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Donald Trump Launches Vicious Attack On "No-Talent" Late-Night TV Hosts

Here we go again. 

When he's not running the country (and we'll use that term loosely), Donald Trump must like to sit in silence, because he doesn't seem to like anything on television. He's launched a smear campaign on Twitter against shows like Saturday Night Live and his former brainchild The Apprentice. And now, he's going after late-night TV. During a dinner event on Monday night (May 8), the president reportedly mad scathing remarks about Don Lemon, Stephen Colbert, and more.

Trump reportedly said he thinks CNN Tonight's Don Lemon is "perhaps the dumbest person in broadcasting." He reportedly claimed 20/20's Chris Cuomo looks like a "chained lunatic," and the Late Show's Stephen Colbert is a "no-talent guy" who talks "filthy," according to reports at TIME. Colbert in particular, received a lot of backlash from the president because of his monologue he recited on Ma 1, which suggest a sexual relationship between Trump and Russian President Vladimir Putin. "There’s nothing funny about what he says," he said about Colbert. "What he says is filthy, and you have kids watching. And it only builds up my base... By the way, they were going to take him off television, then he started attacking me and he started doing better. But his show was dying."

As a result of these TV personalities and the rest of media journalism, which he's often dubs as a fake news agenda, he no longer watches CNN or MSNBC. "I’ve been able to do something that I never thought I had the ability to do. I’ve been able not to watch or read things that aren’t pleasant," he said.

Late-night shows weren't the only ones to get mouthful though. The president continued his long-standing campaign against The New York Times as well as The Washington Post, saying "they’re really, really dishonest." The only network he can stomach is Fox News, which he says fosters "responsible" journalism.

None of the TV hosts have addressed Trump's complaints, but they likely don't care. In fact, Colbert recently announced his segment for his May 11 show, which will address the Trump and the firing of FBI Director James Comey.

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'Black Monday' Becomes A Dramedy As Its World Flips Upside Down: Episode 9 Recap

Blair was Mo’s mirror in episode “295.” In this week’s episode, he internalizes Mo’s qualities, and now the reflection wants to take over the original’s life, like a scene from Jordan Peele’s Us. Some of the most analytically rich parts of this episode revolve around all the allusions to Blair assuming Mo's role after agreeing to go along with the Georgina Play, two months after Mo informed him of the rouse.

Blair flirts with Dawn – the woman Mo still loves – while sitting in Mo's desk chair as Mo walks in and sees them. He gifts all of the Jammer Group inner circle with replicas of Mo's custom-made Rolex and calls them “Molexes” with "f**k em all" engraved on them. It’s the latter mantra that, in a surprising twist, leads to Blair potentially ending Mo as we know him.

An early criticism of Black Monday was Andrew Rannells’ inconsequential portrayal of Blair in the first few episodes. After carrying a large number of scenes in last week’s episode, this week’s showcases his shining moment. One of the funniest scenes s when Blair stops himself from saying "it's all good in the hood," after glancing at Mo, before replacing "hood" with "municipalities." That’s a very artful way to say if he wants to be Mo, he’ll have to do more than speak like him. Consequently, Blair does just that in order to get Tiffany Georgina to go along with the Georgina Play.

The Agency Of Tiffany Georgina

Casey Wilson, who plays Tiffany, needs to star in a spin-off show if for nothing else than to see her do another interpretive dance routine to a remixed version of the national anthem like she did at Tiffany’s wedding reception. We predicted in our review of episode “243” that Tiffany would have a bigger hand in the Black Monday collapse than we originally assumed, and this episode brings our prophecy to life.

Tiffany admits to Blair in the final scene of the episode that she’s a lot to handle but poignantly justifies it by stating everyone isn’t as sure of themselves as she is. It’s in that moment we realized out of all of the characters with considerable screen time, Tiffany may be the only one who never lied about herself. The comments about smart “orientals” are vacuous and her obsession with social status is asinine, but they’re also genuinely Tiffany; Everyone else adjusts their morals and personality to fit whatever gets them money.

Tiffany also reveals that when she was in sixth grade, her parents prevented her from legally emancipating herself from them by giving her a cartilage piercing and a new credit card. In episode “243,” when Blair innocuously says he’s staying late at work to do “compliance,” Tiffany instinctively knew that meant illegally shredding documents because her family is wealthy. Tiffany’s parents had their own daughter kidnapped in last week’s episode to boost the company’s value and now their daughter plans to steal that very company from them. The Black Monday writers used the Georgina family this season as a commentary on how money can make anything transactional, even love and loyalty.

Just like with Mo, the Georgina family may be undone by a monster they created.

The Dramedy

In today’s age of television, shows rarely fit perfectly in one genre. Orange Is The New Black’s second season was nominated in the drama category at the 2015 Primetime Emmy Awards, a year after its first season was nominated in the comedy category. This blurring of the artistic lines has created a new type of show that is equal parts drama and comedy: a dramedy. After the last two episodes, Black Monday has become more dramedy than comedy.

In the first half of the season, Black Monday was roughly 90% hilarious debauchery with the 10% of deep introspection reserved for the final minutes of the episode. Over time, that ratio began to even out until last week’s episode, which delivered the highest concentration of drama acting of the season. In this week’s episode, the double and triple crossings in Blair and Mo’s heated rivalry are more central to the episode than Keith’s hysterical attempts at tricking the SEC and Tiffany’s ridiculous wedding. Aside from Dawn and Mo forming a secret alliance, the episode concludes with Blair’s most intimidating piece of dialogue as he breaks down the illusionary world Mo has constructed for himself.

While episode “7042” is the most compelling episode of the entire season, so far, the move into dramedy has its drawbacks. There are still gems like Mo’s double entendre of “I’ve unearthed secrets, got winded and fired,” a play on the name of legendary funk band Earth, Wind & Fire, who released their 1987 Billboard hit “System of Survival” a month before the events in this week’s episode. But, the hijinks and absurdist humor that Black Monday is predicated on are more separated than in any other episode.

As a result of this shift into dramedy, certain jokes not only fall flat but feel out of place and tonally different than the rest of the episode. Keith referring to the ability to know who is gay as “Navi-gay-tion” would be amusing in almost any other Black Monday episode. Him delivering it at the end of this week’s episode, after a dramatic exchange between Dawn and Mo, felt cringeworthy.

Hopefully, there’ll be plenty to laugh about when everything comes crashing down in the season finale next week.

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Jordan Peele attends the 'US' premiere at Museum of Modern Art on March 19, 2019 in New York City.
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'Us' Nabs Title Of Biggest Opening Weekend For An Original Horror Film

Jordan Peele’s second major film Us dropped over the weekend (Mar. 22), and much like its predecessor Get Out, it’s a monster of a hit.

According to reports, Us’ debut was the best opening for an original horror film in history, bringing in $70.25 million during its opening weekend. Its massively successful weekend also secures its spot as the third-best horror movie debut in history, behind the remakes of It and Halloween.

“Internationally, “Us” earned $16.7 million, bringing its total worldwide tally to $86.9 million,” reports CNBC.

Us tells the story of Adelaide Wilson (Lupita Nyong’o), a woman who is traumatized by an experience she had as a child. When unexpected visitors who look exactly like her and her family pay a visit to their beach house several years later, she, her husband (Winston Duke) and children have to help her combat her fears and demons.

CNBC reveals that early projections for her film were close to $50 million. However, strong ticket sales prompted analysts to change their estimates.

"The film took in $29 million between Thursday previews and Friday night showings, a strong start for a horror film that doesn’t have the benefit of a major franchise fueling ticket sales," the report continues.

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Jordan Peele’s ‘Us’ Is Expected To Make $64 Million Opening Weekend

Thanks to Us, Jordan Peele has another blockbuster on his hands. According to the Hollywood Reporter, the highly-anticipated horror flick starring Lupita Nyong’o, Winston Duke, Shahadi Wright Joseph and Evan Alex, is expected to have a $64 million opening weekend at the domestic box office.

Peele’s sophomore horror film earned an impressive $7.4 million on Thursday (March 21) night previews, and is forecasted to take in about $27 million from Friday sales. The film is also on pace to knock Captain Marvel out of the No. 1 spot at the box office.

Once final numbers are tallied, Us will likely snatch the third-best opening weekend record for an R-rated horror film behind It, which brought in a whopping $123.4 million, followed by Halloween’s $76.2 million opening weekend last year.

Aside from rave reviews and a genius promo run that included simultaneous screenings in major media markets, Us earned a 95 percent approval rating on Rotten Tomatoes.

The film, set in the mid-1980s centers around a family of four who set off on a vacation that finds them confronting some familiar faces.

Peele recently spoke to VIBE about casting Duke (our April 2019 cover star) in the role of patriarch, Gabe Wilson. “I have to have somebody voice what the audience was saying,” he said. “In the case of Get Out, it’s Rod, like, ‘How have you not left yet?’ [In Us], Winston is largely that voice. There’s one moment where Lupita [Nyong’o] takes a step into the unknown, where black people [will think], ‘I don’t know.’ But to have Winston say, ‘Aaaand she left. Your mother just walked out of the car.’ That’s all we need.”

Duke also opened up about the intricacies of his character. “His function isn’t to see through the veil. His function is to tell the absolute truth how he sees it,” explained the 32-year-old actor. “He’s sometimes there to say the things that other people don’t want to say, but he’s also there to make fun of things to keep it from not getting too heavy, even though it’s real. That was my job. [Peele] respected that. I like to lean into functions. If I’m going to be your antagonist, I’m gonna really push you. If I’m gonna be your clown, funny guy, I’m gonna do that.”

Click here to read VIBE’s April 2019 cover story.

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