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Lollapalooza 2017: Jidenna Brings Fly Vibes, Run The Jewels Meet Rapping Fan, Vic Mensa's Surprise Set Hit Day 2

With clouds looming overhead and Fall temperatures garnering the use of hoodies and long sleeves, Day 2 of Lollapalooza was all-around cool. One hour after doors re-opened and as festival goers trickled in, numerous acts took to various branded stages, like BMI, Pepsi and Perrys. The 26th annual music festival came back to life and with much dryer weather, artists were able to perform fan-favorites before thousands of music lovers.

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Jidenna Performed A-1 Classics, Man


When it comes to rocking a 3-piece burned orange suit while rapping, singing and dancing, Jidenna has got it down pat. The Wondaland artist hit the Grant Park stage to perform jams from his debut studio album, The Chief. After his DJ and band (dressed in all white, by the way) got the crowd hyped for his entrance, the one & only emerged with fresh navy-blue Chucks to his staple introductory track, "Chief Don't Run."

In between performances of salutary "Long Live the Chief," the party-startin' "The Let Out," the soothing lullaby, Bambi and much much more, Jidenna switched up his smooth swag with a black, hooded jacket and a black, fitted Chicago-stamped snapback.

With the weather looking less than perfect and sunny, The Chief brought the much needed warm and high-energy needed to start the day's musical festivities.

The Lit Part: When the "Classic Man" came on and had everyone dancing with their hands up in the air, and yes like they just don't care. Oh, and Jidenna got down with the dance moves while performing "Little Bit More."

Go, Jidenna.

Vic Mensa Joined The Bill Because You Put On For Your City


Shortly after producer Gramatik finished his electronic-meets-hip-hop set, Chicago's own Vic Mensa walked onto the Perrys stage to his The Autobiography track, "Say I Didn't" for a surprise 15-minute set. The Roc Nation artist had the crowd lit during performances of "U Mad," "Rollin Like A Stoner" and mosh pits formed throughout the audience when room and shoving allowed it.

Before heading off the stage before the next act, Mensa took a moment to bring the energy down and pay tribute to those who have died at the hands of police brutality.

"I dedicate this to all the lives lost in Chicago," he gently voiced before the Ty Dolla $ign song "We Could Be Free" echoed from the speakers. Vic's singing fell over the audience and solemnly served words of reality and the beautiful potential of tomorrow's society.

'Round of applause. You better, Vic.

That Wack Part: The festival organizers could've given him more of a spotlight via flashlight or something. Mensa could barely be seen on the dark stage.

Run The Jewels Address Suicide, Rap With A Fan


Hip-hop was alive and well when Killer Mike and El-P took the Grant Park stage at this year's Lollapalooza. Aside from their hard-hitting flow and duo chemistry, Run The Jewels reeled in thousands for their musical party. With performances of "Stay Gold," "Hey Kids (Bumaye)," "Lie Cheat, Steal," it was hard to stand still or refrain from nodding your head to the beat.

Interaction with the crowd was fun, even if you couldn't squeeze your way to the front. The humorous moments between the fellas reminded you just how special their dynamic, 6-year friendship is though you would've thought they've known each other longer. Killer Mike helped with a bit of crowd control after a while, asking everyone to take "1 step back on the count of three," to alleviate the pressure put on those who waited all day for a chance to stand in the front rows.

In true artist fashion, the rappers took a moment to dedicate a song to the late Linkin Park lead singer, Chester Bennington. Before doing so, Run The Jewels spoke about the importance of utilizing the ones who love you during dark times and that there are people around you who care.

"We hate seeing people leave. Because we know, we've been there. We've seen the darkness," expressed El-P. "We know what it's like to feel like there is literally nothing out there for you. I'm here to f**king tell you that if you stick around, that sh** will change. But we need you to stick around. We need you here."

That Fun Part: One lucky fan named Jacob was selected out of the crown to rap with Killer Mike and El P. Why? Because he held up a sign saying, "Let me rap legend has it." And rap he did. He knew every lyric and held it down when it came to the flow.

Nice.

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You can watch performances from Day 2 of the 4-day music festival over on RedBull TV's live broadcast/replay channel.

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YG Takes The "Stop Snitchin" Rule Back To Slavery Days In New Video

YG is trying his hand at more cinematically stimulating music video fare for his newest release. For the past two weekends at Coachella, the Compton, Calif. rapper worked through grief and treated the massive crowd to a brand new single from his forthcoming album, 4REAL 4REAL.

During his Coachella set, "Stop Snitchin" called out loose lips from the likes of Tekashi 6ix9ine and others, but the official video released today (April 24) pivots in a totally different direction: to slavery. In the slightly comical visual, YG plays one of several slaves who plots to escape the plantation in search of freedom. However, an individual reluctant to flee falls behind on the night in question and, as the song title suggests, rats them out.

Don't expect the video to be any sort of conscious offering—it gets a little weird when he's hanging from a tree—but if you need a chuckle-inducing break from a stressful day, let a dancing, old cloth-wearing YG be your relief.

As you wait for the fast-approaching release of his album, now due on May 3, watch the video for "Stop Snitchin" up top.

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Lil Uzi Vert Returns With "That's A Rack" Music Video: Watch

Lil Uzi Vert is back! The rapper just dropped the music video for "That's a Rack" on Wednesday (April 24).

Nudity must be the theme of this video. The visuals open with Uzi weaving through rows of naked violinists and cellists. As it progresses, the camera shifts to naked women bathing and posing in blue paint.

"That's a Rack" arrives shortly after Uzi decided to come out of retirement. It follows "Sanguine Paradise" and "Free Uzi." "Free Uzi" was reportedly removed from streaming services, however, due to "licensing issues and copyright concerns."

Lil Uzi Vert is prepping for his next album, Eternal Atake. It's unclear when the album is slated to drop as Uzi has previously cited scheduling and production issues.

Watch the video for "That's A Rack" above.

 

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A post shared by 16 (@liluzivert) on Apr 23, 2019 at 4:28pm PDT

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Beyoncé performs onstage during 2018 Coachella Valley Music And Arts Festival Weekend 1 at the Empire Polo Field on April 14, 2018 in Indio, California.
Larry Busacca/Getty Images for Coachella

Homecoming: The 5 Best Moments Of Beyoncé’s Documentary

Once Beyoncé became the first African-American woman to headline in its nearly 20-year history, we knew Coachella would never the same. To mark the superstar’s historic moment, the 2018 music and arts festival was appropriately dubbed #Beychella and fans went into a frenzy on social media as her illustrious performance was live-streamed by thousands. (Remember when fans recreated her choreographed number to O.T. Genasis’ “Everybody Mad”?)

With a legion of dancers, singers and musicians adorned with gorgeous costumes showcasing custom-made crests, the singer’s whirlwind performance honored black Greek letter organizations, Egyptian queen Nefertiti, and paid homage to historically black colleges and universities (HBCUs). Aside from the essence of black musical subgenres like Houston’s chopped and screwed and Washington D.C.’s go-go music, the entertainer performed “Lift Every Voice and Sing,” also known as “The Black National Anthem,” and implemented a dancehall number, sampling the legendary Jamaican DJ and singer, Sister Nancy, to show off the versatility of black culture.

One year after #Beychella’s historic set, the insightful concert film, Homecoming, began streaming on Netflix and unveiled the rigorous months of planning that went into the iconic event. The 2-hour 17-minute documentary highlights Beyoncé’s enviable work ethic and dedication to her craft, proving why this performance will be cemented in popular culture forever. Here are the best moments from Beyoncé’s Homecoming documentary.

The Intentional Blackness

“Instead of me bringing out my flower crown, it was more important that I brought our culture to Coachella.”

Throughout the documentary, Beyoncé made it known that everything and everyone included in the creative process leading up to the annual festival was deliberately chosen. “I personally selected each dancer, every light, the material on the steps, the height of the pyramid, the shape of the pyramid,” says Beyoncé. “Every tiny detail had an intention.” When speaking on black people as a collective the entertainer notes, “The swag is limitless.” Perhaps the most beautiful moments in Homecoming are the shots that focus on the uniqueness of black hair and its versatility. What’s appreciated above all is the singer’s commitment to celebrating the various facets of blackness and detailing why black culture needs to be celebrated on a global scale.

Beyoncé’s Love And Respect For HBCUs

#Beychella — which spanned two consecutive weekends of Coachella’s annual festival — was inspired by elements of HBCU homecomings, so it was no surprise when the singer revealed she always wanted to attend one. “I grew up in Houston, Texas visiting Prairie View. We rehearsed at TSU [Texas Southern University] for many years in Third Ward, and I always dreamed of going to an HBCU. My college was Destiny's Child. My college was traveling around the world and life was my teacher.” Brief vignettes in the film showcased marching bands, drumlines and the majorettes from notable HBCUs that comprise of the black homecoming experience. In the concert flick, one of the dancers affectionately states, “Homecoming for an HBCU is the Super Bowl. It is the Coachella.” However, beyond the outfits that sport a direct resemblance to Greek organizations, Beyoncé communicated an important message that remains a focal point in the film: “There is something incredibly important about the HBCU experience that must be celebrated and protected.”

The Familiar Faces

Despite being joined by hundreds of dancers, musicians and singers on-stage, the entertainer was joined by some familiar faces to share the monumental moment with her. While making a minor appearance in the documentary, her husband and rapper/mogul Jay-Z came out to perform “Deja Vu” with his wife. Next, fans were blessed by the best trio to ever do it as Kelly and Michelle joined the singer with renditions of their hit singles including “Say My Name,” “Soldier,” and more. On top of this star-studded list, Solange Knowles graced the “Beychella” stage and playfully danced with her older sister to the infectious “Get Me Bodied.”

Her Balance Of Being A Mother And A Star

Originally slated to headline the annual festival in 2017, the singer notes that she “got pregnant unexpectedly...and it ended up being twins.” Suffering from preeclampsia, high blood pressure, toxemia and undergoing an emergency C-section, the entertainer candidly details how difficult it was adjusting post-partum and how she had to reconnect with her body after experiencing a traumatizing delivery. “In the beginning, it was so many muscle spasms. Just, internally, my body was not connected. My body was not there.” Rehearsing for a total of 8 months, the singer sacrificed quality time with her children in order to nail the technical elements that came with the preparation for her Coachella set. “I’m limiting myself to no bread, no carbs, no sugar, no dairy, no meat, no fish, no alcohol … and I’m hungry.” Somehow, throughout all of this, she still had to be a mom. “My mind wanted to be with my children,” she says. Perhaps one of the most admirable moments in the film was witnessing Beyoncé’s dedication to her family but also to her craft.

The Wise Words From Black Visionaries

Homecoming opens with a quote from the late, Maya Angelou stating, “If you surrender to the air, you can ride it.” The film includes rich and prophetic quotes from the likes of Alice Walker, Nina Simone, Toni Morrison, and notable Black thinkers, reaffirming Beyoncé’s decision to highlight black culture. The quotes speak to her womanhood and the entertainer’s undeniable strength as a black woman.

Blue Ivy’s Cuteness

Last, but certainly not least, Blue Ivy‘s appearance in the concert film is nothing short of precious. One of the special moments in the documentary zeroes in on the 7-year-old singing to a group of people whilst Beyoncé sweetly feeds the lyrics into her ears. After finishing, Blue says: “I wanna do that again” with Beyoncé replying with “You wanna be like mommy, huh?” Seen throughout Homecoming rehearsing and mirroring Beyoncé’s moves, Blue just might follow in her mother’s footsteps as she gets older.

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