john-singleton-tupac-shakur-script-jail-rape-scene john-singleton-tupac-shakur-script-jail-rape-scene
Getty Images

John Singleton's Tupac Shakur Script Surfaces, Features A Jail Gang Rape Scene

"Y'all on social media running your mouths about a movie that wasn't even made."

Tupac Shakur was a passionate artist. 20 years after his passing, fans are still as passionate about his lyrics, his life and preserving his legacy. During the production of the Benny Boom-directed All Eyez On Me film, many wondered why prolific filmmaker John Singleton wasn't the one to helm the project. Singleton has gone on to critique the film, leaving fans to wonder what he would've done had he created a Tupac biopic.

Over the weekend, rapper and producer Dazz Dillinger posted a copy of Singleton's revised script to Instagram which featured a prison gang rape scene.

In the highlighted section above, Tupac is in the prison library with other inmates when two guards tell the others to leave. Once the room is clear, about six other men enter the room with one licking his lips and eyeing Tupac. While the revised script does not show the actual scene, Singleton writes of Tupac fighting off the men and his screams being heard from the guards as they leave the room.

The vivid imagery didn't sit well with fans who viewed the unconfirmed account as disrespectful. Singleton soon heard that his script was made public, and quickly defended it by saying Tupac's mother was involved in the writing process.

A post shared by Baller Alert (@balleralert) on

"Y'all on social media running your mouths about a movie that wasn't even made and giving passes to folks who actually made a movie that didn't honor this man's legacy," Singleton said.

While the Baby Boy director continues to take shots at Benny Boom's effort, he does not confirm if Tupac's mother saw this revised script, or confided that her son was indeed raped in prison. Tupac will be examined from here to the end of time, so we wouldn't be surprised if Singleton is still working on bringing his version of Pac's life to a theater near you.

We've seen Benny Boom's All Eyez On Me. But if Singleton were to create a Tupac movie and you had to judge off merit alone, whose film do you think would be better? Singleton or Boom's?

From the Web

More on Vibe

Mike Coppola

The Cast Of 'SHAFT' Talk Family Traditions, Power And The Film's Legacy

Back in 1971, Richard Roundtree became the face of the legendary crime/blaxploitation film SHAFT. His influence in the role paved the way for a new generation of black detectives filled with a gluttonous amount of swag, clever one-liners, and action-packed scenes. Samuel L. Jackson followed suit in the franchise’s 2000 installment as he took over the streets of Uptown Manhattan and Harlem filling in for Roundtree’s original character.

Fast forward to 2019, and SHAFT’s legacy has risen to higher heights, incorporating Roundtree and Jackson together with an extension of their detective prowess. Director Tim Story created a familial driven movie centered around three different generations of SHAFT men. Roundtree plays the grandfather; Jackson plays the dad—and Jessie T. Usher plays the son. All three embark on a mission that’s laced with dirty politics, Islamophobia, and highflying action in efforts to solve a seemingly homicidal death.

The dynamics between all three are hilarious and dotted with lessons learned from past paternal influences. On a recent sunny Friday afternoon at Harlem's Red Rooster, the trio shared some of the traditions and virtues the paternal figures in real life have taught them. Most of the influence passed down to them was centered on working hard.

“People say to me, ‘Why do you work so much?’” Jackson said. “Well, all the grown people went to work every day when I got up. I figured that’s what we’re supposed to be doing—get up, pay a bill, and take care of everything that’s supposed to be taken care of.”

“For my family, it was cleanliness and masculinity,” Usher added. “The guys in my family were always well put together, very responsible especially my dad.”

In spite of the SHAFT men's power, the film's story wouldn’t be what it is without Regina Hall and Alexandra Shipp’s characters. They both play strong women caught in the middle of the mayhem created by the men they care about. Both are conscious of the power they exhibit as black women off and on screen, yet are aware of the dichotomy of how that strength is perceived in the world.

“It’s very interesting because I think a lot of times as powerful black women we are seen as angry black women,” Shipp says. “So it’s hard to have that voice and that opinion because a lot of times when we voice it; it becomes a negative rather than a positive. In order to hold that power, it has to be poised. It has to be with grace, I think there is strength in a strong but graceful black woman.”

“People have an idea of what strength is and how you do it and sometimes it’s the subtleties,” Regina adds. “Sometimes our influence is so powerful and it doesn’t always have to be loud I think a lot of times how we navigate is with conviction and patience.”

VIBE chatted with the cast of SHAFT about holding power, their red flags when it comes to dating, and why the SHAFT legacy continues to live on. Watch the interviews below.

Continue Reading
Getty Images

Birdman and Benny Boom To Produce Indie Nigerian Film 'Tazmanian Devil'

Benny Boom's extension into feature films continues with help from the Cash Money honcho Bryan ‘Birdman’ Williams with the two producing Nigerian drama, Tazmanian Devil. 

According to Deadline, the project comes from Solomon Onita, Jr. The budding filmmaker previously submitted a pitch for his film to BET's ProjectCre8 Filmmaking Contest. While it didn't take the winning prize, the film will still see the light of day thanks to financial funding by Boom’s Groundwurk Studios and Williams’ Cash Money Films. Boom previously directed All Eyez On Me and episodes of Empire, Black Lighting and Tales.

The indie film centers on a young man who moves to America from Nigeria with his estranged father but the two are at odds over the student's decision to join a college fraternity. The coming of age drama will highlight the cultural differences between black lives and how fraternities are seen from unique perspectives.

Birdman expressed his excitement over the film and working with longtime collaborator Boom. "Benny and I have often discussed making films together and this project presented us with the perfect opportunity to produce a great movie," he said. The duo has worked together on other projects circling music dating back to the early 2000s, they have also collaborated on music videos for Hot Boyz, Juvenile, Big Tymers, Lil Wayne; recently Jacquees, Nicki Minaj and Drake.

"I have been creating visuals for Cash Money artists for decades and I am excited about this next phase of our collaboration," says Boom.

Groundbreaking actors/actress Abraham Attah (Beats of No Nation), Adepero Oduye (When They See Us), Ntare Gunna Mbaho Mwine (The Chi) and Kwesi Boakye (Claws) are cast to star in the film.

Birdman's first film was the documentary entitled, Before Anythang: The Cash Money Story. The film was produced out of Cash Money Film's division of Cash Money Records.

Onita Jr. also has produced two short films, Two Hand Touch (2017) and Witch Hunt (2016). He was the writer for the short film Joy (2015).

Tazmanian Devil is currently in post-production with no official release date.

Continue Reading
Grace Bukunmi

Kid Cudi Lands Role In ‘Bill & Ted Face The Music’

Kid Cudi has joined the cast of Bill & Ted Face the Music, the third installment in the film series starring Keanu Reeves and Alex Winter. Details about the Grammy winning rapper’s role have yet to be unveiled.

Cudi is building a solid list of acting roles which include HBO’s How to Make it In America, The Cleveland Show, Need for Speed, Entourage, Brooklyn 99, and the comedy, Drunk Parents starring  Salma Hayek and Alec Baldwin.

According to Entertainment Weekly, Bill & Ted Face the Music is centered around time traveling duo, Bill and Ted, as they head out on a mission to “save life as we know it” and bring universal harmony.

The first film in the series, Bill & Ted’s Excellent Adventure, was released in 1989. The sequel, Bill & Ted’s Bogus Journey debuted in 1991.

Reeves and Winter announced the film threequel in March, with a video message from the Hollywood Bowl thanking fans for spearheading the project. “It is all because of you guys so we owe you a huge debt of gratitude,” said Reeves.

Bill & Ted: Face the Music is slated to hit theaters on Aug. 21, 2020.

Continue Reading

Top Stories