Migos Reportedly Refused To Perform With Drag Queens On 'SNL'

The rumor might be hard to be believe considering that many of the drag queens were actually invited to the set. 

Katy Perry's Saturday Night Live performances might've been cringeworthy at best, but claims about the Migos have taken center stage.

According to the World of Wonder, the production company that commissioned a few of the drag queens that performed alongside the singer during her song "Swish Swish," weren't allowed to join the singer for her second set– "Bon Appétit" with Migos. Their website added some drag queens weren't invited to the afterparty because the rapper's felt uncomfortable.

Other sources added the drag queens were intended to perform for both sets. "I was one of the performers on that table with them the whole time, during the rehearsal for 3 days," a source said. "On the day of the filming, when I got there, I was told to leave. I wasn't on the set at the time, but we were asking what happened. They said it was because Migos doesn't feel comfortable with having drag queens there."

Some of the performers with Katy on Saturday (May 20) included popular New York drag queens like Brenda Dharling, Lil Miss Hot Mess, Bryant Dorean, Scarlet Envy, Gisele Alicea, Brita Filter, Yuhua Hamasaki, Pattaya Hart, Kimberly Smallz LaBeija, Alotta McGriddles, Svetlana Stoli, Miss Vita Summers, Jose Gutierez Xtravaganza, The Countess Mascara and RuPaul’s Drag Race Season 6 contestant Vivacious.

There's also claims that an SNL staffer supported the rumor that no queens were allowed to the afterparty. That might be hard to believe considering there's proof that a good amount of fabulous queens were seen enjoying themselves with the singer and SNL cast member Leslie Jones on the set and the event.

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On set with the girls @lesdogggg @thebritafilter @bdharling #swishswishbish #SNL

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Katy's performance of "Bon Appétit" also featured a more intimate setting since the rappers and dancers were around a table–with a handful of drag queens. World of Wonder has also deleted their post about the claims.

Migos were previously wrapped up in claims of homophobia after their comments about iLoveMakonnen. While the group has issued an apology, the group found themselves in the throws again when Offset said he wouldn't perform at a gay club. During an interview with Billboard, Quavo denied he was homophobic by citing his work with Frank Ocean. "I got a record with Frank Ocean (“Slide”)," he said. “That closes my case.”

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50 Cent And Kenya Barris Developing TV Series Based On 'The 50th Law'

Curtis "50 Cent" Jackson is teaming up with actor and director Kenya Barris to create a television series based on Jackson's New York Times bestseller, The 50th Law, co-written by author Robert Greene. The Power executive producer and black-ish creator will join forces to create an original show that will stream on Netflix. No word on its premiere date or who has been cast for the series.

In true, 50 Cent fashion, Jackson took to his official Instagram to celebrate and share the news. "Netflix now you know this is a problem, Kenya Barris is no joke," reads his post's caption. "And if me and you ain’t cool, you ain’t gonna make it. 😆Let’s work! 💣Boom🔥 🚦GreenLight Gang #bransoncognac #lecheminduroi #bottlerover"

Jackson will serve as co-producer by way of his G-Unit Film & Television company which has a hand in Starz's Power Book II: Ghost and ABC's For Life. Barris will work alongside his #blackAF co-executive producer Hale Rothstein for the pilot and show's script under his production company, Khalabo Ink Society.

Speaking of Khalabo Ink Society, Barris' and his company will have a hand in a couple of upcoming projects: Kid Cudi's upcoming adult animated music series, Entergalactic and MGM's upcoming biopic on the career and life of comedy legend, Richard Pryor.

Fif's G-Unit Film & Television imprint, more original programming is on the way: Power Book III: Raising Kanan premieres this summer and Black Mafia Family has begun shooting its series debut. His current shows —Power Book II; and For Life—have been renewed for another season on Starz and ABC, respectively.

Jackson and Greene's The 50th Law is a semi-autobiographical book that tackles lessons around fearlessness and strategy while including inspiring stories from 50 Cent's life and tales from notable historical figures. It went on to be a New York Times Bestseller in 2009.

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Questlove Is Directing A Sly Stone Documentary

The Roots' own Ahmir “Questlove” Thompson will be directing a documentary about the life of Sly Stone, founding member of legendary funk band, Sly and the Family Stone.

The untitled feature film "follows the story of the influential artist, king of funk, and fashion icon Sly Stone, a musician who was breaking all the rules at a time when doing so was extremely challenging, even dangerous. The pressure of explosive mainstream pop success and the responsibility of representing Black America forced him to walk the fine line of impossible expectations."

“It goes beyond saying that Sly’s creative legacy is in my DNA," said Questlove in a press release. "....it’s a black musician’s blueprint....to be given the honor to explore his history and legacy is beyond a dream for me.”

“Sly’s influence on popular music and culture as a whole is immeasurable, and what his career represents is a parable that transcends time and place,” expressed Amit Dey, Head of MRC Non-Fiction. “Questlove’s vision, sensitivity and reverence brings the urgency that Sly’s story and music deserve, and we’re excited to be working with him to bring Sly’s story to life.”

The project will mark the four-time Grammy Award-winning artist's second directorial project (see his Sundance award-winning Summer of Soul) by way of his Two One Five Entertainment production company. Award-winning actor and rapper Common will serve as an executive producer via his Star Child Productions along with Derek Dudley and Shelby Stone via ID8 Multimedia. Derik Murray and Brian Gersh of Network Entertainment will serve as producers with Zarah Zohlman and Shawn Gee as producing partners.

The film's official title and release date has not been announced.

Earlier today in partnership with BET Digital and Sony Music's “This Is Black” Black History Month campaign, an animated music video for the group's 1968 hit single, "Everyday People." Revisit the classic song down below.

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FX's 'Hip-Hop Uncovered' Shows How Big U, Deb Antney, Haitian Jack, Bimmy & Trick Trick Hustled The Game With Street Savvy

Rarely do the strong survive long enough to tell their story in their own words, so bear witness to some of the most notorious deal makers and street shakers in FX's new docu-series Hip-Hop Uncovered. Hailing from hardcore locations all over the map, California's Eugene "Big U" Henley, Queens, New York siblings James "Bimmy" Antney and Deb Antney, Detroit's Trick Trick and Brooklyn's infamous Haitian Jack, represent the mind and the muscle of the rap world's background boss section, where the real money and moves are made.

After last week's two-episode debut (Feb. 12th) of a six-episode season, we have the cast member's thoughts on what it was like taping the show and why they participated in the series. Remember, these storied behind the scenes executives are normally in the background, but are now telling their important stories that weave their importance in the industry that shapes the world...hip-hop.“A true dime is steel-heavier than a dollar.” Watch Hip-Hop Uncovered Fridays at 10 pm ET on FX.

Deb Antney: "By doing the show, it was very therapeutic. I’ve opened up and let you get a glance of what is in my Pandora’s box. I’ve shed pounds, even inches. I’m truly grateful I’m here to tell any part of my story. Now get ready for my book Unmanageable Me.

The show allowed me to showcase my truth the way it needed to be told. The Debra Antney way!

Being Debra Antney was not always glitter or gold. Like most, I went through some things. I was defiantly a product of my environment, it made me who I am today! I always knew how to get myself to the top and that’s exactly what I did. Thank you for being a part of my journey."

 

 

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Big U: "I loved filming this show. It brought up so many memories going back to the house I grew up in, remembering those special moments with family. It was fun to sort of relive my past, but the best part was really seeing my evolution. I’m such a different man today than I was back then. I feel good that the world will get to see the person I’ve become. I did it because for the first time, I knew I could be in full control of my own story, especially since I’m an Executive Producer on the series."

 

 

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Trick Trick: "[Taping the series was] weird as f---!! Because, I’m not used to that type of attention. I’m very private, but oddly enough, it was somewhat... refreshing!

[I did the show] because Big U called.”

Bimmy:

"Well, I choose to do the series because I was told who was involved from the cast to an all-Black production. Taping was like me living my past all over again and we show[ed] the world how we really lived and the things we went through."

Haitian Jack: "Taping the series, to me, was definitely a great experience.  Everybody that was on there, [producers] Oby, Rashidi and everyone else were very polite to everyone and we got everything we asked for.  When you have a crew like that, it makes it really easy for you to work with it.

[I did the show because] I like when they started to say, 'Let’s dig back into the past,' because that’s what my life is all about, the past.  The fact that Big U came up with it and hit me up with it is another reason because I respect what he is doing out there with the kids and his foundation. So I didn’t mind teaming up with him and everybody else, Deb and Trick Trick, Bimmy. I think we have a great cast and I’m proud to be a part of it.  I think we did it because we all knew where hip-hop came from because we lived it.  We wasn’t just some people who just popped up out of nowhere and started blogging about it. We were there.  We watched the deaths, we watched the lifetime prison sentences.  We lost a lot of friends to death and prison. We all lived it.  They are going to get a good account of what went on in the 70s and 80s."

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