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Spotify Removes Music By White Supremacist Bands

The move came after Digital Music News posted a story headlined "I Just Found 27 White Supremacist Hate bands On Spotify."

Spotify says it has removed an array of white-supremacist acts from its streaming service that had been flagged as racist "hate bands" by the Southern Poverty Law Center three years ago.

The move came after Digital Music News posted a story headlined "I Just Found 27 White Supremacist Hate bands On Spotify," bringing the content to Spotify's attention.

A Spotify spokeswoman told Billboard in a statement that while the music in its catalog comes from hundreds of thousands of record companies and aggregators all over the world, and those are "at first hand responsible" for the content they deliver, "illegal content or material that favors hatred or incites violence against race, religion, sexuality or the like is not tolerated by us."

"Spotify takes immediate action to remove any such material as soon as it has been brought to our attention. We are glad to have been alerted to this content - and have already removed many of the bands identified today, whilst urgently reviewing the remainder," she said in the statement.

Spotify, which counts tens of millions of tracks, is also reviewing the possibility of blocking this type of content from future music recommendations, while pushing a new playlist called Patriotic Passion that includes a Jimi Hendrix rendition of the Star Spangled Banner, Lady Gaga's "Americano," and Khalid's "American Teen."

"It's a soundtrack to an America worth fighting for," the spokeswoman said in a separate statement.

In trying to keep hate music off their services, Spotify and other music-streaming companies face a tricky task in determining what to remove and what to protect from their vast libraries in the interest of free speech. Deciding whether such content is legal is difficult given the range of laws in different markets, and the task requires careful listening, given the often coded racist slang used in such tunes. There's also a fear of bringing more attention to hate bands by making them into a legal issue, experts say. Deezer last year launched a site where users could report hate music and help it clean up questionable songs.

Most of the groups listed by Digital Music News had tiny followings and listen counts, but the site's Paul Resnikoff wrote that "in the wake of violent clashes in Charlottesville and an increasingly vocal, post-Trump white supremacy voice, the presence of white supremacy music on Spotify takes on a different light."

Resnikoff also pointed out that thanks to digital music services' increasingly sophisticated recommendation engines, it "was pretty easy to find hate-oriented groups simply by referencing similar artists on Spotify itself."

This article originally appeared on Billboard

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Judge Sides With Nicki Minaj In Tracy Chapman Court Battle

A judge has sided with Nicki Minaj in her legal dispute with Tracy Chapman. U.S. District Judge Virginia A. Phillips ruled that Minaj’s song “Sorry” falls under the “fair use” and not copyright infringement as Chapman claimed, Variety reports.

Minaj was reportedly unaware that her song, “Sorry,” featured lyrics and a bit of the melody from Chapman’s 1988 track, “Baby Can I Hold You” when it was recorded. She  reached out to Chapman to get permission to use the song but was ultimately turned down. Since she couldn't get legal clearance, the track never made it to the Queen album, but Chapman’s attorneys accused Minaj of leaking the track to Funkmaster Flex. Although Minaj confirmed sending Flex an Instagram message about the song, she denies actually sending it. “I had a change of heart,” she later testified. “I never sent the recording.”

Flex said that he obtained the recording from a “blogger,” not Minaj.

In her decision, Judge Phillips reportedly noted that artists tend to “experiment” with music before they attempt to get proper licensing.

“Artists usually experiment with works before seeking licenses from rights holders and rights holders typically ask to see a proposed work before approving a license,” the judge wrote. “A ruling uprooting these common practices would limit creativity and stifle innovation within the music industry.”

Despite the ruling, the question remains over whether or not Minaj should be held liable for the song being leaked. Last month, Minaj’s attorneys filed court papers requesting that Chapman’s motion for a summary judgment be denied in full.

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Big Sean Debuts ‘Deep Reverence’ Feat. Nipsey Hussle

Big Sean delivered his collaboration with Nipsey Hustle “Deep Reverence” on Monday (Aug. 24). The 32-year-old rapper decided to drop the song after  finishing up his highly anticipated Detroit 2 album due out next week.

“My heart and my gut was saying not only do people deserve that song right now,”  Sean tweeted on Tuesday (Aug. 25). “I felt like hearing nips [sic] voice, his presence and the energy of the song itself was needed and deserved it’s own moment!”

A snippet of the song debuted during Hit-Boy and Boi1da's Verzuz battle in April. Sean said that he has wanted to release the song ever since then.

“My label (a few people there, not the whole label) thought it wasn’t smart to put this song out ahead of my album, they told my team I should hold on to it...they still supported my decision in the end tho [sic],” he explained in another tweet.

The record opens with a clever and poignant verse from Nipsey. “F*ck rap I’m a street legend, block love me with a deep reverence,” he raps. “I was birthed in a C-section/Hella cops and police presence, we got opps so we keep weapons. We on y’all block while y’all eat breakfast. A lot of shots, we broke street records. Watch how you talk, I got reflexes.”

 

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Rest In Power bro! The World miss you n need to hear your voice! DEEP REVERENCE OUT NOW 🏁💙🙏🏾 Prod by. @hitboy & @g.ryomo

A post shared by BIGSEAN (@bigsean) on Aug 24, 2020 at 9:07pm PDT

On Sean’s verse, he reveals that he reached out to Kendrick Lamar after Nipsey was killed and addresses the alleged beef between him and the Compton MC. Fans also believe that he hinted at  Jhené Aiko suffering a miscarriage. “Should be a billionaire based on the time off I’m not takin,’” raps Sean. “Probably why the sh*t with me got crazy and we lost a baby.”

Detroit 2 is executive produced by Hit-Boy, Sean and Kanye West. The album drops on Sept. 4.

Listen to “Deep Reverence” below.

 

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My fifth album #Detroit2 September 4th 🌎✊🏾🌹🖤 🌟 🙏🏾

A post shared by BIGSEAN (@bigsean) on Aug 24, 2020 at 11:15am PDT

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Listen To Brandy's Highly Anticipated ‘B7’ Album

Brandy’s new album, B7, arrived on Friday (July 31). Led by the single “Baby Mama,” the 15-track album about love, heartbreak and growth, includes appearances from  Chance the Rapper, Daniel Caeser, and Brandy's teenage daughter, Sy'rai Smith, who joins her mother on the track “High Heels.”

Along with the new album -- her first since 2012 -- Brandy debuted the music video for her latest single, “Borderline.”

“I spilled so much of my heart on this album,” she proudly told fans during a listening party on YouTube on Thursday (July 30).

In a more sobering moment from the virtual party, Brandy opened up about the death of her friend and producer, Lashawn Daniels. “It feels very strange although I’m excited and grateful to have the music out, it’s just hard not having him here to hear the complete project,” she said.

“But I take him with me wherever I go. I know everything he ever said to me, ever taught me, and what he told me, I can hold onto that. If I ever feel down about my gift there’s a few things that he told me to remind me that I have no reason to feel down at all.”

Speaking with Billboard, the Grammy winner discussed the importance of Black female R&B artists sharing content, especially during these turbulent times.

“I believe that music heals. Music is the language that we all speak. It is what we all need, and I feel like we need it more now than we ever have,” she explained. “This is the year where we all need to feel like we have something to get us through. ... I was a little hesitant with putting out music in this time because, of course, you want to speak to the times. And I'm thinking, ‘My music is not about exactly what's going on right now.’ But then I thought, ‘But this is the time where people need to feel like they have something to just escape and just help them heal.’ ...that's what made me feel better about releasing [the album].

“And I think that we don’t want to feel alone,” added Brandy. “We need to feel community, we need to feel togetherness, we need to feel love right now. And I think music is the best way to feel that. It’s the shortcut to feeling that right away.”

Stream B7 below.

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