Just_Blaze_Jay_Electronica
Getty Images

Just Blaze Describes Jay Electronica's Album As "Ethereal"

The legendary producer shared his favorite Kanye album, tips on producing and more during his "Ask Me Anything" with Reddit. 

Legendary producer Just Blaze gave fans an update of sorts on Jay Electronica's album, his infamous battle with Swizz Beatz and more treats for Reddit's "Ask Me Anything" series on Wednesday (March 15).

When he's not being praised as the game's top producer, the New Jersey native has become the go-to for any updates of Electronica's fawned over project. When fans asked him to describe the album, Blaze provided a familiar answer. "Jay's album... ethereal," he said. "No other way to describe it." In the past, Blaze has confirmed the album's completion but also suggested the rapper may not need to release it. "He believes his train is running on schedule and you know what, maybe he doesn’t need to drop an album," he told Day 1 Radio in 2015.  The album exists. I’ve got it right here in my pocket.”

Continuing his AMA, he explained the vision behind his crates of hits with Jay Z, Kanye West, Fabolous and more. "I just make music for people's lives," he said. "I don't worry about the "club" or "radio." If the music ends up there, great, if not, I'm fine with that. As a producer, you have to bring out the best in the artists, writers, and musicians that you work with. Being a therapist/coach ends up coming with the territory."

He also addressed his battle with Swizz Beatz and why he didn't follow suit when Swizz played a never before heard track with DMX, Nas and Jay Z. "I didn't want to clap back," he explained. "That was 3 hours in. I was tired and very sick that night. Had to come to an end at some point."

Other tidbits during the AMA included his favorite Kanye West album (Graduation) and a declaration of Pharell as the "greatest ever."

Check out more below.

Advice to producers on dealing with creative blocks: "Best way to push thru is to walk away and come back fresh," he said. "Inspiration can be found anywhere. I can't tell you the best place to find it because each of us is different and interprets the world differently. What I can tell you is when you come across it, DO NOT IGNORE IT. I've made that mistake way too many times."

Favorite beat he didn't make: Daft Punk's "Voyager"

Favorite sandwich meat: Honey Turkey, but he's considering going back to a vegan lifestyle.

Favorite RZA beat: "Protect Ya Neck"

Why he doesn't have a personal favorite beat: "My music is an extension of me. I liken it to children. Parents love all their children. I love all of my music. Even my songs that suck.. which there are a few!! lol"

When making Jay Z's The Blueprint: "I always say, you don't know you're making magic or a classic when you're in the process. You're just doing what you do. That said, it was a great vibe and truly a collaborative effort. All of us were bouncing ideas off of each other with the goal of just doing what was best for the project.

On good kid, m.A.A.d cityKendrick Lamar's first time working with Dr. Dre was for the track "Compton" off his debut album, good kid, m.A.A.d city.

Making Kanye West's "Touch The Sky": Blaze used a Roland VP-9000 for the track. "It was Ableton before Ableton," he said. "Such an amazing box, even to this day. Their time compression to expansion and pitch shift algorithms are still top notch to this day."

His life path could have gone another route: One of hip-hop's favorites wanted to program computers. "I was great at it," he said. "Wrote my first video game at 8 years old. Then I got to college and realized I would have to make it all the way to calculus 3 and I sucked at math. Music was always my natural inclination but the idea of making it in the business seemed very farfetched to me as a kid.. kinda still does."

See more of his AMA here. 

From the Web

More on Vibe

Megan Thee Stallion Releases Fiery "Realer" Video

Megan Thee Stallion is truly prepping for a hot girl summer. Following up the highly-anticipated release of Fever, the Houston-bred rapper has officially released the visuals for the project's opening song, "Realer."

Red-headed Meg and her friends brandish toy guns, high karate kicks and body rolls as she talks her sh*t. And, much like her project's artwork, there were flames—both literally and figuratively—to be had all around.

Even some of her celebrity peers have expressed excitement over her video's release.

🔥🔥🔥🔥🔥🔥🔥❤️❤️

— TRINA (@TRINArockstarr) May 21, 2019

🐎 🔥 https://t.co/54S59MQ8fx

— Wale (@Wale) May 21, 2019

Watch Hot Girl Meg's spicy "Realer" video up top.

Continue Reading

VIBE Debuts New Podcast On Battle Rap Culture, 'The Chosen' (Hosted By Nunu Nellz)

THE CHOSEN Podcast, hosted by the battle scene's stage Queen, Nunu Nellz, is a show that highlights the artists, entrepreneurs and personalities that shape Hip-Hop battle culture. A lot of success stories may look like they started overnight, yet took many years of hard work and dedication...we will showcase that journey through their stories.

The first episode of THE CHOSEN is with SMACK WHITE, the leader of MC battle culture as founder of the  Ultimate Rap League (URL). This Queens, NY native is a great opening act for what The Chosen is about, success against all odds. A man who took the positive from his neighborhood and helped to create a global platform for people to exhibit their talent through battle rap.

And for some added flavor, the intro beat to the show is produced by none other than the infamous himself, Havoc of Mobb Deep.

Check the first of many great episodes to come of The Chosen Podcast.

View this post on Instagram

😢 THANK U to @smackwhite @beasleynyc @urltv for embracing me with nothing but love from the first day I met u guys. Thank you for making NUNU NELLZ a house hold name. From my start on “ battle rap arena “ on 15moferadio to writing my first column “what’s hot what’s not “in battle rap for 100barsmag then taking that same column to a printing magazine ( rydermagazineboss ) where it was sold at train station, online and at the legendary black star, I just been blessed. I been able to travel the world and meet so many great ppl bc of u guys. Thank u for any league that ever book me to host their event . Thank u to my fiancé @mr.guercy for pushing me to be the greatest woman I can be and introducing me to the editor and chief of @vibemagazine, @datwon . Thank u to @datwon for believing in the vision and giving me my very own show on the vibe platform #THECHOSEN. This is so BIG and I’m so excited about this new journey . I love media . I love learning about ppl grinds and how they became successful . It was so important to me to grab that @nickiminaj #vibemagazine cover for my first interview . I won’t allow anyone to give me pickle juice (barbs will catch that 🤣) but thank u to all those saying congrats . When the first interview drop im open to all feed back to be the best I can be for the people 💯 Hair @beautiibyday thank u for always stopping what u doing to get me together . I appreciate u

A post shared by URL Princess (@nunu_nellz) on Mar 28, 2019 at 8:11am PDT

Continue Reading
Bradley Murray

Jamila Woods Resurrects Legends On ‘Legacy! Legacy!’

Three years ago, Jamila Woods entered the scene as a woman grounded in her self-hood on her debut HEAVN. The album is a memoir of her upbringing on Chicago’s South Side and her introspections are comfort food for anyone on a search for their center. She digs up memories such as pride in games she played growing up on “Popsicle (Interlude)” and runs down why she’s worthy of all good things on the healing self-love anthem “Holy.” The sound is dripped deeply in neo-soul and hip-hop, in the family of her Chicago peers Saba, NoName, and Chance the Rapper.

Now the 29-year-old returns evermore enchanting on her sophomore effort, Legacy! Legacy! This time, the singer-songwriter puts herself in direct lineage with legendary black artists, writers, poets, and musicians by naming each of the project’s tracks after them. Woods was inspired by these heroes on her journey as an artist, published poet and community organizer. But she’s not simply riding on the shoulders of these legends. She’s using lyricism and storytelling to resurrect them as if they were to speak to us today.

“I thought of it not so much as writing songs about these people, but thinking of the songs as self-portraits,” she explained to Pitchfork in an interview. “I was looking through the lenses of these different people, their work, things they said.”

The result is 13 tracks of her soothing lullaby, free-flowing melodies, and sing-songy raps of gratitude for each of the lessons she learned from these greats.

There is “Betty” dedicated to Betty Davis, an unsung funk musician whose empowered spirit was ahead of her time and caused her to be shunned from the spotlight. Davis was also married to jazz pioneer Miles Davis, who she influenced in the latter part of his career. The marriage ended in a rocky divorce and Jamila considers whether this hindered Betty’s success by flipping her story into a song about guarding her light around toxic masculinity and men who could interrupt her growth. “Let me be, I'm trying to fly, you insist on clipping my wings,” she sings over the piano-led track, produced by Chicago producer OddCouple.

Woods continues to explore relationships on “Frida,” a funky boom-bap number produced by Chicago-based Slot-A, who produces most of the album. The track draws inspiration from the Mexican icon Frida Kahlo’s relationship with Diego Rivera. The couple lived in separate homes connected by a bridge while they were together. Woods uses this as a symbol for maintaining your own space to find self, whatever that may look like, even when you’re in a partnership. “Multiply my sides, I need a lot of area/A savior is not what I'm seeking/I'm god enough and you be believing,” she commands.

Although Woods shines on her own tracks, one standout feature is Brooklyn emcee (and current touring mate) Nitty Scott on “Sonia.” The track is inspired by a poem written by Black Arts movement poet Sonia Sanchez in the voice of an enslaved black woman who was finding power in detailing the trauma of her condition. Similarly, Scott lays out all her experiences with toxic relationships on a verse that should be studied by all young woman as a relationship manual. “All the women in me are tired/Listen, ni**a/My abuela ain't survive several trips around the sun/So I could give it to somebody's undeserving son,” Scott quips. Woods also describes finding clarity on relationship issues after talking them out with her mother, grandmother, and cousin. “I knew I could do it 'cause if my blood went through it/I knew I could endure it, I knew that I could heal it,” she croons.

When she’s not breaking down the personal, Woods takes on race politics. On the gritty “Miles” dedicated to the aforementioned Davis, Woods embodies his rebellious attitude toward racism. “You could make me tap dance, shake hands, yes ma'am/ But I'm a free man now,” she flexes on the track’s first verse. The song also tells of a man who took the oppression he faced and poured it into mastering his musicianship. Davis talks about this in a 1962 Playboy interview, where he explained that when he was in high school he knew he was the best trumpeter in music class, but all the white students would win the first prizes in contests. “It made me so mad I made up my mind to outdo anybody white on my horn,” he recalls. “If I hadn't met that prejudice, I probably wouldn't have had as much drive in my work.” Davis went on to become one of the most influential jazz artists in the world. Woods calls on that pride he had in his genius, as she references Davis’s 1950 album Birth of Cool on several lines, including, “You can't fake the cool/I could do it in my sleep.”

The spacey-electronic “Octavia” echoes the late science fiction author’s notable ability to manifest her success through journaling. Butler was one of the most prominent black women to write in a mostly white and male-dominated genre, publishing dozens of books, and was the recipient of the MacArthur Foundation “Genius” Grant, among other awards. During Butler’s rise, she wrote out her goals in a series of affirmations that were put on display in an exhibit called “Octavia Butler: Telling My Stories” at the Huntington Library in San Marino, California in 2017. One of the notes read, “My books will be read by millions of people! I will buy a beautiful home in an excellent neighborhood!” On the chorus, Jamila borrows one stunning line from her notes: “I write it down, it happens next/So be it, see to it.”

Woods talks candidly to white Americans about their privilege and how it blinds them from reality on “Baldwin” in the same way James Baldwin did in his writings. Baldwin once wrote in a 1962 essay in The New Yorker: “Now, there is simply no possibility of a real change in the Negro’s situation without the most radical and far-reaching changes in the American political and social structure. And it is clear that white Americans are not simply unwilling to effect these changes; they are, in the main, so slothful have they become, unable even to envision them.” Woods keeps the same energy when grieving about gentrification — which is now a fabric of life in most American cities — and the stress it can bring black natives of big cities. “You could change a hood just by showing your face / Condo climbing high, now the block is erased / (You don't get it, get it),” she spits.

On Legacy! Legacy!, Woods took her ability to paint her rage with social conditions and complex emotions within intimate relationships to the next level, solidifying her as a modern day griot. Yes, this album on the surface is inspired by historical figures but, as promised, the songs aren’t simply biographies about their accomplishments. Woods studied what made each of these individuals human and transformed those insights into a cohesive oral history that connects the past to the present. It’s not an album to be digested in one sitting. She is inviting us to join her in remembering these legends more deeply beyond social media posts that dilute their legacies to soundbites, photos and quote posts on their birthdays. The eras from which these icons rose to prominence passed, but the lessons they offer are timeless. Count on Woods to keep them alive and make sure they’re told.

Continue Reading

Top Stories