated under the radar for some time with his 2014 debut EP 19 and released gentle falsettos and big name features with Chris Brown, Ty Dolla $ign and Trey Songz along the way.

But between his accolades, he’s been condemned for his favorable “Quemix” of Ella Mai’s “Trip” and now, his self-proclaimed status of “The King of R&B” for his generation.

"I just wanna let everybody know that I'm the king of R&B right now," Jacquees said in an Instagram post on Sunday (Dec. 9). "For this generation, I understand who done came and who done did that and that and that, but now it's my time. Jacquees, the king of R&B.”

R&B artists like J. Holiday and Pleasure P shared their two cents on the matter while the game’s most elite like Tank, Tyrese and Eric Bellinger dropping stacks of knowledge on the gift of consistency, respect, and talent. But Jacquees has these things and then some with legends like Jon B., Donell Jones and Jermaine Dupri in his corner. Despite quick reactions from his peers, Jacquees is confident in nature and proud of his space in the game.

“I think I'm the leader though, as far as males go, I think I'm the number one,” he tells VIBE, just days before his “King of R&B” comments went viral. “You're talking about R&B young dudes who understand who goin’ [at] it, [but] who are they going to put in the front? I believe everyone will say Jacquees.”

Jacquees’ music is just a branch of what R&B has evolved into. Over the years, artists like SZA, H.E.R., Daniel Caesar, The Internet, Miguel and many more have flipped the genre on its head by churning out music that not only speaks to the soul, but to their vocal abilities. Successful R&B records aren’t confined to rap guest verses and traditional instruments now take center stage. But Jacquees sits in an interesting space seeing as his style caters to a grey area of folks who just heard their first Monica album yesterday and now appreciate a good nayhoo like the rest of us.

With hopes to release his sophomore album in February 2019, Jacquees chats with VIBE about his confidence, making 7275 and why he’s the perfect leader for R&B today.

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What have you learned about yourself as a human and an artist in 2018?

Jac

quees: This was my biggest year. I made the most money I’ve ever made. I dropped my album and was able to take care of my family. I ain’t never had a year like this and I thank God for that. I got one of those careers and lives that keep going like this, (slowly raises a hand to the ceiling) It keeps going up, my sh*t just keeps going up.

I think I learned about my whole self in 2018. Being that it was my biggest year, I went through a lot of stuff personally, but I think the biggest thing for me was listening to other people but also trusting myself. I have a strong mind so more of listening to myself helped.

Do you think you're the good guy or the bad guy in R&B?

Who do you think I am?

I think you’re a sweetie.

I don’t wanna be the bad guy, I’m a good guy. I’m easy to deal with. I’m a sweetie, but ain’t sh*t sweet though. (Laughs)

You have a lot of ‘90s and 2000s influence in your music. Do you ever feel you might sound dated, or do you think you’re bringing new sounds into the genre?

I just think I'm bringing a whole new sound. When I was younger, someone told me if you switch up what you’re doing, someone else is going to do it and you’re going to be pissed off. Just stick with it. When I was 14, everyone was telling me I needed to make club records but I didn’t want to do it. I remember CEOs saying, “Just let Jacquees do that [what he wants,]” because it’s a clock.

I figured out how to get my records at the club without changing who I was. I remember making “B.E.D.” and finding my flow on my project 19, you know? That’s when I got my swag.

What does love look like to you right now?

I think about a family. I think about me, a girl, a kid or something, like a whole family. One day I’m going to have it. I’ll still be in the game but I’ll say, “Yeah, that’s my wife over there with our son and daughter.” I'm getting older, too. I’ve been in the game for 10 years for real, but I’ll be 25 next year and soon they’ll be a little Jacquees.

There are a lot of layers in today’s R&B, especially in the mainstream resurgence it’s had. In that, there aren’t as many young male black vocalists being pushed to the forefront. I want to know your thoughts on where you exist in the genre today.

I think there's a big wave coming back right now because even if R&B didn't die down they weren’t promoting it that heavy. Artists were making songs, they just weren’t being acknowledged on a mainstream level. I think the game is really putting R&B back on top. You know, you’ve got artists like me, Tory [Lanez], Ella Mai, H.E.R., so many people, you know what I’m saying? Of course, you had Chris [Brown], Trey [Songz], all of them but that’s when we were in school. It’s a new time, ain’t no big male R&B singers.

I think I'm the leader though, as far as males go, I think I'm the number one. You're talking about R&B young dudes who understand who goin’ [at] it, [but] who are they going to put in the front? I believe everyone will say Jacquees. They’re not rugged like me. You’ve got Jodeci and Boyz II Men. I’m Jodeci, they’re all Boyz II Men. I’m street, they’re not street like me. You can hear it in their voice. There’s a difference.

It’s no disrespect to nobody because they’re all my friends, but I still wanna be number one. If we’re playing the game and I lose, I’ll be mad as hell but I’m still a good person. I just want to win.

As you should. Everyone wants to make the best music they can–

But I ain’t no hater either. The game is like a sport. The game is like high school. I remember being at this year’s BET Awards and seeing certain singers and thinking, ‘Oh, they’re seniors.’ I knew I was a freshman, but I saw Meek and all of them thought, “He’s a senior.’ You know how it is when you walk through school in the first year. Then the second you’re like, “I’m the ni**a now.”

When I did the Soul Train Awards in November, I felt like a sophomore that everybody knew. They knew me from my freshman year, but this time I’m playing varsity.

You’ve said before you want to do this for a long time–

Yeah, I want to make music forever and it’s my choice. I want to make enough money for me to turn down shows because now, I have to take everything I get. I always tell artists, you got this much time to make this much money. Because after that, sh*t’s closed. I've seen it happen.

For me, I know I got longevity in this game because I'm an R&B singer and a lot of R&B singers have longevity if you take care of yourself, you know what I'm saying? Even rappers, you know what I'm saying? You keep that flow going, don't do no lame sh*t, you know you’re stick around.

How do you take care of yourself?

You gotta take care of your health. That's number one. Your mind and your health is your biggest thing. Keeping good people around you...stay in good spirits with me. I like to keep good people around me. I like people around me [who] make me laugh. Smile, I don't really like people around me that I got to be like, “What's going on?” I just like people who are themselves.

Stream 4275 below.

READ MORE: Tyrese, Usher And Others Reacts To Jacquees' Claim That He's The King Of R&B

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