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Joe Budden And Lil Yachty's Discussion Is More Important Than You Think And Here's Why

“Why have the old n****s f***ed up? We like fun s***.”

By now, we’re all keen to the Lil Yachty-Joe Budden drama that’s been transpiring ever since the latter shared his opinion on the 19-year-old’s debut album cover and expressed his disdain toward what he’s doing to hip-hop. Yachty’s father, photographer Shannon McCollum, even ripped Budden one after he came for his son.

But on Tuesday's show of “Everyday Struggle” with DJ Akademiks and the Rage & The Machine rapper, Budden struggled to hold back his personal opinions of Yachty’s existence—literally. After Yachty confirms he's "happy everyday, life is moving fast, I can’t be slowed down,” Budden seems to dissect his response, and every other one following, as a psychologist picking their patient’s brain and offering a diagnosis. “Maybe he has been media trained?” Joe says.

Budden presses the issue of Yachty being “happy everyday” even further by telling him “how humans are” with their fickle emotions, claiming it’s impossible to be one thing all of the time. And of course, social media had a field day with Budden’s annoyance at Lil Boat’s happiness.

A heated exchange transpired, as both rappers tried to defend their viewpoint. But everything isn’t what it seems. Budden broke the harsh energy by dapping up Lil Boat in respect to breaking barriers with his deals with Target and Nautica.

As the interview continued on, the heart of why Budden was so determined to  – what it appeared to be – throwing shade at Yachty, slowly unveiled itself. Along with that, the great divide between the “old heads” and the “young cats” came to surface as well.

Budden began to reveal a seemingly more rational side of himself, as Yachty expressed that he was unaware of whether or not he was in a 360 deal. Toward the end of the interview, in which Budden enters the emotional fury conducive to his character – which he attributes to his passion for hip-hop – one can vaguely hear him admitting that he was Yachty in his heyday.

Joe Budden: “You’re going to have a problem with ‘just having fun' in 5 years… I want you to be aware of your business, know if you’re in a 360 or not, appreciate the culture that changed your life - taking you from college dorm rooms eating f***ing oodles and noodles. I want you, who’s well-spoken and articulates himself well...”

Lil Yachty: “My ni**a, chill.”

Joe Budden: “I was him.”

And now, enters in the Pro-Joe Twitter.

Very important, indeed. Pro-Boat Twitter may have been blinded by Budden’s emotionally-charged rant-filled history and let his entire point in his “interest” with Yachty fly over their heads, just like Budden’s hat did when Yachty accused Budden of “f**king up.” But, Budden is like the OG to the YG’s of hip-hop trying to steer them in the right direction—or at least in the case of Yachty. Joe maintains “anybody who’s passionate in hip-hop has to be invested in them,” referring to Yachty and the newer generation of rappers in his category.

Budden goes on to bring up a discord between the younger and older generations of hip-hop that have transpired throughout the near-five decades that the culture has thrived. When you pair that with the threat of major labels and 360 deals, it’s understandable why Budden is spewing with passion, as Yachty nonchalantly tells him to “chill” about a possible future Budden tries to warn Boat of—one which the Teenage Emotions rapper seems to be ignorant of.

The rise and fall of Bobby Shmurda is probably one of the most prominent and relatable examples of said future. It seems Budden is just trying to warn Yachty about his label, Capital Records, “...Cashing In & Then Bailing Out,” like Epic Records seemingly did with the Brooklyn native.

According to the "Hot N****" rapper, “When I got locked up, I thought they were going to come for me." But he was left with the harsh reality of being alone. Shmurda shared with the New York Times that he thought Epic Records would support him because he “felt that their union was more like a family affair instead of business relationship.” This is the reason for why Budden repeatedly expresses his despise for major labels, but props up subsidiaries like TDE and Yachty’s team, QC (Quality Control), who actually bring the talent to labels. Budden seems to want to educate Lil Boat to do with a 360 deal what Jay Z has done with Live Nation, while steering him away from what the "Bobby B****" spitter experienced.

Iron sharpens iron, right?

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Singers Adrienne Bailon (L) and Kiely Williams of the 'Cheetah Girls' pose for photos around Mercedes Benz Fashion Week held at Smashbox Studios on October 18, 2007 in Culver City, California.
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Kiely Williams Explains Fallout With Adrienne Bailon Houghton And Alleged Fight With Raven-Symonè

Our current isolated way of life has given some plenty of time for reflection like Kiely Williams of the former girl group 3LW and The Cheetah Girls (ask your kids). The tales of both successful groups have been told time after time by fans in YouTube documentaries and members of each collective but Williams has decided to share her side of the story.

Williams hopped on Live Monday (March 30) where she discussed her former friendship with The Real co-host Adrienne Bailon Houghton and the infamous chicken throwing fight with actress/singer Naturi Naughton. The mother of one didn't pinpoint exactly why she fell out with Houghton but did point out how she wouldn't be interested in appearing on her talk show.

"I don't think Adrienne wants to have live TV with me," Williams said. "'Cause she's gon' have to say, 'Yes Kiely, I did pretend to be your best friend. Now, I am not.' You were either lying then or you're lying now. You either were my best friend and now you're just not claiming me or you were pretending [to be my best friend."

The two remained friends after Naughton was kicked out of 3LW, the platinum-selling group known for 2000s pop hits like "No More (Baby I'ma Do Right)" and "Playas Gon' Play." Williams and Houghton were eventually picked to be apart of The Cheetah Girls with then-Disney darling Raven-Symonè and dancer Sabrina Bryan.

Williams went on to discuss her fight with Naughton, which she denies had anything to do with her skin color. With her mother near, Williams claimed Naughton called her a b***h, leading to the fight. While she didn't clear up the chicken throwing, she stated how she was "going for her neck" and was holding food and her baby sister in the process.

Apologies aren't on the horizon either. “I don’t feel like I have anything to make amends for, especially as it relates to Adrienne,” Kiely said. “As far as Naturi goes, if there was ever a reason to apologize, all of that has kind of been overshadowed by the literal lies and really ugly stuff that she said about my mom and my sister. So, no. Not interested in that. I’m sorry.”

Moving onto The Cheetah Girls, Williams also denied claims she got into fights with Raven-Symonè on the set of The Cheetah Girls films and never outed her as a teen. The rumor about Symonè and Williams was reportedly started by Symonè's former co-star Orlando Brown.

Symonè has often shared positive memories about The Cheetah Girls and their reign but did imply during an episode of The View how co-star Lynn Whitfield kept her from losing her cool on set.

On a lighter note, Symonè, Houghton and Naughton have kept in contact with Naughton and Houghton putting their differences aside during an appearance on The Real. 

Symonè and Houghton also reunited at the Women's March in Los Angeles in January. During Bailon's performance at the event, the two briefly performed the Cheetah Girls' classic, "Together We Can."

Willaims also shared some stories about the making of the group's hits. Check out her Live below.

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Here Are All The Hits Played During Ne-Yo And Johntà Austin's Epic R&B Battle

Over the weekend, music aficionados were gifted producer battles from the best in the business. In addition to The Dream and Sean "The Pen" Garrett's wild head to head, Ne-Yo and Johntà Austin's standoff was one for the books.

The gentlemen squared up on Instagram Live Sunday (March 29) after much fanfare. The rules were simple–Show up sober, play 2. 25 songs apiece, no unreleased music, the songs can be from any genre and the time limit would be up to 90 seconds for each song.

Soon, the battle kicked off with sentimental tracks like "Unfaithful" by Rihanna and "I Miss You" by the late Aaliyah. As spectators like Usher, Tyrese, 9th Wonder, Diddy, Tinashe, Snoh Aalegra, Eric Bellinger, Brian Michael-Cox and more entered the chat, the songs got bigger and better.

Rounds 3 and 4 saw the big guns come out. Austin played tracks from Aaliyah and Chris Brown with Ne-Yo playing his own songs and hits from Beyonce. "When all else fails, you got to bet on yourself" he hilariously said before playing his 2008 hit, "Miss Independent."

The final round left fans in a frenzy as Austin played Mariah Carey's "We Belong Together" and Ne-Yo ending with "Irreplaceable" by Beyonce. The entire match was a delight as both men praised each other for their pen game.

Superproducers Swizz Beats and Timbaland helped kicked off the current trend last week when they gave fans part 2 of their 2018 match. We also got to see a match between Boi-1da and HitBoy over the weekend with an unleased track with Roddy Rich and Drake.

But Sunday's battle was all about R&B, specifically tracks from the aughts that are often sampled today. Most fans and spectators landed at a draw for the battle as it was just too hard to land on a winner.

See the full list of tracks dished out below.

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Round One

Johntà - "Get Gone" by Ideal (1999)

Ne-Yo- "That Girl" by Marques Houston (2003)

Johntà- "I Miss You" by Aaliyah (2002)

Ne-Yo- "Unfaithful" by Rihanna (2006)

Johntà- "Like That" by Mariah Carey, Fatman Scoop and Jermaine Dupri (2005)

Ne-Yo- "Knock You Down" by Keri Hilson featuring Ne-Yo (2009)

Johntà- "Don't" by Bryson Tiller (2014)

Ne-Yo- "She Got Her Own" by Jamie Foxx, Ne-Yo and Fabolous (2009)

Round Two

Johntà- "Stingy" by Ginuwine (2002)

Ne-Yo- "Own It" by Mack Wilds (2013)

Johntà- "Yo! (Excuse Me, Miss) by Chris Brown (2006)

Ne-Yo- "Stay" by Ne-Yo featuring Peedi Peedi (2006)

Johntà- "Don't Forget About Us" by Mariah Carey (2005)

Ne-Yo- "Spotlight" by Jennifer Hudson (2005)

Johntà- "Just Be A Man About It" by Toni Braxton (2000)

Ne-Yo- "Do You" by Ne-Yo (2007)

Round Three

Johntà- "Shortie Like Mine" by Bow Wow featuring Chris Brown and Johntà Austin (2006)

Ne-Yo- "Bust It Baby Pt. 2)" by Plies featuring Ne-Yo (2008)

Johntà- "Need A Girl" by Trey Songz (2009)

Ne-Yo- "Go On Girl" by Ne-Yo (2007)

Johntà- "Sweet Lady" by Tyrese (1998)

Ne-Yo- "Make Me Better" by Fabolous featuring Ne-Yo (2007)

Johntà- "Like You" by Bow Wow featuring Ciara (2005)

Ne-Yo- "Leave You Alone" Jeezy featuring Ne-Yo (2011)

Round Four

Johntà- "With You" by Chris Brown (2007)

Ne-Yo- "So Sick" by Ne-Yo (2005)

Johntà- "Shake It Off" by Mariah Carey (2005)

Ne-Yo- "Take A Bow" by Rihanna (2008)

Johntà- "Can't Help But Wait" (2007)

Ne-Yo- "Sexy Love" (2005)

Johntà- "I Don't Wanna" by Aaliyah (1999)

Ne-Yo- "Flaws and All" by Beyonce (2006)

Round Five

Johntà- "Come Over" by Aaliyah (2003)

Ne-Yo- "Miss Independent" (2008)

Johntà- "Poppin'" by Chris Brown (2007)

Ne-Yo- "Mirror" by Ne-Yo (2006)

Johntà- "Be Without You" by Mary J. Blige (2005)

Ne-Yo- "Let Me Love You" by Mario (2004)

Johntà- "We Belong Together" by Mariah Carey (2004)

Ne-Yo- "Irreplaceable" by Beyonce (2006)

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Michael Jackson announces plans for Summer residency at the O2 Arena at a press conference held at the O2 Arena on March 5, 2009 in London, England.
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Michael Jackson's Estate Donates $300,000 To Coronavirus Relief Efforts

Broadway Cares, Nevada’s Three Square Food Bank and MusiCares are receiving a big donation from the estate of Michael Jackson to help with those affected by the coronavirus. 

Rolling Stone reports each organization will receive $100,000. Comprised of entertainment and service workers, the donation will help with those who have been hit the hardest due to production and stores closing in the wake of the COVID-19 outbreak in the United States. The move to issue relief was also inspired by the passing of Manu Dibango, the legendary Afro-jazz saxophonist who died earlier this week from the virus in Paris.

Dibango's career started in the 1950s, and he worked with the likes of Fela Kuti, Robbie Shakespeare, and others, but he's perhaps most known for "Soul Makossa" – which along with being popular in its own right, was sampled by Michael Jackson on the Thriller hit "Wanna Be Startin' Somethin.'"

“This virus strikes at the heart of the communities we are close to,” John Branca and John McClain, co-executors of the Estate of Michael Jackson, said in a statement. “We learned today that the legendary Manu Dibango passed away from the virus. Other performers and support staff in music and on Broadway are sick or have been left without work and are facing an uncertain future. And in Las Vegas, which has been so welcoming to Michael Jackson, the entire city has been shut down leaving thousands of workers and their families devastated and without an income.”

“MusiCares is very grateful for the outpouring of generosity we’ve seen from many in the music industry to grow the COVID-19 Relief Fund,” Steve Boom, MusiCares chair, said in a statement to the outlet. “The challenges that our industry is facing right now are enormous. It is contributions such as these that will help our community survive in this unprecedented time of tremendous need.”

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