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Over $10 Million In Settlements Were Given To Women Who Accused Bill O' Reilly Of Harassment

The New York Times reports the settlements were given to five women who accused the FOX host of verbal and sexual harassment in the workplace. 

Bill O' Reilly and his longtime employer Fox News have kept their legal handlings quiet until now. In a report by The New York Times, the company along with Reilly, have paid up to $13 million to former colleagues accusing Reilly of sexual and verbal harassment.

The report, released Saturday (April 1) presents five settlements towards the 67-year-old in exchange for their silence. Two of the payouts were public knowledge; former FOX News producer Andrea Mackris reached a $9 million settlement for sexual assault in 2004 while former host Juliet Huddy settled for $1.6 million last year. The latter along with another case happened in the midst of the network's scandal around CEO Roger Ailes, who was accused of the same behavior by hosts like Megyn Kelly and Gretchen Carlson. Some of the cases included accusations of  "verbal abuse, lewd comments, unwanted advances and phone calls in which it sounded as if Mr. O’Reilly was masturbating."

Throughout most of the cases, O'Reilly maintained his innocence while reportedly trashing his accusers. Mackris faced public scrutiny after tabloids published "unflattering" stories about her during the time her case against O'Reilly was open. Private investigator Bo Dietl was hired to find information that painted Makris "as a promiscuous woman, deeply in debt, who was trying to shake down Mr. O’Reilly," the report says.

O' Reilly still has the support of 21st Century Fox, who provided The Times with a statement about the settlements. The company found out about a few of the cases while investigating Roger Ailes.

“21st Century Fox takes matters of workplace behavior very seriously,” the statement said. “Notwithstanding the fact that no current or former Fox News employee ever took advantage of the 21st Century Fox hotline to raise a concern about Bill O’Reilly, even anonymously, we have looked into these matters over the last few months and discussed them with Mr. O’Reilly. While he denies the merits of these claims, Mr. O’Reilly has resolved those he regarded as his personal responsibility. Mr. O’Reilly is fully committed to supporting our efforts to improve the environment for all our employees at Fox News.”

O'Reilly also provided a statement, leaning on his tenure with the network. He also didn't deny the allegations.

“Just like other prominent and controversial people, I’m vulnerable to lawsuits from individuals who want me to pay them to avoid negative publicity. In my more than 20 years at Fox News Channel, no one has ever filed a complaint about me with the Human Resources Department, even on the anonymous hotline.But most importantly, I’m a father who cares deeply for my children and who would do anything to avoid hurting them in any way. And so I have put to rest any controversies to spare my children. The worst part of my job is being a target for those who would harm me and my employer, the Fox News Channel. Those of us in the arena are constantly at risk, as are our families and children. My primary efforts will continue to be to put forth an honest TV program and to protect those close to me.”

Sources have also disclosed that more harassment and discrimination suits will be made public in the coming weeks.

Read the full report here.

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Eve Says Her Record Label Had Trepidation About 2001 Gwen Stefani Collaboration

In 2001, Philly rapper Eve finally earned her breakthrough hit on the pop charts with "Let Me Blow Ya Mind," a bouncy hip-hop collaboration with No Doubt's lead vocalist Gwen Stefani. However, E-V-E revealed on CBS' The Talk that her record label at the time had doubts regarding Stefani's feature.

On Monday (Dec. 17), Stefani appeared on the show. Sharon Osbourne asked co-host Eve what she remembers from their first musical encounter 17 years ago to which Eve said, "I just loved Gwen. I was a huge fan, and I was like this is gonna work. Although, the label didn't think it would work."

Stefani responded, "Really? I thought it was the opposite. I thought they said, 'You need to have her on the record.' " Eve continued stating that she had to "fight" for Stefani and was "happy it happened."

 

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In 2002, just a month after the Dr. Dre-produced song took home the Grammy Award for Best Rap/Sung Collaboration, Eve knew the duet was meant to be, telling VIBE, "Gwen and I had an instant connection both artistically and spiritually. We could have been sisters in another life."

"Let Me Blow Ya Mind" became one of many songs to enter the music industry stratosphere in the 2000s where black R&B/hip-hop stars worked with white pop/rock acts that would eventually expand each other's demographic.

Despite the song's success, it wouldn't be the last time the two artists worked together. Eve was featured on Stefani's top 10 hit "Rich Girl" in 2004 off her debut multi-platinum-selling solo album Love. Angel. Music. Baby., and served as her opening act on Stefani's This Is What the Truth Feels Like Tour 12 years later.

Revisit the iconic hit below.

READ MORE: Swizz Beatz Says Busta Rhymes' "Touch It" Was Initially Made For Eve

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XXXTentacion attends the 2017 BET Hip Hop Awards.
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XXXTentacion's Posthumous Album 'Skins' Tops The Billboard 200

XXXTentacion's posthumous album Skins has topped the Billboard 200 albums chart, which marks the second time this year the late-20-year-old has held the number one spot. XXXTentacion was killed in Florida in June.

"The set, which was released on Dec. 7 via Bad Vibes Forever/EMPIRE, is XXXTentacion’s second No. 1, and it earned 132,000 equivalent album units in the week ending Dec. 13, according to Nielsen Music," reports Billboard of the news. "Of that sum, 52,000 were in album sales."

Skins is the first posthumous number one album since Prince's The Very Best of Prince, which catapulted to the top of the charts after his death in April 2016. XXX's album ? went No. 1 back in March 2018, and his first studio album 17 debuted at No. 2 in 2017.

The album featured one guest collaboration by Kanye West, who provided a controversial bar on the track "One Minute." He spits “Now your name is tainted, by the claims they paintin'/The defendant is guilty, no one blames the plaintiff.” A representative for West states that he was not defending XXXTentacion "or anyone in particular" on the song. At the time of his death, the young man. was awaiting trial for several domestic violence allegations against his then-pregnant girlfriend.

READ MORE: Kanye West Appears To Defend XXXTentacion In 'Skins' Album Verse

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Cardi B Gets Driving Lesson, Performs For Senior Citizens During 'Carpool Karaoke' Segment

Cardi B was the latest guest on James Corden's Late Late Show segment, "Carpool Karaoke," and as expected, it was a helluva time.

The Grammy nominee ran through some of her hits with Corden, such as "Bodak Yellow," "Money," "Be Careful" and more. She discussed her transition from stripper to MC, which Corden attributed to "grinding and hustling for a long time.”

“A lot of these deejays was sleepin’ on me… they was frontin’ on the kid!” Cardi exclaimed. Cardi also discussed her childhood growing up in the Bronx, which included keeping a razor blade in her cheek just in case some crazy sh*t goes down, as well as her affinity for ASMR videos. She also performed at a senior citizens' home at the end of the clip to a rousing response.

Perhaps the best part of the segment was her attempt to drive. Facilitated by a conversation in which the two discussed her five luxury cars, Cardi hit a few cones and flags while trying to maneuver in and out during a lesson. She said that the car (a Range Rover) was a bit big for her, but her lack of driving skills period resulted in her hitting a camera during her attempt at parallel parking.

“I couldn’t rap about these cars because I didn’t own them,” she laughed before adding, "[Driving] is scary.”

Watch the entire segment above.

READ MORE: Cardi B's Upcoming 'Carpool Karaoke' Segment Looks As Eventful As We'd Hope

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